Archive for the English Manga Category


Yuri is My Job!, Volume 9

August 26th, 2022

Before we get to the meat that is Yuri is My Job!, Volume 9, let’s step back for a second and look back at a story that has traversed a whole lot of ground, while never moving. ^_^

The situation comedy that starred a young woman more concerned with how she appeared to others than anything else, became an emotionally fraught tale of two childhood friends whose idea of what they wanted from their friendship was irreparably different. Nonetheless, Yano and Hime are, at the moment, relatively functional as a pair of “schwestern.”  Now, we’re looking at the remain cast at this Yuri concept cafe and finding that again, things are wildly out of balance.

Kanako was and is, obsessively focused on Hime. To the point where she really hates even thinking about sharing her with Yano in any but the most superficial way during work hours. This is, of course, not healthy. Sumika, as Kanako’s older sister offers to help her navigate this, but she’s finding that all this Yuri around her…and her own history…has gotten into her head. She’s having decidedly unsisterly feelings about Kanako.

I like Sumika and this arc is killing me.  For oh so many reasons. Mostly because she’s a big assholey clueless straight girl in a very gay Yuri cafe and is an utter dumbass about everything possible. ^_^ Kanako’s obsession makes her almost impossible to like, but you have to sympathize with big ole dumbass Sumika, until….

As Sumika’s brain plays gay games with her, bad news arrives at Liebe and the next few volumes will be a 4-way train wreck between Sumika, Kanako, Sumika’s former little sister, Nene and the woman who broke it all, the woman who destroyed Sumika’s happy days at the cafe the first time and is looking like it’s her plan to to do that again, Gouto (cafe name Goeido) Yoko.

You know I love me my evil lesbians, but in this arc, my hat is thrown into the ring for Nene and her “fuck you, straight girl” faces, which I might need to make into a meme.

Miman has take us so far from the opening salvo and I’m still hooked on every chapter, wanting to know where and what and who and why. The art is orders better from early chapters as well. Facial expressions are outstanding this volume. Since the story is focusing on conversations over cafe scenes, faces and body language really have to carry the visual weight. They do that successfully.

This volume has a short extra story of unrequited love, “I am Your Destiny,” Miman-sensei’s author’s notes which are always interesting and another page of the Cafe’s “Operating Manual,” for fun.

Ratings:

Art – 8
Story – 8
Characters – 9
Service – 4
Yuri – 8

Overall – 8.

As I said in my review of this volume in Japanese, “A fantastically unpredictable volume from a series that never stops surprising me.”

Top notch translation from Diana Taylor, solid lettering by Jennifer Skarupa and editing by Haruko Hashimoto makes this an easy reading, set-up for next volume’s gut punches.  Get yourself ready… Volume 10 will be here in November.





She, Her Camera, and Her Seasons, Volume 1

August 25th, 2022

Ten years ago, I stated to review a series called Kanojo to Camera to Kanojo no Kisetsu, (彼女とカメラと彼女の季節). It was a complex love triangle that spent 5 full volumes at increasing levels of intensity, and yet…

And now, we have She, Her Camera, and Her Seasons, Volume 1 by Tsukiko, out from Kodansha. It’s going to be a very interesting ride to see how this story holds up after a decade.

Akari is a girl who feels that she has no particular value in her life. Her family is poor, her house shabby, her mother work nights as a hostess and she works at a convenience store. She has no hobbies or interests, and the chatter of the girls around her does not interest her much, although she’s able to fake interest. When a classmate takes a candid photo of her with an old camera, Akari’s life will change.

She becomes closer to Yuki, a classmate who has a passion of photography, and Rintarou, a guy on the school baseball team. Their lives become entwined and intimate almost immediately, in ways that alienate Akari from her previous superficial friendships. Right from the beginning there is a lot of tension in this triangle. Akari is falling for Yuki, who seems to have a thing for Rin, who is interested in Akari. This triangle will grow tighter and more taught over the next volumes in a way that I found very hard to look away from. ^_^

Translator Nate Derr did a great job of showing us Akari’s life cracking and reforming in a way that she would not be able to predict. Character voices come through well: Akari’s startled objections, Rin’s doofy charm and Yuki’s coolness and sudden passionate discussion of cameras. Lettering is the standard English near the Japanese – I am *always* going to wish that companies gave letterer Salud Campos Blasco time and money to do retouch. In a story like this where Tsukiko’s art provides the whitespace needed and in a story where composition is a very real matter of both text and visuals, it would have been nice.

