Archive for the English Manga Category


Hello, Melancholic!, Volume 3

January 3rd, 2023

Beginnings are easy. You have an idea. There’s this character and stuff happens and it affects them and they react. Why are they there, what happens, how it affects them, can all be built up over time. But beginnings, they’re easy. The hard part is what happens after you’ve explained why they are there, and why that thing that happened affected them that way. Then, you have to buckle down and show what happened after that.

In Volume 1, we met Minato, an introverted and unusually tall first-year in high school whose love of music had been ruined, when she was traumatized by bandmates in her previous school. She is recruited by Hibiki, a second-year, to join an impromptu band club. It was a beginning that hit me hard. Re-learning to enjoy music, struggling to fit in, typical school stuff. We’ve all been some part of “there.”

In Volume 2, Minato and the rest of the band gel, and they give an amazing live performance. Minato takes her first steps out of her shell and in a moment of having had too much fun, admits she likes Hibiki.

Now we are at Volume 3 of Hello, Melancholic! by Ohsawa Yayoi and all the beginning stuff has been laid out. What can possibly happen? Well..a lot.

Hibiki will be graduating. Minato’s basically in denial about that. She concerned that Hibiki (and the rest of the band) will reject her. And in the middle of this, Hibiki, ignoring everything that is laying between them, pushes Minato to take the chance of a lifetime. It doesn’t go well when they try and talk it out the first time. Minato is concerned that every joy she has is too fragile to survive the moment.

I loved this series when I reviewed it in Japanese and my fondness for it carries over into the final volume of the English language edition. Girls finding love in band…well, I’ve been there, so yeah. ^_^ Ohsawa Yayoi’s art continues to improve, her characters’ expressions of shock and pain and joy are just fantastic.

The translation by Margaret Ngo and adaptation by MaryKate Jasper was terrific. You could *hear* their voices as Hibiki and Minato have it all out. Extra props to Seven Seas for bumping up almost all the lettering to full retouch. It looks fantastic. I know it’s harder and takes longer, but thank you Mo Harrison for the effort.  Once again a top effort from the team at Seven Seas and an outstanding reading experience. Now can we get 2DK, GPen Meshamashitokei, I wonder?

Beginnings are easy, but picking the first manga I review of the year is hard.  Hello, Melancholic! wraps up something that feels like it began a long time ago, and now we’re all ready to move on into what’s ahead. ^_^

Ratings:

Art – 9
Story – 9 More conflict in this volume is a good thing, as Minato becomes less passive
Characters – 9
Service – 1
Yuri – 9

Overall – 9

 

I’d give this adorable 3-volume series to anyone who wanted a feel-good schoolgirl Yuri story.





Yuri Espoir, Volume 3

December 14th, 2022

Back in the mists of Internet history, fanfic was one of the key drivers to fandom.  Not just my fandom, but many folks would read a fanfic and find themselves enamored of the ideas, the situations and the characters in that fanfic…sometimes more than the fiction that the fan-created derivative fiction was based upon. I’m not immune to this. I have very clear and specific ideas about how the glamour that protects the Senshi in Sailor Moon works, for instance, even though it is never explicated in the series, which one must constantly remind one’s self was created for 11 year olds. ^_^

So a story about creating stories seems, on the face of it, right up my alley. If the Yuri stories created within the story continued to be the point, I’d be on board. Unfortunately Yuri Espoir, Volume 3 falls into a trap  which often ended up weighing down otherwise decent fanfic – it is taking itself very seriously. It is truly unfortunate, because stripped of what has become a rather dire actual plot, I really enjoy the idea that Kokoro and Amami walk around fictionalizing complete strangers into comfy Yuri tropes. It hurts no one, and is only marginally weird. ^_^ (Real people shipping can be very weird, but let’s face it, it’s not uncommon. Much of the BTS Army exists for that purpose.)

Now, in V3, we get the real depth of despair Kokoro feels, the real backstory about the art teacher and the fact that both of their lives revolves around a faceless guy with the personality of a bucket of warm water. It’s…not fun. In fact, this volume gets quite dark in places. I have to ask myself “why?” To what end is this darkness? Will it go anywhere? I can’t tell.

In the spaces between Amami and Yuki’s unrequited love for people who have been portrayed as idiots, there are some cute ideas. But like every fanfic in which a potentially queer character was drowning in the darkness their author had nowhere else to express, there’s a distinct lack of espoir in this volume.

Ratings:

Art – 7
Stories – 8 for the fanfic, 5 for the main plot
Characters – 8
Service – 4 – there’s some, expressed in ways that are “this is a bad thing” but they are there.
Yuri – 9

Overall – 7

Had I been the editor, I think I would wrap this up next volume, unless it can shed this habit of trying to be a Very.Important.Story. 

