Archive for the English Anime Category


Kill La Kill Anime (English)

March 30th, 2014

klkcr By Popular Demand! And because I want to! Welcome to the Okazu review of, streaming right this second for free, legally (with regional restrictions) on Crunchyroll…Kill La Kill.

I’m going to say this plainly and simply, right up front – it is going to be very, very hard to topple this anime from my #1 of the year spot. It was just fantastic in every way. This is why I watch anime, in the same way that reading Mori Natsuko’s books is why I learned to read Japanese. It was outrageous, it was offensive and I loved it.

The plot is very much the driving force of the anime, so I’ll keep the synopsis short. Matoi Ryuko arrives at Honnouji Academy seeking revenge for the death of her father. What she finds is a plot so complex that the lives of all humanity is at stake.

Because this anime really is just that fabulous, and I don’t want to ruin one single second of the “wtf was THAT!?!???? Hahahahaha!!!!!” that you will experience, I refuse to spoil the story. Which of course means you’ll have no idea why I liked it so much. So without spoiling the actual plot, I’ll try to explain what made this anime so good.

Ratings:

Story: The plot is insane and absurd…and wonderful. The writing has a kind of internal consistency and plausibility that I long for in my own writing. Having created a world, the writers take that world to the absolute limits…and it works.  10 out of 10

Character: These may well be the greatest characters every created. Full stop. And I cannot tell you why until every last one of you has seen the anime. 10 out of 10

Art: Every once in a while, as you’re watching Kill La Kill, the art style switches, not to “funny SD” or “hyperbolic action” but to a specific period or genre and suddenly you realize that that scene was an homage to something you recognize. The speech patterns also change from time to time to fit that homage as well. This is basically the most fun I’ve had actually watching an anime in a long time. 10 out of 10

Service: By the gods, does this series have service. I don’t hate service. I hate coy or creepy service. Grow the fuck up and look at the girl’s tits. Stare at the guy’s ass, don’t be a creep about it. Don’t titter or giggle. This series doesn’t creep, titter or giggle. It’s over the top and downright hilarious with the service. Naked girls, sure, naked guys too, by the end everyone’s naked…and it totally works. It’s actually part of the plot! And funny! And sort of honorable, and yet funny.  1000 out of 10

And, of course….

Yuri: There is Yuri. There’s actually quite a bit of it. Creepy, incesty Yuri, Fan-pairing Yuri, slightly less creepy incesty Yuri, rival Yuri, friend Yuri and in the end, there’s actually a potential couple. A good one. Not a creepy one. 10 out of 10

Overall – 10

This anime is a 10, full stop, one of the two amazing anime I’m watching this season (Hozuki no Reitestsu is the other) and a very strong contender for #1 of 2014. Kudos to the translation team. You did a bang-up job.

Quick contest – Who’s the best character? There’s only one right answer. Winner gets something cool. Answer in the comments. Don’t know? Go watch it and see!





Dear Brother, Set 3 Campaign is on!

March 4th, 2014

Dear BrotherToday Animesols announced the opening of the crowdfunding campaign for the third and final set of Riyoko Ikeda’s classic shoujo series Dear Brother. The second set was fully funded in a weekend in conjunction with a matching donation, this time we’ll have to do it ourselves.

It’s already a good year for LGBTQ comics and anime fans and it’s only February! ^_^

 





Rose of Versailles Anime, Part 2, Disk 2 (English) and Contest Results!

February 27th, 2014

Rose-of-Versailles2In Part 2, Disk 2 of Rose of Versailles, the story takes a massive turn. The story had been very strongly focused on Marie Antoinette and the effect her choices have made in the life of Oscar Francois de Jarjeyes.

