Archive for the Magazines Category


Rakuen Le Paradis Manga, Volume 4

November 29th, 2010

In Volume 4 of Rakuen Le Paradis (楽園Le Paradis) we, the readers, are treated like the adults we are and…man, it feels good.

This chapter of “Collectors, “by Nishi UKO was absolutely breathtaking. Not because it was dramatic, or because it dealt with serious issues. It took my breath away because it was about women who are a couple, and their friends, and their lives. It was about nothing *at all.* It was just about the most perfect lesbian comic I’ve ever seen. Imagine – a story about women who are lesbian and then the story happens. Sigh….. And I’m a huge fangirl for Nishi UKO-sensei’s art, so as far as I’m concerned, this was a 10 out 10.

Takemiya Jin’s story that began in Volume 3, “Omoi no Kakera” continues here as Harada’s little sister is forced to deal with her brother’s relationship with Takaoka, her own feelings of disgust at his being gay and her shock when she learns that Takaoka is as well. It doesn’t help so much that Takaoka correctly identifies her feelings as the jealousy they are. This chapter went a long way to moving the sister as antagonist out of the way, so I wonder if we’ll get a third chapter. Gosh, I hope so. I really like the level-headed reality of this story.

Nishi UKO has a second short, “PV” that looks back at Takako’s first experience with another woman. It’s a sweet, little quicky.

“Ending,” by Shigisawa Kaya takes a very emotional look at the ending of a relationship, and provides a nod back to the old days of Yuri, when one person always ended up married or dead and the other bereft. It was so interesting to see that again I had to read the story twice to make sure it actually went there.  ^_^;

Once again, Rakuen Le Paradis weighs in as one of my favorite magazines. I just never know what it’s going to do with my brain or my heart. Whether the stories are straight, gay, lesbian, other, they are by creators that I personally consider some of the best in the business. While I’ved only touched upon the stories that have lesbian themes this issue, I don’t want you to assume that the rest of the magazine isn’t worth your time and money, because it absolutely is. In fact if you told me that I’d have to give up every magazine but one, the one I’d keep is not, as you might expect, Yuri Hime. No question, the one magazine I’d keep when all others were taken away from me is Rakuen Le Paradis.

Ratings:

Overall – 8





Yuri Manga: Yuri Hime S (コミック百合姫) Volume 14

November 22nd, 2010

Yuri Hime S, Volume 14 is the final volume of Yuri Hime S (百合姫 S). Around for almost 4 full years, it has now been merged into Comic Yuri Hime. A listing of the stories that will be carried over from both magazines can be found on the Comic Yuri Hime website, along with the new works debuting.

This final volume doesn’t particularly feel final, though. Most of the stories continue on just as they always have. It starts off with “Shinagami Alice,” a story that has always felt to me as if it’s limping along waiting to develop a plot or be killed. Having survived a first collected volume, it appears to be trying to develop a plot. The introduction of a new character, Masaki’s relative, brings a teeny little thread of normality into what has been a free-floating “where? when? what?” kind of story. Then the Goth-Loli bad Shinigami comes back and that’s all completely blown.

Color news pages cover mobile visual novels and games that are pure Fanboy material, a “Girls Festival” hosted by Animate and Tamayura which I have been watching and still don’t see anything even remotely, slightly, sort of  Girls’ Love-ish about. It’s sweet. I like it. But Girls’ Love? Not so far.

Naoe Marimo’s “Hime to Mahou-tsukai” is a cute little confection about a Princess and a Witch, obviously.

“My Steady” by Yamura Marika follows a young woman and the older woman she loves.

Then comes “Fu~Fu” by Minamoto Hisanari. I was thinking about the spelling of “Fu-Fu” the other day. Although the first chapter discusses the etymology of the  kanji for the phrase “fu~fu,” (which is to say, the character for “wife” twice) the title itself is spelled using Hiragana. ふ~ふ. And I wondered about that, because the blowing of wind is rendered that way. You may recall my review of the first Strawberry Panic Light Novel in Japanese, in which I commented on the excessive winds at Miator. (fuu~ fuu~) So, it occurred to me that, perhaps, we were meant to be reminded of the sound of wind blowing with the name rendered in Hiragana as it is. It certainly has become a breath of fresh air blowing through Yuri Hime S for many of us.

