Archive for the Western Comic/Comix Category


LGBTQ Comic: The Infinite Loop, Issues 1-4 (of 6)

August 21st, 2015

TIFL1When I first heard that Pierrick Colinet and Elsa Charretier’s series The Infinite Loop had been licensed by IDW, I was immediately intrigued. For one thing, this series is a Bande Dessinée (BD), a French-language comic. We in the USA are just starting to get a real grip on the breadth and depth of the BD industry. International comics shows that specialize in cross-cultural exchange, such as Toronto Comic Arts Festival, Tokyo International Comics Festival and Angoulême International Comics Festival are making it easier than ever before for fans and creators to reach past borders and get to know the broader range of comics globally.

In addition, The Infinite Loop is a science fiction series. I know I’ve mentioned this from time to time, but when I was in my early years of reading all the lesbian literature I could find, a great deal of it was science fiction. The speculative nature of that genre and fantasy were comforting to LGBTQ writers who were not yet afforded a place on bookstore shelves.  In recent years, LGBTQ sci-fi and fantasy have been vital and thriving…but not so much in comics. Scifi particularly, and comics have mixed less than one might suppose, given the crossover fandom.

So, yay, a BD about a lesbian that is a sci-fi story! Win, win, win.

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Teddy is a time traveler, whose job it is to clean up time anomalies, left by tourists and terrorists and anyone fucking with the time stream. Agents have a relatively short shelf-life, as infinite possibilities and selves play havoc with their sanity and Teddy is the agent who has been active the longest. Teddy’s good at getting rid of anomalies, until she encounters one that looks like a beautiful woman who is in danger. Teddy immediately protects her and takes ‘Ano’ to safety.

Teddy’s partner is Ulysses, a meaty guy with an overt crush on his partner. But he’s put in a very tight spot when Teddy violates the rules.

The art is adorable in a retro futuristic way, almost Jetson-y. The color palette is vibrant. I love the panel design, the crazy paving works especially well when Teddy is having schizophrenic conversations with herself, or multiple things are happening simultaneously in various timelines.

I generally like the story, and will certainly read it to the end, but there are some problematic areas. Of these, the first real problem is something I can only express as a “man writing a lesbian as if she were a female-shaped man.” Now, I am aware that there are crass, vulgar women on the planet, but of the lesbians I myself know, none of us are in the habit of referring to other women as having “nice boobs” except, perhaps, in bed. There is a male-gazeness about Teddy that grates on me ever so slightly. This continues throughout, with dialogue that is supposed to be cutesy, sexy jokes, but just come off as icky-making, eye-rolling double entendre’s. I’ll hope that the humor was merely lost in translation. The writer himself outs himself in the afterword, so it is not an issue of “straight guy writing lesbian wrong,” just a guy writing lesbian oddly. ^_^

This is a small, but persistent irritation, but not my biggest complaint. And even this is not “big” it just really stands out. On Twitter I commented “Writers, please do not introduce characters for the sole purpose of treating them badly to prove the bad guys are bad. It’s weaksauce.” And, in a nutshell, that’s the problem. Spender and Prospekt are the bad guys (so far). They are two more meaty guys who arrive on the scene with a load of misogynist, homophobic and transphobic insults, this way we know they are bad people. Then they kill a perfectly innocent person so we know they are really bad. Really, really bad. Yeah, we got it. They could have been multi-faceted, complex characters, instead they are just two-dimensional violent sociopaths who have somehow made it to the top of the organization, while Teddy, who is at least as skilled, is persecuted for her relationship. I think I’ve read this one before.

Once again I find myself wishing this was in manga page count, rather than western comics “squeeze the story in quickly, then spend 4 pages on a sex scene! Hurry Hurry!” mode.

The Infinite Loop is not yet available as a single volume, but the collected volume is being released in December 2015, it is listed on the Yuricon Store. I’m reading individual issues on Kindle. (Issues 1 | 2 | 3 | 4 | 5| 6 TBD). The kindle app breaks the complicated  panels up for slightly easier reading, but also allows a full page mode to see the full effect. Overall, a very decent reading experience.

Ratings:

Art – 8
Character – 8
Story – 7, could be higher, depending on the resolution
Service – 7 there is a sex scene
Yuri – 8

Despite minor distractions, there are some genuinely interesting turns of the story. As I say, I’m still reading and looking forward to the resolution.





LGBTQ Webcomic: The Hues

August 9th, 2015

TheHuesV1A few months ago, I had the pleasure of backing a Kickstarter for Alex Heberling’s webcomic The Hues. A post-apocalyptic magical girl series isn’t a new idea, but “new” and “original” are overused and overrated. What I am actually looking for is a good story.

