Archive for the LGBTQ Category


LGBTQ Live Action: Signature Move

September 1st, 2019

I have been waiting for this movie since 2017, when it was making rounds of the film festivals to great acclaim. Amazon picked it up and I finally had a chance to watch it.

Signature Move, directed by Jennifer Reeder and co-written by Fawzia Mirza and Lisa Donato, follows Zaynab, an immigration laywer, who is feeling stifled living with her widowed mother…a mother who, predictably, wants her to be married.  Zaynab copes by taking up Lucha-style wrestling, which she is learning from a client. She meets Alma, and their romance throws her life into disarray.

The acting is superb. Alma and Zaynab have instant chemistry. Alma’s personality is easygoing and garrulous, while Zayna’s pent up emotions make her instantly sympathetic. The scenes with Alma and her Mexican family are full of color and smells and sounds – the life of a happy household, while Zaynab’s Pakistani mother loses herself in Pakistani television dramas and searches for a husband for her obvious-to-us very gay daughter. I very much enjoyed Mirza’s portrayal of Zaynab – cool, but horribly awkward and ultimate goofy, against Sari Sanchez’ gregarious and straightforward Alma.

The dialogue moves fluidly between Mexican Spanish, Pakistani Urdu and English with accompanying background music, which made for a fluid spoken and musical soundtrack. The cinematography never gets in the way of the story, which is set in Chicago, but could be any city in America.

Wrestling here stands as loud, colorful metaphor for Zaynab’s journey of self-acceptance. Zaynab’s mostly closeted, unwilling to be seen as being gay in public. The masks that covers her face in the scene above is a not-very subtle image of the way she hides from life. “I feel like you’re keeping me secret, “Alma says, but Zaynab is keeping herself secret, as well.

I particularly liked that the sex wasn’t more important than the relationship, or the inner lives of the characters. And I loved every single one of the supporting characters. They made the movie charming and wholly enjoyable. A perfect Sunday afternoon watch that left me with a smile on my face.

Ratings:

Cinematography – 8
Characters – 9
Story – 8
Service -1
LGBTQ – 8

Overall – 8

I would totally watch a television series with this cast.





Sailor Moon SuperS Anime, Part 1, Disk 2 (English)

August 12th, 2019

After the wonderfulness of the Sailor Moon Super S Special on Disk 1, is there really anything left worth talking about in this season? Apparently…yes. ^_^

Sailor Moon SuperS Anime, Part 1, Disk 2 continues what I personally find to be the most difficult season to watch – not only because it focuses so heavily on Chibi-Usa, but also because Usagi is positioned as exceptionally grating as a result of her jealousy of Chibi-Usa and Mamoru. Much more importantly, the rest of the Senshi are largely sidelined throughout this season, until their power-ups are needed.

Nonetheless, I think it’s worth mentioning the very queer character who steps front and center on this disk – Fisheye. All of the Amazon Trio are boys, Tigereye tells us explicitly. Fisheye appears to see themselves as female, certain as female presenting. Fisheye’s affection is for men. Fisheye might be  gender non-binary, gender-X, gay, trans, or some other identity, but that is not the point I wish to make. The point that is worth noting is that, 25 years ago,  yet another season of this cartoon gave queer folks a character they could claim as theirs.

I have been thinking about this a lot these days; about how critical it is for young people especially to see someone like, if not the same, as themselves. This is the heart of why I think Shimanami Tasogare is so important. In the story itself, the young protagonist is given a number of older role models who each contribute to his evolving understanding of himself and the people around him. Before Misora, before Shuu-chan from Wandering Son, there was Fisheye, a doomed character because they were on the side of evil (through no fault of their own,), but who provided an example of a way to live to young folks in the mid 90s in Japan. And how powerful a thing is that?

Ratings:

Art – 6
Story – 2 Usagi is not much better than Chibi-Usa, frankly
Characters – 4 I’m feeling for Fisheye
Service – More lolicon creepiness than I’m comfortable with, frankly.
LGBTQ – 5

Overall – 6

I am literally keeping a list of queerness in Sailor Moon. I expect to write up an article on it when I’ve finished reviewing the Viz edition, In the mean time, I find myself impressed all over again at how freaking queer this 25 year old kid’s anime was. ^_^





LGBTQ Manga: Our Dreams at Dusk: Shimanami Tasogare, Volume 2 (English)

August 9th, 2019

Every once in a while in any media, something comes along that is so radical, so once-in-a-lifetime, so game changing that even if the buzz around it is hyperbolic, it cannot be enough. (Except for television, which talks about every show as if it is a masterpiece, no matter how banal.) When it comes to queer manga, we’ve had a relative glut the past few years with manga like My Brother’s Husband, My Lesbian Experience With Loneliness and now this extraordinary story.

