Archive for the Guest Review Category


Asumi-Chan is Interested in Lesbian Brothels! Volume 1, Guest Review by Matt Rolf

March 1st, 2023

A partially dressed pink-haired woman is surrounded by three other partially dressed women.Letters read Asumi-Chan is Interested in Lesbian Brothels! Vol 1, story and art by Kuro ItsukiIt’s Guest Review Wednesday on Okazu and today we welcome back Matthew Rolf who will take a look at this new 18+ manga series from Seven Seas!

Asumi-Chan is Interested in Lesbian Brothels! does not convey an air of nuance or subtlety. The cover of the book shows our protagonist being ravished by three other women, with four sets of breasts barely covered by clothing or the book title. On the back cover, our heroine stands with her nightgown open the length of her body. Asumi gazes at the reader while another woman places her hands on her butt.

It’s true: this manga contains graphic depictions of lesbian sex, and the back cover helpfully contains a parental advisory for “explicit content.” Author Kuru Itsuki set out to create a “comical, sexy yuri manga,” and has succeeded. This volume contains five episodes in a story that now extends to at least three volumes.

Asumi is a sexually inexperienced college student pining for Mai, a slightly older girl who kissed her back in grade school. Asumi’s friend Ouka thinks she’s seen Mai in the lesbian sex trade. Ouka makes Asumi an appointment with a sex worker, so that she might find Mai. So begins Asumi’s adventure of hiring women for sex until she can find and sleep with her childhood friend.

This book is as unapologetically gay, sex positive, and kinky as it is implausible. Just one sexual encounter contains kink elements of cosplay, exhibitionism, voyeurism, and edging. Other encounters tease rope play, domination, puppy play, group sex, and a few other things. There are no men in this book.

The sex scenes are rendered both in cartoonish and more realistic styles, depending on the encounter. Some effort is made to show a variety of body types within a narrow range, and the chest excesses of the cover are mostly avoided in the story. There is nothing unusual in the artistic presentation, but the blocking and rendering of the intimate encounters is a strong point. The sex workers Asumi encounters are given at least some characterization.

There’s no gender play, and the book feels less queer than it might for being so kinky. The slick presentation feels inspired by mainstream pornography. That likely makes the book more appealing to a wider audience, including men, but will probably turn off some readers. It’s a minor criticism for a work that brings its protagonist to climax no fewer than four times.

This book owes more than a little to Nagata Kabi’s My Lesbian Experience with Loneliness. One can imagine an editor wanting a pitch for “Kabi’s book, but with hotter sex and without all the mental health issues.” Itsuki’s story delivers to the point of reading like an advertisement for the sex trade in places. Kabi’s work is undoubtedly more touching, moving, and real, but Itsuki’s work is pure fantasy to help you get off. This book is in a different genre with a different purpose, and I have veered between feeling it’s a salacious ripoff or just fine for what it is.

Asumi-Chan is Interested in Lesbian Brothels! is entertaining, explicit, and doesn’t ask much of the reader. If you like your lesbian sex manga explicit with a small side of kink, consider picking up this book the next time you need to get in the mood. The English translation of volume 2 comes out later in 2023.

Final Verdict: Gold Star Yuri Erotica.

Published by Seven Seas Entertainment, through an arrangement by Kodashana Ltd., with translation by Lily Aspen and lettering by Ash Works.

Ratings

Art – 7 – Sparse, mostly anatomically correct.
Story – 6 – Meticulously constructed to get to the next erotic encounter as quickly as possible.
Characters – 5 – Here for the boning.
Service – 10 – Non-stop lesbian sex.
Yuri – 10 – Gold Star.
Overall Score – 319 (referencing the apropos Prince song of the same title)

Thanks so much Matt!

Volume 1 is available in Print on Bookshop and RightStuf, and digital on Bookwalker. Amazon has Volume 3 listed, but not V1 or V2, presumably because of the covers.

There were a lot of lesbian sex worker stories that popped up after Nagata’s initial work. We’ve reviewed some here. Of them, the one I’ve really enjoyed is BariKyari to Shinsou.

