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Archive for the Guest Review Category


semelparous, Volume 1, Guest Review by G-Man

December 8th, 2021

Welcome back to Okazu on Guest Review Wednesday!  I am so excited to welcome another brand new Guest Reviewer today. If you’re a regular reader, you know what my opinion of semelparous is, so I asked around for someone else who finds it entertaining to review semelparous, Volume 1, for us. (This is an Amazon affiliate link, since this has not been added to the Yuricon Store)  ^_^ Please give G-Man with a warm Okazu welcome. ^_^

I’ve been a fan of the “giant monster destruction” genre since childhood, especially those good ol’ Godzilla movies. Now that I’ve also become a fan of the yuri genre, when I heard that two of my favorite things had come together in a big action-packed package known as semelparous, Volume 1,  words failed to describe my excitement. A manga with strong gay ladies kicking giant monster butt? What more could one ask for? Well…

Colossal beings from a parallel world called “kaiju” are attempting to break through the wall that separates our worlds, presumably to wipe us out. Yorino Aratsugu and her best friend Haruka are training to be “bouhekishi” (or “barrier specialist”), superpowered soldiers who fight the kaiju in the pocket space between dimensions. The two are always at the top of their class, but on their first real mission, Haruka is killed in action. Distraught and fueled with anger, Yorino vows to exterminate the kaiju herself, and it seems the only one who can bring her back down to earth before she gets herself killed is her new partner, Captain Youko Kaminoi.

Based on that synopsis alone, I’m sure most of, if not all of you, are already drawing parallels to Attack on Titan; big humanoid monsters trying to break through a wall to destroy humanity, an eager young protagonist who becomes an angsty edgelord after someone close to them is killed by said monsters, soldiers who flip and twirl around a cityscape to fight the monsters with cool weapons, etc. Not to mention there’s a twist in a later chapter, which I won’t spoil for anyone interested in reading, that pretty much seals the comparison. However, the big difference is that semelparous fails to deliver its story and worldbuilding with any of the nuance that Titan did.

semelparous suffers from a severe case of tell-don’t-show. When we’re not in the midst of a high-stakes action scene, we’re listening to bulky exposition dumps, telling us what things are, how things work, or who characters are and what their feats/motives are, rather than letting us figure that out through visuals and the characters’ actions and personalities. While there are a handful of solid moments, such as Yorino making new friends at school or her exchanges and banter with Youko, they are few and far between amidst all the explaining.

And what about those characters? Yorino seems to be on track for what TV Tropes would call a “break the cutie” arc, in that she starts out innocent and naive but slowly starts to get horrific events piled onto her conscience; Haruka’s death, the aforementioned plot twist, and potentially those new school friends who have death flags by the truckload. However, she’s still able to open up occasionally and not let hatred become her entire personality. Youko has that typical “anime best friend” energy, in that she’s very outgoing and somewhat airheaded, but as a higher-ranked bouhekishi she has baggage of her own and some dark secrets. Like many anime BFFs though, she can be a bit too touchy-feely for comfort at times, and some will likely be annoyed by her lack of respect for personal space, particularly in one shower scene. Other than the two leads, there aren’t really many standouts as of this first volume.

Now let’s discuss the elephant in the room: the artstyle. It should be noted first that the author, Ogino Jun, is a hentai artist. One look at their artworks and doujinshi is a clear indication of that. As such, semelparous’ character designs, i.e. the female characters, are all drawn as Barbie dolls with balloons strapped to their chests. Their “combat outfits” are skin-tight, yet still manage to emphasize their assets. Even when the girls are out of combat, it seems like their clothes are a size too small to the point where the fabric visibly strains at the buttons. There’s jiggle physics, panty shots, shredded clothes, girls standing with their hips jutted out for no reason… the works. It’ll undoubtedly be laughable and distracting to most readers, and outright offensive to others. But if you’re numb to this sort of thing like I am, then you may find the art at least halfway decent. Character designs are very same-face, and backgrounds are nothing special, but where it really shines are the action scenes. Jun has a knack for dynamic poses, exciting choreography and angles that make our heroes look badass. The kaiju, while somewhat generic in design, are still quite intimidating and drawn in a way that makes their size and power felt. These parts were the highlight of the manga and admittedly got my blood pumping from time to time. Jun clearly has strengths, but their style won’t be for everyone.

