Archive for the Live Action Category


Live Action: D.E.B.S.

March 8th, 2006

D.E.B.S. is a really cute idea with one massively huge fatal flaw.

The movie, in case you don’t know, is a longer version based on a short of the same name that made the rounds of G/L/B/T film fests a few years ago. The short got a lot of positive feedback, and the director, Angela Robinson, got funding for a longer movie-length version. The premise in both is the same – that there is an elite force of schoolgirls who fight evil and blah blah blah. Oh, and wear fetish versions of a Catholic school uniform. Of course.

Here is the official “Product Description” from the Amazon website, because frankly, it says it all, fairly coherently:

Sultry crime boss Lucy Diamond (Jordana Brewster, The Fast and the Furious) is back in the states (sic) and the D.E.B.S.- an elite team of paramilitary college co-ed superspies- are hot on her trail. But when their top agent, gorgeous Amy Bradshaw (Sara Foster, The Big Bounce), mysteriously disappears after coming face to face with the attractive young villainess, the D.E.B.S. begin a full-scale search for Lucy’s secret lair, never suspecting that Amy may not want to be rescued after all, in this smart and sexy spy spoof about love at first gun sight.

Okay. That about covers the plot in PR-speak. Here’s the good and bad.

Notably, the first time the DEBS are surveilling Lucy, they think she’s meeting a top assasin to plot someting evil. In fact, she’s on a blind date. I thought that was amusing.

And that’s what this movie is – amusing. It’s not really *good*, or well-acted or well-written or anything, but it is a nice hour+ worth of entertainment.

The attraction between Lucy and Amy is pretty solid. When they kiss it looks just like a kiss. They don’t kiss *enough*, but we are led to believe that they do more than that, with the usual implied bed scene. (I notice that this movie is rated PG-13. For once, I actually agree that the rating is spot on.) So no heavy bed scenes, but you know, it wouldn’t have made this movie better, and woud have just gotten tiresome, so it’s no loss to overall enjoyment.

Now, here’s the fatal flaw – the prologue of the movie tells us that buried within the SAT test is another test, the one the D.E.B.S. organization uses to recruit possible operatives. Amy, our lead, is supposed to have been the “perfect score.” They beat this to DEATH in the movie, bludgeoning both Amy and the viewer with the concept repeatedly. In frustration, Amuy finally asks what the test tested.

This is a multi-part flaw.

1) They told us in the prologue what it tested. So, how bad is our short-term memory?

The test tested the ability to lie.

2) Why would “lying” be a good quality for a spy? I’d much prefer to have someone with superior tactical abilities than someone who could lie. Also someone who could shoot, stay up for days on end without sleep, and who had excellent hearing, eyesight and memory. But that’s just me.

Now – these two complaints are just “hand-waves.” WE know what the test tested – maybe the characters don’t. And “lying” may just be the simplification for a complex set of skills. So these are not fatal flaws, just minor ones. HOWEVER…

3) Amy is the most miserable liar EVER, in all the history of girls sneaking out after curfew and lying about it. She’s nervous, awkward, obvious, uncreative and guilty. Exactly the opposite of the “perfect” liar.

So…kaboom. Fatal flaw. Watching Amy screw up the biggest lie of her life, as she rejects Lucy publicly (in a stupid, overcomplex and drawn out end scene) was excruciating. If I had been writing it, she’d have lied like a champ, then swung off in Lucy’s arms kissing her evil lover soundly in front of everyone. But that’s me. Instead they went for the tired and true “hurting Lucy’s feelings, but then repudiating the lie and going off with her”-type ending.

In any case, the girl got the girl. But the flaw really killed the end.

So, having said that, Lucy was as wondeful as Amy was awful. She made the movie watchable. And the silly love affair that crops up between Lucy’s henchdude and Amy’s co-D.E.B., was pointless and kinda cute.

I found the music video school uniforms very obnoxious, and the actresses were either hamming up everything, or just not very good at doing things like holding a gun steady, but as this was very clearly meant to be a completely over-the-top comedy parody, all those things are forgiven.