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We’re always looking for guest reviewers, especially as there is so much coming out in English and Japanese, I can’t keep up. If you are interested in reviewing for Okazu – I am particularly interested in hiring non-white writers here  and queer folks, as well. I have a review copy of Futaribeya, V9 going begging. So if you like this series, and want a shot at a paid review gig, drop over to our Submission Guidelines and put yourself forward!





Sirius: Twin Stars by Ana C. Sánchez, Guest Review by Luce

February 15th, 2023

In front of a night sky over an ocean, two young women dance. One of them has long, blonde hair and smiles happily, the other, with short dark hair, looks at us somberly. In yellow letters the title reads Ana C. Today on Okazu - Sirius: Twin Stars by Ana C. Sánchez.Hello and welcome back to Guest Review Wednesday! I am so pleased to be able to host another great guest review today! Thanks so much to Okazu Patrons and Supporters for making this possible, we could not do it without you. If you’d like to see us host more guest reviews, support Okazu on Patreon or Ko-fi and become part of the Okazu family! Today we once again welcome Luce!

It’s Luce, catching up with reviews; I can be found on the Okazu discord as farfetched. This time, it’s a Spanish manga offering from Tokyopop.

Sirius: Twin Stars tells the story of Dani Torres, daughter of a star tennis player. Trying to follow in her footsteps, Dani asked her mother to coach her. Her mother’s perfectionism causes the relationship between them to become ever more fraught, until her heart literally gives out. Fresh out of heart surgery and fresh out of aspirations, Dani is packed up to the family’s vacation home by the beach to ‘recuperate’ – or escape her mother who will no longer speak to her, as she sees it. There, she meets a girl called Blanca who loves astronomy and the stars. They have a bit of a rocky start, but Dani begins to build a friendship with her – and more.

I really enjoyed this story. Not many of us have been where Dani is literally, but I think we’ve all been a little lost, not knowing where to turn or where to go next, so her feelings are relatable. Blanca is adorable, vibrant and happy without being over the top, and I liked how their relationship developed. I greatly appreciated that there was no ‘but she’s female!’ from either party. Unusually for a manga, it was set in Spain, although aside from the names, there wasn’t a great deal to remind you of this. Still, it’s nice to get a story not set in a high school, although they are of school age.

Being a single volume, the conflict of the story isn’t drawn out, but it’s backed up enough that it doesn’t feel rushed – you can see that both Dani and her mum are hurting, and although due to Dani being the protagonist, we side with her – it’s obvious that this split is hurting Dani too. I also really enjoyed the resolution of it; there is an epilogue with neatly ties up a few loose ends, and ends us on a happy note.

The art here was lovely, too. It really suited the story, and detail is given where needed. There are a few colour pages at the start which really ping, and the figurative illustrations of Dani’s struggles really come through. In the physical version, somewhat unusually, these are matte pages, but it still works very well.

Story: 9
Yuri: 10
Service: 2 – they’re in Spain in the summer so some clothes are more revealing, but nothing feels salacious or is done with service in mind
Art: 9
Overall: I would usually hedge my bets, but I actually love this story, so for me personally, it’s a 10. A really good balance between angst and resilience.

This came out from Tokyopop a while back. Ana Sánchez also wrote and illustrated Alter Ego, which I haven’t read yet.

Erica here: Thank you so much Luce! I have read Alter Ego and reviewed it here on Okazu in 2021. There is also a sequel in the works, Noel Y June. It’s great to see Sánchez developing as an artist and a writer.





How Do We Relationship, Volume 8 Guest Review by Matt Marcus

February 8th, 2023

In a watercolor-style image, a woman with short, black hair, in a brown shell with a light gray plaid short over it. She wears a guitar case over her left shoulder. Her eyes are closed, but she's smiling broadly, with her left hand half lifted, as is she's about to reach out or wave. White letters read "How Do We Relationship?" in black letters, "art and story by Tamifull." A black number 8 is in white word balloon, as if the woman is thinking it.Welcome to another Guest Review Wednesday on Okazu. Matt Marcus is back again to cover Tamifull’s continuing series of young adult life that has a lot of layers to parse. Please welcome Matt back and give him your attention. Matt, the mic is yours…!

