Archive for the English Manga Category


Asumi-Chan is Interested in Lesbian Brothels! Volume 1, Guest Review by Matt Rolf

March 1st, 2023

A partially dressed pink-haired woman is surrounded by three other partially dressed women.Letters read Asumi-Chan is Interested in Lesbian Brothels! Vol 1, story and art by Kuro ItsukiIt’s Guest Review Wednesday on Okazu and today we welcome back Matthew Rolf who will take a look at this new 18+ manga series from Seven Seas!

Asumi-Chan is Interested in Lesbian Brothels! does not convey an air of nuance or subtlety. The cover of the book shows our protagonist being ravished by three other women, with four sets of breasts barely covered by clothing or the book title. On the back cover, our heroine stands with her nightgown open the length of her body. Asumi gazes at the reader while another woman places her hands on her butt.

It’s true: this manga contains graphic depictions of lesbian sex, and the back cover helpfully contains a parental advisory for “explicit content.” Author Kuru Itsuki set out to create a “comical, sexy yuri manga,” and has succeeded. This volume contains five episodes in a story that now extends to at least three volumes.

Asumi is a sexually inexperienced college student pining for Mai, a slightly older girl who kissed her back in grade school. Asumi’s friend Ouka thinks she’s seen Mai in the lesbian sex trade. Ouka makes Asumi an appointment with a sex worker, so that she might find Mai. So begins Asumi’s adventure of hiring women for sex until she can find and sleep with her childhood friend.

This book is as unapologetically gay, sex positive, and kinky as it is implausible. Just one sexual encounter contains kink elements of cosplay, exhibitionism, voyeurism, and edging. Other encounters tease rope play, domination, puppy play, group sex, and a few other things. There are no men in this book.

The sex scenes are rendered both in cartoonish and more realistic styles, depending on the encounter. Some effort is made to show a variety of body types within a narrow range, and the chest excesses of the cover are mostly avoided in the story. There is nothing unusual in the artistic presentation, but the blocking and rendering of the intimate encounters is a strong point. The sex workers Asumi encounters are given at least some characterization.

There’s no gender play, and the book feels less queer than it might for being so kinky. The slick presentation feels inspired by mainstream pornography. That likely makes the book more appealing to a wider audience, including men, but will probably turn off some readers. It’s a minor criticism for a work that brings its protagonist to climax no fewer than four times.

This book owes more than a little to Nagata Kabi’s My Lesbian Experience with Loneliness. One can imagine an editor wanting a pitch for “Kabi’s book, but with hotter sex and without all the mental health issues.” Itsuki’s story delivers to the point of reading like an advertisement for the sex trade in places. Kabi’s work is undoubtedly more touching, moving, and real, but Itsuki’s work is pure fantasy to help you get off. This book is in a different genre with a different purpose, and I have veered between feeling it’s a salacious ripoff or just fine for what it is.

Asumi-Chan is Interested in Lesbian Brothels! is entertaining, explicit, and doesn’t ask much of the reader. If you like your lesbian sex manga explicit with a small side of kink, consider picking up this book the next time you need to get in the mood. The English translation of volume 2 comes out later in 2023.

Final Verdict: Gold Star Yuri Erotica.

Published by Seven Seas Entertainment, through an arrangement by Kodashana Ltd., with translation by Lily Aspen and lettering by Ash Works.

Ratings

Art – 7 – Sparse, mostly anatomically correct.
Story – 6 – Meticulously constructed to get to the next erotic encounter as quickly as possible.
Characters – 5 – Here for the boning.
Service – 10 – Non-stop lesbian sex.
Yuri – 10 – Gold Star.
Overall Score – 319 (referencing the apropos Prince song of the same title)

Thanks so much Matt!

Volume 1 is available in Print on Bookshop and RightStuf, and digital on Bookwalker. Amazon has Volume 3 listed, but not V1 or V2, presumably because of the covers.

There were a lot of lesbian sex worker stories that popped up after Nagata’s initial work. We’ve reviewed some here. Of them, the one I’ve really enjoyed is BariKyari to Shinsou.

