Archive for the Guest Review Category


Otherside Picnic Manga, Volume 2 Guest Review by Sandy F

August 31st, 2022

Welcome to another Guest Review Wednesday on Okazu! Today we welcome back Sandy F, for continuing coverage on the Otherside Picnic manga from Square Enix. Please give him your kind attention and take it away, Sandy!

After quite a wait we have Volume 2 of the manga version of Otherside Picnic, with the conclusion of ‘Surviving the Eight-Foot-Tall Lady’, a large chunk of ‘Station February’ and a bonus original story ‘Late-night Chicken and a Gorilla’. It is worth the wait. I wonder if it this volume should have been titled ‘Out of the Frying Pan into the Fire’ as we follow Sorawo and Toriko surviving by the skin of their teeth. They celebrate their survival but afterwards wander into more trouble where they confront different Otherside Entities and just as dangerous, stranded US marines.

In ‘Late-night Chicken and a Gorilla’ Kozakura muses on how the mirror cube offers a different perspective on how to perceive the world, and I find that the manga does something similar in how it tells the story of the Otherside when compared with the novels. For example, in the novels everything is told from Sorawo’s perspective and her responses to what is happening around her. However, in the manga although Sorawo is the narrator, through the artwork we don’t have to rely upon her perception of what is going on. So, we witness Toriko’s growing feelings for Sorawo that challenges Sorawo’s ‘why would Toriko want to be with me’ mode.

The artwork continues to be effective in conveying why I enjoy this series so much. The ability to shift from the goofiness that is Toriko, the sullenness that is Sorawo to the insanity inducing visions of the Otherside is amazing. The artist does a wonderful job of conveying the ‘bloody hell’ moment when Sorawo and Toriko realise that they have unexpectedly arrived in the Otherside at night-time.There are some neat moments when we see Sorawo and Toriko strengthen their bonds as accomplices both in enjoying a drinking party and the terrors of the Otherside.

With ‘Late-night Chicken and a Gorilla’ we hear Kozakura’s voice. From wondering why she ate so much KFC, to an analysis of her thoughts on the nature of the mirror cube and what can she do about those meddlesome kids Toriko and Sorawo who are intruding in her life. With this story we see glimpses of Kozakura as a more complicated person than, for the most part, we see in the main novels.
All in all, a great read and now the wait begins for the next volume.

Story – 9
Artwork 9
Character – 8
Service – 4
Yuri – 5

Overall – 9

Erica here: Thank you Sandy! From my perspective what makes the manga so worth my time is that the art is quite good at capturing the qualities that make the Otherside creepy or scary, while also showing us the still-inexplicable, (sometimes less terrifying, occasionally more,) things that Sorawo can see with her blue eye. This adds an extra layer of confusion and fear to every story without being gross or, as the anime played it, boo!-scary.

I especially like the conclusion to the Eight-Foot Tall Lady story. That has stuck with me since I read it the first time. It’s going to have repercussions for volumes to come. The art here really captures the sights and feel of the Otherside in a way the LN art really had no chance to do. Looking forward to Volume 3, which will be heading our way in December!





Project A-ko **Perfect Edition** Blu-ray, Guest Review by Matt Marcus

August 17th, 2022

Welcome back to another Okazu Guest Review Wednesday! Today we welcome back Matt Marcus once again. Matt is a cohost of various projects on the Pitch Drop Podcast Network, such as the JRPG games club podcast Lightning Strikes Thrice that is currently covering Final Fantasy VIII.

Back in March 2021, Discotek Media’s official Twitter account posted that they were canceling their planned digital restoration of the first Project A-ko film for their upcoming Blu-ray release. In its place, they announced that the Blu-ray would instead be based on an upscaling of an original 35mm master, all copies of which were once thought to be lost to time. It was both a stroke of good luck for classic anime fans and a cautionary tale about proper filing procedures (said copy of the film had been filed under the wrong name and had been hiding for years). Project A-ko **Perfect Edition** released in December of 2021.