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, such as the JRPG games club podcast Lightning Strikes Thrice, which is currently covering Final Fantasy VIII.

In Volume 8 of How Do We Relationship While Still Being Friends With Our Exes, we follow Miwa and Saeko as they try to learn….well you get the idea.

Saeko and Yuria are still enjoying each other’s company, but their mutual dislike of being touched has put their sex life in suspended animation. Miwa, who accidentally baited Tamaki into a confession using her cat (so this time the cat outed the girl from…the bag…hmm), is nevertheless trying to maintain the status quo with her kohai in fear that her crush will lead to another debilitating heartbreak.

During the Band Club summer retreat, Tamaki starts flirtatiously teasing Miwa, or as one chapter aptly calls it, “Messing With You, To Great Satisfaction.” Miwa continues to hesitate, but Tamaki’s escalating pursuit–and a small push from Saeko–leads her to open up about her feelings. The two begin dating, which raises the dual thorny issues of Tamaki’s plan to transfer to another school and how to handle introducing their relationship to Tamaki’s friends.

I have a confession to make: I did not like Tamaki when she first showed up. But credit where credit’s due, Tamaki steals the show here. After a volume and half of getting closer, then backing off, only to get closer again, the way in which she pushes forward towards Miwa here is a very refreshing change. Something I noticed as well is that there are moments where the art shows her in a much more attractive light, particularly when she is acting confident. Compared to previous volumes, it’s one hell of a glow-up. Plus, she gets to show some developing maturity during her date with Miwa as they discuss their potential future.  I knew that the story would pair her up with Miwa, but what I was not prepared for was coming away from this volume thoroughly convinced that Tamaki is worth rooting for.

What makes Tamaki more than just a new love interest is how she poses as a foil to Saeko. Both are quite blunt and have a tendency to drop a biting line here and there towards Miwa. In a way, Tamaki’s harsher comments resemble some of Saeko’s in the first three volumes, such as when she calls Miwa a “bit of a wimp.” However, Tamaki’s are more on the line of teasing instead of insecure lashing out. Also, as time has gone on it’s become more clear that Saeko’s “toughness” that Miwa so idolized was a falsity; for Tamaki, her “difficult personality” is just who she is, and it’s that fortitude that pushes her through the various homophobic reactions of her friends when she comes out about her relationship with Miwa. It made me think back to Volume 6 where Saeko says that Miwa’s next girlfriend would need to be mentally tough to weather the challenges of being queer in a society that is openly hostile to it. It’s as if Tamaki read the job requirements before applying, but not in a “too convenient to be believable” way. 

Just to camp out on the coming out scene a bit more, the economy of storytelling Tamifull employs is worth highlighting. There’s a denial (“No way!”), a joke (“you’re just playing at dating, right?”), a somewhat condescending acceptance (“oh that’s very trendy of you!”), AND a flat-out rejection (“I don’t like people like that, it’s gross.”), all in the span of a few pages. It’s pretty impressive stuff, plus it gets those issues out of the way so the story can focus on the relationship itself going forward.

All of that said, there are still other developments going on. The most important one is how Miwa and Saeko’s friendship has continued to change. Miwa is trying to stay close, thinking of Saeko as her best friend, while Saeko is trying to pull back because, despite what she thinks, she’s still not completely over Miwa. The asymmetry of their feelings and how they process them internally is nuanced in a very compelling way. It is also fairly evident that the next volume will put Saeko more in the spotlight, since we did not see much progress about her body issues in this volume–not that she doesn’t play a big role in these chapters, but the Miwa/Tamaki story definitely took top billing.

The last plot thread I think is worth mentioning is the entanglement of Rika and Mikkun. It’s a case of the unstoppable force of casual sex meeting the immovable serial-dating object. I’ve mentioned being curious about Rika’s role in this story in past reviews, so perhaps we may see some progress here. Or it can just be a vehicle for jokes at Mikkun’s expense. I give it 70/30 towards the latter.

There are countless little positives I’d like to call out, like Yuria’s realistic body shape, the callbacks to the first band retreat, Saeko’s many new hairstyles that have clearly been done by Yuria. I’ve found the more time I spend revisiting previous chapters, the more I find moments where these later volumes carry echoes of the earlier ones in a way that I find very satisfying.