***

We’re always looking for guest reviewers, especially as there is so much coming out in English and Japanese, I can’t keep up. If you are interested in reviewing for Okazu – I am particularly interested in hiring non-white writers here  and queer folks, as well. I have a review copy of Futaribeya, V9 going begging. So if you like this series, and want a shot at a paid review gig, drop over to our Submission Guidelines and put yourself forward!





The Girl That Can’t Get A Girlfriend

February 21st, 2023

A blonde short-haired woman holds up a hand to black and white weebish girl with short dark hair holding a hear-tshaped flower. Letters read "The Girl That Can't Get A Girlfriend, Story and Art By Mieri Hiranashi."Disclaimer: I am a huge, weeby fan of Mieri Hieranashi and contributed to her patreon for many months, Do not expect anything like an “objective” review. I am about to gush.

The Girl That Can’t Get A Girlfriend is an autobiographical manga by a young butch lesbian who would like, very much, please, thank you, to find a butch girlfriend. This is, as many of us know – and some might guess – a complicated ask. It’s not that the lesbian butch/femme dynamic is a given, but human sexuality is a really complicated system and there are many moving parts to who we like and why.

….

Well…, maybe why isn’t that complicated.

Mieri, like so many of us, discovered Haruka and Michiru. ^_^

 


We’ve all been there. ^_^ (This is me, looking at the Sailor Moon fanfic I wrote in the late 90s through the 2000s.  I ain’t ashamed, it’s all still on my fanfic site.) But fanart is one thing and real life is another, as Mieri discovers, trying to find a partner and, ultimately herself.

When she finds a girlfriend in Japan, she falls in love and her whole world changes. We’re watching over her, like a virtual Maria-sama and can see that what feels to her to be the right choices may not be the best choices for her. We struggle with her struggle and hurt when her heart is broken. Can I be a literary nerd for a second? This is the manga equivalent of The Sorrows of Young Werther* and I wish to heavens I had had this when I was in college I would have compared and contrasted the shit out of it…I’d like to say “just to piss my teacher off,” but that teacher probably would have been cool with it.  Everything in this book is relatable even if a reader hasn’t experienced that specific thing. We know those feelings.

As a counterpoint to the emotional drama, The Girl That Can’t Get A Girlfriend is laugh-out-loud funny. Mieri’s use of meme is always spot on. Her own reminder to remember a potential date is also human had me laughing for a whole day.

You can feel the timeliness of the memifications and jokes. They will hold up as a snapshot of dating life in the early 21st century. My wife and I still joke about “today’s chin” from when I read that scene on Patreon.The humor is humorous, even when it’s a little sad or more than a little self-deprecating. There is a quite a bit of negative self-image in this story…again, relatable for most readers. Mieri presents the women she dates as dashing, while drawing herself a caricature with one exception. Did you catch the one panel where she doesn’t draw herself goofily? Tell me in the comments.

Mieri wrote both the Japanese and English script for this book and you can feel how personal it is to her in both the images and words. Which is why the final chapter is so important. We are carrying her burden along with her as she tells her tale. It is important for us as readers, that we are left with a hopeful look, not just for ourselves, but for her as well. Much like Kabi Nagata’s 282 liter refrigerator, we can see this book as a physical expression of her finding herself and triumphing.

Extras for this volume also include a gallery of sketches she did for the cover art. 28 sketches!?! Yikes, Viz.

Which brings me to one last thing I want to touch on. I had the pleasure of talking with one of the editors of this book at AnimeNYC. I want you all to know how enthusiastic Viz has been about publishing this book. I can see many of the changes made from the original Patreon pages and I could see how loud Viz was about letting people know about it.  This is a beautiful, heart-breaking and hilarious book about queer life and love.

Ratings:

Overall – Yes, Erica, what rating would you give this heart-rending, emotional autobiography?

9, goddammit, it’s a 9.

Absolute must-read for anyone who has ever existed as a human on this planet.

