Archive for the LGBTQ Category


Western comic: EROS/PSYCHE Guest Review by Foxy Lady Ayame

January 7th, 2015

erospsycheBack in May, 2014, YNN Correspondent Niki S wrote in to tell us about a lesbian comic of interest.  I invited anyone who was planning on reading it to write about it and as a result, we’re starting off our Guest Review Wednesdays with today we have a brand new Guest Reviewer here at Okazu! I’d like you all to welcome Foxy Lady Ayame, Ayame will be taking a look at this interesting new European comic that is published by Norma Editorial.

Hello, I’m Foxy Lady Ayame from The Beautiful World, a blog dedicated to miscellaneous storytelling media and particularly in anime and manga.

Eros/Psyche (promotional video) by Maria Llovet is a mysterious comic about a small intern all-girl school. Maria Llovet makes the reader plunge into the cryptic world of “The Rose” through the eyes of Sara. There, fate has it, she’s lead by a scarf to meet Silje, the ‘key’ student. They swear loyalty to one another as blood sisters. She joins happily the bucolic life at the school with uncanny gothic rituals and the strict rules; she studies books written in codes and sits for exams that decide which student is going to have to leave.

Sara’s so absorbed in how free she feels and how close she is to Silje, that she doesn’t mull over the suicide of a classmate, or the need for ‘rebellion’ Vanna had, or her last words before she was expelled. Sara doesn’t notice another classmate, Tamlyn’s, budding feelings for a boy either, something that seems treasonous. And, despite the fact that The Chamber comes again and again to the forefront of events, Sara has no will to explore it further and acquiesces to Silje’s unwillingness to talk about it.

New students come and go throughout the year. Silje reciprocates Sara’s feelings. By the last months of the year, only these two remain, until it’s time for the last test. Sara wakes up to find Silje departing suddenly. Silje tells Sara that she’s the next key student, gives her a guide book, apologizes and says her goodbyes. Perhaps they’ll meet again like Eros and Psyche in the Greek myth Silje tells Sara.

I bought and read the German edition by Tokyopop, which has a striking pink cover with the glossy figures of the main characters on the front and a smaller grey-ghostly version of this on the back cover. The whole comic is in black and white but otherwise it doesn’t remind one of manga very much. As a result, I wonder why it got the bronze medal in the 6th International Manga Award. It has some influences from Revolutionary Girl Utena and S-Class Yuri manga, but that’s it. The atmosphere is wonderfully eerie with the abandoned buildings, the creepy dolls and symbolic scissors. The panels are almost always rectangles, which had me doubting the artist’s talent, but they work well, giving off a cinematic or stop-motion experience.

Unfortunately, the ending is open and leaves the reader with more questions than answers. In her blog, Llovet expresses her desire to continue the story, but we don’t know anything certain yet.

Art: 8
Story: 7
Characters: 6, there’s small fluctuation in feelings
Yuri/Lesbian: 7
Service: 1, if some nudity counts

Overall: 7

If you love emotive stories that trigger your imagination, this one is for you. Otherwise, I’m not sure if EROS/PSYCHE is worth the 12 euros I spent.

Thank you Ayame, for taking the time and effort to read and review this book for us!





Charity and Sylvia: A Same-Sex Marriage in Early America

January 6th, 2015

candsssmLast year, Rachel Hope Cleves published a book that was one of the most fascinating reads of my year. Charity and Sylvia: A Same-Sex Marriage in Early America is a detailed and precise account of two women, Charity Bryant and Sylvia Drake, and their lives together in the rapidly changing environment of early 19th century America.

Born into middle and working class homes, neither woman had a chance to be highly educated and both worked well into their late years as seamstresses But, despite less opportunity than we can imagine, the two made what can only be understood as a happy life together. They were, during their lifetime, regarded as a “married” couple by their families and the people in their town.

In the course of the book we discover that Charity was a bit of a player, but, as with so many other lesbians, she remained friendly with her exes. ^_^ Of the two, Charity took up the “man’s” role in the house, keeping their business running, signing contracts and making large decisions for the two of them, while Sylvia handled accounts for the home.

