Archive for the Guest Review Category


Maria-sama ga Miteru Anniversary Exhibit Report by Bruce P.

January 11th, 2015

mgsmeventIt is my very great pleasure to welcome back Guest Reviewer, all-around amazing Okazu and Yuricon supporter and great friend Bruce P! This time he has made it to Asagaya Anime Street for the Maria-sama ga Miteru Anniversary Event and were are delighted to have him tell us all about it. Thank you Bruce, the floor is yours…

I was pleased that a trip to Japan I had planned for Christmas this year coincided with a Maria-sama ga Miteru special event in Tokyo, in Asagaya Anime Street, appropriately located close to the heart of Marimite country. The event was in conjunction with the 10th anniversary of the anime, and was coupled with the release of the Blu-Ray edition of the complete series. I just had to see what it was all about.

Asagaya was a happy, bustling place when I arrived late afternoon on Christmas day. Shoppers were everywhere, as can be seen in this covered mall, which managed to contrive a Magritte Empire of Light kind of lighting effect. No doubt to make the experience more fun. And possibly to disorient you into more readily opening your wallet.

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However, for reasons probably related to storefront rental costs, Asagaya Anime Street is not located in this heavy cash flow area. It’s hidden away in a slightly sad and depressing site under the Chuo railway line elevated tracks. Definitely not prime real estate. To find it I had to work my way along and under the tracks, through tiny streets and alleys and girders, like Gene Hackman in The French Connection chasing the el train. Though he got to wreck a Pontiac. I had to walk.

But the walk was a great opportunity to take in the local sights, like this display of grimy, broken eggshells in front of a rice shop. Apparently all the surrealists were in town. An eye-catch for a rubbish disposal center.

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Finally, in the gloom under the tracks, there it was.

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Asagaya Anime Street consists of about 15 small shops selling anime related items of one sort or another. It actually seemed to be a worthwhile attempt to transform a deserted waste area under the tracks into a retail space, though the crowds were somewhat lacking. It took some effort to find, but of course that’s just what anime fans are willing to do.

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The Marimite event was in the GoFaLABO (Gallery of Fantastic Art Laboratory) Café and Gallery Space. Yes the place was small, and located in a relatively deserted spot under the tracks. And it rattled with every passing train. And the retail item shelves were mostly empty. But the thing is this – the event itself was downright fabulous. GoFaLABO consists of a small retail space with café counter, plus an event area containing five café tables. The event area was hung with about 60 beautiful framed copies of all the Marimite hanken illustrations used for the series. In addition, episodes of the series were being shown at one end of the space, which you could watch as you lingered over Marimite-themed tea and pastries, surrounded by all that gorgeous art. There were four people doing this when I entered, two guys at one table, and a guy and an exquisitely Lolita-outfitted girl at another. As I lingered myself, another guy dropped in and settled himself at a fourth table. Photography was not permitted inside the café, which was unfortunate, but not unexpected.

What surprised me most about the experience was that, when concentrated in one place and viewed as a whole, the official Marimite images demonstrated a striking, powerful, almost single-minded obsession with Yuri (Yuri in implication, Yuri in fact, and (mostly) Yuri in fan enticement) that was really not fully representative of the multi-faceted story itself. But I’m not complaining. The images were beautiful, they were Yuri, and there were 60 of them. More tea, please.

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Eventually I had to leave to head back to Ikebukuro. There were two extremely lovely Christmas/winter themed prints of Yumi and Sachiko for sale that I would have liked very much (one at least was new to this event), but they were only available for pre-order. I did purchase all the goods that were currently available, except for the Blu-Ray series: two lidded drinking cups, a coffee mug, and a calendar.

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I’m so glad I had the opportunity to experience the GoFaLABO Marimite event. It was superb, an emerald under the tracks. And with all those cups and mugs my dehydration worries are a thing of the past. If you have the opportunity to visit GoFaLABO in Asagaya Anime Street while the Marimite event is still taking place (through January 25th), please do so. If you’ve made it this far in this report, you’ll just love it.

Well, except maybe for Ana, you freakin’ tough Marine. Ganbatte, CO!

Erica here: Ganbatte seconded. And of course I’m insanely jealous.  I thank you again for the lovely calendar! 

Thank you once more for your time and effort on our behalf! I’m glad you enjoyed the show. 