It is hard to feel the need to introduce this film, given its historical significance and how Erica has previously covered it on the site, but here is a brief overview: Project A-ko is a 1986 theatrical film produced by APPP, the creators of the Cream Lemon series of adult OVAs. It is a wacky screwball action comedy that is lavishly animated and stuffed to the gills with parody and references to other media (including but not limited to Fist of the North Star, Super Dimension Fortress Macross, Super Dimension Cavalry Southern Cross, Creamy Mami, Harmadeggon, Captain Harlock, Starship Troopers, Megazone 23, The Flying Phantom Ship, Wheels on Meals, The Long Goodbye, and a couple of famous American comic book characters).

The premise is simple: head–and body–strong teenager A-ko and her childhood friend C-ko start their first year of high school in a posh girls school and run afoul of B-ko, the resident queen bee, who falls head-over-heels for C-ko. Oh and there is a crew of female aliens who are looking for their lost princess. Also B-ko is a mecha engineering genius? Look, the film opens with a “meteor” decimating a major city and then immediately cuts to sixteen years in the future where the city has been rebuilt inside the impact crater. Wild stuff all around.

Watching this film for the first time in 2022, I found a lot to like and a few things to side-eye. The mecha and spaceship design is gorgeous. The music is the perfectly aged flavor of ‘80s cheese. The detail put into the destruction of many, many bits of the environment is something to behold. Nevertheless, this is the Cream Lemon team, so even though the content is not R18 there are still a couple scenes of teen nudity and countless panty shots. A few other gripes: B-ko is a psycho lesbian trope (even though I love her); there is a surprising amount of murder happening being treated as slapstick; and I have no idea who finds C-ko’s wailing anything other than incredibly grating. I try to imagine an ‘80s salaryman watching this film in theaters, chuckling to himself as he thinks, “Oh ho ho, that C-ko is crying again! What mirth this bestows upon me!”

What really interested me the most with this release is the plethora of extra features, the standout being the 30 minute mini-documentary aptly titled The Music of Project A-ko. It is centered around interviews with the writing and composing duo of Richie Zito and Joey Carbone, as well as singers Annie Livingstone and Samantha Newark. (Sadly, Valerie Stevenson, who sang lead on C-ko’s theme song “Follow Your Dreams”, passed away in 2015.) As a music production nerd, it was very fun to hear the history of how the music made it to the film. I would also highlight the small featurette on the scrapped CD-ROM game, which is especially entertaining if you experienced PC gaming in the ‘90s.

It’s clear that Discotek had a lot of love for this film. As a newcomer to it, I appreciate it more than I like it. If you love Project A-ko, you’ve already bought this. For those who have yet to check it out, there is fun to be had if you allow it some grace for its vintage.

Art – 9 This is what you are here for, seeing lots of things crumble, shatter, tear, and explode
Story – 6 The story is just an excuse for gags and action, which it does well enough
Characters – 5 There’s some fun rapport but this is not a character-focused vehicle
Service – 7 Yes, definitely
Yuri – 5 / LGBTQ – 0 To quote one of the extra features, “B-ko’s obsession with C-ko seems to border on the homosexual”

Overall – 8 The currently best way to enjoy a classic

I would like to give a shoutout to my podcast cohost Sibyl (you can find her projects here). She and I covered this film in detail on a bonus episode of Boku No Stop, available only for Pitch Drop Patrons.

Erica here: Thanks for a great review Matt and a couple of guffaws! The key news about this release of Project A-ko was when Diskotek found the original 35mm masters literally in someone’s closet. The animation for this has never looked so good. Not even when it was originally animated. ^_^

 





How Do We Relationship, Volume 6, Guest Review by Matt Marcus

August 3rd, 2022

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, such as the anime watchalong podcast Boku No Stop, which is currently covering the yuri anime Flip Flappers.

Well, here we are: How Do We Relationship, Volume 6. Miwa had her heart crushed, Saeko is trying to move on past their previous relationship, but the two are entangled yet again in a physical relationship but in an even more messy guise.

