Archive for the Western Comic/Comix Category


Western Comic: Namesake, Volume 1 (English)

May 30th, 2014

namesakevol1cover_largeSummers seem to me to be the perfect time for breaking out all the cool-female-character comics I’m reading, and fun lesbian novels, along with other things of interest. So, along with Katherine’s Guest Review Wednesday, I want to take a moment to tell you about the last of the comics I picked up at TCAF this year.

 Namesake, by Isabelle Melançon and Megan Lavey-Heaton is about a young woman named Emma, who finds herself literally dragged into a story where she’ll need all her wits to survive. Emma is a Namesake, one of a groups of people with the ability to jump in an out of narratives. Without training, or seemingly, reason, Emma is dragged away from her world after a terrible event at the local library, where she was picking up her little sister, and dumped in a place no one in their right mind would ever expect to land. Emma finds herself in Oz.

Because the main portion of this volume of Namesake takes place in Oz, there is a great deal of exposition in which we are quickly caught up on the Oz cannon and filled in on current events in Oz. Almost immediately we meet old friends and new enemies, while Emma tries to figure out what the hell is going on.

For completely sensible reasons,  the second half of the first volume necessarily becomes an Oz fanfic, which might become tiresome if you are not a fan of Baum’s world. Nonetheless, there are some extremely interesting elements in this volume that kept me reading. Emma’s not a super strong protagonist out of the gate, but the librarian we meet in the beginning is. For various reasons I’m hanging on to see if she’ll be back. Also far stronger than Emma is her younger sister Elaine and in the final extra chapter of the volume, something occurs which dragged me right back into the story and has motivated me to get Volume 2.

And, aside from the individual characters, the world of the Namesakes is fascinating. We get the barest glimpse of the larger story in Volume 1. I hope that Volume 2 will gives us more of an idea of what is going on outside Oz. The opening of the first volume leads me to believe we will..and that there’s a lot to learn.

The art is very strong with a mostly black & white feel, with strategic use of color. At times, the color leaves one wondering what the significance is, which I quite like, as I do not believe anything we’re seeing is arbitrary.

Namesake is a webcomic that has been collected into several ebook and printt volumes, so you can read it from the beginning and decide if you too want to know the secret of the Namesakes.

Ratings:

Art – 8
Story – 7
Characters – 7

Overall – 7 with tons of potential





LGTQ Comic: Lumberjanes (English) Guest Review by Katherine H.

May 28th, 2014

ljanes1It’s my favorite day of the week – Guest Review Wednesday! And today, we welcome back the stunning, the fabulous, the one and only Katherine H. of Yuri no Boke to speak on one of the most anticipated and popular new western comics of the year, The Lumberjanes. (Which I am also reading and I assure you, it’s fantastic.) So let’s give Katherine a warm welcome back and settle in for the ride. The podium is yours, Katherine!

Right now, I am following two ongoing non-manga comic book series- the new Ms. Marvel, which is great, and Lumberjanes, which is super-weird and a lot of fun.

Lumberjanes being awesome is no surprise given its pedigree. It’s co-written by Noelle Stevenson, the creator of one of my favorite webcomics, Nimona. If you read Autostraddle like I do, you may have noticed that one of their writers, Grace Ellis, is Lumberjanes’ other writer.

Brooke A. Allen is this series’ illustrator and Maarta Lairo is its colorist. I’m not familiar with Allen and Lairo’s other work, but they do a great job here. Allen’s art is expressive and doesn’t skimp on details without being too busy, and the composition is well done. Allen and Lairo’s linework and coloring pop with the energy this story requires, also.

Lumberjanes is basically about a group of awesome Girl Scouts punching their way out of strange and dangerous situations at sleep away camp. Jo, April, Mal, Molly, and Ripley are spending the summer in the same cabin at the Lumberjanes sleep-away camp.

The first issue opens the story with their fighting demonic foxes after following an old woman they saw turn into a bear into the woods. Their cabin chaperone Jen is exasperated when she catches them returning, but their den mother Rosie not only doesn’t punish them, she seems to have a bead on how preternatural the forest around their camp is when they tell her what they saw.

ljanes2In issue 2, Jen takes the girls canoeing, and its becomes weird again and more awesome. Amidst all the action, two of the girls become a couple and it’s pretty adorable. I expect this series to keep handling them well given Grace’s Autostraddle-ness and how well Noelle has handled the queer characters in Nimona. Issue 2 of Lumberjanes ends with the characters underground, pretty much accepting that they’re not going to have a normal summer.