In terms of yuri content, Yorino and Youko are obviously the main romance. While there likely won’t be a committed relationship between them for some time, what with all the trauma and monster attacks on their hands, the chemistry is definitely there. Yorino is stuck in an emotional rut, and Youko is doing her best to bring her out of it so they can both live their best lives should they be killed in action the next day. Yorino is also the resident gay disaster, constantly blushing at affection from both Youko and her friend Haruka before her passing. It’s rather amusing when she tries to be the brooding loner, only to turn into a stuttering mess when faced with Youko’s flirting.

Ratings

Art – 6 (when discounting the ridiculous proportions, 5 when counting them)
Story – 3 (delightfully dumb, but derivative and over-expository)
Characters – 6 (basic but still fun and plenty of potential for development)
Service – 9 (but for all the wrong reasons)
Yuri – 7 (starts taking off at the end, but mostly just teasing and blushing for now)

Overall – 5 (If you’re looking for something thought-provoking and emotionally riveting, this ain’t it. Though you might get some enjoyment and a few laughs if you turn your brain off)

semelparous, Volume 1 is out now from Seven Seas, Volume 2 hits shelves in February,

Erica here: Thank you so much for taking a crack at this and giving it a fair review. 

I haven’t taken a look at it at all, so I can’t comment on the localization team, but since this is from Seven Seas, I imagine they are doing the best job possible, as they usually do.

 





Otherside Picnic, Volume 6, Guest Review by Sandy F.

December 1st, 2021

Welcome back to Guest Review Wednesday on Okazu. We’ve had 17 guest Reviews this year, 10 of them since September. Thank you so much to our Okazu Patrons for making this increase possible! I’m super excited to have more voices on Okazu and different perspectives for work I like (and works I don’t! Hint, hint: tune in next week. ^_^)

In the meantime, welcome back Sandy F. with a look at the most recent release in one of my favorite scifi-horror series. Take it away, Sandy!

Otherside Picnic Volume 6, out now from J-Novel Club, starts with Sorawo and it quickly becomes clear that something has happened to her. We discover she has lost her memory and her connection with the Otherside and the people she knows through that connection. Though she hasn’t lost her appreciation of Toriko’s beauty.

So begins what is a change from Iori Miyazawa’s usual approach for Otherside Picnic. Instead of a collection of Files, we have one narrative. And much of the actions happens in our world, with a number of trips into Interstitial Space, a phenomena we have encountered before. And Hah! there is a new player, T, for Templeborn, who pursues Sorawo and others involved in the exploration of the Otherside.

In this File of Otherside Picnic we follow various encounters between T for Templeborn, Sorawo, Toriko and others as they confront T’s agenda, with chase scenes and quite a bit of action including a trip to the DS Facility. The glimpses of Interstitial Space are fascinating and mysterious. But I felt that Interstitial Space is more of a distorted reflection of our world, and I missed the Otherside and its glimpses of mysteries beyond human understanding.

There is only one substantial scene in the Otherside and to me it was like a tweet from the Yuri Manga Bot, a twitter account that suggests Yuri plot ideas. In this scene we witness Sorawo and Toriko sharing in the joy of construction. A delightful scene and a reminder that as well as its terrors, the Otherside is a haven and a place of connection for Toriko and Sorawo.

In this File we continue to follow Sorawo and her tentative progress of confronting her own personal terror, personal relationships. There were a few Sorawo and Toriko scenes when I squeed just a little bit. They are definitely making some progress, with Sorawo surprising Toriko, and me, with her willingness to be more open about how much Toriko means to her.

I also appreciated watching Sorawo deepen her relationships with other people. For example, in a conversation between Sorawo and Akari ‘Karateka’ Seto, Sorawo confronts the disturbing reality that despite what she may think of herself, people might want to get to know her and like her.

