Aquatope begins with a young woman, Fuuka, leaving her idol job in Tokyo after she gave an opportunity up for another member of the group. Her dream is over, but on a whim she takes a flight to Okinawa where she meets Kukuru, the acting director of Gama Gama aquarium. With only weeks to go before the planned closure of the aquarium, Fuuka decides to support Kukuru with her dream of keeping Gama Gama open. 

The entire cast is likeable, but the bulk of development goes to our leads, Fuuka and Kukuru. Fuuka is kind, almost to a fault; both with her idol and aquarium jobs, she prioritises others’ dreams above her own. Her arc sees her grow in confidence and learn to pursue her own dream again. Kukuru was the bigger surprise of the two leads. From the promo material and first episode I didn’t expect her to be quite as serious and focused on her work as the aquarium’s director as she turned out to be. The dynamic between the girls also works out differently than you might expect at first: in the early episodes Kukuru is the one giving emotional support to Fuuka as she faces up to her mother in episode 5, but in the second half of this first cour Fuuka emerges as the more mature of the pair. 

While the show’s first half doesn’t definitively commit to a friendship or romance reading for Fuuka and Kukuru’s relationship (the show’s awkward attempt in episode 9 to advance a “big sister” interpretation for Fuuka is one of the writings’ rare missteps), either way there is a lot to offer here for Yuri viewers. Aquatope depicts the pair’s emotional intimacy beautifully, with both their emotional and physical closeness growing as they support each other with running the aquarium and overcoming their own issues. Wherever the second half of the show takes them, here’s hoping they have a future together. 

The other main character of Aquatope could be said to be the aquarium itself. When the first episode aired and included a magical realist scene of Fuuka getting swept up in an underwater vision, I was sceptical since the show seemed otherwise well-grounded, but the magical element ended up working in the show’s favour. The pairing of an aquarium with these ineffable magical visions makes thematic sense; even now, so much of the sea is still a mystery to us. In several episodes we also meet characters who have visions at the aquarium that help them move on from turning points in their lives. Along with the stories of the supporting cast, this helps build a connection to Gama Gama as a place that feels worth saving. 

The aquarium feels like a believable location thanks to the fantastic animation effort from PA Works. Where Aquatope might lack in impressive “sakuga” sequences, it makes up for with a consistent high quality both in the character and background art throughout these first 12 episodes. The fish are mostly rendered in CGI, but it looks acceptable, and closeups and the penguins are animated in 2D. Particular praise should be given to the background art team, Gama Gama and surroundings were so well-rendered they came off as real places. 

Spoiler warning: Please skip past the section starred off below, if you prefer to remain spoiler-free.

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For a “iyashikei” (healing) anime, Aquatope often struck a serious, even melancholic note from the early episodes. The closing episodes of this first cour paid off these hints, and secured my recommendation of the show for mature anime viewers who find it increasingly hard to relate to the teen-centered themes of most anime. The first cour of Aquatope is about the experience that, perhaps as much as any other, defines becoming an adult: giving up your dream. 

It testifies to the show’s strong writing, no matter how much we as the viewer might wish for a different outcome, the closure of Gama Gama feels like a logical conclusion to everything that came before. We’d seen how unsuccessful Kukuru’s initiatives to draw visitors to the aquarium had been, and episode 10 introduces a new, much larger and more centrally located aquarium opening up that renders Gama Gama aquarium irrelevant. In truth, the writing had been on the wall since the start, and Kukuru locking herself up in the aquarium as a typhoon beats down her attempts to fortify the building is an effective visual for both Kukuru and perhaps the viewer’s denial of the reality of the imminent closure. 

The finality of episode 12 is surprising for a two-cour show. Many people I know watching week-by-week thought it actually was the final episode and were surprised to find out it was only the halfway point. For viewers who usually like their anime on the shorter side, the first cour presents a satisfying and complete story on its own, without the meandering some other two-cour anime can fall prey to, with almost every episode developing the leads and their relationship, or the aquarium setting itself in important ways. This pacing helps Aquatope to feel, in my experience, more consistently engaging than some other similar anime, including PA Works’ prior series about working women such as Sakura Quest. 

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Aquatope presents a moving and mature story of pursuing and giving up dreams, and of the leads’ growing emotional intimacy. The show is shaping up to be a new favourite for slice of life and Yuri viewers, and I can highly recommend giving this overlooked anime a try. 

Ratings: 

Story – 9, a well-written and smartly paced story of giving up your dream, and what comes next Characters – 8, everyone is likeable and the leads get some good development 

Art – 9, a consistently beautiful effort by PA Works 

Yuri – 6, nothing explicitly romantic but the leads’ emotional intimacy is lovely 

Service – 1, a beach episode with the girls in swimwear, otherwise, no 

Overall – 9 

PS It took me a while to figure out what the word “Aquatope” means. I was reading vol 3 of (excellent and very queer-inclusive fantasy LN series) Reign of the Seven Spellblades, which used the word “Biotope”, a word similar to “habitat”. So “Aquatope”, I presume, means “aquatic habitat”. 