This series doesn’t take itself too seriously- there’s a lot of banter and visual gags and even potentially grim scenes have goofy moments and punchlines, like the message the foxes spell, April’s response to the dragon, and pretty much everything Ripley does. The pacing is brisk and the characters are all likable so far.

In short, you should at least try Lumberjanes if you like stories featuring featuring well-written female leads doing cool stuff- basically if you’re Okazu’s target audience. The cute lesbian couple is the cherry on top. This was originally meant to be an eight issue mini-series, but it has sold well enough to be promoted to ongoing, and I’m glad for it.

Art: 9
Story: It’s just intro so far, but for entertainment, it’s a 9
Characters: 9
Yuri/Lesbian: 7
Service: 0

Overall: 9

Erica here: I agree with every word of this review. This is a terrific comic book, one of four western comics I am currently following (along with Ms. Marvel, My Little Pony ~ Friendship is Magic, and Rocket Girl.) By far and away, Lumberjanes is the the most creative of this creative bunch.





Events: Toronto Comic Arts Festival 2014 Report

May 18th, 2014
"Chika" from Golondrina by est em at TCAF

“Chika” from Golondrina by est em at TCAF

This year Toronto Comic Arts Festival (TCAF) was held on May 10 and 11 at the Toronto Reference Library and surrounding locations. As with last year, I bought good books, met amazing people and generally had a blast.

I arrived Friday and hooked up with my roommates for the weekend, Brigid Alverson of Mangablog and Robot 6 and Johanna Draper-Carlson from Good Comics Worth Reading. The weekend activities started for me with a reception at the Japan Foundation, where Japanese manga guests  Moyocco Anno, creator of Sakuran and Happy Mania!, who was premiering her book Insufficient Direction, about her life with her husband, Neon Genesis Evangelion director Anno Hideaki; BL artist est em, creator of Golondrina, and the manga team who go by the name Himekawa Akira who are working on the My Little Pony ~ Friendship is Magic manga and are best known here for their Legend of Zelda manga adaptations, all introduced themselves to the audience, then we mixed and chatted. It was a pleasure to meet est em-sensei and also see Himekawa Akira-sensei again. ^_^

This was followed by a dinner of epic proportions, with Brigid, Johanna and myself joining fellow comics/manga journalists and reviewers, Deb Aoki of MangaComicsManga, Heidi MacDonald of The Beat, Robin Brenner from No Flying, No Tights and School Library Journal writer Eva Violin.

Girl Scouts

On Saturday, I moderated a relatively earlyish panel Art Theft! with Rachel Dukes and Katie Shanahan on how their art went from viral to stolen, what they did about it and what they might do differently knowing what they know now. It was well-attended for the venue and the panelists were great. At the end, we all agreed that we had learned something.

I hit the floor briefly between various panels and did dinner with friends, including manga blogger Sean Gaffney and a few other panels. The “Queering Comics” panel this year was *way* more balanced than last year, including at least one trans artist. I was a very little bit disappointed by the whiteness of the “Writing Comics for Women” panel, but that was remedied at the very excellent and nicely diverse “Women in Genre Comics” panel on Sunday. In fact, this last had me bolting for the floor again and buying up a bunch of the books I’ll mention in a sec.

I finished TCAF proper by moderating est em‘s Guest Panel, with translator Jocelyne Allen, followed by dinner with Sean, Johanna and Brigid, which was a terrific way to end the event!

The people are great, the panels are great, the venues are great, the food is great, Toronto is great, but the star of the show are the comics, and I thought you might want to know what I picked up while I was there. ^_^

standard-sized-single-page-templateThe first thing I snatched up were the first two issues of Sanya Anwar‘s zOMG gorgeous, throat-grabbingly compelling 1001. This is a re-thinking of the famous A Thousand and One Arabian Nights, with a more active Scheherazade. Issues 1 and 2 are up online and Sanya has said Volume 3 will be up in about a month. Her art is stunning, the story really grips you hard and shakes you up a bit and I cannot wait to read the next chapter!