In Volume 1, we met Tasuku, a young man being bullied for his sexuality, something he wasn’t sure about at all. At the Drop-In Center, he meets a group of LGBTQ individuals, who change his life, Haruko and her wife Saki, Chaico, an elderly gay man, Nanami-kun older than Tasuku, but young and attractive to him, and Misora, a young trans girl.

In Our Dreams at Dusk: Shimanami Tasogare, Volume 2, Tasuku tries to understand Misora a little better. She’s struggling with mutually exclusive gender identity and puberty. She’s so alone that Tasuku’s attempts to get closer are seen as insults. And Tasuku only has so much time and attention for the youngest member of the Drop-In Center, as he’s finally starting to admit to himself what the people around him have known…that he is gay. He is learning to accept that he has a crush on a classmate, to figure out what he’s going to do with the house he’s been given to rehabilitate and, in the few empty spaces, he’s trying to be there for Misora, who isn’t making it easy. Misora’s struggles are equal or greater to Tasuku’s, but he only has so much of himself to spread around. A friendly date to a local festival ends in disaster.

Haruko takes several opportunities to make important points about LGBTQ people and life, and is, as she has been from the beginning, the strong backbone of this circle.

Beyond the drama that is stirring at the Center, and unbeknownst to Tasuku, his crush may have learned his secret.  Volume 3 will be explosive.

The art is excellent, at times breathtaking. The representation of queer people living their lives, dealing with both society and individuals who seek to harm them, or make them invisible, and the internal struggle with acceptance and understanding that every individual must work through, is handled in very real, very nuanced strokes.

Creator Yuhki Kamatani and the series deserve all the praise they received. I also want to take a moment to note the folks who have worked on the English adaptation: translator Jocylene Allen; adapter Ysabet MacFarlane, both of whom I consider masters at their craft; Kaitlin Wiley, who did lettering and retouch – one of the most difficult jobs in manga; KC Fabellon whose cover design is true to the original and legible and striking; original designer Hiroshi Nigami, a credit I am very pleased to see here; proofreaders Kurestin Armada and Danielle King, editor Jenn Grunigen, and Production Manager Lissa Patillo the unsung heroes of great works. Amazing job, every one of you. Please note that Seven Seas credits every single person who brought this amazing manga to you. Not every manga company does and I want to say that this is definitely one of two things that has set Seven Seas apart from every other company since the beginning.  I’m also going to shout out to Lianne Sentar who is Marketing Manager for Seven Seas, and Jason and Adam at the top who make the choices. This was a really good one.

I hope to see this book break records, like Nagata-sensei’s work has, because if there is a manga series that I consider more important to LGBTQ folks than Lesbian Experience….it’s this one.

Our Dreams at Dusk: Shimanami Tasogare is a masterpiece of LGBTQ life in Japan and a masterwork of a manga.

Ratings:

Art – 8
Story – 9
Characters- 8
LGBTQ – 10
Service – 0

Overall – 9

It has been just shy of a year since I reviewed the Japanese edition of this book. Even knowing what will happen in Volume 3 (slated for a September release, whoo!) and Volume 4 (which hits shelves in December!), I cannot wait to read them all over again!

When I reviewed the Japanese edition, so many of you said you couldn’t wait for it in English. Well…here it is! This series will make a great  holiday gift for your young queer friends and relatives. ^_^





Summer Reading: Mrs. Martin’s Incomparable Adventure

August 4th, 2019

It’s summer and the time is perfect for reading stuff you might not otherwise find yourself reading. As you know, if you are an Okazu Reader, I read just about anything. I’m fond of action and science fiction, and a few summers ago, I read a bunch of classics I had missed as a kid. And of course I read massive amounts of Yuri, which means I am frequently reading romance stories. But here’s my ugly secret  – I really don’t like romance stories! (Not so much of a secret, really, since I’ve been saying I want sports Yuri / action Yuri / science fiction Yuri for about 20 years… But here I am reading mass quantities of the one genre I like least. ^_^; )

As you probably also know, I am very active on Twitter. Despite the many flaws of the platform, both theoretical and practical, I find Twitter to be a breathtakingly fun way to learn from people in all kinds of circles I might never otherwise encounter. Which is how I ended up following romance writer Courtney Milan. She and a number of other non-white romance writers were writing about the (sadly predictable) gatekeeping and racism of white women in the romance publishing industry. I found myself following Milan and a bunch of other PoC romance writers, despite my disinterest in Romance as a reading material for myself, and because of my interest in publishing and in learning about a genre I am largely unfamiliar with.