In the role reversal of the century, Saeko immediately apologizes to Miwa for treating her like a piece of meat–but much to her chagrin, Miwa is happy to be used because it means that she is still wanted. This time, it is Miwa who is using sex to escape how terrible she feels about herself, and the two end up in an ambiguous relationship. Over time though, Saeko helps bring Miwa back out of her depressive slump and back to school life. Eventually, Saeko shuts down their arrangement because for her, the love is gone.

Meanwhile, Saeko continues to slowly show more of her vulnerability to Yuria. In fact, she’s come to the realization that she is way more transparent about her feelings than she realized. When the inevitable happens and the two start dating, Saeko treats her with true kindness and consideration. It’s an incredible turnaround from the end of the previous volume, yet it feels completely earned. It seems bizarre to say, but, perhaps for the first time in the series, there are moments that are truly heartwarming.

Miwa is now forced to move on, and this is where things get a little…odd. With Shiho’s words still lingering in her head, she wonders if it would be easier to just date men instead. Weirdly, Saeko encourages this, which leads to a plot thread involving a handsome manager of a cafe where Miwa works. Now, sexuality is a fluid thing, but to my mind it would be very strange for the story, and for Miwa as a character in particular, if she fully explored this direction, even if only to reject it later. (Remember her turning down Tsurata in Volume 3?) Miwa admits to herself that she has some kind of abstract attraction to the “kind of guy” the manager is, but she isn’t convinced that she is really attracted to him.

This thought experiment doesn’t leave the hypothesis phase when she meets a new first year named Tamaki who bears a striking resemblance to Shiho. I would say this is another strange twist. In a way, it feels like falling back on old habits, especially when Miwa–before detecting any interest from the painfully blunt first year–states to Saeko that she might end up getting a girlfriend again after all. The volume ends hinting that the two may become closer very shortly.

Really, Saeko steals the show here. She shows an amazing amount of growth as a character. That said, I would have liked to see her at least take some responsibility for shutting out Miwa when her past came up. In fact, even after Miwa finally gave her the whole story on her Okinawa trip, Saeko did not fully reciprocate with Miwa by telling her about her middle school. I am hoping that her relationship with Yuria will give her the comfort she needs to address those issues head-on because they still feel unresolved. Nevertheless, this is the best version of her we see so far and it feels fantastic to see it on the page.

Miwa, on the other hand, acts really terribly in the early chapters by pushing on Saeko’s boundaries in a way that is quite uncomfortable to read in a couple of instances. Even after her recovery, she feels a bit unmoored in the second half of the volume. I trust that Tamifull will pull off her arc, but the path towards it is not entirely clear. Oh, and Shiho doesn’t make an appearance in this volume at all, which was disappointing to me.

I mentioned back in my review of Volume 4 that this manga captures the tumultuousness of college. Part of what contributes to that feeling is how the story tends to slip forward in large chunks of time. That becomes the most jarring in this volume, because Miwa’s rapport with Saeko changes seemingly on a dime. One chapter, she’s crying her eyes out realizing that any chance of dating Saeko again is truly gone, and the very next scene opens with her beaming to hear about Saeko’s first date with Yuria. It is nice to see that they are still friends and can openly discuss such things without hurt feelings simmering underneath like in the past, but it just feels too soon for the reader.

All in all, this volume felt a little more uneven than past volumes but improved greatly on later rereads. Its biggest flaw is lacking some narrative connective tissue that would have made certain plot turns feel more natural. Perhaps Tamifull felt that we had wallowed enough in the Bad Feels Zone and that it was time to kickstart the next phase. At any rate, with a new school term starting, there are still plenty of credits to earn.

Art – 8 Continues to carry the story well
Story – 7 More of a mixed bag than previous volumes, but with really high highs
Characters – 8 Finally, some serious growth for Saeko and some forward momentum for Miwa
Service – 2 The sex is the least “appealing” that it’s been so far
Yuri – 8 / LGBTQ – 7 docking it one yuri point for Mr. Cafe Man

Overall – 8

Tamifull loves a good callback, and this time he “swung” for the fences. See if you can spot it.