Sanya also participated in  the “Women in Genre Comics” panel. One of the questions specifically asked about re-telling old myths and stories to create them in our own image. I’m excited to see what Sanya has planned for Scheherezade.

 

Lumberjanes by Stevenson Ellis Walters AllenI’ve *finally* had a chance to read The Lumberjanes, Issue 1, courtesy of Brigid, and I have every intention of nabbing up Issue 2 in which a relationship begins to happen in between following bearwomen into the woods and fighting wolves.  And other things. This is an action-packed, gosh-I wish-it-were-longer type story that I gift to my inner 11 year old.

Issue 1 starts right in the middle of an adventure and the tension doesn’t really let up, so readers are left chasing the story right from the get-go, which I completely approve of. No slow build to a thing happening here.

 

stonewall 1 - Venus by sasha steinberg

Magical Bitches by April MaligSasha Steinberg and April Malig were next to each other, so while I was chatting with them, I picked up the first of Sasha’s Stonewall series, and the first issue of April’s Magical Bitches series. This is a sarcastic send-up of the magical girl genre and the first issue is a prelude to what I hope will be a great story.

I asked Sasha about Stonewall and he said he’s working on a multi-part series detailing the weekend when the Stonewall bar became the turning point for American sexual and gender minorities. Each issue will follow a different character. Issue one starts off with Miss Venus, a teenage drag queen. The art for this issue is very mid-century American romance comics…the color choices, in particular, are stellar. Sasha discusses his influences in the back of the comic, from content to art and even has footnotes on the historical facts. Totally swoon-making. ^_^ His first two arcs, Miss Venus and Mark are available for purchase on his shop.

Sorceresses Next Door by Chad Sells and Jay Fuller

The Sorceresses Next Door by Chad Sells and Jay Fuller got me all choked up.  Read it here and see why.

Witchlight by Jessi ZabarskyReading Jessi Zabarsky’s Witchlight, I remembered why pamphlet comics drive me bat shit crazy. JUST as the story gets good, it ends and you have to wait for the next chapter!!

A teaser for Liz Prince’s Tomboy made me wish it was September already. Anyone who grew up as a tomboy will remember these situations. It’s not all bad…but it wasn’t all good, either.

 

Toccata by Shilin HuangI bought an artbook so beautiful I literally said to the artist, “Take my money. Immediately.” Breathtaking work by Shilin Huang based on her original comic Carciphona. There were some Yuri images, but really, it would not matter, the work hit my sweet spot for art. Check out the first page of Carciphona and see what I mean.

Time Travel Magic by Caitlin Major and Matthew HoddyMatthew Hoddy and Caitlin Major, who work as team Space Pyrates, had a fun little two-story collection called Time Travel Magic. Both protagonists were terrific female characters and one story has a little Yuri.

The next purchase I made comes with a somewhat strange story:

Some years ago, I was at the MoCCA event in New York City and an acquaintance mentioned that her friends had put together a collection I might like. The book was called Jardin des Lunettes. I wrote about the anthology in 2009, because I did indeed like it.

Love Lens Anthology by Love Love Hill5 years later, I am standing in another country in front of the same circle and we all have a “Really!?!” moment as I realize I am holding the sequel to that anthology, by the circle now known as Love Love Hill.

The new anthology is called Love Lens and again, Kim Hoang has created a lovely Yuri story for the collection. Do get this if you have any interest in original Yuri and want to support  Western comics creators! The Yuri story really is awfully sweet. ^_^

Fujo Sports Anthology by Love Love HillThe same circle were also selling a BL sports anthology called Fujo Sports. I read it last night and it was cute,; all the stories except one were kind of the same story…but it still was an entertaining read. ^_^

There was one Yuri story in  the collection, as well. And, honestly, the cover was worth the price. ^_^

Before You Go by Denise SchroederThe last pamphlet comic I want to mention comes from the pages of Sparkler Monthly, the English language Shoujo/Josei  manga magazine put out by ex-Tokyopop folks and great ladies Lillian Diaz-Przybyl and Lianne Sentar. They are doing *amazing* work, getting original English-language and translated short stories, manga-inspired comics, manga and voice dramas. One of their short series is recently published Yuri story Before You Go (which you can preview here and you can buy on the Sparkler shop – thanks  wandering dreamer for the heads up!) I picked up an extra copy to give away in a future contest, as well. ^_^

This story is a pretty straightforward “Story A” girl meets girls story, but it’s always lovely to have a sweet Yuri story in among all the angsty BL. ^_^

The last two books I have to mention,  I have not finished yet, but they are both oh so good.