*Yes, I did just compare this book to a novel by Goethe. I will not apologize.

 





I’m In Love With The Villainess Manga, Volume 4

February 16th, 2023

On a background of yellow lilies, A girl with long, blonde hair with a big red bow, looks up and away from the center, a girl in a maid's outfit, clutched a plate looking down and away in the opposite direction. Black letters read "art by Aonishimo, story by Inori., character design by Hanagata." "Manga 4" is set inside a solid pink compass-rose shaped sigil. It’s already been 5 months since I read the fourth manga volume of Watashi no Oshi ha Akuyaku Reijou. This volume is as I said in that review, “highly emotional and action-packed.” And now we are able to read I’m In Love With The Villainess, Volume 4  of the manga in English and the volume packs the same gut punches over again.

In this volume, the Commoner Movement arc comes to an end with a betrayal. And a redemption. And seeds of more betrayal and further redemption. At the risk of lazy writing, I want to quote myself from my review of the Japanese volume:

This is the volume where everything, all of the goofy light-hearted comedic moment fall away and what remains is social justice withheld, love perverted into betrayal and a new, unpredictable, danger. We finally meet Salas, the King’s right-hand man, a key player in the oncoming storm. I mention him because it is often stated how attractive he is in the novels – in fact, without him being attractive, his character fails to make sense…so I was really interested in seeing how he was portrayed. Not at all coincidentally, we also meet Lily, the nun, who also become a major player in the narrative, for the first time. I believe now all the primary pieces are on the board. The game begins with a huge loss. If you’ve read the novels, you know how huge a blow it will be for Claire, and as the end of the volume comes with a letter from Susse, what that means to Rae having to battle for her.

In this volume we learn how much Claire has lost, and how often her loss has come back to haunt her. For one brief flash, Claire will rely on Rae. Again, it sets seeds for the next arc, which will irrevocably change their relationship

Again and again, I am blown away by Aonoshimo-sensei’s art for this series. A turn of the eyebrow makes all the difference here. When we get Rae and Claire dressed up to speak to the King, phew! Those clothing choices slay. I appreciate an artist who can draw great clothing. Joshua Hardy’s translation has given us a solid “voice” for our characters, a voice I know we’re all looking forward to seeing be reproduced in animated form. Courtney Willams gives us solid lettering that really conveys the tone and depth of these emotional scenes.  Another fine volume from the team at Seven Seas.

Ratings:

Art – 9
Story – 9
Characters – 9
Yuri – 6, since it’s not the focus. But it soon will be.
Service – Rae in that outfit at the end is definitely service. Hope we get a standee of those looks.

Overall – 9

As I move back and forth between the Japanese manga, the print volumes of the novels, the spin-off series and the English editions, I have to tell you that this series doesn’t not lose it’s power with re-reading. It might even be more impactful every time, as I have the chance to catch one more thing than I did the last.





Sirius: Twin Stars by Ana C. Sánchez, Guest Review by Luce

February 15th, 2023

In front of a night sky over an ocean, two young women dance. One of them has long, blonde hair and smiles happily, the other, with short dark hair, looks at us somberly. In yellow letters the title reads Ana C. Today on Okazu - Sirius: Twin Stars by Ana C. Sánchez.Hello and welcome back to Guest Review Wednesday! I am so pleased to be able to host another great guest review today! Thanks so much to Okazu Patrons and Supporters for making this possible, we could not do it without you. If you’d like to see us host more guest reviews, support Okazu on Patreon or Ko-fi and become part of the Okazu family! Today we once again welcome Luce!

It’s Luce, catching up with reviews; I can be found on the Okazu discord as farfetched. This time, it’s a Spanish manga offering from Tokyopop.

Sirius: Twin Stars tells the story of Dani Torres, daughter of a star tennis player. Trying to follow in her footsteps, Dani asked her mother to coach her. Her mother’s perfectionism causes the relationship between them to become ever more fraught, until her heart literally gives out. Fresh out of heart surgery and fresh out of aspirations, Dani is packed up to the family’s vacation home by the beach to ‘recuperate’ – or escape her mother who will no longer speak to her, as she sees it. There, she meets a girl called Blanca who loves astronomy and the stars. They have a bit of a rocky start, but Dani begins to build a friendship with her – and more.