Erica here: Thank you so much Matt! I’ve got Volume 8 on my plate in Japanese and I have to say, I’m actually really interested in where this is going. ^_^





Yuri Espoir Volume 2, Guest Review by Matt Marcus

July 13th, 2022

We’re back o schedule today with a Guest Review Wednesday! Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, such as the anime watchalong podcast Boku No Stop, which is currently covering the Yuri anime Flip Flappers. Welcome Matt back and give him our attention and kind words at the end of today’s review.  Take it away, Matt!

Back in the pre-pandemic, I would commute to work by bus. After a day of slaving over the computer, I would schlep my exhausted self into a seat near the back and space out while listening to a podcast. As the bus meandered through the suburbs of Maryland, I would often find my eye wandering to the other passengers. Among them, there were two regulars who stood out: the first, a white woman with a boyish haircut dyed Jolly Rancher red; the other, an Asian woman with an undercut, the top of which was colored a deep cyan. They didn’t know each other–in fact in the three years of that commute I don’t think they even sat near each other once–but on those dreary rides home, a part of me would wonder. What if…?

Had Kokoro Komadori been seated on that bus, she would have been furiously sketching a meet-cute, with hearts in her eyes and lilies blooming out of her hair. In Yuri Espoir Volume 1, Kokoro, a third year high schooler and daughter of a powerful CEO, learns that her father has picked her a “suitable” fiancé whom she will marry after graduation. However, Kokoro is only interested in girls–and “yuri” relationships in general. Knowing that she can’t refuse her father, she resolves to spend the “last year of [her] life” indulging in every yuri fantasy she can imagine and capturing them in a sketchbook with her best friend and comrade in arts, Amami, who is secretly in love with her. The volume ended on a cliffhanger as Kokoro receives a confession from a first year girl named Mitsuru.

And thus we come to Yuri Espoir, Volume 2. As with the first volume, each “chapter” comes in two parts–the daydreamer’s version chock full of familiar tropes followed by the real story that is more complex. I continue to appreciate that the true stories occasionally have some bite to them with a touch of bitter aftertaste, like 70% dark chocolate. Thankfully they are not all like that, else the reader would be left with a very dour outlook for real life yuri relationships. So far, we have yet to revisit any of the couples from volume 1, though this volume includes two bonus chapters that tell the backstory of side characters that made appearances in Chapters 2 and 3.

This volume focuses on Kokoro’s outlook on her situation and the perceived limits of her agency. Yes, she wants a love story of her own but not if it has an expiration date…or perhaps, it would have to be with a particular someone. One thing I like here is that Kokoro’s sense of filial piety has nuance to it: sure, she doesn’t want the marriage and will never forgive her father for arranging it, but also she knows and appreciates that he had not previously pressured her with any extraordinary expectations like is common for other children of powerful families. She is given a push by Mitsuru and later Amami to speak to her father and voice her feelings on the matter. Whether she will follow through with it is another matter entirely.

Amami gets to step up a bit in this volume. She may be a neophyte to yuri, but she is willing to indulge Kokoro in her lily-scented flights of fancy. The second daydream scene was a particular highlight that I won’t spoil, but it was very fun to see Amami get in the spirit of the exercise. Unfortunately, it seems that her behind-the-scenes machinations with her art teacher to thwart the engagement are not working out to her advantage.

To be honest, I didn’t care much for newcomer Mitsuru. Usually, when the object of your affection rejects you and slaps you in the face, that should not deepen your feelings for them. Maybe she proves herself a worthy character down the road, but here she comes off as a nuisance. I do like that Sou, the fiancé, is starting to get a bit of page time. The story seems to be trying to humanize him somewhat, but his eyes have never been drawn on his face which clearly feels pointed. I’m certain we will learn more about him in the next volume.

The art makes wild tonal swings, often to great effect. Whenever the topic of the engagement comes in, things suddenly take a horror manga turn with heavy lines and deep cross-hatching. The backgrounds are generally not very detailed, with most of the effort put into the characters. Overall, there is something about the art that feels “vintage” in a way that I cannot quite put my finger on. It’s got charm.