Galaxion 1Tara Tallan‘s Galaxion, which is a story that got its start in 1983 when Tara was in 7th grade and is now on it’s 4th iteration or so as a fully drawn and written space epic graphic novel series that passes the Bechdel Test and the Friedman addendum with flying colors.

Women are leaders and fully formed and people have conversations with other people the way they do and then a plot happens! And there’s space ships and people relationships and politics and a plot. I’m really enjoying the book so far.

 

My last purchase of the show I have not yet had a chance to read, but I was so impressed by one of the creators at the “Women in Genre Comics” panel, I wanted to get it. Namesake by Isabelle Melançon and Megan Lavey-Heaton. I’m at the end of a long post, so I’ll steal the synopsis from the comic’s website:  “Namesake is the story of Emma Crewe, a woman who discovers she can visit other worlds. She finds out that these are places she already knows – fantasy and fairy lands made famous through the spoken word, literature and cinema. Her power as a Namesake forces her to act as a protagonist in these familiar stories as she figures out how to get home.” Another strong female protagonist, another compelling story.

So, here’s my takeaway…again…from TCAF. When you are looking for amazing female characters, warriors, adventurers, time-travelers, sorcerers, scouts, captains and leaders, look at the amazing work of the women and men who are making comics not necessarily carried at your local comic shop or bookstore. Check out the YA sections, look for good comics for kids, get to local comic shows (not comic collecting or collectables; the small local comics shows that are popping up everywhere, MECAF, MoCCA, Stumptown, and more. Don’t know where to start? Heidi MacDonald does “coming up this weekend” round ups on The Comics Beat and so does Tom Spurgeon at Comics Reporter.)

And…if you can manage it, make it to TCAF, where the world comes to sell terrific comics to people who want to read them.





Interview with Queer Comics Creator Leia Weathington

March 25th, 2014

BRUJust about a month ago, indie queer comics publisher Northwest Press announced a Kickstarter for the sequel to one of my favorite comics of recent years, The Legend of Bold Riley. Written by Leia Weathington, and drawn by several different artists, this book was everything I could have hoped. For the sequel, Bold Riley Unspun, Weathington opted for a Kickstarter to pay her artists well and upfront.

Today we have a special treat. Weathington has taken time out of her schedule to take a look inside her process and her thoughts about Bold Riley. I hope you will all welcome Leia Weathington to Okazu!

Let’s jump right into some questions:

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Q1: How did you get into writing comics? Was it something you wanted to do as a child?
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I was obsessed with the Disney Adventures magazine as a kid. They had all of these serialized little comics from Tail Spin, Darkwing Duck, all of the cartoons I’d run home from school and watch. For a few months they were running Jeff Smiths Bone. I was just…blown away.

I was a really big reader as a kid but until I saw Bone I thought that it was impossible for comics to be as immersive and detailed as the prose books I was consuming. I know, that seems absurd considering how fanatical I was about animated shows. When DA stopped running Bone they included a note on the last page that you could still buy it at your local comics books shop. So imagine a ten year old hanging off of her mothers belt loops, almost foaming at the mouth while said mom flips through the yellow pages.

So mom drives me to some little dark comic book store to get the new Bone issues and I came out with Bone, Ranma ½, MIX Magazine and a few other random comics and no change for her 20. I’m lucky my parents love art, media and books so much otherwise I may have been in deep shit.

After that I was balancing my prose books with comics. I read comics for kicks but Jeff Smith showed me what you could really do with comics.

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Q2: Which artists or writers are your role models?
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Ok, here is the Big Fat List: Fumi Yoshinaga, Emma Donahue (The Sealed Letter, Kissing The Witch), Tarsem Singh, Garth Nix , Jim Henson, Chiho Saito , Goya, Margaret Atwood, Zora Neale Hurston, Yukito Kishiro, and Mike Mignola.