By good story I mean characters that are not a checklist of components, have complexity and personality and a plot that actually uses these characteristics, not just tortures the characters for our amusement. I realize that by saying this I have castigated about 97% of modern media entertainment.  In one of my reviews of Sound of the Sky (which I tried hard to like, but ended up loathing), I said this:

“…so many anime studios have [fear] of *telling us an actual story.* It’s as if they cannot, will not and obviously do not feel comfortable with a female cast in a serious drama, and must relentlessly infantilize them so we can never, not for one second, take them seriously.”

I had a similar problem with Sound!Euphonium, when I tried to watch it last night. When I watch or read a story, once the cast has been presented to me, I have a weird expectation of them actually doing something.

In The Hues, we first meet Sami, a young woman whose own fate she has been well aware of, but never understood, When everything hits the fan, Sami is shocked, but not surprised. She is joined by several other young women, Andrea, Hannah and Lauren, all of whom understand they have some part to play, but don’t yet know what that part is. And then the plot happens. That, my friends, is how you write a good story. The set-up is set up for the story, then the story happens. If the set-up *is* the story, it’s much less likely to be good.

The Kickstarter gave me Volume 1 of The Hues as a print edition. The color pages work very well in print and the print quality is exceptional, so everything has more depth and fullness to it than the webcomic. It’s a nice book and I’m glad to have it.

Volume 1 is primarily focused on setting the board and the pieces upon it, so we have little time to devote to character development. In Volume 2, we spend a bit more time with building the world, which admittedly is in flux, the characters and giving us more insight into the overarching plot.

In Volume 3, having carved out a refuge in this post-alien invasion world, the protagonists now have a bit of time to get to know each other. I pegged the lesbian character right away – not because she’s stereotypical. None of the characters embody stereotypes, in fact. Even the minor characters are diverse and developed. And while there is a fair amount of queerness among our protagonists, there is also a refreshing body type and ethnic diversity.

The Hues is an original, diverse and realistic take on magical girls in a sci-fi setting. It’s got solid, complex characters and a plot that still has a lot to be developed. Definitely worth reading. And since you can read it online for free, there’s no excuse, is there? ^_^

Ratings:

Art – 8
Story – 8
Characters – 8
LGBTQ – 7
Service – 0 so far

Overall – 8

See, Japanese anime studios? It can be done. Try using the characters you create to do something once in a while. You might like it. I know I would.





Western Comic: Rise – Comics Against Bullying

July 8th, 2015

Rise_1-463x700The older I get, the more I am convinced that it’s rare to feel normal. Too smart, too stupid, too hairy, too pale, too dark, too clumsy, too graceful…everything in life is stacked against everyone, honestly.

But it’s obvious to anyone with eyes and ears that some groups bear the brunt of systemic bullying. Kids are a horrible little microcosm of humanity, without the filters and buffers we (presumably, hopefully,) develop as adults.

Awareness of bullying – and of the depths to which bullying destroys people’s humanity, whether they are victims or bullies, is increasing and increasingly reported.  Not surprisingly, comic artists respond to this crisis by creating comics that are designed to take on issues surrounding bullying.

Rise: Comics Against Bullying, is a so-far two-issue anthology series published by Northwest Press, full of shorts designed to make people feel less alone, to explore all the facets of being  a bullying victim or a bully and, most importantly, to increase empathy for others. In addition, proceeds of sales benefit organizations including GLAAD, Prism Comics, and Stand For The Silent.

Taking a look at people suffering from bullying as children, adults, and for any number of reasons, from health issues to cluelessness, these comics also address bullying of children by teachers, and the kind of bullying that develops in adult groups when scapegoats are chosen. Some stories included apologies later in life and others did provide closure of one kind or another – at least for the reader. Whether that closure would be sufficient in the real world when a child is being bullied by a parent or teacher is left unexplored.  Like all Northwest Press comics these issues are available in print and digital versions.

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RISE2Volume 1 and  Volume 2 include stories that take a fanciful perspective on bullying such as children geniuses calling out a brutal teacher, or a woman with health issues who channels her migraines into superpowers.Other stories stuck with the tried and true issues of bullying of gay kids or kids who like geeky stuff in school. These also took a moment to remind us to have empathy for those bullies who are themselves abused, neglected, fearful or scared.

These stories are presented in a way that “ought” to be palatable to any young person, but I don’t know how many kids who are being bullied will feel better reading a comic about it.

Ratings:

Overall – 9  Art and content are variably of interest to each reader, but very good as a whole

Thanks to Northwest Press for the review copies! As a bit of feel-bad-to-feel-good comic storytelling, Rise does two things – remind us as we are not alone and help us support causes that give marginalized people voices. And that is something I can get solidly behind.