In this disk, Oscar comes to two extremely important decisions about herself. First, she sees Fersen and immediately realizes than her love for him has not subsided and is, if anything, stronger than before. She and Fersen have a painful reunion and parting, made unintentionally far more painful by Andre’s confession that he has loved her all along. When Andre compounds Oscar’s emotional wounds by forcing himself on her, Oscar decides that she’s making a break with her former life and her former self. She leaves the Royal Guards, and is assigned to the commoner brigade, the French Guards, where she and Andre, who has followed her against her wishes, find themselves unwelcome. In a final insult, just as she decides to live as a man, Oscar’s father suddenly regrets raising her as one and wants to marry her off. This news does not go over well.

Until this point, Oscar’s sex hasn’t really been a big deal in the series. Her cross-dressing and living as a man has been mostly accepted and little commented on by the nobles. Like a court dwarf or rare animal, she has been mostly accepted for her proximity to the Queen… and her own abilities when they chips are down, with a side of “entertaining gossip.”

But, now, Oscar has left those rarefied circles and instantly is made very aware that men do not consider women their equals even when they are visibly capable. She defeats the men of the French Guard in combat, but they basically don’t care. She’s a woman and they will not be led by one. And it takes a brush with death for her father to realize that he have made an even worse mistake by insisting Oscar embrace a life as a woman this far into things.

I am, once again, left breathless at the timelessness of the narrative I’m watching. All week, I have been fielding questions on the Internet that blame feminism for everything under the sun and equate masculinity with having a penis and then I watch this disk and I don’t know whether to laugh or cry.  Once again, I want very much for this story to get a modern reboot, in which Oscar gets to be the soldier and leader she was and get the guy or the girl or both or something else, and be happy. Poor Andre. Poor Fersen. Poor Oscar.

I am impressed how deeply the thorns of Rose of Versailles still pierce.

Ratings:

Art – 8
Story – 9
Characters 9
Yuri – 0
Service – 1

Overall – 8

Here’s the fun part. I have two Box sets to give away, courtesy of RightStuf, and today they will be given:

Grisznak and kc – you are our contest winners!

Please contact me at yuricon at gmail with your mailing addresses and they will go in the mail as soon as I can get them there. Congrats to both of you!





Puella Magi Madoka Magica Rebellion Movie – Guest Review by Katrina C.

February 19th, 2014

This has been an amazing month for Okazu, new Okazu Heros and Guest Reviewers! And today, we welcome Katrina C. for the last of our Madoka Movie reviews…she’s taking on Rebellion, and I know a number of you really want to know how that turned out.  Rebellion is available on DVD or Blu-ray and there is a Rebellion manga, as well. So let’s had the stage over to Katrina! /Applause/

Beware, there be Spoilers here. 

Hello everyone! My name is Katrina. I write queer fairytales, stories and games over at Darkmooncity. Sometimes I also throw events where people can enact those games.

Puella Magi Madoka Magica: Rebellion is the continuation of the story after Madoka makes her universe-changing wish to stop magical girls before they turn into witches. It starts off with our dream team actually…being a dream team. All five of the Magical Girls are present and accounted for, fighting Nightmares, loving and laughing together. It’s kind of the moment we’ve all been waiting for…but wait.. How is that possible?

As the movie progresses and continues to darken, we see the world fall apart (again) and uncover what’s actually going on (again). And like the first series (or first two movies if you watched those instead), it sort of breaks our heart.

Let’s start with the bad. The big bad is and will always remain that Madoka is a shiny thing with very little personality. It’s even more evident in this movie that Madoka exists pretty much so Homura can idolize her. That’s it. That’s her role. I can no more understand Homura’s attachment to Madoka any more than I can understand my own obsessive first loves. Like to my own sixteen year old self, I can try to explain patiently over and over again… but Homura’s not listening. It lessens the story for me because while I lap up Homura’s angst, it’s flattened by the lack of personality in Madoka.

For lesser bad, a lot of timey-wimey cop-outs happen to explain why Sayaka and Bebe know what’s going on… Sayaka I kinda get because she’s dead but who the heck is Bebe anyway? After the movie, we had a lot of deconstructive conversation and pretty much decided the humanoid Bebe was essentially her pre-witch self from the timeline where she didn’t bite off Mami’s head. But that really fails to cover it. Despite her inexplicable presence though, Bebe was darn cute and creepy. We sort of huddled together waiting for her to think Mami would be a tasty treat again.