And we are also given some glimpses of Toriko’s childhood that I believe gives us insights to why she enjoys exploring the Otherside with Sorawo.

One quibble I had was I thought this File was a bit busy with other characters such as the reintroduction of Runa Urumi as well as the girl from File 19. Sometimes I wondered if their role was to fill some space in the story, rather than contribute to the narrative itself.

The art was an interesting mix of action shots and characters, with more evocative images thrown into the mix. One with Akari I found particularly haunting.

I enjoyed the translation, especially the odd British word or phrase a feature that I associate with this series.
All in all, a great read, as always worth the wait. And now after the recent release of the album cover for Volume 7, the wait begins for the next great read!

Ratings:

Story – 8
Character – 9
Service – 4
Yuri – 7

Overall – 9

Erica here: Thank you Sandy! For me, the most impactful part of the series is that stunning opening, which really calls everything into question.

And, of course, since that amazing cover to Volume 7 was released, we’re all looking forward to the next book. ^_^ It hits Japanese shelves in a few weeks and I expect we’ll be hearing more about that soon from J-Novel Club. ^_^





Young Ladies Don’t Play Fighting Games! Volume 1, Guest Review by Luce

November 17th, 2021

Cover image of the manga Young Ladies Don't Play Fighting Games by Eri EjimaI’m Luce, several time reviewer here and long-time book collector who is very much a tsundoku exhibiting person. I’ve been reading my manga though, including this one, a small gem from Seven Seas who are probably my new favourite company. Not that I really have those, but they do a lot of Yuri. I’ll ignore some of the other series they do. Anyhow! I can be found on the Okazu discord as farfetched, and on tumblr as silverliningslurk. Ready, fight!

In Young Ladies Don’t Play Fighting Games, Mitsuki Aya is one of the only new students in Kuromi Girls Academy, a prestigious private school, attending on a scholarship. She’s trying her utmost act as ladylike as the other (mostly rich) girls in the school, but none more so than Shirayuri, the epitome of elegant grace and another new student. At least… That’s what everyone thinks, including Aya, until she catches her late at night not only playing fighting games, but violently trash-talking the person she just trounced. Outing herself as a gamer to Shirayuri accidentally, Aya is asked to join a match, but she’s given them up – or at least, tried to. Aya’s own previous obsession with fighting games and a new-found rivalry between the two aside, there’s a big problem here – all games are banned at the school!

It sounds ridiculous. It kind of is ridiculous. It clearly doesn’t take itself too seriously, with the name ‘Shirayuri’ (literally white lily) being pointed out in the translation as something incredibly flowery and a highly unusual Japanese name. But it’s good. The way that Shirayuri flips on a coin from a lovely girl held on a pedestal to someone downright crass is funny, and some of the responses to things that Aya says are hilarious. For example, Aya starts saying how she eschewed fighting games to become a ‘proper lady’ and all this noble speak… And Shirayuri basically responds with ‘wtf you talking about, fight me’.

That’s pretty refreshing, honestly. Shirayuri clearly has no intention of leaving something she loves to fully become the mask she portrays everywhere else, and doesn’t see why Aya is so hung up on this ideal. They have several virtual matches, which are pretty well drawn and narrated as such by Aya’s thoughts, breaking down her predictions and actions in a way that feels pretty smooth and close to what I feel like a slow motion fight scene would feel like. They get caught… and their escape is just as ridiculous and funny as the reactions. The series flips quite well between the elegant lady aesthetic and a caricatured ugliness of real emotion. The mangaka does both quite well.

As for yuri, well, I’m not 100% sure that it will be yuri, but if it is, it certainly won’t be something fluffy like Girlfriends. They’ll be fighting all the way along. But some of the scenes and panels on their own make me feel like this series could well go on a yuri-ish direction. There is clearly a lot of idol worship towards Shirayuri that could lean that way, but even other than that, some of the art just makes me think this will be yuri. Natsume, Aya’s roommate, clearly thinks they’re together. I mean, Shirayuri, her name aside, is introduced with lilies in the background. Bookwalker told me it’s yuri, so I’m going to believe it, since it feels too self-aware to not be.