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Q3:How long does it take you to write a story?
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Coming up with a cohesive plot can take a couple years of just…thinking. Writing an actual script can take a month or so depending on length. I have a bad habit (that I’ve managed to break only a couple years ago.) of needing to have the beginning, middle and end of something solidified in my mind before I would sit down and write something someone else could actually read.

Here is a bullet point break down of my process:
● Think of concept while doing something mundane, like showering.
● Make a stupid playlist for thing.
● Aggressively think about thing for several weeks while listening to stupid playlist on repeat.
● AGGRESSIVELY TYPE FIVE PARAGRAPHS ABOUT THING.
● Run away from thing for 2-4 weeks.
● Come back to thing, scrap half of thing.
● AGGRESSIVELY PACE IN A LOCKED BATHROOM AGGRESSIVELY THINKING AND AGGRESSIVELY ACTING OUT SCENES IN THE MIRROR.
● Sit down and type rough draft of thing.
● Have small crisis of faith.
● Sit back down and type final draft.

I cannot stress how important the aggressive pacing and aggressive acting out of scenes is. Also, the neighbors are terrified of me and will not make eye contact. To be fair, there are no curtains in that bathroom.

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Q4: How do you go about choosing an artist?
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When I’m developing a story I usually have a really clear idea of what sort of visual style would be most effective. I’m active on Tumblr and Twitter which is where a lot of artists display their talent. I’ve also been working in comics for about ten years now so I have connections with phenomenal talent. Sometimes there will be a toss up between two artists that would suit a script but that’s rare.

After I select an artist, approach them with the story and have their agreement to work on it I have a meeting with them to go over the script. Typically my final drafts are what I think of as “Bare minimum” meaning they are broken down into pages but not paneled. Some artists like having the structure of pages and panels and some don’t. I talk with them about how they like a script formatted for them to effectively work from. I give them folders of photo reference that evoke mood or setting and discuss the general emotional state and journey the characters go through. then they can also bounce back to me if they think that’s coming through in dialog or pacing.

With Bold Riley in particular I try to select artists for stories they would enjoy drawing and also be suited for.The type of artist I want for stories in the series actually strongly dictates the sort of narrative I want to tell. I have never and will probably never have multiple artists do test pages. I select comic artists who already have a body of work.

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Q5: After you have chosen the artist, how does the collaboration work? Do you vet roughs, or critique the art in any way?
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Generally an artist sends me rough thumbs to show how they would like to tell the story, I give the go ahead and then they proceed in the fashion they find the most effective and comfortable. I rarely edit art. If I ask for changes it’s because something is insanely off model or it’s a consistency issue for artists later in the series.

I believe that in comics if you want to be a writer working with an artist you have to listen to their input and be open to revisions. I may panel out something I feel is perfect but if my artist comes to me with an idea of how it could be more effective visually it’s my responsibility to take that into consideration and then rewrite accordingly. Communication is key. I think if you want to involve another human being in a creative endeavor you have to be able to talk things out and compromise.

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Q6: You’re working on your second volume and your Kickstarter funded pretty quickly. What’s going through your head? What do you feel about your success so far?
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I’m honestly amazed, surprised and terrified all at once. This is my first Kickstarter and Bold Riley is my first book. When I started doing this project I thought maybe ten people, tops, would read my lesbian fantasy adventure comic. It turns out that number is more quite a few more than ten and growing. That’s huge, That’s humbling. I have women come up to me at cons and tell me shit like, “This book is really important, We needed this.” and I want to sit down and cry for a little bit. Artists I admire have asked about doing work on this series. Like, this story I believed in and thought was important it turns out other people feel the same way? That’s huge.

Now I sometimes go to sleep and have dreams about every pledger canceling their reward and the whole industry turning it’s back on me but from what I understand that’s pretty normal for most creatives.

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Q7: Do you read any Queer comics?
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Hell yes! Blue Dellaquanti’s O Human Star, Sfe R Monster’s Eth’s Skin, EK Weaver’s The Less Than Epic Adventures of TJ & Amal, Tom Siddell’s Gunnerkrigg Court, Benjamin Riley’s Iothera and Brittney Sabo’s All Night are some of the best comics I’m reading right now that also have a queer theme. I can’t recommend them highly enough. Amazing art and unique voices.