Thanks to Tokyopop for the review copy and thanks to their team for their hard work!





line, by Yua Kotegawa

December 7th, 2022

One of our best supporters and dearest friends here at Okazu, Bruce, died about 5 years ago. I have been slowly working my way through all his anime and manga. Much of it has been given to a good home, some of it has been part of Lucky Boxes. Recently, I can to the last box of English-language manga in his collection…and I found something I had never heard of!

line, by Yua Kotegawa is an English-language edition put out in 2006 by ADV Manga, so this is way past just “out of print.” It’s not really Yuri in any sense, either. But after reading it, I can totally understand why Bruce had it in his collection. If he were alive, I would ask him to review it. So he’ll have to guest review from the spirit world today.

Chiko is a popular, cute girl at school. She doesn’t concern herself with the kind of class bullying that exists around her, she’s just in her own world, doing her own thing.

The book opens up as she finds someone’s dropped cell phone. She’s going to bring it to lost and found when it rings…and the person on the other end commands her to rush to a location to save the life of a student about to commit suicide. The voice explains how horrible life is when one is ostracized or bullied. Chiko arrives too late, but is seen yelling into the phone by a classmate, Bando. Bando is a quiet otaku type, but quickly becomes Chiko’s partner as they seek to find and save people about to kill themselves. The phone rings and they go running. They don’t always make it, but sometimes they do. And those people become part of the team. The suicides ramp up in frequency, until the anonymous caller has Chiko, Bando and everyone they saved, running around town saving as many people as possible. Eventually the caller kills himself and the team all lay, exhausted on a roof.

The next day, Chiko invites one of the bullied kids in her class out with her and Bando and the rest out to do something that’s no biggie…because, as she says, everyone going has got very sore muscles.

So, yeah, this is hardly a worldshaking book, but it hits pretty solidly in showing how important it is for people to not just passively accept bullying and loss. Chiko and Bando aren’t a couple, there’s never any tension between them of that kind, but the circumstance draws them together and, by extension, draws people to them. I can see all sorts of parallels to that in my life. Communities of interest are the invites out, the group of people with something in common to talk about.

ADV missed a chance to post a suicide hotline phone number, but I won’t. If you think you can’t do this any more, please call someone. In the USA, just remember 988. Please call. Someone is there to listen.

No ratings today.





I Can’t Believe I Slept With You!, Volume 3

November 28th, 2022

In Volume 1 we met hapless Koduka, an adult chronologically, but so at loose ends that she is unable to function, really, as an adult and her hopeless landlady who, under the guise of a terrible contract, is actually making Koduka’s life better.  In Volume 2, Koduka comes to realize that she’s falling for her landlady, and start to make steps to put her life in some kind of order.

In I Can’t Believe I Slept With You!, Volume 3, Koduka has finally understood what she wants out of her life…and that includes being with the landlady as lovers. Only, the landlady, who is carrying a ton of emotional baggage is making it harder than it should be. We have hit “two people who like each other and should be together, but are not, for reasons” territory. This might be very irritating, except that Koduka is working so hard at adulting and being a good, kind, and thoughtful, person, that neither we, nor the landlady can resist.

Christmas brings a happy ending for our couple and we’d be perfectly within our rights to take that at face value. In fact, we have to,  because while Koduka has worked on herself and realized who she wants to be, the landlady’s story is left for us to imagine and is not so much as touched upon. The creator mentions this regretfully in her afterword and I am torn about it. On the one hand, the story feels unbalanced by it’s absence, but on the other, it was probably pretty obvious and banal (landlady falls for tenant, is rejected, things go badly.) In any case, we are meant to be satisfied with Koduka’s redemption, as she was the protagonist. It was a pretty good redemption, too – Koduka gets a job that suits her and that she likes, she starts to talk to people, she and the landlady become friends with another not-a-lesbian who moves in. Koduka’s extra lovey-dovey Xmas Eve plans are likely to melt most cold hearts.

Art – 8
Story – I don’t want to be the movie scrooge, I’ll call it an 8 out of holiday generosity
Characters – 8, same. The landlady even gets a first name
Service – 5 some sexual situations
Yuri – 8

Overall – 8

As a three-volume short series, Miyako Miyahara’s I Can’t Believe I Slept With You is not ground-breaking, but it’s an easy, fun, dare I say, heartwarming series. A veritable Hallmark movie of a Yuri manga.