Next volume, they decide they have to find something safe to game inside. I hope Aya comes to a revelation that she can enjoy things and be elegant, or just… enjoy things and not worry so much over what other people think. I’ll be looking forward to it.

Art – 8 – does both pretty and grotesque quite well. The comic violence in and occasionally out of the in-manga game is good.
Story – 6. It’s ridiculous. I have questions. But it’s fun.
Characters – 8
Service (level of salaciousness) – 2? Aya is in a form-fitting turtleneck at one point, but that’s about it, and it’s not played for anything. It’s also not a male-gaze type of form-fitting. The skirts are not magic, either.
Yuri – 4. For the moment.
Overall – 8

My questions are mainly: how many first year students with long white hair can there possibly be, and how can you be (presumably) that loud and not get caught. It’s not meant to be serious, so they’re not serious questions. I also want pg115 on my wall, it’s glorious. Other than that, check it out!

Erica here: Thank you very much for this fantastic review. I hope you’ll all take this chance to pick up and enjoy this silly story. ^_^





How Do We Relationship, Volume 4, Guest Review by Matt Marcus

November 10th, 2021

Welcome to another Guest Review Wednesday on Okazu. I am so delighted to introduce a new Guest Reviewer here today for so many reasons: Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, such as the JRPG games club podcast Lightning Strikes Thrice. Finally, after me waiting patiently to have someone to talk to about this…here we are at last. There will be spoilers in this review and let me tell you, I am so relieved! Please give your attention and a warm welcome to Matt!

How Do We Relationship is a story about college first years Miwa and Saeko who, once they learn that they are both attracted to women, decide to date. Last we saw them in Volume 3, the lack of open communication had continued to strain their relationship, leaving Saeko troubled over her standing with her partner while Miwa is tempted by the reappearance of her old high school crush Shiho.

There is no sense being coy about it: How Do We Relationship, Volume 4 is where the girls break up. Saeko had been using sex as the panacea for her insecurities, but troubles in the bedroom, coupled with confronting the reality that Miwa harbors deep romantic feelings for another woman ends up straining her to the breaking point. Miwa wrestles with guilt over her conflicting attractions and tries to cling to the relationship but to no avail. The two agree to stay friends, however it is clear that Miwa believes that she carries the sole blame for the end of their courtship.

The fulcrum on which this series balances is how tolerable you find Saeko, and in this volume we see her at her worst so far. She starts to seriously lose control of the defense mechanism that she developed after her traumatic experience in middle school–the facade of a carefree and kind partner. It is not until late in this volume that Saeko finally has a moment of emotional honesty, voicing some of the ugly thoughts and fears that she had been repressing–but not with Miwa. If you have seen or experienced this emotional playbook, this can be a tough read. I want to root for Saeko to grow and truly heal from her past, but on the flip side she hurt Miwa quite badly and has yet to even acknowledge it. The sole consolation I have is knowing that with seven volumes currently out in Japan, there is quite a bit of runway for her to turn it around.

I have focused on the heavy stuff, but like the rest of the series the emotional drama happens around character-driven shenanigans with mixed results. A particular low note are the couple of chapters that focus on group singer Mikkun and Saeko working around the former’s jealous new girlfriend, which does little to drive the plot forward and rehashes the “straight cis man has a crush on a lesbian” beat from Volume 3. In a story with quite a large supporting cast, I would have liked to see a little more character development in their subplots.

As for Yuri/queer content, this volume pushes things ever-so-slightly forward, with the final chapter opening the door for a couple more queer relationships to develop. Another noteworthy element is the reappearance of Kan, the “villain” of Volume 2. It is hard to say for sure from what little we see of him, but he may have started letting go of his internalized queerphobia. At the very least he comes off as less of an unrepentant asshole (heavy emphasis on “less of”).

I have always appreciated Tamifull’s art, particularly the outfit designs and instruments. On occasion it can be disorienting (for example, second year Mozu–who already looked like a dead-ringer for Miwa but with light-colored hair–reappears with black hair just to make things more confusing for two pages), but I found the tumultuous energy accurately reflects the free-wheeling nature of one’s first year of college. When it counts, Tamifull knows how to visually punctuate an emotional moment or punchline (shoutouts to the Pound Cake Face).

