Archive for the Guest Review Category


Me (A Guy)… Lesbian?!, Volume 1, Guest Review by Luce

August 11th, 2021

I had no idea this manga even existed, so how happy am I that Guest Reviewer Luce offered to take a look at it for us! ^_^ So kick back and Luce tell you a story about a story. Welcome back Luce, the floor is yours…

I’m Luce, reviewer of Dear Noman. That series didn’t quite work out, but today I’m here with a review of a series I thought would be terrible, and surprisingly wasn’t! Hope you enjoy the review, I can be reached on the Okazu discord (open to all) and on tumblr at silverliningslurk. Onwards!

In Me (a Guy)…Lesbian, Volume 1, available digitally on Bookwalker, Yuuki, a male high school student, is cycling home one day and accidentally knocks an inari statue over at a shrine. Panicked, he puts it back… and typical of a high school boy, adds a face to it when he sees it has none. The fox spirit within the statue is none too pleased about this face, done in permanent marker unknowingly over her own face, and as revenge for not being able to sympathise with a ‘women’s heart’, turns him into a girl. And magically enrols him into an all-girls boarding school. Now, she (I’ll refer to Yuuki as she for the remainder of the review) has to create ‘love relationships’ with girls to get the fox spirit, Yori to regain her power so she can turn Yuuki back.

I will admit, with that title, I was very sceptical of this being anything much at all, but I was bored, there was a Yuri manga sale, and I bought it. It’s 8 chapters, so I would guess slightly longer than one regular collected manga volume. It’s full colour, and it’s done nicely, although there is a bit more service than I’d necessarily go for. I still have trouble thinking that girls so casually undress around each other, but aside from that, it’s surprisingly heart-felt. It’s no grand epic, and there are all the ‘magically switched genders’ tropes that you’d expect – randomly turning back at inopportune times, the fear of getting found out, sitting and acting more like a guy than a girl normally would… But it is genuinely sweet. Yuuki gets things wrong, and apologises for them, she starts to get on with the various girls of the school and gets used to life in her female body. For such a short series, it actually gets quite a bit done, so it feels longer than it is, but in a good way – for me at least!

As for Yuri, well. There are definitely two girls who have romantic feelings for other girls, something that is displayed front and centre, although in the English, the word ‘lesbian’ only features in the title. Yuuki herself comes to have crushes, there is the girl prince that Erica has mentioned in several panels recently as a common Yuri trope, the childhood friends where one falls in love. I would imagine this series is meant to appeal to men with the fanservice (it never gets ridiculous or anatomically incorrect, but it is there), but equally, it has all sorts of women and the cast, Yuuki aside, is entirely female. But Yuuki doesn’t make any opportunities to perv on the other girls, getting embarrassed and/or respecting them enough to not look… even though ‘she’ wouldn’t necessarily be found out. I will say that the author does put her in these situations, but there are no drooling perverts here, thankfully.

If you’re looking for a deep dive into the intricacies of having a gender switched, this isn’t it. It doesn’t even mention Yuuki’s parents or friends, although I suspect Yori’s power may have been involved. However, by the end (I will spoil a little as I feel like it makes this stand out) Yuuki doesn’t elect to turn back into a boy. She seems to remain at the school, intending to live – at least for now – as a woman. Yori, the fox spirit, even says that she’ll have to work to be perceived as a girl by the one who knows Yuuki’s secret. That surprised me, as usually when presented with a way to go back, they do. I would say that if you enjoyed Kashimashi, you’ll probably enjoy this one, too. It even doesn’t have the creepy father!

Ratings:

Art – 6 – not the best art in the world, but pretty, readable, and all in colour!
Story – 6
Characters – 7
Service – 8 – you will definitely see some cleavage
Yuri – 7

Overall – 8

For some light reading and a hopeful ending, I’d say it’s worth it. ‘Surprisingly wholesome’ would be my short review, honestly.

Erica here: Thank you very much for the review. I’m glad to know this is out here and that we have eagle-eyed reviewers like you. ^_^





Kaijuu-iro no Shima, Volume 1 (かいじゅう色の島), Guest Review by Mariko S.