Western Comic: Strong Female Protagonist, Volume 1 (English)

June 3rd, 2015

SFPV1Not too long ago, Alison Green was a “superhero.” That is to say, she is a “biodynamic” person, whose chromosonal instability gives her what we refer to in common parlance as “super powers.” But, honestly, Alison’s had enough of “fighting crime” with her super strength because it really isn’t helping anything. She’s as likely to destroy a building while saving the people inside…and she’s sick of it.

So Alison chose to unmask herself and try to be normal. It’s not working all that well, but she’s doing her best. She’s always done her best – at being a good guy, at being a good person, and it’s becoming more and more obvious to her that doing her best just isn’t really enough.

And with this, my dear readers, we are introduced to  Volume 1 of Strong Female Protagonist by Brennan Lee Mulligan and Molly Ostertag, the first collected volume of their ongoing webcomic which was funded through a Kickstarter campaign.

If there is a single word that I would use to describe this series, that word would be nuance. Alison is old enough and smart enough to see all sides of the issues her biodynamic powers bring up…and she’s intelligent enough to see that there’s not all that much that separates her from the bad guys.

It’s not an easy read, especially in places where Alison is brutally honest about the not-always-positive outcomes of her exploits as Mega Girl. The chapter where she learns that an erstwhile ally is making a sacrifice that is almost inconceivably horrible and sublime is especially difficult. But that is exactly why you all ought to read this comic. These characters are human, whatever their powers are.

The comic has one tic I’m still not entirely sure if I liked or not. Author and artiss comment on individual pages at the bottom. In some places it feels comfortable, like we’re in the middle of a conversation, or as if I’m listening to the commentary track, in other places it catapulted this reader out of the action and actually ruined the flow of the story. This kind of light commentary worked well in light moments, but was slightly intrusive in the heavier moments.

I did not actually expect any LGBTQ content, but there is some. While Alison is not gay, the most complicated character in the volume, Feral, is. She hit on Alison when they first met, and although it didn’t go anywhere, she still quite likes Alison. In a surprising use of this old chestnut, the well-worn trope adds to Alison’s respect and affection for Feral, rather than diminishing it. (Thinking about it, it recalls to mind Paula from Red Garden and her unreturned, but also unscorned affection for Kate.)

Overall, however, the entire story is so tightly told, so well-rendered, that I was enrapt, and read it in one sitting. Refreshing, nuanced, smart and emotional, Strong Female Protagonist is the superhero comic we need.

Ratings:

Art – 8 Solid, pleasant, easy to follow
Story – 10 Exceptional in concept and execution
Characters – 9
LGBTQ – 3

Overall – 9

This comic understands the human condition and nuance and does a stellar job of balancing the beautiful and the ugly. Most importantly, it doesn’t jettison the happy just to wallow in the gritty.





Western Comix: Underwire Comic (English)

April 19th, 2015

download (1)We are many things here at Okazu. We focus on lesbian-themed works, but are queer, female and minority creator – friendly. There are a lot of good works that we look at that don’t fit snugly into the “lesbian” category. However, that doesn’t mean that I am without bias. I’m human…of course I have some bias. ^_^ There is one critical and important facet of female existence that I basically ignore completely – motherhood. There is no good reason for this lacuna, except my complete, total and utter disinterest in stories of motherhood.

Today, we’re going to work outside my comfort zone and talk about a unremittingly middle-aged comic by a white, straight, American mother. Jennifer Hayden‘s Underwire is published by Top Shelf, and is a collection of her comix about life. Her straight woman’s perspective is, to me, as nearly alien as anything wholly fictional, so when  I say to you with all honestly that I loved this book, trust me, it’s as big a surprise to me as it might be to you. ^_^

To clarify, I know Jennifer and like her loads, and love talking with her, but still, our life experiences are vastly different. I knew I’d like her comics, as I’ve been reading her comic blog, Rushes, since we met several years ago. But, this book was so deeply rooted in her life as a mother, the wonder with which she watched her children becoming people and the connections she was making between her past and their future – things I know I will never experience – that it held an almost fantasy-element for me. “OH, so that’s what it’s like when you suddenly look at your baby and see the adult they will become.”

The art is as unlike manga at as possible. Everything – backgrounds, textures, shading, is all done with pen, by the author. There’s no team of assistants here, no house style. I found it to be very American and very comix. ^_^

My summation of Underwire is this: After reading a number of for-adults-but-rather-infantile comics (I’m looking at you, Rokujo Hitoma no Nekogami-sama,) Jennifer Hayden’s Underwire is almost breath-robbingly adult. Women who read comics, you should read this one. It’s for grown ups.

Ratings:

Art – 9 Skilled comix will always have a place on my shelves
Story – 8 Extremely personal, but more random thoughts than memoir
Characters – Real people that I’m glad to lunch with

Overall – 9