All in all, I found these chapters challenging but rewarding. If you have found the messiness of the story and the characters compelling thus far, this volume really delivers on moments that will have you screaming internally the whole way with some heartrending lines to boot. Other than a small tease of a flashforward near the end, I have no idea where the next movement will take this series, but I know that I will be tuning in for it.

Ratings:

Art – 8 Has a few standout moments in the series so far.
Story – 8 A little uneven at times but lands the big moments.
Characters – 7 Compellingly infuriating.
Service – 3 There still is sex, however it is less of a focus compared to previous volumes
Yuri – 9 / LGBTQ – 7 Someone actually says “lesbian” out loud; unfortunately, it’s Rika.

Overall – 8 A challenging but rewarding read.

Lastly, I have to give big props to Tamifull’s very cheeky reveal in the author’s notes. You will clearly see what they meant if you flip back to Chapter 1.

Erica here: Thanks very much Matt!

OKAY. Now that you have all caught up I need to say this. Saeko and Miwa always were a terrible couple. I’m glad they broke up. You all were cooing over them in Volume 1 and I was up to Volume 3 chanting, “Break up, break up, break up.” ^_^ In fact, if they hadn’t, I was going to stop reading, because Saeko’s jealousy was intolerable to me; traumatic experience or not. I can assure you this, I am about to dive into Volume 7 in Japanese and 1) I am still reading and 2) this is a completely different, (dare I say, much better) story now.

Volume 5 is slated for a February release in English and everything (including the cover style) is about to change.





The Aquatope on White Sand, 1st Cour, Guest Review by Megan

October 27th, 2021

Welcome to our record-breaking 7th guest review in 2 months! This is made possible entirely through the support of our Okazu Patrons and the energy and talent of our guest reviewers! I’m absolutely delighted to bring you so many guest reviews and hope that, if you enjoy these, you’ll become an Ozazu Patron and help us continue to pay our writers industry standard rates for their efforts!

Today we’re bringing back Megan with a thoughtful and lovely look at one of this years prettiest anime, The Aquatope on White Sand, streaming now on Crunchyroll. (I asked to cover the second cour myself, so we’ll be back early next year season to talk about the rest of it. ^_^) In the mean time, please welcome Megan back! The mic is yours, Megan.

The Summer 2021 anime season saw the debut of not one, but two Yuri anime from fan favourite studios. Season 2 of Dragon Maid drew most of the attention, but the original 2-cour series from PA Works studio, The Aquatope on White Sand, also quickly drew a Yuri audience.  

Aquatope begins with a young woman, Fuuka, leaving her idol job in Tokyo after she gave an opportunity up for another member of the group. Her dream is over, but on a whim she takes a flight to Okinawa where she meets Kukuru, the acting director of Gama Gama aquarium. With only weeks to go before the planned closure of the aquarium, Fuuka decides to support Kukuru with her dream of keeping Gama Gama open. 

The entire cast is likeable, but the bulk of development goes to our leads, Fuuka and Kukuru. Fuuka is kind, almost to a fault; both with her idol and aquarium jobs, she prioritises others’ dreams above her own. Her arc sees her grow in confidence and learn to pursue her own dream again. Kukuru was the bigger surprise of the two leads. From the promo material and first episode I didn’t expect her to be quite as serious and focused on her work as the aquarium’s director as she turned out to be. The dynamic between the girls also works out differently than you might expect at first: in the early episodes Kukuru is the one giving emotional support to Fuuka as she faces up to her mother in episode 5, but in the second half of this first cour Fuuka emerges as the more mature of the pair. 

While the show’s first half doesn’t definitively commit to a friendship or romance reading for Fuuka and Kukuru’s relationship (the show’s awkward attempt in episode 9 to advance a “big sister” interpretation for Fuuka is one of the writings’ rare missteps), either way there is a lot to offer here for Yuri viewers. Aquatope depicts the pair’s emotional intimacy beautifully, with both their emotional and physical closeness growing as they support each other with running the aquarium and overcoming their own issues. Wherever the second half of the show takes them, here’s hoping they have a future together. 