July 28th, 2021

It is Wednesday and you know what that means! It is indeed a Guest Review Wednesday here on Okazu. Today we welcome back Mariko S. (whose compelling review I have sincerely missed!), with a look at Kaijuu-iro no Shima (かいじゅう色の島), Volume 1. Please give her a warm Okazu welcome back. The floor is yours, Mariko!

I can remember clearly a certain type of person from my tween years, as we all navigated that transition between child and not-child. Smaller than other kids, shy, awkward, left out. Maybe because of those things, still interested in (or, at least, still holding onto) “childish” things. A little scared or uncertain about the adulthood their peers were rushing toward (seemingly) eagerly. Chigawa Kon is a girl like this. Slight and tomboyish, she scuttles barefoot around her tiny island town in a one-piece swimsuit and ill-fitting shorts, passing another lazy summer alone.
 
I remember another type of person from those formative years, too. A little too hurried to put on the markers of adulthood, forced by a body that seemingly overnight changed unrecognizably into something else to pretend they’re ready for it. Even more than that, putting on a front of maturity to try to mask the deep insecurities and immaturity that roiled in them as well. Hitoto Furuka is this girl. Taller, more developed, with painted nails and stylish clothes, her sudden appearance on the island presents a curious interruption for Kon, who doesn’t exactly understand the crushes her peers are so excited about, but who now finds Furuka compelling for reasons she can’t quite articulate.

What I find most remarkable about this manga is how grounded it is. That sounds like an absurd thing to say about a manga in which a (maybe real) mystical sea monster features heavily, along with supernatural phenomena of various kinds. But this is a manga about school girls in Japan that features NONE of the tropes or fetishes of school girl Yuri. There are no uniforms, no zettai ryouiki, no absurd clubs or sharing of cakes. This story could take place for any kids anywhere whiling away a summer vacation. Men exist and aren’t toxic creepos – Furuka’s uncle is an easygoing laborer who is confused as to why he has to suddenly put up with a freeloading relative. Kon’s little brother is a fun-loving kid who is really into kaijuu. More than anything, the vibe this story gives off to me is like Blue Drop, another slow-burn sci-fi Yuri tale set in a sleepy seaside town with a richly developed cast.

The first volume isn’t very long, and moves at a languid pace, and yet somehow many momentous things have happened by the end, and many more mysteries have been set up for the future. Does the monster exist? If so, is it embodied in Furuka? What is the relationship between Kon and the women sacrificed to the monster generations ago? Does Furuka have a mysterious power, or was the intervention with the bullies related to the monster somehow? Kon and Furuka have already kissed by the middle of the book, and maybe more, so with that out of the way we can focus on the real development of their relationship, on whether they can overcome both the mundane and fantastic challenges set before them, and of course on delving deeper into the lore of the island.

This story comes closer to transcending the definition of Yuri as “lesbian content without lesbian identity” for a school setting than any other I have read recently. Despite Furuka’s efforts to look mature, she quickly reveals that she has basically run away to this island with little to no plan for her future. Chief among her reasons is her despair and loneliness at not fitting in because she is gay. She never uses the word “lesbian,” but she describes knowing since the fourth grade that she wasn’t like the other girls, and only had eyes for one of her female friends. Unfortunately, she describes herself as “sick.” Kon isn’t thrown by this at all, and decides she must have this same “sickness” since she feels this way about Furuka. I’m not going to say everything that happens between them feels realistic, but it certainly fits in just fine with plenty of other coming-of-age teen romances. Kon is believably depicted as a girl just starting to awaken to the idea that she might love another girl, and Furuka is a sympathetic example of a girl who already knows this about herself and unfortunately feels outcast because of it. Yes, we all love Yuri stories where the protagonists face no obstacles to their love, but it’s also nice to have a story that acknowledges and deals with still very real prejudices.