Cleves takes great pains to make a strong case for the two as lovers, not because it’s not obvious, but because the Victorian among us are so ridiculously persistent. As we encountered with Deborah Shamoon’s Passionate Friendship and Annalee Newitz’s recent io9 article on the Ladies of Llangollen, we’re always inundated with modern Victorian finger-wagging at that thought that two women writing love letters, sharing a bed and living together for decades cannot possibly be seen as a lesbian couple because they might not have had sex. As I replied to Ms. Newitz, I do not understand why it is not “wise” to look at a thing through Occam’s Razor. We don’t push ourselves through this kind of hoop for heterosexual marriages, why on earth would it be different for this one? These women wrote copious letters and there is epistolary testament to their having been lovers. It’s not conjecture. It’s time to accept that the duck is a duck. ^_^

Cleves removes all doubt by putting together a case that is all but unshakable.  Newitz makes the case that concept of “romance” was different in the 18th century, which is exactly why Cleve’s detailed and meticulous combing through written evidence is so critical. At first, as I read the testimonials and evidentiary writing, it appeared to me to be gilding the lily, but I quickly realized her intent was not to gild the obvious lily but to really make sure that the finger-waggers had as little space to tut-tut as possible. After today’s discussion on io9, I am both thankful and glad for her thoroughness on the issue.

While reading about the enormous difficulties of post-Revolutionary War life was interesting, the  toll deprivation, disease and market factors took on society was a bit of an eye-opener. As I frequently say, humans don’t change, only technology does and reading about the market crashes after the War, has convinced more than ever before that we are one hella stupid species.  ^_^

There was a lot of detail in the book about Charity and Sylvia’s lives, growing up with their families and their years together. I have to admit, I kind of want to visit the old girls next time I’m in the area and pay them my respects. They and I wouldn’t have seen eye to eye on religion, but I think I would have enjoyed having them over for lunch. ^_^

Ratings:

Overall – 9

Thank you, Rachel Hope Cleves for introducing me to Charity and Sylvia and they life they built together in Weybridge, Vermont.

This book is available in Hardcover print, Kindle and Audible audio editions.





LGBTQ: Coming Out Letters (カミングアウト・レターズ)

December 10th, 2014

COLComing Out Letters (カミングアウト・レターズ)、edited by Sunagawa Hideki and RYOJI, is a collection of correspondences between gays/lesbians and their parents or teachers and the responses. Chapters begin with the lesbian or gay person writing about the circumstances in which they came out to their parent or teacher – about aborted attempts, fears, and consequences

In the first 2/3 of the book,we encounter a variety of emotions on both sides – confusion, fear, acceptance and love. In almost all cases, mothers were quicker to accept their children, and while a few fathers were initially not accepting, in every case, the family found their way back to each other. Especially touching are the correspondences between a performance artist and her awesome mom, a young man whose mother accompanied him to Pride parades and cooked for his friends and a story relayed by one of the editors of a young man, initially rejected by his father, but who eventually was able to accept his son, and be there when he married his husband.

The final third of the book are letters by former students telling former teachers about moments which were, for the students, a coming out, even if the teacher missed it. Of these, the most interesting is a teacher who expresses understanding of a student because he is a Christian, which is a small minority in Japan. Being a member of a misunderstood minority has made him completely accepting of her choices.

This is followed by a lovely group talk between parents about their experiences and a final note to people considering coming out. (Summary – whether you do, or not, the choice you make right now is the right choice for you right now.)

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Letters are footnoted with explanations of LGBTQ terminology and media mentioned, which strongly reminded me how honestly important to non-gay people decent media representation of gay people is. We fear most what we are unfamiliar with. You may or may not care that Ellen Degeneres or Anderson Cooper is gay, but when people who do not know they know gay people learn about famous, successful people who are gay, it familiarizes them with the idea that it’s not an invitation to a miserable, lonely life of self-loathing.

My number one takeaway from this book is, honestly, if you remove the fear of rejection associated with coming out, gay people are pretty damn boring. ^_^ We’re forced to make a crisis out of what for straight people is just growing up and falling in lust and love. (Not that that isn’t a crisis for some straight folks, too…) But when parents get over their fears and confusions, they find their children are still their children and children learn their parents are way more amazing than they expected.

