According to Crunchyroll News’ feed on Twitter, the free, legal streaming site Crunchyroll has added Morita-san ha Mukuchi to its summer line-up to worldwide audiences with the exception of Japan.
This anime is based on the 4-koma manga of the same name, which has been reviewed here. (Volume 1, Volume 2) Light on the Yuri, but cute anyway. ^_^
I would like to begin this review with a sincere apology to the fine people at Ichijinsha. I know that a lot of work and energy went into the making of Yuru Yuri and I wish, I truly do, that I could have liked it. But, I did not. If you habitually like the kinds of anime and manga I dislike, If you love series like Lucky Star and A Channel, then do not read this review, just hurry over to Crunchyroll and watch Yuru Yuri – you’ll love it.
I have spent more than a decade promoting Yuri, highlighting series that focus on women in love with one another, pointing out over and over that “Yuri” is not, really, anything like the fantasies creepy loser guys have about girls. Yet with Yuru Yuri, the creators go right to Fanboy territory, then crawl slowly steadily down to wallow in the most banal, most creepy possible tropes. I’m genuinely frustrated by the choices made here.
Yuri Yuri is the story of four girls who hang around and do nothing. These four are all very typical moe types, so forget having any kind of personality. Less than 5 minutes into the anime, there were already 4 underwear gags, the main character had forgotten that school started that day (which is totally likely if you have no family or friends, live in a box and have no media access, I suppose.) The entirety of the second half of the episode is a systematic destruction of the protagonist’s ego. As a *joke*. Because making fun of a friend until they cry is absolutely hilarious, as we all know.
At 8 minutes in, I had a crisis and almost gave up watching altogether. It was so horrible, so tedious, so completely un-fun. My number one criteria for entertainment is that it ought to, you know, entertain me. Watching Yuru Yuri was the anime equivalent of a dentist’s appointment.
There is “Yuri” of course. Of the most excruciating kind. Kyoko likes to look at panties and wants to possess the cute loli. Chinatsu, the loli, crushes on Yui, the moe equivalent of the cool princely character. And let’s not forget the implication of a deep, pathological, stalking sister complex Akari’s sister appears to have for her. That’s always good for a laugh.
The one thing that really wasn’t terrible was Crunchyroll’s subtitling. It’s not perfect, but it was definitely one of the least objectionable jobs I’ve ever seen from them. So that, at least, is something positive to note.
I’m sorry, Namori-sensei. I’m sorry, editors of Comic Yuri Hime. I’m sure that Yuru Yuri will be very successful, but I won’t be watching. As much as I want it to succeed, I actually like the anime less than I do the manga. And I don’t like the manga very much at all. I came into the anime with very, very low expectations and this managed to not meet any of them.
In the end, Kyoko described this series best when she described the protagonist Akari with “A lack of outstanding qualities is your most outstanding quality.”
Ratings:
Art – 5 If you like moe you will probably think it a 6 or 7
Characters – 4 See above
Story – 3 See above
Yuri – There is no real affection, love or desire here. Just gags.
Service – 10
Overall – 4
Pain upon realizing that Comic Yuri Hime‘s first “Yuri” anime ever is everything I have fought to get rid of, in order to be able to tell stories of women in love with one another – 100
Anime Expo continues with more Yuri-friendly news, as YNN Correspondent Bruce McF points out, with Crunchyroll’s announcement that namori’s slice-of-life with some slight Yuri flavoring series, Yuru Yuri, has been added to their simulcast line-up.
Bruce suggests one and a half Hip, Hip, Hoo…rays. ^_^
I’m going to tell you some of the things I think are going on (bearing in mind that while I know what is going to happen, I wont be talking about that – just what is happening on this disc. What I would REALLY like is to hear what you think is going on in the story. What are your thoughts about The End of the World – no spoilers, remember, just based on this first arc! – or about Touga, or the duels, or Anthy, Utena, whatever.
Okay, so here I go.
The disk begins with Saionji doing something very stupid, and being expelled for it. I have this belief that, in some way, all the members of the Student Council, by becoming members of the Student Council, were essentially consenting to being manipulated by the End of the World.
Which is why I personally find it hardest to watch Nanami being screwed with. She did not give this consent. Miki is innocent, but not unbsubtle. Nanami is a child. She is driven by delusion and fear and has no place in the duels. That Touga offers her up to them was, in my opinion an unforgivable crime.
Up to this point, it would be natural to think that Touga is the master manipulator here. He seems, to Utena at least, to be in control. It’s only at the end of the arc that we and he see that he wasn’t in control at all.
The last two episodes were as amazing as I remembered them to be.
In episode 11, Utena find herself stripped of her confidence, her purpose, her very self by Touga, who uses his good looks, his masculinity and his position to turn her into a “normal” girl, who needs a prince to rescue her.
And most important IMHO, is that in response to losing the duel Utena says simply, “Please don’t take Anthy away from me.” She would give herself up…but not Anthy.