Ratings:

Art – 8 Extra points for the variety of character designs and the imaginative sea monster renderings
Story – 8 I’m enjoying it very much, it’s different from anything else out there.
Characters – 7 Kon and Furuka feel like real people. There isn’t much of a supporting cast at this point, though.
Yuri – 7 Kon and Furuka’s relationship is at the center of the story.
Service – 7 I wouldn’t say it is prurient, but there is a fair amount of (not explicit) nudity, and a scene of Furuka brooding that is set unnecessarily in the shower.

Overall – 8 Intangibles and personal taste make this a solid 8 for me, I’m eager to see where the story goes! Alas, as I understand it, new installments are released only quarterly, so we may be waiting awhile for the next volume.

Erica here: Thank you so much for another fantastic review! I want to run out and get this manga, right away, now.

Kaijuu-iro no Shima,Volume 1 is available in print from Amazon JP, or CD Japan and available in digital format on Amazon JP Kindle or Bookwalker JP. And, if you haven’t already seen it, take a moment to watch the animated trailer for this volume of manga!





Battle Athletes Victory ReSTART!, Guest Review by Eric P.

July 14th, 2021

Happy Guest Review Wednesday! Today we welcome back one of our long-time friends and Guest Reviewers, Eric P., who is taking a look at the newest in the Battle Athletes franchise, Battle Athletes Victory ReSTART!, streaming now on Funimation. Please welcome Eric once again. The stage is yours, my friend!

Set in 5100, 100 years after Akari Kanzaki’s victory at the Cosmo Beauty competition, humanity has extended beyond Earth and even further into space, and a new generation of athletes gather to compete in the Divine Grand Games to be crowned Cosmo Beauty once again. Since winning said crown is not just a mere title but grants them Queen-level authority, each athlete has their own goal in making the universe or at least their home worlds a better place. From Venus is Shelley Wong, a physically disabled athlete with prosthetic limbs who wants to especially prove her capabilities. From Pluto is Paglia Raspighi, an aspiring genius doctor who wants to advance her home world’s medical technology. From Mars is Lydia Gurtland, whose father’s company is a supplier of weaponry that instigated a civil war on the moon. There is Yana Christopher, a Lunarian refugee from said civil war, and who gets suspected of plotting terrorist activities within the competition (drawing some rather on-the-nose parallels to Middle East conflicts). And there is also Kanata Akehoshi from Earth, an unassuming potato farm girl (who could easily be besties with Sasha from Attack on Titan) that enters the competition as a promise from the distant past to another athlete. Said athlete is a quiet, mysterious girl named Eva Gallenstein who does not even remember Kanata, but plays the role of a puppet for an evil behind-the-scenes organization called the Solar System Control Committee.

As one watches Battle Athletes Victory ReSTART!, it does not feel so quickly certain whether or not it is a direct follow-up to Battle Athletes Victory, or if it just takes inspiration from the original. Aside from the names of past Cosmo Beauty champions, the events of the original anime (such as the Nerilian invasion) are not alluded to in this new story. Almost all the new characters share the same last names as the original characters, which would imply that they are descendants (as well as imply what may have transpired with everyone in the 100-year gap), but it could just as easily be fan service for viewers who have seen the original. Kanata bears such an easy resemblance to Akari but still does not share the same last name. It really is not until the very end of the series that we finally get affirmed clarity that ReSTART! is indeed an in-universe sequel to Victory, with surprise cameos from both a certain person and song I will not directly spoil here.

My personal fan service was seeing what appeared to be Ichino Yanagida, only it turned out to be Tamami Yanagida who just bears an uncanny resemblance, both facially and in attitude. She works in coaching the athletes at University Satellite, something I imagine Ichino would have likely ended up doing if ReSTART! had taken place a mere decade after Victory. Two other characters that are interesting in a specific way are Shelley Wong, descendant of Chinese athlete Ling-Pha, and male police detective Jeff Natdhipytadd, descendant of African athlete Tanya. Ling-Pha and Tanya were both criticized as ignorant caricatures of their respective nations/continents. Granted I could be over-speculating, I could not shake the vibe that Shelley and Jeff were created as a kind of apology to make up for those past insensitivities. Where Ling-Pha was a conniver whose friendship was shaky at best, Shelley is both driven and loyal to a fault. Where Tanya was hyper-animalistic, Jeff’s only “eccentricity” is that he declares himself to be a warrior for justice with a gung-ho attitude—which is actually fine, since he is competent at his job and plays a key role in trying to protect the athletes and the games from outside evil activities he is investigating.

