If you are a regular reader here, you probably know how much I like Usui Shio’s recent work in Comic Yuri Hime. I’ve been really happy with Kaketa Tsuki to Donuts / Doughnuts Under a Crescent Moon. That series is not the only one Usui-sensei is working on for the magazine. Running concurrently has been another story, one that is quite different.

Onna Tomodachi to Kekkonshitemita, Volume 1 (女ともだちと結婚してみた。) is comedy drama about two best friends, Kurumi and Ruriko. Ruriko is a day person. She wakes up early, cooks breakfast and heads out to her day job. Kurumi, a journalist, is a night person. She heads to bed after Ruriko leaves, waking up later to work into the night. Kurumi is working on an assignment right now, and she and Ruriko are the test subjects – Kurumi is writing a series about being married to a woman.

Friends for years, Ruriko and Kurumi agree that they *will* go back to being friends when this experiment is over, but we know that unbeknownst to Kurumi, Ruriko is in love with her.  So…will they, really? I don’t know…and I don’t think they do either.

After the initial setup of their “marriage,” something begins to happen. Kurumi is depending on Ruriko a lot. And she’s starting to think about her all the time, which is new for her. On a solo overnight, she keeps thing about Ruriko, or even talking to her, without thinking about it.  Ruriko is already in that headspace. In a terrific scene, Ruriko takes a picture of a lone daikon laying in the street and thinks, “Kurumi will love this.” Kurumi loves it.

Ruriko starts to not feel well, but she doesn’t want to bother Kurumi. When Kurumi comes home and find Ruriko not there…and gets a message that she’s in the hospital, Kurumi runs over, asking for her wife at the front desk. Once assure Ruriko is okay, Kurumifinally gets a bit angry. They are married after all, Ruriko should have said something!

Will they make a real marriage out of this sham? I think they will…but I’m glad to give them as much time as they need. ^_^

This series is drawn with Usui-sensei’s gentle art style. Both Kurumi and Ruriko are likable, separately and together. While Kurumi occasionally comes off as thoughtless, that is because we’re likely to be on Ruriko’s side, gently hoping that she gets to express her true feelings. (Something that they are edging closer to in future volumes.)  This series is more goofy and light-hearted than Doughnuts, but at its heart has a similar core value – love takes many forms, but can not be returned if it’s not expressed clearly.

I’m hoping that if…when…Ruriko and Kurumi express their feelings clearly, it’ll be a good thing for them both.

Ratings:

Art – 8
Story – 8 then shifting to 9 by the end
Characters – same
Service – 0
Yuri – 6

Overall – 8, with loads of potential

My fingers crossed that we see this licensed soon, for the “She’s my wife!” moment at the very least. ^_^

What is love? How do we fall in love? What does that even mean? How do we make space in lives that are full already, for other people?

In Kaketa Tsuki to Donuts, Volume 3 (欠けた月とドーナッツ), Hinako and Asahi are wrestling with these questions and others. They aren’t the only ones, either.

The story begins with a crisis from an unusual quarter: Subaru is not planning on taking the college exams. Asahi, who has been working on the assumption that her younger sister would go to university, is confronted by an immovable will. Subaru has watched her older sister sacrifice everything for her and, frankly, doesn’t want that any more. They have a fight, Subaru says she’s leaving. Asashi insists it’s too late, so she’ll leave. And so she does, ending up with Hinako.

This precipitates a crisis with Fuuka, who is tired of waiting to be noticed. It’s too little, too late, but it does clear the growing miasma. Asahi and Hinako both have come to a realization about what they want…but they both, in their own different ways have no how idea to understand their own needs and desires. More importantly, they haven’t found a way to talk to each other about it all.

I love this series. I love how complicated every character is, how neither Asahi nor Hinako have any context for what I’ll call romantic affection in their lives, for completely different reasons. Asahi, who has prioritized her sister, is discovering her sister has other plans than the track Asahi expects. When that sister is off on her own, will Asahi even be able to prioritize herself? Hinako had been trying to fit herself into a path that does not fit and ever day is finding that path more confusingly unsuitable… . Now she’s starting to see the direction she needs to head in.

And for both these women, Fuuka and Subaru can see more clearly than they and know that they cannot squeeze too hard, or these fragile emotions will break.

I am interested in a frank conversation Fuuka and Hinako have here, about Hinako’s desire for Asahi. Hinako realizes that, while yes she does want to be with Asahi, she does not seem to have desire for her. As I am reading ahead a bit in Comic Yuri Hime magazine, I hope that this expression of asexuality is not tossed aside causally as it was in Bloom Into You. I’d like to see Hinako continue to be asexual, as opposed to her having never felt desire for her boyfriends because they were guys. For no particular reason I can verbalize, I trust Usui Shio-sensei more on this matter. I may be wrong, of course. It’s clear that Asahi and Hinako are on a course to, at the very least, be by each other’s side. What that relationship will look like is still in the future…but not that much more in the future, as this series is ending with Volume 4. (This link goes to Yuri Anime News, a great bunch of folks who translate JP Yuri news into English. Follow them on Twitter!)

Could I read about these characters forever? Yes. Should I? No. This story is going to end, and that’s okay. Usui-sensei has more to come and I will be here for it.

