Archive for the Guest Review Category


Hidamari Sketch Light Novel: Youkoso Hidamarisou e, Guest Review by George R.

May 20th, 2009

Thank you, thank you George R. for providing us with another guest review. My head is exploding and I’m running out of the house, and like magic, there in my inbox is a review. Phew. Anyway, once again, our applause and thanks to guest Reviewer here at Okazu, George!

After enjoying Memories Off 2nd ~ Precious Hearts, I decided to find more that Higurashi Chaboh had written. A novelization of Hidamari Sketch caught my eye. I enjoyed the manga (the first three volumes are out in English as Sunshine Sketch, Volume 1 and Volume 2 have been reviewed here on Okazu) and was curious to see how the transition from 4-koma comic to light novel would work, so into my amazon.co.jp cart went Hidamari Sketch: Youkoso Hidamarisou E (ひだまりスケッチノベル―ようこそひだまり荘へ.

The illustrations are spot on, though few, but that’s to be expected since Aoki Ume, the original manga-ka, did them. While they’re good pictures of the characters, they don’t illustrate events in the story.

I feel the strength of Hidamari Sketch lies in the characters and their interactions as they go about their daily lives. This holds true for the novel as well. If you’re looking for a deep, involved plot, this is not the place to find it. But I still find myself entranced by the residents of Hidamari-sou.

This novel also begins with Yuno getting ready to move in and start high school. This is her first time living on her own, and both she and her parents have to make an effort to let go. They do, and Yuno is able to have a fun and busy time in her new apartment.

We’re then introduced to the rest of the residents as we follow Miyako as she wanders around seeking fun and food. Miyako lets nothing get between her and food, going so far as to ask Yuno for hikkoshi-soba, the noodle dish that instead should be given _to_ Yuno on her moving in. While some readers enjoy Miyako, I find myself sympathizing with Sae’s irritation at her antics. She does keep things lively, though. Thankfully the other characters make up for her.

Sae and Hiro, the two upper-classmen living at Hidamari-sou, make a nice couple, though what form their feelings for each other take is never explicitly stated. In addition to being a schoolgirl, Sae is a published author. Thanks to Hiro’s care and feeding last year, she was able to finish her prize-winning story and turn pro. Since then Hiro has become an indispensable part of Sae’s personal life as well
as her literary creation.

In addition to caring for Sae, Hiro becomes the defacto “mother” of our little “family” at Hidamari-sou. Miyako even refers to her as Oku-sama (someone else’s wife or mother). This naturally leads to Sae being called Otou-san (dad), much to the embarrassment or annoyance of Hiro and Sae. If Sae and Hiro are the “parents,” then Yuno and Miyako fill the roll of “children,” with Miyako being an lively and sometimes irritating sibling to the cheerful but unsure Yuno.

I like the way Higurashi-sensei chooses to flesh out the characters by giving Yuno and Miyako the school assignment to draw portraits of people they care for or feel grateful to, and to put these feelings into their drawing.

We get to know Yoshinoya-sensei better when she comes over for a “home visit” to Yuno and Miyako. She seems completely focused on two things, cosplay and her students, almost to the exclusion of all else. She’s an interesting foil for the others, and is probably the most immature of the bunch. For example, she figures that an unoccupied room in Hidamari-sou that the landlady neglected to lock is free for her to store her various costumes in. If it weren’t for her genuine care for her students, I’d be have a much lower opinion of her.

The last adventure of the novel has Yuno taking care of Yuta-kun, the child of the landlady’s friend. Miyako stops by and drags them both through the fun of a game of hide-and-seek which ends up bringing in Hiro and Sae as it runs through their rooms. Everyone has a fun time, especially Yuta, and Yoshinoya-sensei even comes by and captures a group photo of them all as a memento for him.

Ratings:
Art – 6
Story – 6
Characters – 8
Yuri – 1
Service – 1

Overall – 7

I had a good time reading this novel, even though “nothing happens” in it. All the characters are firmly planted in my mind, and I’m looking forward to meeting them again in the second novel. Yes, I enjoyed this enough to buy the next one. I share Erica’s wish to see further Yuri adventures of Sae and Hiro, though I doubt these will appear in the second novel. I’d also like to share a meal with the girls,
talking about cooking with Hiro, writing with Sae (and also read her work, though it would embarrass her) and art in general with the others.





Yuri Anime: Candy Boy, End of Season Review, Guest Review by Mara

May 12th, 2009

I have asked you, my readership, to supply reviews of various things from time to time. Last weekend, I expressed a desire to have a review by someone who enjoyed Candy Boy. It is now my genuine pleasure to welcome Guest Reviewer Mara for today’s opinion. Everyone, please give Mara your attention and support! Yay~ /applause/

It was short.