As far as Yuri goes, where Victory was not just overt with it but was even driven by it, ReSTART! comparably just dips its toes. In Episode 5, Kanata gives Shelley a motivational speech about taking pride in our imperfections (in light of Shelley’s physical disability), saying that perfect people can stay still while everyone else who is not perfect are able to keep running. It makes enough of an impact that Shelley responds with “I might be falling for you.” Despite the complications between Yana and Lydia due to their conflicting backgrounds, the two still form an unlikely friendship and even express their mutual affections. In the last episode,Shelley comments on Lydia appearing angry about seeing (a sleepy) Kanata clinging onto Yana, to which a blushing Lydia insists “Yana and I are just…” but does not get to finish her sentence. And in the closing shots we see Shelley cozying up with a girl back home, who may or may not be her girlfriend. What little we get adds to a bare amount compared to the first time around, but with just 12 episodes to work with, the story’s thematic focus seems to be more on friendship and determination anyways.

When all is said and done, Battle Athletes Victory ReSTART! has turned out to be the kind of follow-up that was made to exist but ultimately does not feel necessary to the original, or even all that remarkable for newbie viewers. At the same time it is still there, harmless, adding nothing to the first series but not taking anything away either. It has an intentional old-school feel to it which often happens with reboots/sequels/homages of older titles. The humor is not as over-the-top this time around, although Yana for whatever reason has a literal boxing kangaroo companion in contrast to Kris Christopher’s cow. This companion series to the original classic can still be a pleasant treat that just manages to have its own charm if given the chance, even if just for a one-time viewing.

Ratings:

Art—6.5 (Neither high or low quality, just serviceable, although some galaxy locations/ships get neat little 3D updates)

Story—6 (At 12 episodes, it does not even try reaching the epic heights of the original, but instead settles for something concise and simple that does the job, even if it is still a little uneven—while it deals with themes of politics interfering with sports, it never really goes deep below the simple, superficial plot)

Characters—7 (The characters and their dynamics/motivations are what really help make the story worthwhile, including Eva’s actual goal, and Kanata as a heroine could be seen as an improvement over Akari in some ways)

Service—3 (Most of it happens in the first episode, with convenient body shots of the athletes and an especially non-subtle one of Paglia being introduced on-camera boobs-first. It is like as if it was all dumped there for the purpose of getting them out of the way so viewers can focus on the story and the characters’ journeys for the remaining episodes)

Yuri—2 (Again, there is not much to go on beyond the little indications that would seem obvious enough, albeit mostly to old-school fans)

Overall—6.5 (Just on account of it not being quite as worthwhile as the original, even if I am speaking from nostalgic bias, it gets scored just a notch less)

Erica here: Thank you so much, Eric!  It’s always a pleasure to have you do a review for us and I really appreciated hearing your thoughts on this series, which I’m watching right now.  I look forward to discussing it with you when I’m done. ^_^





Perfect Gold Visual Novel, Guest Review by Eleanor W.

June 9th, 2021

Welcome back to Guest Review Wednesday on Okazu! Today we welcome back Eleanor, who has graciously offered to cover a new Yuri Visual Novel. You all know the rules – please give her a warm welcome and take it away, Eleanor, you have the mic. ^_^

It’s nice to be back. This time I’m reviewing Perfect Gold, a Yuri visual novel from Filipino developers Yangyang Mobile. Quite the contrast from my last Okazu review, which took me all the way to London to review the British Museum manga exhibition. You can follow me on Twitter and Instagram @st_owly. I mostly post about anime and manga, but also some silly stuff too, especially on Twitter.