Ratings:

Art – 8
Story – 8
Characters – 8
Yuri – 6
Service – 3

Overall – 8

At the moment, this release is digital only through Kindle & Comixology and Bookwalker. It’s a good choice for this tense and compelling tale.

Thanks very much to Kodansha for a review copy for this volume!





Superwomen in Love! Honey Trap and Rapid Rabbit, Volume 4

August 12th, 2022

In Superwomen in Love! Honey Trap and Rapid Rabbit, Volume 4 this goofy story starts to do something it has not previously done.

First, a disclaimer! My last review was for Volume 2 of this series. It’s not that I disliked Volume 3, it just did nothing new and it locked itself into a space I don’t much care for, with Hayate and Honey unable to tell each other their feelings for reasons. The one good thing about Volume 3 is a spoiler, so I’ll avoid it, because in this volume, it becomes even more of a giant question mark over everyone’s heads.

So here in Volume 4 of this transforming suit hero style series, (a la Kamen Rider) several things shift. The Antinoid leaders are showing some humanity here and it’s out of place in this style of story. This feels like one of two things are happening – either this story is going to wrap up soon or it will have to take another tack. As I haven’t kept up with the Japanese edition, I can’t say for sure which way the story is going. Either way works equally as well for me.

What I can say is that the problem I had with Volume 3 is resolved here in a grand gesture at the end of a series chock-full of grand gestures.  Where will the story take our plucky heroines? We’ll have to check back in Volume 5 and see!

Ratings:

Art – 8
Story – 7
Characters – 7
Service – 1 Pretty low here, comparatively
Yuri – 6

Overall – 7

I’m kind of interested to see how this wraps up, honestly.

Will we actually get an explanation of the antinoids? Will it matter? Tune in next episode…erm, volume! ^_^

Also the bad guys have an alternate family. That was interesting.





Whisper Me A Love Song, Volume 5

August 8th, 2022

One of the common unwritten rules in manga is that backstories are poignant. When we learn why our enemy is so driven we’re supposed to care. We’re supposed to feel for them.

Whisper Me A Love Song, Volume 5 takes that rule and tosses it in the bin. ^_^

The Battle of the Bands approaches and Himari is vexed by the fact that SS Girls and Lorelei members don’t get along. One day while out and about, Hima runs into Shiho, Lorelei’s aggressive front woman. And finally, we learn her back story.

It is, quite possibly the least sympathetic backstory we have ever heard. In fact, it’s so bad, that even Shiho realizes how appalling she comes off. Despite this, Himari becomes convinced that she can make the two bands friends again. She pulls strings and bakes cookies, in order to bring them together.

In any other series, surely we would have gotten at least a partial reconciliation. But no. Shiho doubles down on being the villain in this sweet, soft fluffy series about nothing at all. Dedicated to her role, Shiho comes up with a deal so devilish that no one could possibly have expected the Shiho Inquisition…..!

As summer dawns, and their time to make memories is upon them, Himari is to be separated from her beloved Yori-sempai and take over as the manager for Lorelei! Gasp!

I know, I know, but hear me out. This is a HUGE conflict for this series. Himari and Yori won’t get to spend as much time together! I mean, it’s high school, you only have so many summers. Man, that Shiho is a meanie. In the meantime, Yori and the rest of SS Girls are putting everything on the line, and writing new music to take Lorelei out. And this is done with so many bright smiles and cute expressions that it’s utterly impossible to not care.

Props to Kevin Steinbach for a translation that sounds like very serious-minded  young women who are hopelessly, adorably in love. Jennifer Skarupa’s lettering lets us have a smooth reading experience, although I will always prefer giving letterers time and money to do full retouch. Hats off to Tiff Joshua TJ Ferentini for seamless editing and Matt Akuginow’s lovely cover design. All of which means, when I sit down to enjoy Himari gushing over Yori and Yori melting into a puddle at her girlfriend’s smile, nothing gets in my way of goofy grinning!

I know you all know I like mean women, but sometimes, you just want an adorably sweet story about a cute young couple being absurdly happy in your general presence to make life on this planet seem like it’s worth it. When I need that, Whisper Me A Love Song is just the ticket.

Ratings:

Art – 8
Story – 8
Characters – 9
Service – 0 It’s such a delight
Yuri – 8

Overall – 8

SS Girls is working on a killer set, let me tell you…! ^_^





How Do We Relationship, Volume 6, Guest Review by Matt Marcus

August 3rd, 2022

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, such as the anime watchalong podcast Boku No Stop, which is currently covering the yuri anime Flip Flappers.