Ratings:

Overall – 8

This isn’t a riveting read for a casual reader, but if you wanted a overview of Gay and Lesbian life in Japan right now, or were studying LGBTQ Japanese culture I’d recommend this book completely.





LGBTQ Manga: Torikaebaya (とりかえ・ばや ), Volume 5

December 8th, 2014

TKB5 Waaaaauuuuuughhhh!!!!!

Arrrgh!!!

UGH

UGh

Ugh.

Okay… I think I can talk about Torikaebaya (とりかえ・ばや ) now. Deep breath.

Volume 5 of Chiho Saito’s stunningly gorgeous, emotionally crushing version of this Heian classic begins with the worst thing possible, Sarasoju, this fine, upstanding young courtier…is pregnant. Sarasoju is, not at all surprisingly, devastated at the thought. Having decided to live as a man, Sarasoju’s life is about to come crashing down. Running away will not, cannot help, but what else can Sarasoju do?

With Sarasoju’s absence, other cracks in the life of the capital begin to expand. Shinohime’s affair with Tsuwabuki is discovered and she is cast out of her home. Tsuwabuki takes her in.

And meanwhile, in the depths of Toguu-sama’s quarters, Suiren is forced to confront feelings for Toguu-sama that cannot, will not, bring anyone happiness. When Toguu-sama seeks respite in Suiren’s arms, Suiren’s feelings cannot be restrained. As the book comes to a close, they kiss.

Auuugggh. Reading this story is like getting hot sauce in a paper cut. It isn’t gonna kill me, but it’s not making me happy, either. And yet, I can’t shake the thought that Saito-sensei isn’t going to just drop the mic and leave us unhappy. She draws shoujo manga after all. And her work is damnably beautiful. I don’t want to watch…but I can’t look away.

Ratings:

Art – 9
Story – 8
Characters – 9
Service – 3
LGBTQ – 6

Overall – 9

Deep, calming breaths.





Western Comix: Paris in the 20th Century

November 11th, 2014

paris20Ana DuPre is both the heroine we want and the heroine we need. And luckily for us, Brian Gardes and Keri Grassl of Kilted Comics have created her especially for us.

In the alternative Paris of the alternative 1920s, along with airships and goggles, Ana DuPre, thief extraordinaire steals rare items, fights with laser guns and does other expected acts of derring-do. And she wears a leather pilot’s outfit and has a famous girlfriend…what more could we ask of her? Well…early 20th century literary references, of course! And luckily, Brian and Keri know what we want and give it to us. Which brings us to this lovely little comic, Paris in the 20th Century, starring charming adventuress Ana DuPre.

Ana has been hired by Michael Verne, the not-famous son of the famous French science fiction writer to retrieve a book from his father’s publisher. Of course, nothing goes easy for Ana…if it did, we wouldn’t have a cool story now, would we? ^_^

Gardes and Grassl have done a fair bit of homework and the people, places and situations among which Ana treads are real, including her bombshell girlfriend, Tamara de Lempicka, who was “notorious”ly bisexual during her life.

You may have guessed that I’m a sucker for this kind of comic, and I am. But what really got me, were Grassl and Gardes’ interest in and love of pinup art, combined with their love of throwing things to the wind and letting them be carried off in a zeppelin. Who doesn’t love a smart, sexy, bisexual, whimsical, gentlelady thief?

Ratings:

Art – YMMV, but I liked it – 7
Story – 8
Character – 7
Yuri – 2 Implication only
Service – 2 Pinup-y art

Overall – 7 and I definitely want more. ^_^

You can read sample pages of Paris in the 20th Century on the Kilted Comics website, along with the ongoing adventure, Ana DuPre and the Eye of the Kraken. You can buy Paris for $7 plus shipping. Totes worth it, but you won’t get it inscribed “Thanks for last night” like I did, unless you pick it up at a show. ^_^ (I always get people to inscribe it that way. I want my heirs to have something to think about as they clean my crap up after I’m gone. We even got some of the doujinshi artists at GLF to inscribe books to me that way. ^_^)

If you like Kerri’s art, do check out her page, Hooligan Lili (great name…!), where she has some lovely pinups and chicks on motorcycles and other things that make me happy. ^_^