I really enjoyed this story. Not many of us have been where Dani is literally, but I think we’ve all been a little lost, not knowing where to turn or where to go next, so her feelings are relatable. Blanca is adorable, vibrant and happy without being over the top, and I liked how their relationship developed. I greatly appreciated that there was no ‘but she’s female!’ from either party. Unusually for a manga, it was set in Spain, although aside from the names, there wasn’t a great deal to remind you of this. Still, it’s nice to get a story not set in a high school, although they are of school age.

Being a single volume, the conflict of the story isn’t drawn out, but it’s backed up enough that it doesn’t feel rushed – you can see that both Dani and her mum are hurting, and although due to Dani being the protagonist, we side with her – it’s obvious that this split is hurting Dani too. I also really enjoyed the resolution of it; there is an epilogue with neatly ties up a few loose ends, and ends us on a happy note.

The art here was lovely, too. It really suited the story, and detail is given where needed. There are a few colour pages at the start which really ping, and the figurative illustrations of Dani’s struggles really come through. In the physical version, somewhat unusually, these are matte pages, but it still works very well.

Story: 9
Yuri: 10
Service: 2 – they’re in Spain in the summer so some clothes are more revealing, but nothing feels salacious or is done with service in mind
Art: 9
Overall: I would usually hedge my bets, but I actually love this story, so for me personally, it’s a 10. A really good balance between angst and resilience.

This came out from Tokyopop a while back. Ana Sánchez also wrote and illustrated Alter Ego, which I haven’t read yet.

Erica here: Thank you so much Luce! I have read Alter Ego and reviewed it here on Okazu in 2021. There is also a sequel in the works, Noel Y June. It’s great to see Sánchez developing as an artist and a writer.





How Do We Relationship, Volume 8 Guest Review by Matt Marcus

February 8th, 2023

In a watercolor-style image, a woman with short, black hair, in a brown shell with a light gray plaid short over it. She wears a guitar case over her left shoulder. Her eyes are closed, but she's smiling broadly, with her left hand half lifted, as is she's about to reach out or wave. White letters read "How Do We Relationship?" in black letters, "art and story by Tamifull." A black number 8 is in white word balloon, as if the woman is thinking it.Welcome to another Guest Review Wednesday on Okazu. Matt Marcus is back again to cover Tamifull’s continuing series of young adult life that has a lot of layers to parse. Please welcome Matt back and give him your attention. Matt, the mic is yours…!

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, such as the JRPG games club podcast Lightning Strikes Thrice, which is currently covering Final Fantasy VIII.

In Volume 8 of How Do We Relationship While Still Being Friends With Our Exes, we follow Miwa and Saeko as they try to learn….well you get the idea.

Saeko and Yuria are still enjoying each other’s company, but their mutual dislike of being touched has put their sex life in suspended animation. Miwa, who accidentally baited Tamaki into a confession using her cat (so this time the cat outed the girl from…the bag…hmm), is nevertheless trying to maintain the status quo with her kohai in fear that her crush will lead to another debilitating heartbreak.

During the Band Club summer retreat, Tamaki starts flirtatiously teasing Miwa, or as one chapter aptly calls it, “Messing With You, To Great Satisfaction.” Miwa continues to hesitate, but Tamaki’s escalating pursuit–and a small push from Saeko–leads her to open up about her feelings. The two begin dating, which raises the dual thorny issues of Tamaki’s plan to transfer to another school and how to handle introducing their relationship to Tamaki’s friends.