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Q8: Plans for the future? More Riley?
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Oh, so much Bold Riley. If things keep going well the plan is to finish the Bold Riley series with eight trades and a ninth epilogue volume. Book three is already half written and the artist lineup is solid.

I also have a couple projects I’m working on with Joanna Estep, the artist who is drawing “The Lion Jawed,” the final chapter of Bold Riley: Unspun and I’ll be in the Beyond anthology of queer sci fi fantasy comics with a story called “Eat At Chelle’s!” about a transwoman restaurateur who is getting her food stock from bizarre parallel worlds and serving them to a well heeled clientele. I’m really pleased to be working with Lin Visel, who will be the artist for that one.

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Q9: Any message for fans?
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Thank you for reading. Thank you for making all of the time I put into this worthwhile. It means a lot.

Thank you so much for your time today and we wish  you the very best!





LGBTQ Adventure Comic: Gun Street Girl

March 11th, 2014

81TK5BKRjrLWith the kind of synchronicity that I’m used to, there has been a lot of conversation in LGBTQ comics and Yuri circles recently about stories with lesbian leads that are more than just a romance. Yuri anime is firmly entrenched in selling school life rom-coms to man-boys, and many readers are looking for something a little more…fun, with action and adventure. I’ve mentioned The Legend of Bold Riley several times and today I want to talk about a new comic – Gun Street Girl is definitely all that. The lead character happens to be gay, and then a story happens. ^_^

Barb Lien, one of the founding members of Sequential Tart, was tired of reading mainstream gay comics characters whose only story seemed to be that they were gay. Rather than looking at the body of LGBTQ comics to find similar role models, she decided to write the story she was looking for. “Because I wanted to read a story about….I wrote it” is the most common reason I hear for creating a work. It’s a totally valid reason, I’m not dissing it in any way. ^_^

And so, Barb created Gun Street Girl, a comic that if I were asked to describe, I would probably sum it up as “if Willow was Buffy”.  Lizzie is the “gun” for a street wizard named Eddie. We meet them in a fun meta-commentary of comic stereotypes “Everybody Want To Rule The Wold.”  The stories are independent of one another, but we get a glimpse of Lizzie’s relationships, her history for a solid volume. Lien has created fully fleshed out characters, with a slightly less fully fleshed out world. Like Buffy‘s Sunnydale, Gun Street Girl‘s world uses magic freely, then imposes random limitations upon itself, leaving it slightly adrift in time. It’s contemporary, but not our world, exactly.

For a story that was going to just have a gay lead and then the stories happens, Gun Street Girl gets a little heavy-handed in other places, addressing sexism in “An Unsuitable Job For A Woman” (a title which was used back in 1972 by P.D. James and, I felt, was an unfortunate choice in 2013. Update: I am informed that the stories were written about 10 years ago and admittedly comics have changed since quite significantly), and racism in the second story “Waking the Witch” in which we also meet Lizzie’s lover, Prana, who has a secret of her own.  Too much of a good thing and also too little. The lessons are good, but – and here is my sincere concern – why are we still having stories about this stuff? If Lien was frustrated that superhero comics were still wrapped in the most basic “gay” stories, here she was pointing big red arrows at “she’s a woman in a man’s world” and “look how not-white this character is.” Ironically, the whole shebang is set in the UK, which is far, far more  integrated  in media representation than we are in the US.

Ryan Howe’s art is solid, easy to follow, even in “magic”-y scenes. It’s very 2-dimensional, hearkening back to comics of my youth. A few panels felt downright Kirby-esque. ^_^ The all-back and white art suited the story well, I think the pages might have looked messier in color, but then I much prefer B&W to color comics now, having had my sensibilities warped by manga. ^_^

Ratings:

Art – 7
Story – 8
Characters – 7
Yuri/Lesbian – 7 No obligatory sex – which is good, it’s a little *look, she’s a lesbian* but + for her and Prana’s relationship just being a relationship.
Service – 1

Overall – 8

For action, adventure, magic and fighting with a lead who just happens to be a lesbian, definitely give Gun Street Girl a try!