Ratings:

Story – 7
Characters (Good Guys) – 5
Characters (Bad Guys)- 7
Cinematography – 5
Yuri – 8

Overall – 7

D.E.B.S. would make a great comic book, or even novel, with the right writer. Stupid fun, no brain cells need apply. But just lovely for a rainy Sunday afternoon and a cuddle on the couch. It just BEGS for fanfic – I’m sure there’s plenty, and I don’t want to read any of it. ^_^





Live Action: Densha Otoko

February 17th, 2006

There is no Yuri in Densha Otoko. Let me just get that out of the way. However, it is so very worth of watching that I wanted to review it anyway.

For the three of you who have not run into in Densha Otoko, (Train Man in English), let me summarize the plot:

A dorky otaku sees a beautiful woman on a train. A druken man accosts said woman and the otaku has the balls to tell the old dude to stop. (In Japan, where it is common for people to ignore untoward things – heck in ANY city, really – this is a fairly significant thing). The woman sends the otaku a thank you note, and he asks a BBS channel for advice. With the help of all his “friends” on the chan, he ends up with the girl.

This story is supposed to be “based on” a real story. I found a really fun and bitter blog that thinks its a big ole fake. The channel, 2-chan, is familiar to most otaku, from America as well as Japan. The board does, indeed exist, and the messages as well…but the above blog thinks they were planted. But I think he missed the point. He’s convinced its a massive conspiracy – I’m convinced its a *well-written story.*

And that’s why I’m reviewing it. This, if it indeed is based upon a real story, probably has as much connection to it as the movie version of Last of the Mohicans did to the book. Which is to say, damned little. But as a drama? Oh my GOD was this an AMAZING story.

It is, at its heart, a love story. It’s a story about beauties and beasts and how sometimes the beauties are beasts inside and vice versa. It’s a story about how online communities and friendships are as important, as solid and as real as any other. And it’s a story about otaku life. From idol photo sessions, to bulletin boards, to figurines, maid cafes, seiyuu obsession, Comiket and everything, it’s about the life that I, and many other otaku have. And above all – it’s about being okay with who you are.

So much of anime is about average people in non-average situations. This story is about a horribly dysfunctionally non-average person in an average situation, which leaves him just about crippled. I mean, really, how many average guys would have a hard time calling a woman and asking her out?

On second thought don’t answer that.

Anwyay, for THIS man, it’s almost inconceivable, but he does it. And even after he “comes out” as an otaku – his words, “come out” – she accepts him.

In one of the many omake to this drama, two of his otaku friends, who are exceptionally horrible, (^_^;) enact his confession scene and end up kissing as a result. It was the most awful, funny train-wreck-but-I-can’t-stop-watching BL service scene I’d ever, ever seen. I loved it.

One other thing that has to be worth noting: the opening sequence is an homage to a very early Gainax animation sequence which is often referred to as “legendary”. The Wikipedia entry on Densha Otoko gives a nice summary of why, so I won’t bother plagiarizing. But the music cracks me up, I have to admit. We have both the Styx and ELO albums used in the series sitting on the shelf below my, yes, turntable.

To sum up – this series is BRILLIANT. If you are an otaku…not just a fan, but a rabid fan with more figurines, manga, DVDs, games, plushies, artbooks, etc than you know what to do with…watch this. Seriously.

Ratings:

Cinematography – 8
Story – 9
Characters – 9 (especially the Hanshin Tigers fanatic. He was my fave.)
Yuri – 0
Service – 1, even though it is about the stereotypical otaku.

I don’t think I’ve cried as much, as happily, for anything else I’ve ever watched. Ever.





Live Action: Shimotsuma Monogatari/Kamikaze Girls Movie

December 13th, 2005

Last up for my live-action reviews this time is a GREAT movie based on a novel that I reviewed on May 10, 2006.

Right off the bat, let me say that the Yuri in this movie is next to nil. It is an exceptional portrayal of the concept of shinyuu, however. There’s a space in Japanese culture, where girls and women can be very close – and touchy – and bound emotionally, without there necessarily being “lesbian” under- or overtones. This relationship can, depending on the women, continue for nigh on ever. Realistically, this is the space where the soeur relationships of Maria-sama ga Miteru exist. In the west, we rarely see this kind of girl pal-iness. Thelma and Louise explored the area a bit – and you know what happened there. In order for them to keep that relationship and their own worldviews intact, they had to die. Just as the western fandom of that movie persisted in seeing lesbian themes in Thelma and Louise (despite the overt heterosexuality of the women) so does the fandom of shinyuu-themed anime, manga, Japanese live action movies and TV shows persist in seeing lesbian themes in what are not, really, meant to be lesbian at all.

