On the third and final disk of Sailor Moon Season 1, Part 1, we settle in to a pattern of a sort. Usagi gets involved in a situation – and it takes Sailor Moon to get out of it.

Which leads me to think that if the Generals just stopped targeting Azabu-Juuban, they might have slightly better luck. It’s not like Usagi and the others are gonna hop a train to Akita to deal with a monster outbreak….

This series is not fair to Nephrite at all. Jadeite gets two disks worts of screwing up before he’s decommissioned, and as soon as Nephrite steps up, there’s Zoisite up his nostrils. And then Nephrite does something extra idiotic;, he falls for the normalest girl in the series, Naru. We spend slightly more time on this than you might imagine. Naru is able to see through his glamour almost immediately, which in any other series might indicate that she is meant to be part of the team. But not here. Here, Naru represents the Ur-girl. The non-magical, not-extra stupid, extra-smart, extra-psychic girl, and who, perhaps surprisingly, sees the most clearly.

Tucked in between this drama, we digress for a moment back into the nascent Sailor Moon x Tuxedo Mask romance. For those of us watching Sailor Moon Crystal, which, in taking it’s cue from the manga, is almost single-mindedly focused on their romance, this seems like a small enough nod, in between watching Nephrite struggle against his own idiot Queen, his rivals Zoisite and Kunzite and that damned Sailor Moon.

Ratings:

Art – 4
Story – 6 (Naru and Nephrite actually works better for me than Usgi and Mamoru)
Characters – 6
Yuri – 0  Although we don’t really know what Ami and Rei are up to, as they barely have any screen time  ^_^
Service – 1 on principle

Overall – 6

The most ironic episode must surely be the one in which we learn all about how much animators care about making a great anime…even as the already stretched-thin budget of this first season hits a low point. ^_^

Previous Reviews of Sailor Moon, Season 1, Part 1:

Sailor Moon Season 1 Part 1, Disk 1

Sailor Moon Season 1 Part 1, Disk 2

Thanks to Viz Media for the review copy and the chance to revisit old friends. ^_^

I have learned two very important lessons rewatching Sailor Moon from the very beginning:

Firstly, most fans of the original anime are fans of the edited versions of the characters they have cobbled together inside their heads, stuffed full of remnants of old fanfic and fanart and internalized identification, sewn together with nostalgia and softened by time.

I know this because Disk 2 primarily consists of Usagi whining, conniving, whining some more, bickering with Rei, whining and crying. She is not, at this point, a likeable character.

The second thing I realized is that, in it’s own way, Sailor Moon is a primeval tap on “girl” things, in the way that The Iliad (which I am re-reading again) is a primer on “boy” things. That is to say, it renders down an entire gender into the most superficial characteristics as if seen by an alien race, labels them essential, and obsesses over them, even if a real person might occasionally take a break from wanting a dress or a gemstone, or a fast racehorse or the most plunder.

However, there are two episodes of note here on Disk Two.

“I Want a Boyfriend: The Luxury Cruise Ship Is a Trap”, episode 12 which was the dub episode that got me interested in the series in the first place and “A New Enemy Appears: Nephrite’s Evil Crest”, episode 15, in which something important and something not important, but damned interesting, happened.

In episode 15,  which originally aired in Japan in 1992, Naru had to tell Usagi that her use of “onee-sama” did not indicate that the other girl was a blood sister, but that she was like a sister to her. The idea of onee-sama had fallen enough out of favor, that it had to be explained. This trend would reverse again  a few years later when Maria-sama ga Miteru made it not only nerdy cool, but also so much of standard anime trope that no one in, say, PreCure ever needs to have it explained to them. Not important, but kind of interesting.

The important thing, though happens in that same episode. For the very first time, Usagi helps someone out of actual empathy for them. She wants to help Naru, because she wants to help Naru. This one thing may not seem like a huge shift, but it is. It’s the first time we’ve seen Usagi do thing out of pure kindness, because helping her friend to be less sad is a good thing to do. It’s the first time she doesn’t really speak about herself when talking about a “girl’s dream”. It’s the first time we see Sailor Moon, and not Tsukino Usagi in a Senshi costume.

As I reach this part of the anime I brace myself for a number of changes to come. Soon, we and the Senshi will start to understand that there is more to this series than a monster of the day. Soon, but not yet.

For those of you still not convinced to get this series – these episodes will not be the ones to convince you. The original animation is hilariously, painfully, awful, as Toei learned that it was going to get a lot more episodes, but not more budget. The dialogue is execrable and the bickering between Rei and Usagi is enough to make you want to pluck Ami out, set her in a nice quiet library and read a good book together.

Ratings:

Art – 4
Story – 5
Characters – teetering on the cusp of 5
Yuri – 1
Service – 1 on principle

Overall – 5, and I’m being kind.