It was pretty.

It was adorable.

Those were my reasons for watching the first episode of Candy Boy, and really all anyone needed to have a reason to watch it. Sisters Kanade and Yukino (apparently twins) both are enrolled in the same art school and live in the same dorm. The ONA covers a misunderstanding that barely threatens their relationship for less than a week.

As it was a small piece of promotional material it was animated surprisingly well with shaded expressive characters and shots taken from interesting angles. Part of this was to save money not having to animate so much movement; instead we are shown close-ups of held hands, someone’s eyes or the perspiration on a glass that gives us a taste of the mood underneath the dialogue in a given scene.

Now, apparently, this became famous enough that a web-release series was considered viable and we then got another seven episodes, of approximately the same length, with slightly less of the money saving camera work that I loved so much.

But the story moved along in its own ineffectual way. Everything was still pretty just not as much now. They had a bit more money but did not lengthen the episodes much; so not much can be conveyed even in the third and forth two -part episodes or the twenty minute finale.

As far as the Yuri in this series goes the producers played it far too safe considering the target market. Looked at arms length you could say: ‘Well, they’re just very close sisters.’ This is irritating when it was clearly the relationship between these two characters that made the one-off promo a seven-episode series. Thus the relationship became the anime equivalent of talking about something without ever truly examining it. This was a wasted opportunity in my opinion, but at the same time you cannot ask for the world from a small seven episode ONA.

Despite all that, I really enjoyed the interaction between all the characters. A four-character cast shown in snapshots of a few minutes feels rounded due to a pleasant blend of cliché and enjoyably tender moments between each individual over the course of the series.

Ratings:

Art – 10
Story – 6
Characters – 7
Yuri – 7
Service – 10

Overall – 8

As someone who was definitely the target market for Candy Boy I found it very enjoyable, often anticipating another episode of inconsequential cute fluff.

Again, my thanks for this review. And not just because it provides me with a day off! lol I appreciate perspectives that are not my own. In fact, as of right now, I am officially stating this:

Wanted: Guest Reviews for Okazu.

I am looking for people to review the following series:

Mariaholic
Koihime Musou OVA
Queen’s Blade (when the season ends)

If you enjoyed these series, and would like to tell people about them, then please shoot me an email. I can only pick one person per series – and should I get more than one submission, I apologize in advance for any inconvenience. Once I give you the go ahead – then go ahead and write your review! You can read my Okazu Guest Review Guidelines for some guidance on what I’m looking for – or if you have a great idea you want to review but aren’t sure what I want in a review.

I look forward to receiving your guest reviews!





My-Hime Manga, Volume 4 (English) Guest Review, by Jason T.

April 20th, 2009

So I was bitching rather genially about My-Hime, Volume 4 on Facebook and Twitter and got an email in reply from writer/editor/manga expert and all-around fun guy Jason Thompson.

He agreed vehemently that this was a dreadful example of manga and went so far as to graciously allow me to use his description of this series from as yet unpublished, Manga: The Complete Guide materials. I therefore offer up to you as our latest guest reviewer, the pithy thoughts of Mr. Jason Thompson:

MY-HIME (Mai-HiME, “Dancing Girl/My Princess”) (舞-HiME) • Noboru Kimura (story), Sato Ken-etsu (art) • TokyoPop (2006-2008) • Akita Shoten (Weekly Shônen Champion, 2004-2005) • Shônen Sci-Fi Battle • 18+ (language, graphic violence, nudity, sexual situations)

Adaptation of the anime series. Yuuichi transfers to a special school where certain girls possess an awesome power: the ability to summon a “child,” a big mechanical monster, when in the presence of the right boy, called the “key.” Yuuichi turns out to be the “key” of not one but two hime girls, Mai and Natsuki, who bicker over him in endless superpowered catfights. Sloppily drawn and crammed with too many female characters to keep track of, My-Himehime is Japanese for “princess” but here stands for “Highly Advanced Materializing Equipment”—is a tedious manga adaptation of a cynical “high-concept” anime, mixing “harem” romantic comedies and battle manga about people who team up with mecha or monsters. Characters we don’t care about fight one another, make passes at Yuuichi and tear up the landscape, leading up to an incoherent climactic fight with the aliens from the “Princess Star” which is the origin of the himes. The books are padded out with interviews with the anime staff, one of whom tells the reader “Reading My-Hime isn’t enough, so go for the anime, the figures, and radio and become a My-Hime Ph.D!” The worst feature of the art is the slack-jawed inexpressive faces.

.5 (HALF A STAR! -_- )

Thank you Jason for stabbing taking a stab at this series. Your brevity should have been matched by the series itself. Despite the craptasticness of the manga, I would like to thank Okazu Hero Elaine B. for bravely wading in and sponsoring today’s review!