I think this is a fantastic volume, with deliciously playful tension and gentle but meaningful character development. Also, if you’ve been waiting for Good Things to happen for Miwa, you’re gonna love how this goes.

Art – 9 Fantastic paneling, great use of light and shadow, strong perspective choices–I’d say it’s the best looking volume so far
Story – 9 There are some predictable beats here, but the timbre continues to impress
Characters – 9 Tamaki won me over this volume
Service – 4 There’s a lot of non-sexual intimacy while nude, which is a form of service
Yuri – 9 / LGBTQ – 9 Got a complicated friendship between exes AND two couples to boot

Overall – 9 Band camp continues to deliver fireworks (just not literally this time)

Can I admit that I’m a mark for POV shots that take into account height differences? I mean, I just did, but we can be cool about it, right? Right.

Erica here: Totally cool. ^_^  Thanks very much, Matt for this insightful review. You’ve clarified some of my thoughts on this series, as well. It continues to feel more “real” than just almost anything else I’m reading these days for better and ill. ^_^





My Idol Sits the Next Desk Over 5, Guest Review by Luce

February 1st, 2023

On a white background, two girls stand arm-9in-arm, making "peace sign" gestures near their eyes as if for a photo op. One girl has light brown hair in two pigtails and wears a yellow sweater vest. The other has red-brown hair worn loose, no vest over her white blouse. Both wear red bows and teal skirts. In black letters, the titles reads, "My Idol Sits The Next Desk Over" - they word Idol is highlighted with larger letters and yellow glow. In red, letters "Story By" and "Art by" then, in black letter, "Tetsu Tsitsui" Koyubi Sugawara" respectively. A black number 5 is backed by a white square surrounded by a re flower design Welcome once again to Guest Review Wednesday here on Okazu! I’m very pleased to welcome back Guest Reviewer Luce with another fun review. Please give Luce your kind attention and good will. That said, take it away, Luce!

It’s been a while! I’m Luce, occasional guest reviewer and long-time manga reader, with more books than I know what to do with. In any case, a review of a book I can’t get in physical form (yet, I did ask Kodansha though. They said no), My Idol Sits the Next Desk Over, Volume 5!

 
We’ve gotten to know Sakiko, Maaya and Chihiro, watching them grow into themselves, change to lesser or greater degrees, and get closer as friends. We’ve seen Spring Sunshine become more popular, such that Chihiro landed an acting role, and in practicing acting with Maaya, things get a little bit yuri… maybe?
 
The first part to this is the cliffhanger to the acting practice episode. I genuinely wasn’t sure how they were going to finish this, but while (spoiler!) Maaya and Chihiro don’t kiss, Sakiko is left with the idea that Maaya is in love with Chihiro – honestly, she’s not wrong, really, but she’s more confused about her own feelings. The drama Chihiro was practicing for goes on air, and is quite weird, to the confusion of everyone. But it gains a fan following – meaning Chihiro gets some solo work on various talk shows, including one that a fellow SpringShine member, Asuka, has always wanted to be on. In discussing her concerns with Sakiko, they get closer. Sakiko and Maaya go on a school trip to Kamakura, and end up doing a pilgrimage around some sights included in a Spring Shine video. Finally, the three of them have an overnight trip.
 
This felt like a volume where they really started to think about how they all feel about each other. I’ve no idea what the endgame pairing is, or if there even is one, really – I could actually see it being any combination of the three – but Sakiko thinks about the fact that Maaya is “in love with” Chihiro, and at one point tries to ascertain what her own feelings are in comparison. Maaya, on the other hand, comes up against her original lie – that she wasn’t already a huge fan of Spring Shine and Chihiro before meeting her – and finds herself battling to try and tell her.
 