“In this short, coming-of-age yuri visual novel, play as Marion LaRue and Audrey Clary as they explore the magical city of Castlecoast and get a second chance at love and friendship.” – Description of the game on Steam.

I don’t remember exactly how I ended up backing the Perfect Gold Kickstarter, I probably saw it, thought “that looks cute” and backed it. It’s also really nice to have a visual novel that isn’t 18+, and is instead just completely adorable. Now that it’s been released, I’m very glad I did support it, and I’m going to keep an eye on the developer to see what they do next.

The gameplay alternates between the points of view of the two main characters, Audrey LaRue, an enthusiastic country girl who’s come to the big city of Castlecoast to study at the prestigious LeFay Academy, a school of magic and alchemy. Marion’s rival/love interest is Audrey Clary, aka “Princess”, a girl from a noble family who’s expected to be top of the class, follow her parents into the alchemy business, and to marry a suitable boy her parents have picked out once she’s graduated from the Academy. That is, until Marion comes along and changes all of that.

The game is set in a medieval Europe-ish inspired world with alchemy and magic, but also has some modern concepts like magazines and photography. Background art of the various areas is neatly done, the music is Celtic folk inspired and perfectly pleasant to listen to. The characters are very nicely designed and their facial expressions are lively and interesting, particularly Marion’s. I especially enjoyed her surprised/embarrassed face. The voice acting is polished and each character is distinct. My only (very minor) gripe, being British myself, is Audrey’s posh British accent isn’t quite right, but it didn’t take away from my enjoyment of the game too much.

Playing through the game, I found the story in the first half a bit slow, but towards the end I couldn’t wait to see what happened next. The story utilises a lot of flashbacks to show how the relationship between Audrey and Marion evolved to what it is in the present, and the way the characters react to certain situations certainly seems believable for teenagers who aren’t quite sure how love works yet. Audrey’s inner conflict between what’s expected of her by her family and what she wants to do is especially well done and the highlight of the game for me.

The other thing I really liked about the game is that LGBT+ people and same sex relationships seem completely normal to most people (apart from the rich alchemist families). One of the professors at the academy uses they/them pronouns, and it isn’t commented on at all by anyone, other people just use “them” perfectly naturally to talk about the character. Another minor character calls Marion and Audrey a cute couple with no judgement attached.

For an evening’s escapism and something cute to make you squee, it’s worth getting. It’s currently £5.79 on Steam ($7.19 through June 14th, $7.99 normally) for just the game, or you can get a deluxe bundle pack with the soundtrack and a digital art book for £14.79. ($19.69 on sale, $23.99 normally.)

Ratings:

Art – 8. Nothing revolutionary but perfectly pleasant and well put together with nicely styled character designs.
Story – 7. Took a while to get going, but a very cute first love story once it did.
Characters – 9. The characters were my favourite part of this game. Marion and Audrey were realistic awkward teenagers, and having been an awkward closeted teenager myself once upon a time I found them very relatable. The other minor/side characters were well written and helped the story flow along nicely too.
Service (level of salaciousness) 2. Marion’s big sister Simone makes an appearance towards the end, and she gave me a lot of “oooh tall pretty goddess lady” vibes, but there’s not even any cleavage anywhere and the most you see on screen is a kiss between Marion and Audrey. I would have no problems whatsoever letting a young teenager play this.
Yuri/LGBT+ – 9. Major points for casual non binary inclusion and homophobia not really being a thing in this world.

Overall – 8. A cute way to spend an evening.

Erica here: Thank you very much Eleanor, for the lovely review. How excellent that the game is on sale right, so people can  enjoy it even more. Happy Yuri VNing  for Pride month.^_^





High-Rise Invasion on Netflix, Guest Review by Christian LeBlanc

May 26th, 2021

Welcome to Guest Review Wednesday on Okazu! Today’s review is a gift to me as much as to you. ^_^ I was thinking about watching this anime on Netflix when Christian said he had just watched it and needless to say, I was delighted to invite him to bring us all this review! Please welcome Chris back once again, and thank him for taking one for the team. ^_^ The floor is yours, Chris!

