In early 2015. Yuri fans were treated to a dream collaboration – Morishima Akiko and Kunihiko Ikuhara were working on a blatantly Yuri anime and manga series, Yuri Kuma Arashi. I reviewed the anime in Spring 2015, and the manga (Volume 1 | Volume 2 | Volume 3) between 2015-17.

As we were watching the anime I came to the conclusion that we were watching a “Cards for Humanity” Yuri edition. The word Yuri was repeated so often, with such little context, that it quickly ceased to have meaning. I quite like non-linear, multiple perspective stories. Ikuhara’s Mawaru Penguindrum kept me riveted right through the end.  But the service, the repeated footage of an uneeded naked transformation with use of both lily and phallic imagery, as well as the Court scenes that established little, made for tough going in this series. It was a relief, in fact, to be able to read the manga, in which a coherent story was built up, even if it did end symbolically. There was no such story here in Yurikuma Arashi: The Complete Series,Disk 1.

Which gives us time to ponder things, like why are bears considered so ferocious in Japanese folklore?

It’s not hard to grasp the place that, in every culture, the apex predators own in stories through the ages. Wolves, bears, lions, tigers. No one has to “explain” why Robin Riding Hood is threatened by the Big Bad Wolf or why Shere Khan ruled the Jungle.

It might be heard for someone looking at this to really think about the ferocity and power of a bear. 

We’re just forced to remember Colbert’s warning that bears are not our friends.

And we are reminded, repeatedly, that bears eat humans.

BUT. We’re also told that bears are only allowed to eat invisible girls – girls that have been “excluded.”

And maybe in that oft-repeated footage of the court that makes little sense, except to provide us with boy bears (there are no male humans in this world, only mothers and female teachers)…maybe…we can see a parable of bullying, of ostracization, of the kind of othering that homogeneous groups are prone to.

Or maybe it’s all a really sloppily-conceived series of fairytales that uses concepts like “bears,” “Yuri” and Stalingrad Fuyu Keshiki all mushed together.

Ratings:

Art – 8 Two great tastes that tasted deeply odd together
Story – 7 Once upon a time…oh fuck it.
Characters – 7 Bears all the way down
Yuri – 14 million
Service – 7

Overall – 7 

Ultimately the two things about this series worth seeing are Morishima-sensei’s art animated and the obviously Evil Psycho Lesbian bear (Spoilers. But surely it was the most obvious thing ever.) Yurika.

Many thanks to Okazu Superhero Dan P, for sponsoring today’s review and the fetching gift bag in which it arrived!

The second disk of Riddle Story of a Devil: Akuma no Riddle, brings the plot to it’s conclusion, adds in post hoc ergo prompter hoc exposition and a climax which is semi-satisfying. 

Tokaku and Haru dispatch the second half of Class Black without much ado. The school festival production of Romeo and Juliet gives us a chance to move quickly towards the series’ twelfth night. ^_^ (Come on, that one was acceptable. I’m done now.)

We’re given a chance to see that Chitaru and Kirigaya, despite themselves, are clearly in love and are allowed a happy end to their story.

And so it goes; a horrible assassin goes after Haru with no remorse, only to turn out to be not so terrible after all. Who could hate Isuke for instance, when it turns out that her gay parents rescued her from a life of neglect and abuse?  

Until we hit Hanabusa, the rich girl who has remained aloof from the beginning, where we get a pile of foreshadowing dropped on us as subtly as a ten-ton weight. We are also treated to multiple displays of Haru being resourceful and intelligent, something that pleased this viewer. Despite the story damseling her, and her optimistic personality, which could lead one to assume she’s helpless, the final fights shows clearly that Haru is not a hapless victim, waiting for death. She shows some quick thinking and a solid grasp of tactics.

Finally, we learn the real story behind Class Black…sort of. I’m left with a number of questions, primary among which is what is Kaiba in this series for, anyway? He really does nothing at all and could easily have been replaced to little effect. 

The end comes, poignant and touching, and we find that almost everyone has a happy ending, several of them leaving assassination for something more socially acceptable. 

The ending of the series does not include the epilogue of the manga, but it is nonetheless heartstring-tugging and we’re given to believe that Haru and Tokaku will live happily-ever-as-long-as-they-both-can-when-targeted-incessantly-by-assassins.