Maaya does something in this volume that Sakiko gets rightly mad at her for, and I’m all for it. It’s an invasion of Sakiko’s and Chihiro’s privacy, and I’m really glad that she gets angry. She still stands by Maaya in many ways, but it also shows how far she’s come – I’m not sure she would have been able to do this a few volumes ago. I feel like these two definitely got on a more level footing, which is nice. Maaya, for her due, seems less certain about her actions – she’s not as gung ho and self-assured all the time. I’m hoping for more development next volume, although sadly, volume 5 had been out for a while, and Kodansha hasn’t updated the website to state when volume 6 might be coming out. Might be in for a wait. I’m intrigued to see where this leads, whenever we get it!
 
 
Story: 8
Yuri: 6, definitely getting there
Art: 9, props for actually having a difference between a character wearing make-up, minimal make-up, and no make-up
Service: 1? There is a bath scene, but not really any service
Overall: 8

I’m hoping volume 6 isn’t too far away. In the meantime, I’ll be watching MagiRevo!

Erica here: Thank you so much Luce for keeping up with this series for us! I’m glad it’s “getting there”!





Run Away With Me Girl, Volume 1, Guest Review by Matt Rolf

January 25th, 2023

 With the blue sky as a background, we look up at two young women in what can be understood as wedding dresses.. One with flowers in her light brown hair touches the lips and cheek of the other, with dark hair and glasses. "Run Away With Me Girl," and "Battan" are in black, handwriting font letters, The number 1 in black is surrounded by a circle of words that reads "Run Away With Me Girl," in a smaller type.Welcome to another exciting Guest Review on Wednesday on Okazu!  Today we welcome a new reviewer, Matt Rolf with a look at an intense new series. Let’s give him a warm Okazu welcome and don’t forget to leave a kind word on the comments for him! Matt, the floor is yours….

Creating art that deals with abusive relationships in queer contexts is challenging. The cultural canon contains a long list of works where queers get what they deserve for being gay.  Likewise, queer relationships often exist in spaces between gay and straight, without clear distinctions or categories that allow the participants an easy way to figure things out. Run Away With Me Girl, Volume 1, by Battan, begins by tackling both these fraught topics, and the results are rocky. Content Warning: Domestic Violence.

Midori and Makimura formed a close romantic relationship in high school. They split up at graduation because Midori thought they had outgrown their girlish relationship. Ten years on, Maki is single and still wants to be with Midori, while Midori is engaged to a man. When the two women meet by chance before Midori’s wedding, they rekindle their friendship. The first volume of Run Away With Me Girl contains the first six of sixteen episodes in Maki and Midori’s story.

Both of Midori’s relationships, the one with her fiancé Tonoike, and the one with Maki, are not what one would call healthy. Midori herself has an outlook of self-doubt, and struggles to reconcile her identity and desires with society’s expectations. Some panels explore Tonoike and Maki’s individual backgrounds and experiences, but Midori’s struggle is at the core of the story. The themes of the book become increasingly dark as the novel goes on, culminating in an indefensible act.

The character artwork is detailed and attractive, appropriately contrasted with mostly sparse backgrounds. The economy of the artwork is not intrusive, and several panels are fully rendered in a beautiful way. Battan has done very well with the most important parts of the visuals, and the result is pleasing to look at.

This book is definitely yuri, but the relationships depicted are difficult and may not be enjoyable for the reader to return to later. Maki is clear-eyed in her love for Midori, and that’s where the clarity ends. Fan service is light: there are a few panels of kissing and holding hands, with some panels of Midori naked. The drawings of Midori are more about vulnerability than titillation.

The focus of the book is on the fairly realistic portrayal of an imperfect set of adults navigating unhealthy relationships that may or may not be worth the effort. Readers who can relate to these experiences may find it difficult to finish the book. The story is well told and gives the reader food for thought after they put down the book. I suspect these characters have a lot more to go through before they find their resolution.

Final Verdict: A book you keep on your shelf because it’s good, but don’t read much because it’s hard. This series is published by Kodansha Comics, with translation by Kevin Steinbach and lettering by Jennifer Skarupa,  

Ratings

Art – 7
Story 8 – +3 for undertaking a challenging narrative, +2 for mostly succeeding, -2 for there’s a reason the narrative is challenging.
Characters – 5 Given the meat of the story, the characters are a little underdeveloped.
Service – 3
Yuri – 8

Overall – 8

Erica here: Thanks Matt, I appreciate you taking a look at this series for us!