When I first read the description for High-Rise Invasion on Netflix (based on the manga Tenkuu Shinpan by Tsuina Miura and Takahiro Oba), I wrote it off as silly, violent edgelord fare, along the lines of what I thought those Purge movies must be like. Fortunately, I gave those movies a chance and found a suspenseful string of films that turn a critical eye on society, capitalism and marginalisation, with a cynical view of where America’s current darker impulses are leading it. Unfortunately, I also watched all 12 episodes of High-Rise Invasion.

Well, I say that, but I’m honestly of two minds about this show. The first time I watched it, I could practically hear the writers coming up with the plot: “Wouldn’t it be fuXXed if you got transported to this alternate realm where you have to go from high-rise to high-rise across rope bridges, and there’s brainwashed people in smiley-face masks trying to kill you by making it so you’ll throw yourself off the buildings, because that’s the only way down to the ground anyway, and if the masks get damaged then they have to kill themselves, and there’s all different ones so there’s like a butcher Mask, and a baseball player Mask, masked everything right, and there’s like a ton of blood whenever anyone dies, and it turns out this is all a way to create God, like how fuXXed would that be.” (dramatic pause while writer takes a long drag off a smoke to let these ideas sink in)

I mentioned to Erica that I watched it because I’d heard the main characters described as Yuri and wanted to find out for myself, and before I knew what happened I’d agreed to write a review for her. I hadn’t taken any notes the first time around, so I watched it all again and, while I’m not proud to admit this, I started to enjoy it.

To start with: is this a Yuri anime? Well, the high-school aged main character’s name is Yuri Honjo, so there’s that. Yuri quickly meets high-schooler Mayuko Nise, and unsuccessfully tries to stop her from stabbing an innocent man in the throat. After their little meet-cute, Mayuko becomes ride-or-die for Yuri, blushing and looking away whenever Yuri does something cool, gives her a compliment, hugs her, flashes her panties, bathes or changes in front of her, kisses her while she’s unconscious and struggling for her life, etc. You know, the same way we all secretly showed our feelings for that girl we liked back in high school; for her part, Yuri pretty much feels the same way about Mayuko.

Is this a Yuri romance? Definitely not. This is grindhouse action/suspense through and through, but that doesn’t mean it can’t also be Yuri, of course, and whether it qualifies or not. depends on your own feelings. Mayuko blushes her heart out at Yuri constantly, but it never goes beyond hand-holding, even though they are intimately acquainted enough that Mayuko can recognize her crush by just a quick glimpse of her posterior (which actually happens more than once). Mayuko’s first love, however, is stabbing people in the throat. If there’s ever a second season we’ll see if she has to choose between her two devotions, but for now, we’ll see her face redden either from sweet emotion, or other peoples’ sweet, sweet neck blood. (And to be fair, this is a Shounen anime, which means that the straights don’t get any further than getting exaggeratedly flustered and denying any interest in each other.)

So what’s this all about again, anyway? Well, Yuri’s main goal is to find her brother, who’s also trapped here. Mayuko’s goal is to help Yuri find her brother (and, on a personal level, stab so many throats). Kuon Shinzaki has pink and blue hair, and an app on her phone that lets her use a giant building to shoot down other buildings; she wants to become God so she can bring peace to this realm. She also has a crush on Sniper Mask, an amnesiac, self-aware Mask whose goal is to recover his memories.

Aside from that, the show tends to abandon plot points, theories and objectives almost as soon as they’re thought up. Yuri rebelliously declares to Mayuko early on “I’m not going to kill any humans. I refuse to follow this world’s rules.” A minute later and she’s enthusiastically doing her best to shoot down a helicopter with just her handgun, and she’s unloaded a full clip into an assailant ten minutes later (before he commits suicide by biting off his own tongue, naturally.)