This is all followed by an additional episode OVA, which is a vehicle primarily to show breasts jiggling unrealistically as Class Black is intentionally stranded on a desert island and forced to tug at each other’s bathing suits for reasons.

Ratings:

Art – 7 
Story – 7 
Characters – 7 
Service – 6 
Yuri – 5 for Chitaru and Kirgaya  (3) + Haru and Tokaku (2)

Overall – 7 

I do not doubt that 10 years from now few people will remember this series, but for a thing to watch, with some Yuri, it’s not bad at all. Haru upping her game really made the final fights work.

Once again, my sincere thanks to Okaku Superhero Dan P for his sponsorship of today’s review!

Riddle Story of a Devil: Akuma no Riddle is the story of “Class Black” a super-secret class at absurdly elite Myoujo Academy. All of the members of Class Black are assassins with one exception – and that exception will be their target. (Apparently) normal girl Ichinose Haru is the target and the others will vie to kill her in order to gain their greatest desire. But, as one might expect, nothing is as it seems.

One of the assassins, Azuma Tokaku, defects to Haru’s side and pits herself against the class as Haru’s bodyguard.

The story, which has a fair amount of service, is definitely meant for an audience that likes that kind of thing, but the writing is slightly less exclusive. In the anime Haru is harmless, but not entirely helpless. And there is a kind of redemption in the assassin’s attempts and their outcomes.

Kadokawa is absolute genius at cranking out moderately entertaining, formulaic anime that can be marketed within an inch of it’s life. Every once in a they have a massive break-out hit, like the Melancholy of Suzumiya Haruhi, that can pay for many dozens of other series for years. Those dozens of others are generally good, often involve some big names in conception or production, and are both profitable and entertaining enough to pay for themselves. Riddle Story of a Devil: Akuma no Riddle was one of these.

Based on the manga drawn by Kouga Yun, the story feels, from beginning to end, like something built by committee. As I rewatched it, I was constantly put in mind of Seraphim Call, a mediocre anime of the late 20th century that, upon rewatch, was better than I gave it credit for. Especially Volume 2. In the sense that every episode is effectively a character piece that only tangentially affects the main story, Riddle Story of a Devil reminded me of this earlier series of pastiches.

The animation is very much of this time and place, but for all that, not terrible. Characters are variable, as they are meant to be, but watching it, I was motivated yet again, to promise to not come up with convoluted plots to kill people, or explain anything. Or speak in some weird, annoying way. If I were to become an assassin, the rule would be get in, get out, move on. No talking. I’d also like the committee to explain why the character of Kaiba exists at all. Useless doesn’t come close to describing his role. If they cut everything of him out of the story it would affect exactly one scene.

The one thing I genuinely liked throughout the series was the music. The end-of-episode themes were all sung by the assassin who was the focus of that particular episode and both music and lyrics were suited nicely to their story. Those were really quite good.

The Yuri. Well….the Yuri is here more by reputation than anything. We can see that Kirigaya and Chitaru are together-ish and we can kind of see that Tokaku has no idea why she wants to help Haru (and, frankly, at first, neither can I. It’s not until Haru shows some spine, that I was convinced.) The opening credits kind of imply a thing between them but in Disk 1, it’s really not there.

Ratings:

Art – 7 Not bad, not zOMG good. Random bits of CGI
Story – 7 Not bad, not zOMG good. Random bits of plot
Characters – 7 Types, rather than people, with backstories to make them human
Service – 6 Nudity, lascivious gaze of the camera, and a sexually deviant serial killer
Yuri – 2 At halfway, barely there and only because we’re looking for it.

Overall – 7

So, yeah, this isn’t high art, it’s low entertainment, but for solid, slightly service-y, slightly violent entertainment, it was pretty good. I like the fight scenes well enough, and the gimmicky assassins are just silly.

My sincere thanks to Okazu Superhero Dan P for sponsoring this review! It’s right in your wheelhouse and mine.
Good weekend entertainment, with the lightest glaze of Yuri.

Last year I did a round-up of free legal anime streaming services where you could watch Yuri anime. Recently I was name-checked on Twitter when someone discovered an older legit channel for the first time. And, since this happens regularly and old services close down and new services pop up, it seemed apropos to go through some of the free, legitimate anime streaming services available to you on which to watch Yuri anime. Update for 2020: Please see the 2020 Updated edition. 