Well, here we are: How Do We Relationship, Volume 6. Miwa had her heart crushed, Saeko is trying to move on past their previous relationship, but the two are entangled yet again in a physical relationship but in an even more messy guise.

In the role reversal of the century, Saeko immediately apologizes to Miwa for treating her like a piece of meat–but much to her chagrin, Miwa is happy to be used because it means that she is still wanted. This time, it is Miwa who is using sex to escape how terrible she feels about herself, and the two end up in an ambiguous relationship. Over time though, Saeko helps bring Miwa back out of her depressive slump and back to school life. Eventually, Saeko shuts down their arrangement because for her, the love is gone.

Meanwhile, Saeko continues to slowly show more of her vulnerability to Yuria. In fact, she’s come to the realization that she is way more transparent about her feelings than she realized. When the inevitable happens and the two start dating, Saeko treats her with true kindness and consideration. It’s an incredible turnaround from the end of the previous volume, yet it feels completely earned. It seems bizarre to say, but, perhaps for the first time in the series, there are moments that are truly heartwarming.

Miwa is now forced to move on, and this is where things get a little…odd. With Shiho’s words still lingering in her head, she wonders if it would be easier to just date men instead. Weirdly, Saeko encourages this, which leads to a plot thread involving a handsome manager of a cafe where Miwa works. Now, sexuality is a fluid thing, but to my mind it would be very strange for the story, and for Miwa as a character in particular, if she fully explored this direction, even if only to reject it later. (Remember her turning down Tsurata in Volume 3?) Miwa admits to herself that she has some kind of abstract attraction to the “kind of guy” the manager is, but she isn’t convinced that she is really attracted to him.

This thought experiment doesn’t leave the hypothesis phase when she meets a new first year named Tamaki who bears a striking resemblance to Shiho. I would say this is another strange twist. In a way, it feels like falling back on old habits, especially when Miwa–before detecting any interest from the painfully blunt first year–states to Saeko that she might end up getting a girlfriend again after all. The volume ends hinting that the two may become closer very shortly.

Really, Saeko steals the show here. She shows an amazing amount of growth as a character. That said, I would have liked to see her at least take some responsibility for shutting out Miwa when her past came up. In fact, even after Miwa finally gave her the whole story on her Okinawa trip, Saeko did not fully reciprocate with Miwa by telling her about her middle school. I am hoping that her relationship with Yuria will give her the comfort she needs to address those issues head-on because they still feel unresolved. Nevertheless, this is the best version of her we see so far and it feels fantastic to see it on the page.

Miwa, on the other hand, acts really terribly in the early chapters by pushing on Saeko’s boundaries in a way that is quite uncomfortable to read in a couple of instances. Even after her recovery, she feels a bit unmoored in the second half of the volume. I trust that Tamifull will pull off her arc, but the path towards it is not entirely clear. Oh, and Shiho doesn’t make an appearance in this volume at all, which was disappointing to me.

I mentioned back in my review of Volume 4 that this manga captures the tumultuousness of college. Part of what contributes to that feeling is how the story tends to slip forward in large chunks of time. That becomes the most jarring in this volume, because Miwa’s rapport with Saeko changes seemingly on a dime. One chapter, she’s crying her eyes out realizing that any chance of dating Saeko again is truly gone, and the very next scene opens with her beaming to hear about Saeko’s first date with Yuria. It is nice to see that they are still friends and can openly discuss such things without hurt feelings simmering underneath like in the past, but it just feels too soon for the reader.

All in all, this volume felt a little more uneven than past volumes but improved greatly on later rereads. Its biggest flaw is lacking some narrative connective tissue that would have made certain plot turns feel more natural. Perhaps Tamifull felt that we had wallowed enough in the Bad Feels Zone and that it was time to kickstart the next phase. At any rate, with a new school term starting, there are still plenty of credits to earn.

Art – 8 Continues to carry the story well
Story – 7 More of a mixed bag than previous volumes, but with really high highs
Characters – 8 Finally, some serious growth for Saeko and some forward momentum for Miwa
Service – 2 The sex is the least “appealing” that it’s been so far
Yuri – 8 / LGBTQ – 7 docking it one yuri point for Mr. Cafe Man

Overall – 8

Tamifull loves a good callback, and this time he “swung” for the fences. See if you can spot it.

Erica here: Thank you so much Matt! I’ve got Volume 8 on my plate in Japanese and I have to say, I’m actually really interested in where this is going. ^_^