This movie goes in cycles which for the most part I was indifferent to. It’s an echo of things that happen in the series but it has a deliberateness that makes it tolerable and part of the atmosphere rather than terribly boring.

The good part about this movie is that I found it immensely satisfying on a level that I can’t quite explain. The Incubators were once again being shifty, horrible creatures and Madoka once again does her whole god-form transformation. Except this time as she embraces Homura to ‘save’ her, Homura rejects it and becomes the devil. She rewrites the universe differently than Madoka did, based on her own personal desires. I found it satisfying to see Homura change her fate and Madoka’s. So many years of watching Yuri stories that don’t meet a satisfying conclusion has put me firmly in the “Yeah, it’s messed up but at least she got what she wanted” camp. I think I had trauma flashbacks to Yami to Bōshi to Hon no Tabibito during the end of the original series as Madoka floated away to become god. I loved that Homura’s will stood – that despite Madoka’s role as the Pink Magical Girl Savior, we’re left with a darker ending than the series – Homura’s ending. And one that could essentially pull everyone back into a time loop. We could essentially argue that Homura’s decision brought us right back to the beginning – that this was the Devil’s story all along.

As an out, queer woman I still cringe away from the idea that Homura’s love is cast as impure against Madoka’s universal-I-love-everyone-so-we-can-never-kiss sentiment.. that the source of Homura’s pain is her impure desire and Madoka’s serenity is her universal Mother Mary approach… but I’ll still take it. I always liked the Devil better anyway.

Ratings

Art – 8 – Because this story takes place in a Witch’s Barrier.. and we all know the Witch’s Barriers are the best part.
Story – 7 – No one really learned anything.
Characters – 5 – Homura is the only actual character here.
Yuri – 8 – Because Homura finally comes out to say it. Love.
Service – 8 – Extra points because Mami is like 14 and I’ve seen shots of her breasts more times that I’ve probably seen my own. And I model naked. Think about that.

Overall –  7

Once again the creators of Madoka have shown us that while they can think critically about Magical Girl and Yuri tropes, they can’t think critically enough to escape those tropes. But that’s okay. They tried at least.

Erica here: I’m pretty sure that, should I watch this movie, I’d come to the opposite conclusions on most points, Katrina, so thanks for weighing in with your perspective! ^_^





Puella Magi Madoka The Movie Anime – Parts 1 & 2 (English) Guest Review by Greg C.

February 12th, 2014

Modoka-Magica-DVD-V1Wahoo, it’s Guest Review Wednesday and today by a long-time commenter and friend of Okazu, but first-time Guest Reviewer, Greg  C.! Greg has graciously offered to review The first two Puella Magi Madoka Magica movies for us.  I would like you all to welcome Greg with your usual warm welcome. Take it away, Greg!

Puella Magi Madoka Magica The Movie – Part 1: Beginnings (also available on DVD or BD) / Part 2: Eternal (also available on DVD orBD) are the two disks in the Blu-Ray Collector’s Edition that I purchased.  Various vendors will give you different bonus materials with purchase, so shop around.  (Not bonus materials on the disks, but merchandise goodies with the movie.) Important safety tip:  the sub-titles default to “None” and the sound defaults to “Dolby Stereo” and you probably don’t want either of those choices.

“They’re dangerous at both ends and crafty in the middle.” – Sherlock Holmes.