Yuri Light Novel: Memories Off 2nd ~ Precious Hearts Gest Review by George H

April 3rd, 2009

A few Saturday news reports ago, I mentioned that George R. gleefully volunteered the news that he had discovered a light novel with Yuri. He also offered up a review for our entertainment and edification. I am delighted to be able to introduce you to our newest Guest Reviewer, George.

You wouldn’t normally expect to find much Yuri a light novel based on a romance adventure game for guys. This one seems to be the exception, and you don’t need strong Yuri-goggles to see it. I picked this novel up when I was in Japan in 2003, and on a whim decided to re-read it. I’m glad I did. I haven’t played any of the Memories Off games, and I feel you can quite enjoy the novel without any knowledge of the game. I also like the way the author, Higurashi Chabou, told the story using a minor girl character from the game in place of the male lead.

Memories Off ~ Precious Hearts 2nd falls into the category of light high-school Yuri. Things never develop much beyond blushes and flirting as a underclassman befriends and helps the sempai she adores.

Maikata Kana is an ordinary, shy Japanese school girl in her first year of high school [yes, her name is a deliberate pun on “Dancing Katakana”]. She has worn glasses with no correction since junior high for appearance and, we find, to put a wall between herself and the world.

One day she stops by a park on the way home from school to watch the sun set, but a pair of thugs accost her wanting to “play.” She is saved by a slender, graceful, strong girl wearing her same school uniform. A couple aikido throws later and the thugs are gone. Kana thanks her savior and find she is Suzuna Takano, a senior. She is further smitten when Takano gives her back her glasses, saying looks good in them.

A boy in Kana’s class tries to get her to join the soccer club, but accidentally lets her know Takano is in the swim club. Kana immediately heads there for a look. Takano invites her in, reassuring her there are no guys in the club. When Takano offers to teach her, Kana’s hesitation over her own ability crumbles. A couple laps by Kana convince Takano she has unexpected ability. A couple laps by her sempai, and Kana signs up with the Takano Fan Club.

In addition to joining the swim club, Kana becomes a good friend of Takano’s. They go together to buy a couple new swimsuits for Kana to use in the club–ones just like Takano’s–and also share dinner and conversation. Takano pleases and embarrasses Kana every time she calls her cute. When Kana later claims she’ll do anything for her, Takano claims this sounds like a line for a boyfriend. This embarrasses Kana, who proclaims undying attachment to Takano. Takano says this would be hard on Kana’s boyfriend, but Kana declares,”I… I’d never date someone like a guy!”

The other girls in the swim club recognize and respect Kana and Takano’s special relationship, as does Takano’s other friend, Futami Shion. Shion is a polite, gentle lady Takano’s age, who regularly uses “gokigenyou.” Her two passions are books and black tea. Takano explains her silver hair and gray eyes: “I think she’s a quarter Scandinavian. But there isn’t a Japanese who loves Japan more than she does.”

Takano lives with her aunt and uncle above their small book shop.They’ve raised her since childhood as if she were their own, and she feels a strong sense of obligation to them. When she hears business at the bookshop is doing poorly–in spite of Shion’s purchases–she even looks to abandon her college plans and start working so she can pay back her aunt and uncle, even though they may not want it. This crisis is averted by the talk with her aunt and uncle Kana recommends and a full-ride athletic scholarship for Takano. Takano’s reaction to stress is to disappear from school and swim club,worrying both her friends and guardians. She first does this when worried about money and college. A very concerned Kana goes looking for her and calls in Shion to help. They find Takano practicing swimming alone after hours. As the three relax over the tea Shion brought, Kana notices the banter between the other two and comments that the two of them are really are good friends. Takano and Shion take Kana’s hands and correct her that it is “The three of us.”

The next time Takano has a bad reaction is to the cold, dark, sea while trying to rescue a little girl. This brings back bad memories from a childhood trauma where she almost drowned and threatens to upset everything as her new fear of water makes her useless as a swimmer – invalidating her scholarship. It does provide a chance for Kana and Shion to look for Takano again, and this time help her overcome her fear.

Kana and Takano grow closer as Takano invites Kana to hear her uncle tell them both about her drowning incident. His tale includes the story of her parents and how she ended up being raised by her aunt and uncle. This leads to a heartwarming conclusion in which Kana and Takano rediscover Takano’s mother, who lost all memories regarding Takano in the incident. She remarried and named her new daughter Takano–though she’s not sure why that name seemed so right. Takano (the elder) is reconciled with her father her to let her mother enjoy her own happy life now without their interference. As her mother leaves, she tells her young daughter that her greatest treasure is not the amethyst pendant she wears–just like Takano and her dad–but it is …Takano.