Ratings:

Art – 9
Story – 9
Characters – 9
Yuri – 6
Service – 0

Overall – 9

Volume 2 of Doughnuts Under a Crescent Moon is out now in English, from Seven Seas and Volume 3 will arrive next March. You can pre-order it through this appropriately labeled affiliate link to Amazon, or, as soon as it’s listed on all of our multiple vendors, on the Yuricon Store. ^_^

In Volume 1, we met Hinako, a woman who is crumbling under pressure to conform to society’s requirements for a “good” life and Asahi, a woman who has cast aside any interest in conforming for her own reasons. Usui Shio’s Kaketa Tsuki to Donuts, Volume 2 (欠けた月とドーナッツ) brings them to a whole new level of intimacy between two adult women who are very tentative about trusting someone else with their true selves. I know I have said this before, but it bears repeating – I adore this series. There’s nothing melodramatic here, just quiet real-life concerns, and two women whose loneliness had become a fact of their lives that they didn’t think they could do something about.

In Volume 2, Hinako is desperately trying to not impose on Asahi and Subaru but, equally desperately, loves spending time with them. When Subaru asks Hinako bluntly to please, please free her sister from her own choices, Hinako finds a little courage to admit that she actually wants to do that…and then, magically, takes steps to do so. It’s becoming increasingly obvious that her feelings for Asahi are more than she’s willing to cope with, until she meets Fuuka, Asahi’s ex (bing bing! the bell goes off in Hinako’s head) and best friend. Fuuka makes Hinako look her own feelings straight in the face and acknowledge them.

As for Asahi, we learn why she’s so removed from her own life. She’s made choices that prioritize Subaru over herself. This will not go unnoticed by her little sister, who simultaneously wants Asahi to have a happy life of her own, for herself to be free of obligation and to forge her own path forward. To be fair, Subaru really likes Hinako and is clearly rooting for the two older women to get together, for all the reasons.

I absolutely love everything about this story. The characters are all entirely likeable and we cannot help but root for them, not just to get together, but to be happy. I love the art, which is stylish and clean, and the constant touches that make this story feel so firmly rooted in adult women’s lives. Clothing and makeup and food and peer pressure and work concerns….these could be real people who you might know.

The struggles are internal, the drama is internal. This is not the explosive hyper-dramatic relationships of high school. It’s not even a messy relationship. It’s just really…tentative. And we want, so very much, for everyone to be happy. If Hinako and Asahi end up happy together, then yay for all of us. ^_^

Ratings:

Art – 9
Story – 9
Characters – 9
Yuri – 6
Service – 0

Overall – 9

Volume 1 is already available from Seven Seas and Doughnuts Under a Crescent Moon, Volume 2 is headed your way in August, so get ready for some grown-up feels!

Hinako understands what is “normal.” Her whole life she’s been told that for a woman, looking pretty, always smiling, wearing stylish clothes and makeup so that you can date a nice man and eventually marry and have a family is “normal.” And so, she does the normal things. But she knows she’s not “normal,” because she hates these things and hates herself for trying and failing to be what is expected of her. After yet another failed attempt at normality, Hinako meets a colleague, the apparently austere Satou Asahi, who is kind to her in a way Hinako has never experienced before. Slowly, Hinako begins to build a picture of what her own normal could be and it shakes her life up completely.

Yesterday I said that its rare to see a Yuri manga that really does the work – Doughnuts Under a Crescent Moon, Volume 1, by Shio Usui does the work. There are no major handwaves here. Hinako doesn’t meet Asahi, get swept away and they live happily ever after. Instead, Asahi becomes a role model for Hinako to build a life for herself that makes her happy, something she had never before considered. Hinako still struggles with doing what is expected because it is expected, but Asahi is there showing her that it does not have to be accepted. Asahi believes in Hinako. As Asahi and Hinako grow closer, Hinako starts to believe in herself, as well.

This manga was tied for first (along with three other manga) on the Okazu Top Yuri Manga of 2020. There’s no secret as to why – I love everything about this manga. Usui-sensei’s art is exactly in my wheelhouse, the characters are terrific, the narrative is centered on self-acceptance and growth as a human. I’m so pleased that you too can read and enjoy this series now that it’s out in English from Seven Seas.
Jenny McKeon’s translation is terrific and has caused me to coin a new phrase – “light touch” translation, by which I mean the translation avoids heavy-handed literality in favor of feel and sense – i.e., how do we, as humans in 2021 say that in English, as opposed to how it was written in Japanese.  I very much liked the light touch here, where it felt completely right.

Ratings:

Art – 8
Story – 8
Characters – 8
Yuri – 6
Service – 0 Not so much as a bath scene. What a pleasure

Overall – 8

As usual, the entire Seven Seas team did a great job bringing you one of my favorite manga I am reading right now as it is serialized in Comic Yuri Hime magazine. Some exceptional moments coming your way in Volume 2 when that hits shelves in July, I assure you.

My thanks to Seven Seas for the review copy, which means I will have an extra copy to give away when it shows up later this month.

To enter, put a comment below, telling us about a favorite food that always lifts your spirits! Mine is cookies. I love cookies and they never fail to make me happy. ^_^ Make sure you add in an email you actually use!

An utterly delightful Yuri manga about adults, centered on self-acceptance and growth as a human. Win-win-win!