Archive for the Live Action Category


Batwoman, Season 3 on CW

March 6th, 2022

Wow.

Blah blah blah, I’m not a DC gal, Batman is boring, blah blah. We’ve been through that before. But. This season has convinced me otherwise.

I thought Kate Kane was a fine Batwoman in Season 1. I was glad she had her story told and the points were made. And I was super glad to get past the Alice arc, with its so many handwaves. It was good stuff. Season 2 capitalized on the strengths of the cast and weaknesses of the story. It was better stuff.  In my review  of Season 2 I said, “What had been an ensemble flapping around Kate, waiting for her to listen to any of them, has now coalesced into a solid team looking for Kate (whatevs) and fighting new and different baddies, something I can get behind, finally.” Which is pretty much what happens. And now we reach Season 3 of Batwoman and I have not stopped thinking about it since I began to watch. It was one of the best live-action shows I’ve watched in a long while. Mostly because the cast is killing it.

Javicia Leslie’s Ryan Wilder is likable, smart, strong and vulnerable. The story uses those vulnerabilities without hesitation, but the story is not about torturing Ryan. Nope, instead Season 3 is 1000000% about Mary Hamilton and Beth Kane. Not as a couple, but as a pair of mismatched, deeply broken and needy people. 

Nicole Kang’s Mary Hamilton is…amazing. She’s broken, and breaking, and healing, and permanently effed up and likable and redeemable. Even when she is at her lowest, you have to love her. Early on the season, she and Lucas have a little energy. I would not object, except I believe you should not fall for your coworkers. (More on that later.) 

Beth, nee Alice. Holy Shit. Rachel Skarsen is doing a lifetime’s worth of acting with this role. She takes up a lot of space on the screen and again, love her and hate her, you always love her. Mary and Beth trying to patch a family together between the two of them had me tied up in knots.

Where Kate and Sophie made my skin crawl, Ryan and Sophie as the main love affair of the series works just fine. See above about coworkers for a caveat. But it, too, is a side story. The main plot uses relics of the Bat-universe, but with new plotting and characters. Did we need a new Joker? Maybe? But what we got with a new Poison Ivy was an outstanding arc, that will have repercussions into next season. It gave us a brief moment with Renee Montoya and Pamela Isley, but it left us with Poison Mary…and Alice as a sidekick. That was a hell of a ride.

Lucas’ battle with his long-dead father added unpredictability to his story, and Ryan’s own journey into her own family’s past drives the larger arcs in a way that succeeds.

These character arcs -and others – are overlapped so that they have consequences. It’s not “character development of the week,” and kudos to the writers for that.

Season 3 is about family. For Batwoman and her team, that means a lot of everything: Good, bad, extremely bad, and pathologically apocalyptic. It means love and hate and despair and hope. And, for the first time in my watching experience, it means a majority non-white, majority female cast, full of queerness, which I absolutely love. 

This was a fantastic season. you should watch it.

Ratings:

Cinematography – 8
Characters – 10
Story – 9
Queer – 10
Service – 7 Kissing, sex implied

Overall – 9

This team convinced me to love Batwoman.

 





Jigoku Hanazono (地獄の花園)

October 17th, 2021

Jigoku Hanazono (地獄の花園) is absolute trash, hilarious and unforgivable, and probably puzzling to anyone who isn’t deeply interested in girl-gang lore. It’s a movie tailored almost perfectly to my tastes. It will be released on DVD and Blu-ray in Japan in a few weeks, available through this transparent affiliate link.

Tanaka Naoko is a totally typical Office Lady in a large corporation that employs a large female workforce. The workforce has split into factions very like the “Ladies” gangs. Naoko, and her typical, non-faction colleagues, end up dodging the inter-departmental battles that break out between the various factions. Until one fateful day all three factions at her corporation encounter Hirose Ran, who transfers in and takes them all over. For a time, peace reigns.  But when other corporations hear of Ran’s power, they begin to encroach upon their territory, and Naoko is kidnapped to lure Ran into a battle.

And then the movie gets weird.

If you take a look at the official cast page, you’ll note the thing I like best about this movie…and the thing I liked least.

The thing that immediately become obvious, is the heavily embroidered gang outerwear, reminiscent of tokkou-fuku of Japanese motorcycle and scooter gangs, only in bright colors worn over office uniforms. The factions mimic gangs in patois and behavior as well, which is always sort of ridiculous in media, but especially so as it’s played for laughs here.