As I am one of those fans, it seems logical to me. ^_^

But really, Shimotsuma Monogatari, which is being released as Kamikaze Girls in the west, is not Yuri, unless you squint hard. Turning up the Yuri goggles doesn’t help too much because it’s hard to stop laughing long enough to see sexual tension between Ichiko and Momoko.

Briefly, Shimotsuma Monogatari is a story about a girl who lives a Gothic Lolita lifestyle with her loser small-time criminal Dad and crazy grandmother way out in the boondocks. Momoko details the circumstances of her conception, birth and the travails of being a GothLoli in a place where everyone shops at the local Jusco (think Wal-Mart) for everything. Through a series of bizarre circumstances, Momoko meets gang girl Ichiko, who is right out of a mid-80’s Hana no Asuka-gumi type motorcycle gang. Ichiko befriends Momoko, despite Momoko’s protests, and the movie goes forward as a journey for the two of them; with short rest stops in love, violence, pachinko and, of course, friendship.

Apparently this movie has won all sorts of awards, and I can totally understand why. From script to acting to cinematography to music, this movie was *brilliant.* It’s almost completely free of the miserable pacing so many Japanese live action movies suffer from. If they had edited it to about 9 minutes shorter, it would have been perfect. As it was, it was damned excellent.

Honestly, there are so many good things about this movie, I can hardly begin to ennumerate them. The funny lines are funnier if you just see them. The pre-order for this movie on Amazon is $16.99. If you and three friends go in together on the DVD, you’ll pay $5/each, so don’t give me crap about not being able to afford it. :-) Rent it, buy it, borrow it – see it. Trust me – this is one a genuine “must-see.”

Ratings:
Cinematography – 9
Character – 9
Story – 9
Music – 8 (Yoko Kanno…)
Yuri – 2
Service – 2

The Yuri rating and Service ratings are basically the same thing this time. Only those of us who can’t stop seeing Yuri everywhere are gonna see it here, and that’s us. ^_^





Live Action: Hana no Asuka-gumi Movie

December 12th, 2005

Hana no Asuka-gumi is a very bad live-action movie based on manga I like.

When faced with an extremely complex story, with many characters and a multi-tiered socio-political set-up, some directors simplify and some rewrite. And some throw the whole story out and create something completely different from the original so that what’s left is something so awful that the original creator would probably not want to be associated it. The original Casino Royale springs immediately to mind…and so does the live-action Hana no Asuka-gumi. This movie is *so* bad, it’s good.

The manga of Hana no Asuka-gumi takes place in modern Tokyo, among the many and varied members of the Zenchuu Ura, the umbrella organization that runs all the female gangs of Tokyo (among other things) and the people who are involved with the principles of this organization. Kuraku Asuka was once a high-ranking member, but is no longer.

I’ve mentioned the original manga on and off across Okazu, reviewed the first OVA and second OVA, and done an overview of the new manga series. All of these are, in one way or another, excellent.

Not so this movie. ^_^

In the live-action version of this wonderful girl-gang story, we are transported to a dystopian future, in which all gangs look like stereotpyes of gangs, from big Happy Days 1950’s gang hair to double-breasted yakuza gang suits, to Mad Max ripoff faux-punk gang leather armor. All of the Omoteban look like Michael Jackson music video runaways, and they tend to yell alot and fight not nearly so much. Asuka’s (in the red jacket on the cover above – click the picture to get a bigger version) and Miko’s relationship is pretty much exactly the same as it is in the manga, and so is both of their relationships to Yohko (chick on the left side of the cover with big hair, which is a bloody shame). Other than that, nearly everything is different.

The worst change is what they did to Hibari-sama. Instead of being a proto-GothLoli freak with a doll and uniform fetish, she’s made into a middle-aged woman who cannot speak and needs misting periodically. This causes the movie to crawl to a stop every time she comes on screen – it sucks any energy the movie has away, just like the horrible mono-tonal Sister Jill did for the Cutey Honey Live-action movie.