In episode 12, Wakaba slaps some sense into her, by making her realize that “normal” is not normal for Utena. Utena challenges Touga to a rematch to regain herself – the self that wants to be a Prince, not be rescued by one. She defeats Touga without help from Dios or an enchanted sword – she defeats him with nothing but her determination and will. To awesome music. To regain Anthy. NOT to regain the Rose Bride, but to get Anthy back.
Most importantly, at that moment, Anthy is *surprised.* That alone is worth watching the final episodes for.
When the episode (and the first arc) ended, I began spontaneously applauding. Again. As I have every time I have watched this series.
It’s gonna be a long, long, few weeks before the next set arrives!
Thanks again Nozomi/RightStuf for making it possible to watch this remastered version.
Ratings:
Art – 8
Story – 10
Character – 9
Yuri – 4
Service – 1
Overall – 9
The music video for “Revolution Rondo” blew my mind more than anything else in Utena ever has. It was filmed in New York City, which was just…entirely unexpected.
Here’s an interesting aside. On Twitter today I mentioned that what I would love to see is a ridiculously high budget live action version of the moment Utena draws the sword from Anthy. Just that scene. At which, a very good friend of mine from way back mentioned that there is a rumor of a pitch in Hollywood for an Utena movie…and that Variety is supposed to be doing an article about it next month. I guess we’ll see if that article ever happens…. Thanks for the heads up, Rob!
Now it is your turn – what are some of your thoughts on this arc?
Many of you have, over the last few years, written in to tell me about Shimura Takako’s series Hourou Musuko, Wandering Son, to ask me when I would review it, to remind me to add it to the News Reports.
As many of you have noticed, I have not reviewed it as of yet. The reason for this is relatively simple – while Hourou Musuko is undoubtedly a masterpiece, it’s not really Yuri.
But, it *is* a masterpiece and a masterpiece dealing with gender transitioning, which is something that manga and anime typically play for laughs at best, rather than handling it with any seriousness or sensitivity. So, I guess it’s time to review this series, already. ^_^
My problem now is – I don’t know what to really say about it, other than it is one of the very finest, most beautiful anime series I have ever watched.
Hourou Musuko is not the first time Shimura has dealt with gender in a story. Her Boku ha Onna no Ko was the first time I ever encountered her work. I was not overwhelmed by any of the stories in that collection – certainly nothing in it impressed me the way Aoi Hana did. But Hourou Musuko is something amazing, even compared to that.
Somewhere after Boku ha Onna no Ko ( the cover of which has a cameo as a poster in the Hourou Musuko anime,) Shimura reached deep into herself and found a real story – a touching story – a painful and beautiful story – about two young people grappling with the fact that they are born into the wrong bodies. Hourou Musuko is emotionally gripping in a way that very, very few anime ever can hope to be. Shu-chan, the mtf heroine and Yoshino, the ftm hero, are people I would gladly spend more time with.
Art, music, voice acting was all sublime. I can say nothing but “wow” about it.
In this short anime, there were two scenes that really stood out to me – the scene where Yoshino gives Shu-chan her name and said that she’d take his, which was so touching I honestly couldn’t speak for an hour afterwards. And the scene during the school festival, when the kids all go into another class’s horror house, just to be able to gain catharsis by screaming.
As for Yuri. Well, the anime begins with the 33rd chapter of the story, as Shu-chan begins middle school, so I believe we skipped one potential Yuri relationship. I will, when the manga touches upon it, mention it. In the anime, however, I’d like to talk about Yoshino and Saori. They don’t really have a relationship, but by the end of the anime, there is some very tentative movement in that direction, IMHO. Of course, as Yoshino is a boy, temporarily in a girl’s body, this would not be a lesbian relationship, even if it were to exist. As Saori had some feelings for Shin-chan, who also feels he has been given the wrong body, it seems to me that any relationship that developed between Saori and Yoshino could legitimately be labeled Queer. Shu-chan has a relationship with a girl that, as Niki points out in the comments, isn’t being perceived as lesbian yet, but is clearly another Queer relationship.
Because this series is a masterpiece, it did terribly in the TV ratings for that slot. This cannot really be a surprise, precisely because everything really is on a standard curve of deviation. That means that the good will be appreciated by less people than the average – and the stunningly excellent will only ever be appreciated by a few. Nonetheless, this anime was stunningly excellent and, as I contemplate reading the manga, for the first time, I find myself frightened by it a bit. It might just be too good. I have always managed my expectations of manga and anime, and don’t want to see my ability to find balance compromised. On the other hand, I don’t want to be disappointed, either. So, I find myself in the position of convincing myself to not expect too much, but also not to let Shimura’s fully blossomed genius ruin anything else for me.
By the time I finish the manga, I fear that all that will be left for me to read and enjoy will be Aoi Hana and GUNJO.
Anyway…if you haven’t watch the anime yet, do. It’s a masterpiece.
And then buy the manga
Ratings:
Art – 9
Story – 9
Characters – 9
Yuri – 0
Service – 0
Overall – 9
This, more than any series I have ever reviewed here is a LGBTQ masterwork. In the future that I want to inhabit, it will be considered a classic.
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