Let’s start with picture quality.  I’m watching the Blu-Ray release on a big screen plasma TV. It gets the most amazing picture quality. If you’ve seen the series, then you know where I’m going with this. Supposedly they redid some of the animation for the movie releases. The backgrounds, especially the witch’s labyrinths, look amazing. The main character designs are STILL pencil quality moe-blobs.  *sigh*

Madoka-Magica-Vol2-Cover-DVDMadoka Magica is a Shaft production and it shows. It shows so very, very hard. The “Shaft neck-tilt” is ubiquitous throughout. It would make a great drinking game to take a shot every time a character looks over their shoulder. A great drinking game if you want to get totally blotto. The changing art style trick they love to do works because of the complexity of the story. It’s done at very appropriate times. My main gripe is that this show about magical girls is definitely a male gaze production. The over use of the “zettai ryouiki to face” pan when characters are speaking is incredibly annoying. (Not as egregious as in Rebellion, but that’s a story for another day.) Be sure to watch for the trademark “Easter eggs” as well, such as “SHAFT” written on the side of a crashing train. The movies are littered with them. At least that’s fun.

“Hush, now — spoilers!” – River Song.

Now, let me warn you THERE BE SPOILERS HERE. If you haven’t seen Madoka in any form: RUN AWAY! AVERT YOUR EYES! Abandon hope, all ye who enter here.

 

Okay, everyone still here doesn’t care about spoilers, right? Good. Here we go. My main nitpick with the movie release editing is right at the beginning: I gasped, “Wait… what happened to Madoka-chan’s opening dream sequence?” Gone. So immediately I’m upset because I know that all the foreshadowing that made re-watching the Madoka Magica TV series so awesome the second time is gone. Why is Madoka so upset in class when she sees Homura for the first time? WE DO NOT KNOW. It will have to be explained to us later, indirectly. The first episode is titled “I Met Her in a Dream… or Something” but that’s all out the window in the movie. Seriously, my favorite scene in the TV version is when Sayaka spoils the whole series in the first episode. However, after that, I’m okay with the choices they made to reduce 12 episodes into two movies. It’s mostly the school scenes that got cut. There is an overwrought Ryouko additional scene, but that is forgivable.

Plot-wise, I like to describe Puella Magi Madoka Magica as my favorite episode of Doctor Who. Homura is, of course, The Doctor. And Madoka… well… Madoka is River Song. Starting with “Silence in the Library” River and the Doctor were going different directions relative to each other. Homura and Madoka at the beginning of the movie are in different timelines. Of course, you don’t learn Homura’s secret until much later. How they ended up this way is unraveled beautifully over the two movies. And in the end Madoka has the will to do what The Doctor, and even Buffy, never did – give herself fully to the cause. And I do mean fully. Madoka went where only Lain has gone before. Gen Urobuchi, you magnificent writer!

Even with all the nit-picky things I mentioned, I still enjoyed these movies immensely. As many times as I’ve watched them, there are still tears. I’ve read the main manga, and some of the alternate story manga. I saw Rebellion twice. I haven’t bought any of the figures yet, but I’m sure I’ll crack when the Yukata Homura figure comes out. (So far I only have figures of my waifu, Saber.)

Be sure and watch until the very end after the credits. Nick Fury asks Homura to join the Avengers Initiative. I’m kidding, of course. But there is a tiny bit that is important to the next movie, Rebellion.

“That is enigmatic. That is textbook enigmatic.” – The Doctor.

Ratings:

Art – 3/9 The “moe-blob” characters are terrible but everything else is rendered beautifully.

Story – 10 It felt very well-crafted and it pushed all my buttons. I loved it.

Characters – 6 In the movies we get less depth because a lot of what is cut out are the little bits of character development that round out their personalities.

Yuri – 4 Homura loves Madoka but not that way. “Obsession” might be a better description than “love”. There is only the faintest whiff of Sayaka x Ryouko. Actually “4” is probably overstating it, but that can represent each couple getting a “2”.

Soundtrack – 10. Yuki Kajiura does her usual wonderful work. The Kalafina end themes, especially “Magia” are perfect. The ClariS opening “Luminous” is a typical bouncy anime title song.

Fanboy/otaku appeal – 1000. Seriously. At times enough to make me angry.

Erica here: Enigmatic indeed. Now I don’t know if I want to see these or not! Thanks Greg for compounding the question. And thanks for a great review!