In case any of you want a glimpse of the kinds of sweets they were selling, I’ve stolen borrowed two pictures from YNN Correspondent and friend Jackie S. to give you an idea. ^_^

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This event will have had  a number of Okazu readers visit. We should do a travel special. ^_^





Western comic: EROS/PSYCHE Guest Review by Foxy Lady Ayame

January 7th, 2015

erospsycheBack in May, 2014, YNN Correspondent Niki S wrote in to tell us about a lesbian comic of interest.  I invited anyone who was planning on reading it to write about it and as a result, we’re starting off our Guest Review Wednesdays with today we have a brand new Guest Reviewer here at Okazu! I’d like you all to welcome Foxy Lady Ayame, Ayame will be taking a look at this interesting new European comic that is published by Norma Editorial.

Hello, I’m Foxy Lady Ayame from The Beautiful World, a blog dedicated to miscellaneous storytelling media and particularly in anime and manga.

Eros/Psyche (promotional video) by Maria Llovet is a mysterious comic about a small intern all-girl school. Maria Llovet makes the reader plunge into the cryptic world of “The Rose” through the eyes of Sara. There, fate has it, she’s lead by a scarf to meet Silje, the ‘key’ student. They swear loyalty to one another as blood sisters. She joins happily the bucolic life at the school with uncanny gothic rituals and the strict rules; she studies books written in codes and sits for exams that decide which student is going to have to leave.

Sara’s so absorbed in how free she feels and how close she is to Silje, that she doesn’t mull over the suicide of a classmate, or the need for ‘rebellion’ Vanna had, or her last words before she was expelled. Sara doesn’t notice another classmate, Tamlyn’s, budding feelings for a boy either, something that seems treasonous. And, despite the fact that The Chamber comes again and again to the forefront of events, Sara has no will to explore it further and acquiesces to Silje’s unwillingness to talk about it.

New students come and go throughout the year. Silje reciprocates Sara’s feelings. By the last months of the year, only these two remain, until it’s time for the last test. Sara wakes up to find Silje departing suddenly. Silje tells Sara that she’s the next key student, gives her a guide book, apologizes and says her goodbyes. Perhaps they’ll meet again like Eros and Psyche in the Greek myth Silje tells Sara.

I bought and read the German edition by Tokyopop, which has a striking pink cover with the glossy figures of the main characters on the front and a smaller grey-ghostly version of this on the back cover. The whole comic is in black and white but otherwise it doesn’t remind one of manga very much. As a result, I wonder why it got the bronze medal in the 6th International Manga Award. It has some influences from Revolutionary Girl Utena and S-Class Yuri manga, but that’s it. The atmosphere is wonderfully eerie with the abandoned buildings, the creepy dolls and symbolic scissors. The panels are almost always rectangles, which had me doubting the artist’s talent, but they work well, giving off a cinematic or stop-motion experience.

Unfortunately, the ending is open and leaves the reader with more questions than answers. In her blog, Llovet expresses her desire to continue the story, but we don’t know anything certain yet.

Art: 8
Story: 7
Characters: 6, there’s small fluctuation in feelings
Yuri/Lesbian: 7
Service: 1, if some nudity counts

Overall: 7

If you love emotive stories that trigger your imagination, this one is for you. Otherwise, I’m not sure if EROS/PSYCHE is worth the 12 euros I spent.

Thank you Ayame, for taking the time and effort to read and review this book for us!





Yuri Anime Sabagebu! (English) Guest Review by Elizabeth V.

September 30th, 2014

sabaaeIt is once again my sincere pleasure to welcome a brand new Guest Reviewer to the Okazu family! I want you all to please welcome Elizabeth V and give her your full attention. The floor is yours, Elizabeth!

Sabagebu – Survival Game Club!, is a madcap, sometimes hilarious series that doesn’t take itself too seriously, despite some actual violence.

Momoka Sanokawa, a new student at an all-girls school, is coerced into joining the school’s survival game club by its president, Miou, a pretty and popular upperclassman with a wide violent streak. As the series progresses, Momoka, Miou, and their friends in the club undergo a series of wacky adventures ranging from fighting off upskirt photographers to an all-out road war in the Australian outback against a senior citizens’ survival club. Other members include the beautiful model Maya, the quiet cosplay fanatic Kayo, and the bubbly but ultimately violent Urara, whose obsessive crush on Miou is speedily transferred to Momoka in the first episode.