Various exposition-dumps throughout the show explain the different types of masks and how their programming bestows powers/constraints on the wearers. There is a consistent, if convoluted, logic to the masks, but the rapidly-shifting goals and theories the main characters have obfuscate this logic, making it feel inconsistent initially. Still, trying to puzzle out these mysteries helps hold the viewers’ interest in between gory fights with the Masks (or Angels, as the antagonists refer to themselves…Angels to some, Masks to others, I guess).

Trigger warnings? This show has geysers of blood, flying eyeballs, severed fingers and limbs, decapitations, and crazy amounts of stabbing and shooting. The violence in the show doesn’t bother me all that much because it’s expected for the genre, and even gleeful in its execution. There’s a ton of violence, but very little of it feels truly horrific; it’s all in good fun.

On a sexual note, however, Yuri is forced to strip at sword-point for a rogue cop (ACAB) in the first episode, but she’s managed to set his corpse on fire before things go much further. Happily, I don’t remember any further sexual threats to anyone after this.

Is this show dumb? Oh, it is so dumb. Yuri’s brother tells her over the phone that she should immediately murder her new friend Mayuko, because “In this world, there are no such things as allies.” (This very same brother is shown leading his own litter of new pals minutes later.) Sniper Mask’s main personality trait is smoking and looking cool in his stylish suit, and is so good at shooting guns that he can shoot a knife on the ground forcing the bullet to ricochet 90 degrees towards a target hiding around a corner. Yuri happily hands a firearm to a small child because he’s excited and would really like to see it. Mayuko’s shirt gets ripped open in the second episode, and until she replaces it with a slightly darker shirt in episode 11, she’s just walking around with her chest and bra completely exposed. Yuri never fixes the revealing rip in her skirt; characters change their priorities far more often than they change their clothes. Yuri can shoot ballistics out of the sky. Someone says the name of the show out loud. Characters gain new abilities as soon as the plot requires them, and the entire raison d’être is to simply show Masks looking creepy and cool in a wide variety of cosplay and violence. No, seriously; when it looks like one character is about to die, he at least comforts himself with how cool he’s going to look.

“Tasteless” is probably the best way to describe a show with this much blood, this many panty shots, suggestively-posed corpses, and a villain who calms himself by plunging his face into a Mask’s fully-clothed chest (she’s wearing one of those anime suits where the fabric acts like it’s painted on, you see).

I’ve given you plenty of reasons not to watch this show, and yet, depending where you find your bliss, I’ve also given you plenty of reasons to watch this show. If you’re in the mood for senseless, bloody violence and you’d like to see some ladies being badass and causing most of it for once, and you can dim your brain just to the point where you can buy in and enjoy the spectacle, then you might enjoy the bright, stylized, creepy bloodshed and mystery contained in these 12 episodes.

 

Ratings

Art – 6 There’s a very ‘basic’ quality, but it’s also stylized, and there’s no denying the care that went into animating the many sprays of blood.

Story – 6 There’s enough of a plot that it might keep your brain entertained by trying to puzzle out what’s going on, at least.

Character – 7 Nobody’s too complex, but it can be a joy watching Yuri flip her internal ‘cold as hell badass’ switch when she goes into action, ambidextrously shooting with both hands.

Yuri – 3 There’s a cute scene near the end where, separately, Mayuko and Kuon are each helping Yuri and Sniper Mask dress for battle, both wearing the same blushy, besotted grins as they think the world of their champions. Some viewers may need Yuri goggles to find any representation, but I don’t think you’ll need a very strong prescription.

Service – 8 Panty shots, bras, stripping, bathing, changing, anatomical impossibilities, and skinny-dipping into dream-states (my number refers to quantity, not quality). Conspicuously absent is a ton of boob-jiggle; I suspect the budget for that animation all went towards depicting the copious blood-letting instead.

 

Overall – 7 And I’m recommending this to nobody.

Erica here: /standing ovation/ Absolutely splendid review! You may have convinced me to watch it…after all, grindhouse violence, cute blushes and throat stabbing…it reminds me of my youth. /nostalgic sigh/  LOL

One point of order, The manga is released on Shueisha’s Manga Box app, and I’m inclined to think it’s Seinen, with that amount of blood.

Spectacular review, Chris!