Now I’ll go settle in to my seasonal holiday grumpiness. ^_^





How Do We Relationship, Volume 7, Guest Review by Matt Marcus

November 23rd, 2022

Welcome once again to a Guest Review Wednesday on Okazu! Today we once again are pleased to host Matt Marcus, with his continuing coverage of one of our favorite messy couples. ^_^

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, such as the JRPG games club podcast Lightning Strikes Thrice, which is currently covering Final Fantasy VIII.

We’re back on campus for How Do We Relationship, Volume 7. In the previous volume, we left off with Saeko growing into a more emotionally mindful partner with Yuria while Miwa has taken interest in Tamaki, a gruff freshman who resembles Shiho.

We are fully into the new normal established midway through Volume 6. It’s odd to say it this far in, but this volume is the easiest, least angsty stretch in the series so far. Not that there isn’t some tension to keep things interesting, but any conflict feels extremely low-stakes compared to the dizzying anxiety of the first six volumes. What we get instead is payoff in the form of emotional growth.

To start with Miwa, she has taken a mentor’s role to Tamaki (despite her growing crush on her). She calmly listens to Tamaki’s break-up story and is forgiving when she is hit with redirected frustration. She bears a bit of her wounds giving honest advice to Tsuruta, who is Too Nice™ to ask out a freshman girl who is clearly into him. Despite her nerves, she pursues and has a good time on a date with a woman she connected with on an app. At last, we are seeing real growth in her character, and it’s fantastic.

In contrast to Miwa, what struck me in this volume is how well Tamifull depicted Tamaki as immature. After hearing a little about Miwa’s messy relationship she suddenly becomes very vested in knowing things about Miwa that no one else does. Why? Because it makes her feel superior. She wants to dominate access to Miwa’s secrets, and not specifically out of jealousy or antagonism towards Saeko. It’s recognizable teenage behavior which puts Miwa off balance. Still, she has added an interesting wrinkle to the tapestry of characters. To be honest, I can’t help shake the feeling that we are meant to see her in a less alluring light than Miwa does and I find that fascinating.

Not to be outdone, Saeko also gets to demonstrate growth. For one, she helps out Miwa by scouting out her date. She’s been reading signals from Yuria that she interprets as lack of comfort with sex, but instead of letting things fester, Saeko decides to–gasp!–talk it out with Yuria. It turns out that she was wrong! You can really feel her relief…until the rug gets pulled under her with a familiar request. I hope the next volume finally addresses the Elephant In the Room that is Saeko’s past. I think Yuria (who continues to be a delight) might be able to break through Saeko’s emotional defenses.

I do want to take a moment to praise the art. Over the past couple of volumes, I’ve noticed more use of large panels, often filled with tons of lived-in detail. Tamifull specifically called out his excitement in drawing Saeko’s and Miwa’s rooms in the author’s comic and it’s noticeable. Also, I want to give kudos about the new students actually looking younger than the second years. Tamifull has managed to capture that sense of looking back a grade or two and realizing just how young they were only a year ago–and also how small they must have looked to their senpais. That level of verisimilitude feels rare in my (admittedly narrow) experience reading manga.

One thing I have not mentioned recently is the localization done by Kelleth Jackson, who took over for Abby Lehrke starting with Volume 6. This particular volume doesn’t have as many colorful language choices as we’ve seen before, but it remains generally strong in my opinion. That said, there is always one blatant typo or missing word in each volume.

So, something that I have been avoiding is talking about the “commentary track” comics that sit at the end of each volume. They depict Miwa and Saeko lounging around together, looking back on scenes from the chapters, heavily implying that they have gotten back together. I still think it’s an open question whether or not these scenes are diegetic, but it’s becoming more and more distracting.

To sum things up, this volume is a quiet reward for readers who stuck through all of the toxic relationship dynamics and heartbreak. What I lament is the feeling that this is one of the best currently running yuri manga that many may start, but few will finish. This volume is the first step towards justifying the drama.

Art – 9 The art has become more confident as the series progresses
Story – 9 Most of the work is character-forward and it’s great.
Characters – 9 Finally, some serious growth for Saeko and some forward momentum for Miwa
Service – 2 There’s some light canoodling
Yuri – 8 / LGBTQ – 8 Miwa uses a lesbian dating app, so up we go

Overall – 9

I do want to find out who gave Kan that shiner. He probably deserved it.

Erica here: Absolutely all of this. This is easily one of the most realistic manga I have ever ready, which can make it massively frustrating, but also incredibly rewarding as our protagonist are definitely maturing.  Thanks once again for a terrific review.

Oh, and let me assure everyone – typos happen. ^_^ No matter how many eyes go over a book, typos happen. ^_^;