Sincere and immense thanks to Viz Media for a review copy. Everytime Ami says all she can do is study, my heart breaks. In a just world, she gets to be Queen and Usagi runs cruises.

When Sailor Moon first hit Cartoon Network, I found it entertaining in a way I hadn’t ever before experienced. Things…changed. The characters grew over time, they remembered what had happened last week and learned new things as the series went on. They got more powerful, and braver and more competent as the series progressed. The story wasn’t about just defeating the bad guys. We learned about the characters themselves, too – what they liked and didn’t like. They had complex relationships – sometimes the closest of friends, sometimes they’d be distant. It was something so amazing, so different from the animation I had grown up with, that I was hooked.

It was 1998. Seriously? I have been obsessing about this series for 17 years? Good heavens.

Pioneer originally released the series on VHS. We don’t have all of the VHS tapes because they were impossible to find in order, or as a set. You’d get one volume of episodes at Suncoast and thne search forever to find the next one, maybe discovering it at an anime con, or the bargain rack at The Wall. Or not, and you’d have that hole in your collection forever. When Pioneer put the set out on DVD, I scarfed them up. Cartoon Network had hacked and slashed the third season up in the weirdest possible way, making cross-dressing Haruka and her flirtatious possibly-girlfriend Michiru into a creepy pair of incestuous cousins, and we were thrilled beyond belief to have Sailor Moon S in its subtitled, uncut weirdness.

In 2014 we got the new Sailor Moon Crystal anime. Predictably, fandom spent more time being unhappy about it than glad. My favorite complaints are that the animation is bad and the faces are all the same. The complaint that we spend too little time with the characters is entirely valid. The season went from 40 episodes down to 13, mirroring the manga, which means the anime has both the strengths and the weaknesses of the the manga. We lost some character building time for the Senshi, that is true. We also lost many other things.Viz has put out a brand new master of the original Sailor Moon anime. I am rewatching every single episode, even the bad ones, and let me tell you, there are some stinkers in this thing.

Sailor Moon Season 1 Part 1, Disk 1 begins with the moment that clumsy, crybaby Tsukino Usagi meets a talking cat, Luna and learns that she is a Guardian of Love and Justice, Sailor Moon. She is also stalked by this creepy dude in a mask and tux, cleverly called Tuxedo Mask.

No one is going to beat me in my love for this series, but I have to be honest with you, episode 4 really bites. In fact, the first 7 episodes are probably my least favorite among all 200 and I am including all of “R” and “Super S” in that. Chibi-Usa kissing a unicorn sucks less that the episode where Usagi is worried about losing weight. If I could destroy that episode so no one ever had to see it again, I would, gladly. And truly, the animation is abominable. Remember, that no one at Toei knew whether this would fail and they pulled out no stops at all. The animation is bad even for its time. So when you complain that the animation is bad in Crystal, remember that Sailor Moon has a 20-year tradition of bad art. ^_^

And let’s talk about the writing for a second. In Crystal, because we don’t have monsters of the day, only enemies of the day, we don’t get lines like “Frilled-neck lizards, albino Mexican salamanders, and the human face fish are all mad!” I don’t know whether to call that a loss or a victory, ^_^

This all having been said, the one thing that made the series work for me starts up in Episode 8, with the addition of Mizuno Ami to the team. The rapport between the characters was always what made Sailor Moon work for me (although I admit to loving the monsters of the day for their inherent absurdity). When Ami first shows up, she looks lonely. That look will leave her face as time goes on, because one of the key points of anime is that you are stronger with friends. Seeing Ami smile was worth it. It’s always worth it.

Last, but not at all least, I have to commend Viz. The remastering is as good as anyone could have ever hoped and the translation not only is accurate, but includes cues to character voice, so that Usagi’s lines sound like a child, while Ami’s are a bit more mature. Top marks from me on that. (As an aside, when I began watch Crystal, I though that Mitsuishi Kotono-san was voicing Usagi a bit babyish, but the more I listen to the original, the more I think it fits. About episode 7 or 8, she starts sounding a bit more babyish, so clearly that was what they were going for.)

In general, the Viz edition is clean, simple and appealing. For folks who want fancier layouts, there are multiple versions, with physical and content extras. The more basic Limited Edition is available on Amazon and RightStuf through the Yuricon Shop.

It was both wonderful and excruciating revisiting this disk and I have no doubt that my feeelings will remain the same for the next two disks. Onward – more Senshi await.

Ratings:

Art – 6 tops
Story – 7 Still more plausible than Weiss Kreuz
Characters – 7, soon to climb
Yuri – 0
Service – 1 unless you count Tuxedo Mask and I don’t, but there is inevitable bathing.

Overall – 7, but watch it crescendo as we move forward.

Sincere and immense thanks to Viz Media for a review copy. It’s like visiting old friends (and remembering why you didn’t visit them any more. ^_^)