The novel finishes the day before Takano and Kana’s big swim meet. Shion promises to come cheer them on, and make them tea to relax. Kana is very glad she met these two: people she can believe in, people she can rely on so she can try hard. They opened a door for her to grow. She concludes the novel telling them, “Thank you. I love both of you.”

While the novel leaves it open, I can see Kana and Takano, and possibly Shion, continuing on to lead a life of happy Yuriness together.

Ratings:
Art – 7 (Both front color pages and B&W ones interspersed are nice,but only the B&W ones illustrate scenes from the story.)
Story – 6
Characters – 8
Service – 2

Overall – 7

In the end, I’m glad that I followed my whim and reread Memories Off~ Precious Hearts, letting me renew my acquaintance with Takano, Kana and Shion. While some of the events in Takano’s childhood seem a bit contrived for melodrama in the game, I like the characters and would enjoy sitting down for a cup of tea with these girls.

Erica here once again. It sounds to me that this is more shinyuu than Yuri, but it still sounds like a nice read. :-) I’d also up the Service score – sounds like a *lot* of bathing suit service. Thanks George for the review and the new perspective here on Okazu!





Maria-sama ga Miteru New Year’s Eve Event Report

February 1st, 2009

Today’s post is a report from Bruce Pregger, a long-time Yuricon staffer, one of my best lackeys and a very good friend. We’ve been in the habit of visiting Japan at New Year’s with him, for Comiket and shrine visits. This year he had to go by himself – which makes this a very good time to thank him from the bottom of my heart for all the crap he picked up and lugged home for me. I love every single thing. Bruce – you’ll find yourself (somewhat belatedly) on the Okazu Superhero roll.

On New Year’s Eve this past year, there was a Maria-sama ga Miteru event held at movie theaters country-wide. Happily for all of us, Bruce was able to go. Here is his report:

As I was about to leave on a holiday trip to Tokyo, Erica informed me about a Maria-sama ga Miteru New Year’s Eve Special Event, taking place in connection with the start of the fourth season. The event was going to be held at all Warner-Mycal Cinemas throughout Japan. It was something I knew I had to try to see. As luck would have it one of these cinemas was in the suburban town of Tobu-Nerima, a relatively easy train ride from my Ikebukuro hotel. So on New Year’s Eve I headed out through the blue holiday lights to see how Yumi and Sachiko would fare in a Warner Brothers setting. The cinema was on the top floor of a department store, along with five or six restaurants, just one floor up from the smiling tofu furniture. The event ticket was 1300 yen, a little over $14. Next to the theater there was a concession area selling mostly Warner Brothers character goods, but in the center was a kiosk stocked with all kinds of Marimite items. It was a breathtaking sight. Up until then I had found dreadfully few Marimite goods anywhere in Tokyo. So I happily piled armfuls of the stuff onto the counter. To her credit the woman behind the register reacted calmly, as though hyperventilating American Marimite fans show up in Tobu-Nerima all the time.

After cheerfully taking all my money she inquired whether I had gotten my cup. Cup? She led me around to the the drink counter, where my ticket entitled me to a limited edition Marimite New Year’s Eve Special Event lidded drink cup. The lids came in yellow and red. I don’t know what happened to the white ones. On entering the theater I was handed a pair of 3-D glasses. The special event was getting more special by the minute.

The theater was about half full, maybe 150 people, approximately 80% male, every one clutching a pink cup. The theater manager came out and welcomed us to the event. The first part of the show was the premier of the new season’s first episode. It was great seeing it on the big screen, though the opening was startling – the song bright and snappy, Yumi and friends hopping in and out of magic portals, white sailor collars fluttering wildly…. But the episode itself was back down to earth. And the ending credits were exceptionally charming. Next came a video greeting from Kana Ueda and Miki Ito, the voice actresses for Yumi and Sachiko, who asked us to put on our glasses as they mugged in 3-D for the camera. Then came the final presentation. This was a long music video made from clips of the first two seasons that had been fully three-dimensionalized. It followed the three rose families in turn, with music from the series. It was wild. The audience was simultaneously brushing away a tear and ducking out-thrust rosaries. And I have to state that Sei is every bit as fun in three dimensions as in two. It was wonderful, and at the end I thought some applause would be appropriate, but the audience enjoyed it all in silence. When the lights came on the manager reappeared, thanking us for attending, and urging us to purchase even more items at the concession stand. It was all a tremendous amount of fun, and a great way to end the year.

Erica again: Bruce, no doubt the waves of jealousy and envy will batter you appropriately. But thank you so very, very much for my teen-weeny little mascot figurines and the towels and the report! Next year in Tokyo.

Before I forget, today was the Girls Love doujinshi event in Japan. I’ll see if I can’t find a report on it to share. ^_^