I have a confession to make: I did not like Tamaki when she first showed up. But credit where credit’s due, Tamaki steals the show here. After a volume and half of getting closer, then backing off, only to get closer again, the way in which she pushes forward towards Miwa here is a very refreshing change. Something I noticed as well is that there are moments where the art shows her in a much more attractive light, particularly when she is acting confident. Compared to previous volumes, it’s one hell of a glow-up. Plus, she gets to show some developing maturity during her date with Miwa as they discuss their potential future.  I knew that the story would pair her up with Miwa, but what I was not prepared for was coming away from this volume thoroughly convinced that Tamaki is worth rooting for.

What makes Tamaki more than just a new love interest is how she poses as a foil to Saeko. Both are quite blunt and have a tendency to drop a biting line here and there towards Miwa. In a way, Tamaki’s harsher comments resemble some of Saeko’s in the first three volumes, such as when she calls Miwa a “bit of a wimp.” However, Tamaki’s are more on the line of teasing instead of insecure lashing out. Also, as time has gone on it’s become more clear that Saeko’s “toughness” that Miwa so idolized was a falsity; for Tamaki, her “difficult personality” is just who she is, and it’s that fortitude that pushes her through the various homophobic reactions of her friends when she comes out about her relationship with Miwa. It made me think back to Volume 6 where Saeko says that Miwa’s next girlfriend would need to be mentally tough to weather the challenges of being queer in a society that is openly hostile to it. It’s as if Tamaki read the job requirements before applying, but not in a “too convenient to be believable” way. 

Just to camp out on the coming out scene a bit more, the economy of storytelling Tamifull employs is worth highlighting. There’s a denial (“No way!”), a joke (“you’re just playing at dating, right?”), a somewhat condescending acceptance (“oh that’s very trendy of you!”), AND a flat-out rejection (“I don’t like people like that, it’s gross.”), all in the span of a few pages. It’s pretty impressive stuff, plus it gets those issues out of the way so the story can focus on the relationship itself going forward.

All of that said, there are still other developments going on. The most important one is how Miwa and Saeko’s friendship has continued to change. Miwa is trying to stay close, thinking of Saeko as her best friend, while Saeko is trying to pull back because, despite what she thinks, she’s still not completely over Miwa. The asymmetry of their feelings and how they process them internally is nuanced in a very compelling way. It is also fairly evident that the next volume will put Saeko more in the spotlight, since we did not see much progress about her body issues in this volume–not that she doesn’t play a big role in these chapters, but the Miwa/Tamaki story definitely took top billing.

The last plot thread I think is worth mentioning is the entanglement of Rika and Mikkun. It’s a case of the unstoppable force of casual sex meeting the immovable serial-dating object. I’ve mentioned being curious about Rika’s role in this story in past reviews, so perhaps we may see some progress here. Or it can just be a vehicle for jokes at Mikkun’s expense. I give it 70/30 towards the latter.

There are countless little positives I’d like to call out, like Yuria’s realistic body shape, the callbacks to the first band retreat, Saeko’s many new hairstyles that have clearly been done by Yuria. I’ve found the more time I spend revisiting previous chapters, the more I find moments where these later volumes carry echoes of the earlier ones in a way that I find very satisfying.

I think this is a fantastic volume, with deliciously playful tension and gentle but meaningful character development. Also, if you’ve been waiting for Good Things to happen for Miwa, you’re gonna love how this goes.

Art – 9 Fantastic paneling, great use of light and shadow, strong perspective choices–I’d say it’s the best looking volume so far
Story – 9 There are some predictable beats here, but the timbre continues to impress
Characters – 9 Tamaki won me over this volume
Service – 4 There’s a lot of non-sexual intimacy while nude, which is a form of service
Yuri – 9 / LGBTQ – 9 Got a complicated friendship between exes AND two couples to boot

Overall – 9 Band camp continues to deliver fireworks (just not literally this time)

Can I admit that I’m a mark for POV shots that take into account height differences? I mean, I just did, but we can be cool about it, right? Right.

Erica here: Totally cool. ^_^  Thanks very much, Matt for this insightful review. You’ve clarified some of my thoughts on this series, as well. It continues to feel more “real” than just almost anything else I’m reading these days for better and ill. ^_^