Animated by Pierrot+ and airing on Crunchyroll (regional restrictions may apply) this past summer season, the series’ pacing is speedy and each episode after the first has two or three stand-alone stories. An unseen, adult male narrator helpfully offers additional, often sarcastic remarks which occasionally cause the characters to break the fourth wall. The seemingly sweet Momoka is swiftly revealed to be rather cold and ruthless, undermining the common “innocent, good-hearted moe heroine” trope. She violently reacts to Urara’s extreme advances, often punching and slapping the younger girl (who always returns with even more fervent, masochistic devotion), but while this relationship is mostly played for laughs, it doesn’t come across as homophobic or demeaning, and by the end we are led to believe that in spite of it all, Momoka doesn’t actually find Urara that objectionable.

One thing which might bother some viewers is the amount of violence in the series. Although the narrator reassures us in the first few episodes that the bloody gunshot wounds and subsequent “deaths” only occur in the characters’ imaginations as they play their games with pellet-firing replica guns, the gory visuals might be upsetting. I have to admit, at first I was not at all interested in this series after seeing a screenshot from the first episode in which a character lies “dead” with bullet wounds in both breasts, but I reconsidered and started watching Sabagebu in earnest. I’m glad I did, however, the imagery might be too off-putting for some, so view at your own discretion.

Overall, although the humor of a few of the stories fell flat, the series was funny and enjoyable. Fanservice was mostly concerned with Maya’s generous assets. The characters’ outrageous adventures kept me laughing throughout, despite my initial reservations. Aided by side characters such as a stereotypical otaku called Fried Chicken Lemon, Momoka’s bizarrely cheerful and equally violent mother, and the club’s danger-prone advisor Miss Sakura, the Survival Game Club managed to keep me entertained despite my initial doubts, and gave me a new appreciation for pretend weaponry and the “magical gun-toting girl” transformations that accompanied it.

Art – 7
Story – 7
Characters – 7
Yuri – 5
Service – 6
Overall – 7

Thank you, thank you Elizabeth for the terrific review – and for the reminder that I should watch the rest of this series. I quite enjoyed the manga volumes I read. ^_^ 





LGTQ Comic: Lumberjanes (English) Guest Review by Katherine H.

May 28th, 2014

ljanes1It’s my favorite day of the week – Guest Review Wednesday! And today, we welcome back the stunning, the fabulous, the one and only Katherine H. of Yuri no Boke to speak on one of the most anticipated and popular new western comics of the year, The Lumberjanes. (Which I am also reading and I assure you, it’s fantastic.) So let’s give Katherine a warm welcome back and settle in for the ride. The podium is yours, Katherine!

Right now, I am following two ongoing non-manga comic book series- the new Ms. Marvel, which is great, and Lumberjanes, which is super-weird and a lot of fun.

Lumberjanes being awesome is no surprise given its pedigree. It’s co-written by Noelle Stevenson, the creator of one of my favorite webcomics, Nimona. If you read Autostraddle like I do, you may have noticed that one of their writers, Grace Ellis, is Lumberjanes’ other writer.

Brooke A. Allen is this series’ illustrator and Maarta Lairo is its colorist. I’m not familiar with Allen and Lairo’s other work, but they do a great job here. Allen’s art is expressive and doesn’t skimp on details without being too busy, and the composition is well done. Allen and Lairo’s linework and coloring pop with the energy this story requires, also.

Lumberjanes is basically about a group of awesome Girl Scouts punching their way out of strange and dangerous situations at sleep away camp. Jo, April, Mal, Molly, and Ripley are spending the summer in the same cabin at the Lumberjanes sleep-away camp.

The first issue opens the story with their fighting demonic foxes after following an old woman they saw turn into a bear into the woods. Their cabin chaperone Jen is exasperated when she catches them returning, but their den mother Rosie not only doesn’t punish them, she seems to have a bead on how preternatural the forest around their camp is when they tell her what they saw.

ljanes2In issue 2, Jen takes the girls canoeing, and its becomes weird again and more awesome. Amidst all the action, two of the girls become a couple and it’s pretty adorable. I expect this series to keep handling them well given Grace’s Autostraddle-ness and how well Noelle has handled the queer characters in Nimona. Issue 2 of Lumberjanes ends with the characters underground, pretty much accepting that they’re not going to have a normal summer.

This series doesn’t take itself too seriously- there’s a lot of banter and visual gags and even potentially grim scenes have goofy moments and punchlines, like the message the foxes spell, April’s response to the dragon, and pretty much everything Ripley does. The pacing is brisk and the characters are all likable so far.