I haven’t mentioned it yet, but this series is surprisingly funny. Every chapter or so there’s a gag that hits me at just the right angle. The premise in general is a vehicle for coy winks to longtime yuri fans, so Okazu readers such as yourself will likely get a lot out of this series.

I am curious to see for how long this story ends up running. Could be four volumes, could be ten. So far, the series has felt quite fresh, but I wonder if this dual chapter trick will continue to sustain it.

It has been over two years since I’ve had to take that bus ride. Maybe the next time I do, a little Kokoro will be perched on my shoulder, weaving new stories in my ear as she sketches away. 

Art – 7 Simple but charming

Story – 8 Mostly vignette-driven with a heavy dose of winking metafiction
Characters – 7 With one exception, the characters all have a fun rapport
Service – 2 A couple of suggestive fantasy panels, but nothing too scandalous
Yuri – 9 / LGBTQ – 1 It’s yuri all the way down

Overall – 8 The formula still works, the question is for how long

PSA: please don’t actually ship real life people. Also, don’t smoke.

Erica here: Thanks Matt! Are strangers you see on a bus really “real people”? Especially if you only see them once and never again? Of course they are real…with lives of their own…and thinking about those is what makes sonder a great exercise in creativity. I’ll admit that at least one fiction story I have written was inspired by compete strangers on a train. I also agree on not smoking. Smoking is really quite disgusting.

Yuri Espoir, V2 is on my to-read pile and I’m glad to hear it’s taking this unique way to look at Yuri tropes and building a real story with it!





The Executioner and Her Way of Life Anime, Guest Review by Megan

July 7th, 2022

Once again, I am extremely pleased to welcome Megan back for a Guest Review here on Okazu. This summer has been magnificently busy and I’m thrilled to welcome Megan back to have her thoughts on this anime!

The rise of isekai has been unstoppable over the past decade or so, and it’s no surprise we’ve seen isekai media branch out into different genres and demographics: from mature ‘slow-life’ stories, to BL and Otome. As regular readers of Okazu will know, as part of this trend we’ve been seeing some excellent Yuri isekai. Mato Sato’s light novel series, The Executioner and Her Way of Life, marks the milestone of the first Yuri isekai to receive an anime adaptation. 

Executioner begins with our titular character, Menou, being assigned the task of taking out a reincarnated Japanese girl, Akari. In this world, all ‘otherworlders’ are marked for death, thanks to the destructive powers they will develop if left unattended. Akari’s power presents a unique problem though: She has the ability to wind back time, meaning the usual tricks of the trade can’t finish her off. With an unassuming Akari in tow, Menou sets off on a journey to find a method capable of carrying out the execution – that is, if her growing feelings for the other girl don’t get in the way first. 

The plot is an interesting mix of some elements that feel familiar to many isekai anime, and others that subvert isekai expectations. There’s a medieval setting, there’s a magic system, and there’s Japanese people reincarnated into this world along with powerful skills. Even the detail of Japanese influence on this world’s culture, from architecture to language, has parallels in popular isekai like Re:Zero. The twist to the isekai formula here is that the Japanese transfers’ powers soon turn destructive: indeed, this anime’s world is something of a post-apocalyptic one, picking up the remnants of a once advanced civilisation destroyed a millennia previously by the four otherworlder “Human Errors”. Finding out the truth behind these Errors (just the names are evocative: the Sword of Salt; the Mechanical Society) turns into a major reason to keep watching. 

An isekai needs to nail more than the background lore in the transition to anime though, and Executioner offers a mostly engaging mix of fun scenes with the characters, action, and the occasional flash of horror. On the last point, this anime adaptation irons out some of the tonal inconsistencies the novel’s earlier volumes struggled with. The anime’s generally lighter tone, with the dark and horrific scenes presented as more of a contrast (at least until the B-movie turn of the final arc), also help make this series more accessible to a wider audience, which I think is, in this case, a beneficial move. 