Thanks as always for reading my review! I’m looking forward to hearing your thoughts in the comments ^_^ 

Erica here: Thank you so much, Megan! Your thoughts echo my own completely. It’s a beautiful anime with some strong values and lessons that are both gentle and inexorable. I’m looking forward to covering the second cour. It’s a bit selfish of me, but I wanna write about this lovely anime, too! ^_^

Very excited to welcome you back today to Guest Review Wednesday on Okazu! Today we welcome a new reviewr to our family. Aurakin will be taking us through the recent anime Blue Reflection Ray, based on the game, streaming now on Funimation. As you know, I love having guest reviews. It broadens the amount and kind of content we can have, provides different perspectives, and gives us a chance to support writers. If you enjoy Guest reviews and want to help us keep paying our writers industry standard rates, consider becoming an Okazu Patreon.

Welcome Aurakin – the floor is yours!

*Note: Blue Reflection Ray is based on the game Blue Reflection. Since I haven’t played it, I won’t be making any comparisons.*

Ruka Hanari struggles to make friends. She is scarred by an event in her past, and finds herself unable to reach out to others. Along comes her new roommate, Hiori Hirahara, a girl who seems able to do everything Ruka can’t. Hiori is friendly and easy-going, and Ruka finds herself drawn in. One day, as they are casually walking down the street, they get caught in a distorted reality, and Hiori senses a girl in danger. They encounter two magical girls engaged in a sword fight, with an unconscious girl being held hostage. As the victim is about to fall off a roof-top, Hiori leaps forward to help – and suddenly transforms. 

My first impression of the art style and animation was that it looked terribly cheap. The occasional 3D effects clashed with the overly sparse 2D line art and flat colors used in the rest of the show. While the studio might have suffered from the pandemic in some areas, the art style itself seems to be more of a stylistic choice rather than a lack of resources, considering what the original character designer, Mel Kishida, has worked on previously (22/7, So-Ra-No-Wo-To). 

Being a big fan of both magical girls and yuri, I was really curious about Blue Reflection Ray. It took about six episodes for it to get interesting, but once it did, I found it both charming and entertaining. The anime shone brightly whenever it delved deeper into the characters’ backstories and the bonds they were forming with each other. Watching their everyday interactions was sweet and heartwarming. The surface plot and magical intrigues seemed to pale in comparison – that has all been done so many times before, and Blue Reflection Ray didn’t add anything new or interesting to the mix.

It’s also worth noting that this anime deals with mental illness, self-harm and abuse – sometimes poorly. And with that, I have to briefly mention Masochist Uta, the single worst thing about the show. Uta lives for pain – whether it’s her own or causing it to others – and being the intensely rapey villain she is, often groping her victims or making sexualized threats, Uta alone was enough for me to strongly consider dropping this show on several occasions. Her character does get explored more in depth later in the series, but never enough to redeem her presence.

So, how about the yuri content? Surprisingly, it did not come from our two main characters. Beyond some teasing comments and visual baiting (Such as when the camera slowly pans upwards as if they’re going to kiss), the relationship between Ruka and Hiori is never defined as anything other than friendship. That said, the show does focus a lot on emotional bonds, platonic or otherwise, and I could possibly see a reading of them as an aro-ace couple.

The second cour was a pleasant surprise. We get introduced to a new pair of characters, who are undeniably queer. Their relationship, and their complicated feelings towards each other, end up being given a lot more space than I had expected from this series, with some of the gayest word exchanges I’ve ever heard in anime. Besides these two, we have several other characters who can easily be read as queer, and who played a huge part in me liking this anime. Also worth a mention, is that this is one of those shows where men do not seem to exist – they are neither mentioned nor shown.

All in all? I don’t regret watching Blue Reflection Ray, and found it enjoyable despite its flaws. Would I recommend it to anyone else? Perhaps not. It is very tropey – it just happens to have tropes that I’m personally fond of.

Ratings:

Art – 4 Not a fan of the art style. The animation looks cheap, and the 3D parts do not blend in well.
Story – 5 Average, nothing new or special about it. 
Characters – 7 Tropey but likable. Sweet interactions.
Yuri – 6 Thanks to a certain pair in the later half. (I’d say 3 at most for the first cour)
Service – 3 Less than your standard anime. Uta is responsible for most of it.

Overall – 6 Average but enjoyable.

Erica here again: Thanks so much for taking a look at this series for us! I started to watch it, but found the style (which I suspect is in line with the game, but felt very basic to me, like a really good high school animation project,) and the predictability of the storyline a little too thin on the ground for me. I am glad to hear that it gets better in the second cour, and maybe will just skip a bit. ^_^