When Milan posted that she had written a senior lesbian period romance and it was only $2.99 on Kindle I pounced at it so fast I surprised myself. Which is how I found myself reading Mrs. Martin’s Incomparable Adventure. It was delightful.

69 year-old Miss Violetta Beauchamps finds herself in a terrifying position of not only being a superfluous woman, but an unemployed, unemployable, poor, elderly, superfluous woman. She doesn’t like the way that looks. Having been summarily (and fraudulently) fired by the man she’s worked for for decades, Miss Beauchamps concocts a swindle. It’s not a great swindle, but as she’s attempting to swindle an even more elderly lady than herself – a fabulously wealthy woman, a woman who won’t miss a few dozen pounds, which is all she needs to survive – Miss Beauchamps heads off to swindle Mrs. Martin. Only Mrs. Martin, at 73, has a mind like a steel trap. She’s rich, she hates the way Terrible Men (including and especially her Terrible Nephew,) treat women.

What happens is a lovely, ridiculous, absurdly delightful story of class, and sexuality, body image issues and sexism…and sweet, sweet revenge. As Milan states:

Author’s Note: Sometimes I write villains who are subtle and nuanced. This is not one of those times. The Terrible Nephew is terrible, and terrible things happen to him. Sometime villains really are bad and wrong, and sometimes, we want them to suffer a lot of consequences.

The climax of the book was gratifying, to say the least. Exceedingly gratifying.

 

Ratings:

Overall – 9

You may, like me, not be interested per se in Romance genre novels. But for a fun summer read, one that was satisfying on several levels, and in which Terrible Men get what’s coming to them and the elderly spinster gets the elderly widow and they live happily ever fucking after, it was an absolute delight.





Yuri Manga: I Married My Best Friend to Shut My Parents Up (English)

June 17th, 2019

Let’s start this week off with a manga that veered closeish to addressing LGBTQ life. That’s right, we’re talking Kodama Naoko’s I Married My Best Friend to Shut My Parents Up.

Machi’s parents are pressuring her to get married – because that is what should be done. And she’s just not interested. Her friend Hana needs a place to live while her apartment is renovated and she thinks she’s got a good idea – she and Machi will pretend to be a married couple. Surely that will get Machi’s parents off her back, one way or the other. Machi agrees, with significant reservations, while Hana gleefully starts playing house with the woman she clearly loves.

As I said in my review of the Japanese edition,(the title of which I read as I Fake Married my (Female) Friend Because of My Annoying Parents,)  “But if the idea of a fake same-sex marriage of convenience isn’t going to bother us, then the idea that the actual relationship between Hana and Machi is horribly unfair, is just fine. (-_-) ”  Hana is happy enough, but Machi, a character uncomfortable with herself her whole life, has no idea how to be a good friend to Hana, much less a good partner.

Machi’s character has a lot of developing to do, and we’re happy for her that she does it. Hana is there not just as a catalyst, although to call Machi’s development an “awakening” might be going a step too far. The end result is that Machi and Hana build a relationship that works for them and the Japanese readership learn (presuming they didn’t already know) about the Shibuya same-sex relationship certificates. As I say, this story veered cloeseish to addressing some real issues as Machi faces down derision and homophobia from her parents.

The last part of the book is a separate short about two girls on track team, their emotions around their own abilities…and each other. I think this story would have benefited from being longer and more nuanced, but “nuanced” is not Kodama-sensei’s strong point.

Ratings:

Art – 8
Story – 7
Characters – 9 for Hana
Service – 2 Some light romance/sexual discomfort
Yuri – 7
LGBTQ – 4 Mention of the real-world same-sex partnership certificates, but no discussion around it

Overall – 7

One could consider this a LGBTQ manga, but I’m still disposed to thinking of it as Yuri. I’m not sure why exactly – perhaps because it doesn’t feel like a sincere attempt to address those issues or that the issues were exposed only as a byproduct of a gag plot complication or maybe my discomfort with the artist’s take on relationships has colored my opinion. I cannot put my finger on it, and I’ve been thinking about it since I read this in Japanese the first time, last year.