As for the Yuri in this Yuri isekai, our main couple is Menou and Akari. From the start, their relationship has a couple of hooks. First, the girls are a classic case of “opposites attract”: Menou, closed-off and traumatised beyond her years, and Akari, bubbly but more than a little airheaded. Second, the entire structure of the narrative is a constant reminder of the tragic fate – of executioner and victim – we want the girls to somehow escape. Before long, a certain reveal suggests there may be more to Akari and her past than we think. There’s a good amount of screentime devoted to building up the girls’ bond, and while by the end of the anime Menou has barely taken a first step towards figuring out what Akari means to her, overall it’s easy to get invested in the girls over the course of the show. 

This anime may be a case of the side couple stealing the show from the main, since we also have Momo and Ashuna. Momo starts the show as Menou’s junior and sidekick, and honestly my initial impressions of her and her creepy clingyness with Menou were not good. That being said, the story soon makes the fantastic decision to split Momo from Menou and instead pair her with the violence-loving AWOL princess Ashuna. Every scene of their love-hate relationship is a blast to watch, and if anything I was left wanting to see even more of them (or with Akari and Momo pairing up like happens later in the novel). 

Another relationship that defines Executioner, though in this case for all the wrong reasons, is that between orphan Menou and her mentor in the execution profession, Flare. Personally, there’s something about the story of Flare taking this little girl and putting her on a path to becoming the same sort of monster she is that I find strikes a frighteningly real note. The anime’s OP also smartly suggests that Flare may be the truest villain of Menou’s story. The mysteries set up around Flare do reflect a weakness any 1-cour light novel adaptation like this almost inevitably struggles with: there’s a lot of intriguing questions, but only hints at answers by the time episode 12 ends. Still, this isn’t something I can hold against the show too much, especially since both the source novel and manga adaptation are available in English for anyone wanting to continue the story. 

Before Executioner’s anime aired, my expectations were tempered by the fact JC Staff were handling the animation. Seasoned anime viewers may know them from a string of disappointing adaptations, from One Punch Man’s season 2 to the recent and underwhelming Rose King. All this makes me happy to report that JC Staff did a solid job this time round, despite the typical decline in quality in the last few episodes . The characters are expressive, the magic is flashy, and the action scenes are suitably fluid. One point I have to particularly praise the anime staff for is significantly reducing the fanservice compared to the novel’s frequently questionable art. There’s still the occasional bath scene, but at least the framing usually avoids leering over the girls’ bodies more than the source text strictly requires. 

Executioner might not win over viewers put off altogether by isekai, but with its combo of likable Yuri romance and some smart twists on the usual tropes, it has potential to appeal to fans tired of the usual formula. It represents a confident step in a new direction for both the Yuri and isekai genres – one with room for improvement, but a step in the right direction all the same. 

 

Ratings: 

Story – 7, does just enough to stand out from the usual isekai anime
Characters – 8, it’s a lot of fun watching the characters’ personalities bounce off each other
Art – 7, nothing exceptional but attractive with good action
Yuri – 6, plenty of potential 
Service – 4, pleasantly turned down from the novel art 

Overall – a high 7 

PS –  in case you’re wondering about the anime’s seemingly unrelated alternate English title “Virgin Road”, I’d guess it’s an awkward case of Japanese to English translation from one possible abbreviation of the the series’ Japanese title 処刑少女の生きる道. Thankfully the official English novel and manga releases, as well as HiDive’s stream of the anime, have restored a better translation. 

Thank you for reading another of my reviews! I’m currently on break from my Twitter, but I might be returning soon-ish. In the meantime as always I’m looking forward to reading your thoughts.

Erica here: Thank you so much Megan! To sum up my own thoughts, I think this anime was far better than the source LNs deserve, which was…unexpected. 

The official Japanese title is 『処刑少女の生きる道』(しょけいしょうじょのバージンロード),  Shoukei Shoujo no Virgin Road, so not a misreading. Ikiru michi is just supposed to be read “virgin road.” FWIW, “virgin road” is what Japanese versions of western-style weddings call the wedding aisle, so perhaps it’s meant as a comment on the “purity” of these pure priestesses. Or, maybe, it’s one more messy thing shoved in by a writer who care very little about keeping the story tidy. ^_^

Thank you again for your thoughts and we’ll look forward to your next review!