But none of these is really enough to kill this movie completely – nor is the fact that the soundtrack consists entirely of the Rolling Stones’ Satisfaction repeated over and over endlessly until you want to rip your ears off.

Despite all this, there are *still* scenes worth watching.

Chief among these is the scene where Asuka manages to grab Yohko, ties her to a bed and yell at her for a while, with a little light kicking to the ribs. Asuka has what is a genuinely unresolved-sexual-tension filled scene with the woman she loves. This relationship isn’t going to go anywhere…and neither does this movie. It ends in an anticlimactic free-for-all that resolves exactly nothing.

Ratings:
Cinematography – 2
Characters – 6
Story – 4
Yuri – 1
Service – 0

Overall – 2

Like the live action movie based on Blue, one should only bother watching this if one is a total hardcore Hana no Asuka-gumi fan. I am a hardcore fan, and have *two* copies of it. ^_^





Live-Action: Blue Movie

December 9th, 2005

Whereas Nana was a good movie based on a manga I don’t much care for, Blue is a bad movie based on a manga I don’t much care for.

The Blue manga was never a favorite of mine. The movie stays true to the basic plot of the manga, so if you read my earlier review, you’ll get the gist of the movie.

Unfortunately for the audience, the movie manages to disappear the few decent aspects of the manga. For one thing, in the early chapters of the manga Kirishima Kayako and Endo Masami seem to be enjoying life, most especially, their time together. In the movie, while Kirishima’s actress manages to make her sense of the other girl’s nearness fairly intense, they never seem to actually have fun with each other – we almost never see them laughing and smiling.

Through no fault of her own, the actress who plays Kirishima has an expression that makes her seem unsatisfied. I blame her eyebrows – they just look evil, which kills any expression she might have of contentment. Endo’s actress smiles in a dreamy, stoned kind of way, which makes her seem like she doesn’t eve notice that its a girl she’s kissing. Or even that she’s kissing anyone.

More irritating was the fact that in the manga, Endo and Kirishima touch quite bit – hold hands, touch each other’s faces and hair, while in the movie – even when they are kissing – the girls act like they have no arms at all, and barely touch. It leaves the viewer with a cold and nothing-much kind of feeling.

But that’s not the worst of the movie. The worst is that this movie was 1 hour, 56 minutes and 37 seconds long. How do I know that? Because I spent a lot of my time watching the clock on my media player, rather than watching the lingering, moribund, frequently stagnant action on the screen. You know how sometimes a director frames a scene without the characters in it, *then* they move on screen, or conversely, they move off screen and the camera lingers? Imagine every scene where this technique is used…on both sides, so we get a framed shot for 10 seconds, then the scene begins, then the scene ends and we get another 10 seconds of framed shot. It was breathtakingly boring, let me tell you.

An extra plot complication was added to the movie, in case all the nothing was moving too fast for us. So while Endo has disappeared over summer vacation, Kirishima takes up painting…still life, of course, which is probably some kind of symbolic thing for this movie. So we watch her sketch, and begin to paint and get a critique, and paint some more for a moribund 15 minutes or so that add nothing to the movie, except an aborted kiss attempt and a fight that could have been handled more simply.

And I haven’t even touched on the soundtrack – or lack thereof. The background was as barren as the beach the girls sit upon.

Even the end was significantly more blah than the manga, which was a feat. In the manga, Endo leaves for Tokyo without Kirishima, and as the train pulls away, she begins to cry (up to this point we had never seen her do anything other than smile, so we are meant to see that she has some human weakness after all – and how much she really loves Kirishima.) In the movie she leaves without tears, and then we watch a “video” she sends to Kayoko…4 mind-numbing minutes of out-of-focus waves from the beach where they sat and talked. An insanely dull, and entirely fitting, ending to what is sadly one of the most lackluster movies I’ve ever sat through.

Ratings:
Cinematography – 2
Story – 4
Characters – 4
Yuri – 7
Music – -1
Service – 1

Overall – 3, maybe. If you’re hardcore Yuri fan, or a a Nananan Kiriko fan, you may want to schedule in 2 hours to knit or whittle or something while this plays. Otherwise, save your time and energy.