In short, you should at least try Lumberjanes if you like stories featuring featuring well-written female leads doing cool stuff- basically if you’re Okazu’s target audience. The cute lesbian couple is the cherry on top. This was originally meant to be an eight issue mini-series, but it has sold well enough to be promoted to ongoing, and I’m glad for it.

Art: 9
Story: It’s just intro so far, but for entertainment, it’s a 9
Characters: 9
Yuri/Lesbian: 7
Service: 0

Overall: 9

Erica here: I agree with every word of this review. This is a terrific comic book, one of four western comics I am currently following (along with Ms. Marvel, My Little Pony ~ Friendship is Magic, and Rocket Girl.) By far and away, Lumberjanes is the the most creative of this creative bunch.





34-sai Mushoku-san Manga Vols. 1-4 (34歳無職さん) Guest Review by Bruce P.

April 2nd, 2014

34-saiIt’s Guest Review Wednesday once again on Okazu and I couldn’t be happier…but that’s because I’ve already read today’s review and I can’t stop laughing. Once again it is my sincere pleasure to welcome back Okazu Superhero, longtime friend, traveling companion and amazing Guest Reviewer Bruce P Yaaaayyy!   

I picked up a copy of 34-sai Mushoku-san (The Unemployed 34-Year Old), (34歳無職さん) Volume 1, by Ikeda Takashi, with the not unreasonable thought that the author of Sasameki Koto might have included some Yuri along the way. I was wrong; four volumes later, and there hasn’t been a hint of Yuri. Instead what we are given is a viciously drawn-out interior monologue of boredom, hopelessness, and personal failure. It’s cruel, peculiar, glacial, and grindingly depressing. Plus it makes me laugh. What a great manga.

The protagonist, who is never named, is a 34-year old woman who lives alone in an apartment and who has lost her job. The first chapter starts right off with a gag–she wakes up and can’t find her glasses (they’re on top of her head). The jokes continue. She doesn’t get up in time to take out the recycling. Her vacuum cleaner falls over. And then it falls over again. What we have here is a wacky slice-of-life story, as our madcap heroine searches for love and employment in the big city! Except…she doesn’t actually ever do any searching for love, or for employment, and as the same jokes begin to repeat, and repeat, it becomes clear that they are not jokes at all. They are symptoms, and despite her best excuses she is a woman in serious trouble.

Though able to deal marginally with others, even if there aren’t many others she ever deals with, at home she lives in a state of almost total paralysis. She cannot pull herself out of her futon until late afternoon, or up from under the kotatsu – Yui from K-ON! all grown up when it is no longer cute. You get the sense that losing the job may not have had much to do with the economy after all. She’s isolated from her family (including a daughter) and has only one acquaintance, a woman she meets occasionally for dinner and who is blatantly drawn with eyes always shut. Her only real companion is her apartment. She just swirls slowly, sleepily around in the drain of her well-vacuumed world. And if that doesn’t make you want to shell out for the multi-volume set, be assured that in Volume 2 she takes dramatic steps to change her life, by contemplating possibly taking dramatic steps to change her life. Contemplation of these steps continues in Volume 3 and Volume 4.

It sounds grimmer than kidneys on toast. Why read it?

(1) Asymmetric though she is, her character is strikingly realistic, and in more spots than are comfortable I can see, in her, a reflection of some of my own unlovely edges. This is both disturbing, and of value when I’m trying to get out of bed in the morning.

(2) It’s beautifully and brilliantly drawn, which nicely counters the subject; some chapters contain no words at all, but are simply picture plays as she bleakly and languorously contemplates her empty life. It’s like mime, in two dimensions, though not as depressing.

(3) Ikeda-sensei has a nice comic touch, and it really is quite funny. Even if laughing at all the pratfalls feels somehow misdirected, like appreciating the Hindenburg disaster on account of it being all bright and sparkly.

(4) Nothing has changed in four volumes. I’m still waiting for the thing to happen.

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Ratings:

Art: 9. Brilliant. Just brilliant.

Story: 5. Not so much a story as a slowly deteriorating situation. I’m betting on something happening; it eventually did in the classic gently-paced series Yokohama Kaidashi Kikou when Kokone reappeared. My suggestion is to add robots.

Character: 18. She’s not honestly sympathetic, but credit for every year over the age of 16.

Yuri: 0. Unfortunate, but ideally Yuri requires a second character.

Service: 2. A few sponge bath scenes, if you’re desperate enough.

Overall: 8. 34-sai Mushoku-san will not be to everyone’s taste. However, I have never been a fan of action series, and with this one I hit the jackpot.