Caveats: I’m focusing on US-based services, because while I am dedicated to you, my readers, my dedication does not extend to working with proxies or VPNs in every major market to see if these services work in your hometown. Assume there are regional restrictions in place for some or all of these services. But feel free to use proxies or VPNs on your own. ^_^ And, if you use a regionally legal, free streaming site in a non-US country, by all means, please let folks know in comments!

I’m also not focusing on paid services like The Anime Network or Amazon’s Strike. Today we’re focusing on services that are free and legitimate. 

 ALL these services have shifting catalogs. That’s just the nature of the beast, the beast being video licensing. Just because a series is on one service now, does not mean it will always be.  Another good reason to update this list periodically.

Crunchyroll

Crunchyroll is doing a pretty good job of licensing anime as broadly as possible. They have been very Yuri-positive and often, when they lose a license, circle back around and get it again – for instance, they have Aoi Hana/Sweet Blue Flowers  once again after viewers complained when the IP holder pulled the show after a limited time. Crunchyroll is my go-to, because their catalog is one of the most comprehensive, from Bodacious Space Pirates to Riddle Story of a Devil to Yuru Yuri to Sakura Trick to Cardcaptor Sakura. 

Rating: A- They’ve really kept up the commitment to Yuri. It’s not an all-in-one-place-go-to-stop for everything, but it’s damned close. The biggest issue is the region-blocking, which is not Crunchyroll’s fault, but does have an impact.

Viewster is a trove of forgotten Yuri treasures. Their library includes Strawberry Panic!, Maria Watches Over Us, Aria and some other random things I’ve liked over the years, like Murder Princess. ^_^ Viewster claims to be available worldwide. 

Rating: B-  The catalog is hit or miss, but they often have stuff you can’t find anywhere else.

Hulu

This time last year, Hulu had a ton of anime but they purged most of it, including a large pile of interesting western animation. However, it’s the only place you can go for the original Sailor Moon. How fun, huh? Where Toei licensed Sailor Moon Crystal to everyone and their cousin (finally!), Viz obviously has an exclusive agreement with Hulu for streaming the original series. 

Rating: B- There’s nothing else here, the adverts are annoying and for the cost of subscribing (which doesn’t get rid the ads,) I might as well get the DVDs.

Tubi TV

Tubi a newish service that includes a random smattering of anime, but has a surprisingly strong showing in Yuri, on account of Nozomi’s titles. So they have Revolutionary Girl Utena, Season 3 and 4 (? No idea why only those two seasons)  of Maria Watches Us and Bodacious Space Pirates. They’ve also got a few other notable series, like Moribito, and Sound of the Sky. It’s worth a look, if only to boggle you with the vagaries of anime licensing.

Rating: B- It’s worth looking at, but I probably wouldn’t subscribe.

Nozomi Entertainment on Youtube

The Official Nozomi channel currently has all of Revolutionary Girl Utena and Rose of Versailles in full on Youtube, but this may be ephemeral.

Rating: C It’s cool as long as it lasts, but there’s no way to know how long it will last. And Youtube.

Daisuki

Speaking of services no one remembers, Daisuki was launched by the Japanese government with “Cool Japan” money a few years ago in order to create a better streaming service to overseas watchers. Unfortunately it fell into the exact same pit as all the other “Cool Japan” endeavors – it was random, inconsistent and had no long-term planning. So you can still watch, say, Jubei-chan on Daisuki, but only Season 2, not 1. I will give them credit for excellent genre break down, “sci-fi” “robots/mechanic” “heartful” “novels” “games” “sports/race”. You actually have an idea what a series is about/from with descriptions like those.

Rating: D 

Funimation

Auuuughhghghghghghgh. Funimation, you have the worst website. Always. Ever. There has never been a single day I have visited the Funimation website and not wanted to put my fist through the screen. Sure, they have Riddle Story of a Devil, and Yurikuma Arashi, but so does Crunchyroll without committing every single website design failure in the world.

Ratings: D Go anywhere else. It’s never worth the agita.

If Media Blasters and Nozomi licensed their catalogs to Crunchyroll, they’d be the all-in-one-place, but even so, they come closer to anywhere else. The biggest problem is the inconsistency and ephemerality of the licenses. And the region-blocking, which is a relic of another age that is slowly disintegrating, but still exists, for now.

If you are using a legitimate streaming site for your country and want to share, please add it to the comments!