You’ll also note that one of the corporations has a gang in black and that all the women in that gang are played by men. This is something I have encountered in a few other gang or gang-esque movies, like the live-action Cutey Honey movie…the most powerful women are played by men and are thus meant to be grotesquely ugly and horrible.  I do not approve. First of all, women are completely capable of being grotesque and ridiculous on our own, thanks  In this case, it is again a woman who is the most powerful, so that’s cool. And the men are seasoned actors with years of yakuza dude roles under their belts, so that worked as well. Overall, it was no more than another eye-roll in a movie basically built out of eyerolls. All of the actors chewed up their roles with gusto, which helped the movie hustle along to it’s utterly ridiculous end.

A palpable friendship builds up between Naoko and Ran and it becomes the lynchpin of the climax, so I really cannot tell you what happens. You’ll *have* to experience it for yourselves. I will tell you that any and all Yuri is punted off the roof in the final, bewildering scene that is so gobsmackingly ridiculous that it is almost funny, but still really annoying. Naoko agrees, is all I’m saying.

There is an English-subtitled trailer from FujiTV, which I hope means this will make the rounds of western Asian film festivals next year. I’d love to do a watch party with you all.

 

Ratings:

Cinematography – 9 Perfect and awful
Story – 9
Characters – 9
Service – 0 Not really, but tropey gang fights is a kind of service
Yuri – So close, but no

Overall – 8

Really hoping for an EN release, but the JP Blu-ray is in my cart, baby.





Thai Live-Action Yuri Drama, 7 Project, Episode 3 – Remember

September 17th, 2021

Thai BL is having a boom moment and it’s worth noting that Thai Yuri is starting to develop in that same market. One of the most recent BL/GL series in Thailand is called 7 Project. You can find all of it on YouTube, and if you turn on Closed Captions, an English caption option is available. Today I’m looking at Episode 3 of this 4-episode series, “Remember.”

“Remember” stars Samantha Melanie Coates as Proud and Pannin Charnmanoon as Jaidee. Proud learns her boyfriend Tac has cheated on her. While she’s recovering from this shock, she becomes friends with Jaidee. a girl in one of her classes. As Tac flails at being honest, Jaidee and Proud become closer. When Tac forces a confrontation, Proud learns things that can destroy their friendship.

Before I get into the plot too much, I want to hearken back to the Afterschool Specials of my youth. These were always “very special episodes” and dealt with stuff that Boomer parents just would not actually talk about (despite the fact that they had been the sex and drugs generation /eyreoll/.) The defining characteristics of these specials were bare-bones writing, acting and staging in order to express teen drama, starring popular teen actors of the time. Watching “Remember,” I felt very much as if I was watching something equivalent to those Specials. The narrative beats were set up from pretty far away. I actually expected a final complication that never did appear, but the others all sort of slam down all at once towards the end and then it wraps up in a relatively satisfactory manner.

The Afterschool Specials are relevant here once more as the reason we all really watched them were the actors (and when when the substitutes couldn’t teach the class and showed them, instead.) The reason to watch “Remember” is, likewise, the actresses. They do fine work with this Ikea furniture plot design. Coates is a very sympathetic Proud, and Jaidee is very likeable, even as things begin to fall apart. Tui Tui Puttachat Pongsuchat’s portrayal of Proud’s mom was outstanding. Best character, best lines, best acting.

Ultimately the end of the segment is ambiguous, but leaves room for hope and that’s a damn sight better than no hope. One can end the story imagining that Proud and Jaidee might well have a chance to become something together.

Ratings:

Cinematography – 7
Characters – 8
Story – 7
Service – 2
Yuri – 8

Overall – 7

I’m pretty happy to welcome Thai Yuri on to our screens. Check out the WabiSabi channel for more of their videos and let them know you enjoyed 7 Project!.

Today’s review is thanks to gentleman and scholar Thomas Baudinette, who is my new pipeline on Thai Yuri! ^_^





Thai Yuri Novel Adapted Into Live-Action: Pink Theory GAP, The Series

August 23rd, 2021

Very exciting news via BL scholar Thomas Baudinette today! Thai Yuri novel GAP ทฤษฎีสีชมพู is being adapted into a live-action story, ทฤษฎีสีชมพู GAP The Series, in English, Pink Theory GAP The Series.

The synopsis on MyDramaList says: “Mon, a newly graduated student from university, starts working as an intern in a big company because she admires Sam, the super rich chairwoman since young age. However, when Mon met Sam again, her image of her completely crashed, since she was not like the media shows her.