The other main character of Aquatope could be said to be the aquarium itself. When the first episode aired and included a magical realist scene of Fuuka getting swept up in an underwater vision, I was sceptical since the show seemed otherwise well-grounded, but the magical element ended up working in the show’s favour. The pairing of an aquarium with these ineffable magical visions makes thematic sense; even now, so much of the sea is still a mystery to us. In several episodes we also meet characters who have visions at the aquarium that help them move on from turning points in their lives. Along with the stories of the supporting cast, this helps build a connection to Gama Gama as a place that feels worth saving. 

The aquarium feels like a believable location thanks to the fantastic animation effort from PA Works. Where Aquatope might lack in impressive “sakuga” sequences, it makes up for with a consistent high quality both in the character and background art throughout these first 12 episodes. The fish are mostly rendered in CGI, but it looks acceptable, and closeups and the penguins are animated in 2D. Particular praise should be given to the background art team, Gama Gama and surroundings were so well-rendered they came off as real places. 

Spoiler warning: Please skip past the section starred off below, if you prefer to remain spoiler-free.

 

***

***

***

***

For a “iyashikei” (healing) anime, Aquatope often struck a serious, even melancholic note from the early episodes. The closing episodes of this first cour paid off these hints, and secured my recommendation of the show for mature anime viewers who find it increasingly hard to relate to the teen-centered themes of most anime. The first cour of Aquatope is about the experience that, perhaps as much as any other, defines becoming an adult: giving up your dream. 

It testifies to the show’s strong writing, no matter how much we as the viewer might wish for a different outcome, the closure of Gama Gama feels like a logical conclusion to everything that came before. We’d seen how unsuccessful Kukuru’s initiatives to draw visitors to the aquarium had been, and episode 10 introduces a new, much larger and more centrally located aquarium opening up that renders Gama Gama aquarium irrelevant. In truth, the writing had been on the wall since the start, and Kukuru locking herself up in the aquarium as a typhoon beats down her attempts to fortify the building is an effective visual for both Kukuru and perhaps the viewer’s denial of the reality of the imminent closure. 

The finality of episode 12 is surprising for a two-cour show. Many people I know watching week-by-week thought it actually was the final episode and were surprised to find out it was only the halfway point. For viewers who usually like their anime on the shorter side, the first cour presents a satisfying and complete story on its own, without the meandering some other two-cour anime can fall prey to, with almost every episode developing the leads and their relationship, or the aquarium setting itself in important ways. This pacing helps Aquatope to feel, in my experience, more consistently engaging than some other similar anime, including PA Works’ prior series about working women such as Sakura Quest

***

***

***


Aquatope presents a moving and mature story of pursuing and giving up dreams, and of the leads’ growing emotional intimacy. The show is shaping up to be a new favourite for slice of life and Yuri viewers, and I can highly recommend giving this overlooked anime a try. 

 

Ratings: 

 

Story – 9, a well-written and smartly paced story of giving up your dream, and what comes next Characters – 8, everyone is likeable and the leads get some good development 

Art – 9, a consistently beautiful effort by PA Works 

Yuri – 6, nothing explicitly romantic but the leads’ emotional intimacy is lovely 

Service – 1, a beach episode with the girls in swimwear, otherwise, no 

Overall – 9 

 

PS It took me a while to figure out what the word “Aquatope” means. I was reading vol 3 of (excellent and very queer-inclusive fantasy LN series) Reign of the Seven Spellblades, which used the word “Biotope”, a word similar to “habitat”. So “Aquatope”, I presume, means “aquatic habitat”. 

Thanks as always for reading my review! I’m looking forward to hearing your thoughts in the comments ^_^ 

Erica here: Thank you so much, Megan! Your thoughts echo my own completely. It’s a beautiful anime with some strong values and lessons that are both gentle and inexorable. I’m looking forward to covering the second cour. It’s a bit selfish of me, but I wanna write about this lovely anime, too! ^_^