Thomas adds, “Technically, it’s one part of a broader series primarily focusing on BL, but it’s adapted from an original Thai-language GL novel. The two actresses gained attention for featuring as supporting cast in some BL series but this move is designed to grow their fanbases. Series seems to be marketed to the same base as BL.

There have been some prominent GL sub-plots in recent series but usually not the series focus. This GL couple is getting equal billing to the two BL couples in the show.” The show this is part of is, according to Thomas, called Secret Crush on You.

Thomas was kind enough to nab a bunch of promo pics for us, so I thought I’d share them with you.

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I’ve been looking into non-Japanese Yuri recently and hope to one day soon talk to you about Chinese Yuri, but this news is really exciting! Thai BL has been growing by leaps and bounds, and I’m really thrilled that GL is getting some screen time. What’s more important is that the popularity of BL has been a pretty recent trend, so Yuri being introduced so quickly is a great sign…and so is the fact that the GL plot is being marketed to the same audience as the BL.

chao_planoy, the author, considers their work “Yuri” and there is a #GAPYuri hashtag on Twitter for more pictures and news. According to a commenter on MyDramalist, an English translation for this book is being planned. Of course, I’ll be sure to let you know when it is available.

Update: There’s a promo on Youtube. ^_^

Thomas also says, that “both Secret Crush on You and GAP The Series will be released internationally, in high definition, through select streaming services. Everyone’s best bet is to follow Idol Factory’s YouTube account for updates.”

While on the Idol Factory YT account, I found this interview with the actresses. It has English closed captions.

Thank you Thomas for thinking of us, and congrats to chao_planoy for having their work adapted into the very first Thai live-action Yuri series!





NO STRAIGHT LINES: The Rise of Queer Comics

June 27th, 2021

It’s the final Sunday of Pride month. NYC is gearing up for a virtual Pride Parade, which is being televised and sponsored and a real Queer Liberation March at which police and corporations are not welcome. Compton and Stonewall and all the other early protests were, after all, protests against police violence, specifically.

So I can’t think of anything better at all to celebrate this day, than to talk with you about NO STRAIGHT LINES: The Rise of Queer Comics.

In 2013, the wonderful artist Justin Hall curated a book called No Straight Lines: Four Decades of Queer Comics. It was absolutely compelling reading. As I said in my review, I couldn’t put it down.  And while Justin was working on it, he was speaking with a bunch of folks including force of nature Jennifer Camper. It occurred to her that she lives in a time of miracles – all the first wave Gay Comics artists were still alive and reachable and so she reached out and created the Queers and Comics events in 2015, 2017 and 2019, for which I never wrote up a report, bad on me, but I was there for one day and ran a panel! As Jennifer said at the first event, she wanted to create an archive by and about queer comic artists while we had the chance to talk with the folks who were there. The was a bit prescient because after the 2017 event at which Howard Kruse was keynote speaker, he passed away and we only have those panels on page and film left of him.

Honestly, one of the greatest honors of my life has been to be a speaker at these events, and meet the women who are the early lesbian comic artists, just as meeting some of the earliest Yuri manga artists has been so important to me.

Justin teamed up with director Vivian Kleinman to create this film that took that idea a step further. They focused on five pioneers of queer comics, and let them tell their stories for us to enjoy. Alison Bechdel (Fun Home), Jennifer Camper (Rude Girls and Dangerous Women), Howard Cruse (Gay Comix), Rupert Kinnard (B.B. And The Diva) and Mary Wings (Come Out Comix).  Their stories are glossed by younger queer artists who talk about the effect that art had on their lives and their works.

My wife and I rented the movie on the Tribeca Film Festival website. We both thought it a terrific watch. There were some touching moments, a few tear-jerkers and a lot of joy and laughter. Thinking back now on those moments that became so…historically important….its always fun to remember the people doing them are people. People you can be just like and do your own thing, too. ^_^

Tonight NO STRAIGHT LINES will be closing out the Frameline Film Festival in San Francisco, and I have to stop typing as I am absolutely awash with so many memories of these people and their work and our shared experiences. Keep an eye out for screenings near you on their website. As soon as this has a more general release streaming or on video, I’ll be sure to let you know.

For those of you who read Okazu…this is our history. You should know it. These people are our groundbreakers, you should know them. The fact that so many of them are still here and still telling their stories just highlights the point that we live in amazing times to be a fan of queer comics.

Ratings:

Overall – 10

Celebrate our Pride Month, support a queer comic artist today!