This chapter follows Kina and Su-chan on a trip (designed by Kana, Kina’s older sister) that is their de facto honeymoon. Meanwhile, we see a new couple moving in next door and learn that they too are a “Yuri couple!” I predict “noises heard through the walls” jokes in future chapters.

Skipping “Mugen no Minamo” as I always do, which leads to “Marriage Black” which continues to be fraught, violent and full of unresolved tension of about twenty kinds. Lu-Chie becomes Lilicia’s guardian angel by swearing that she, and none other, shall be the one to take Lilicia’s life.

In “Flower Flower” Shuu *finally* makes it plain that when she says she likes Nina, she means in a “want to kiss you” way.

I skip a second chapter of “Mugen no Minamo” and move on to the next chapter of “Cassiopeia Dolce” in which Ana goes through crisis number 870 in between getting dressed and undressed. I did very much like the handful of eyeballs, though.

“Zettai Shoujo Astoria” comes to an end with one of the very lamest endings I’ve ever read. It really made all the screaming and running around seem pretty silly and pointless. But that’s over, so we can move on to…

“Okkake Girls” has developed a sort of plot, as Marin has decided to devote herself to becoming an Otokoyaku.

And finally, *100* pages of Namori’s “Yuru Yuri,” which I have felt is utterly without interest since the very beginning. It’s obvious that the editors at Ichijinsha love this series, since the page count has been steadily growing every volume, but 100 pages????? That’s a whole 25% of the book! Can you say the word “excessive?” And worse, it’s going to be in the new magazine. I can’t wait until the day all the other stories are just jettisoned for 400 pages of this totally nothing story with barely any Yuri. BLEAH. Two thumbs down for this waste of ink.

And so, Yuri Hime S comes to a close with a really big yawn. Which it totally did not have to do.

Ratings:

Overall – 7, with two points off for 100 pages of zzzz, I mean “Yuru Yuri.”





Yuri Manga: Tokimeki Mononoke Gakuen, Volume 2

November 21st, 2010

Ah, young love. It’s all drama all the time. Especially when you’re a human who has accidentally found their way to the youkai world and fallen in love with a two-tailed cat-girl spirit.

Tokimeki Mononoke Gakuen, Volume 2 picks up just at the end of Volume 1. Arare and Kiri are in love, that much is obvious, but they’ve got something important standing between them and consummation of that love – the fact that if they have sex Arare will cease to be human and will become a youkai herself! Her situation isn’t made easier when she meets Akina, a youkai who tells her that she herself made that choice.

As much as they desire one another, this simple fact keeps them apart. And, it is this simple fact that causes them to fight and causes Arare to run off, unaware that Pero has followed her. When Arare ends up back in the human world Pero is somehow dragged along. Awkward, but not unbearable…until the human world starts to make Pero sick. Now Arare has a more pressing problem – if she doesn’t get back to the world of the youkai, Pero may die!

I have had a strong belief that I knew what the end of this series was going to be from waayyyyy back in the story. As soon as we heard, in fact, that Arare would become a youkai if she made love to a youkai, I pretty much assumed I knew what the ending was going to be. It seemed so *obvious!* I’m not going to spoil the ending, but I will say this – I could not have been wronger. ^_^;

The ending was cute, the ending was happy…it just didn’t do anything like I expected it to. So kudos to creator Nangoku Banana for finding a unique, creative way out of that well. (That phrase has a story behind it. My Dad was telling me a story of a serial he read when he was a kid – one of those adventure things, you know. The hero was bound, at the bottom of a well, no one around for miles, no tools to rescue himself with, etc, etc. End of chapter. Next chapter began, “Once out of the well…” We use that phrase around my house to signify cheating your way out of corners you’ve written yourself into.)

No doubt Kiri and Arare will live happily ever after.

Ratings:

Art – 7
Story – 8
Characters – 8
Yuri – 9
Service – 7

Overall – 8

This series is still not for the prudish. It’s more serious than Volume 1, and slightly less outrageous, but still pretty over-the-top.

On another note, if you are interested in the youkai portrayed in this story and don’t want to wade through a lot of tedious academic research or historical stuff, I recommend Hiroko Yoda and Matt Alt’s Yokai Attack!, a fun “field guide” to youkai you might encounter and how to deal with them if you do.





Yuri Manga: Pure Yuri Anthology Hirari, Volume 2 (ピュア百合アンソロジー ひらり)

October 24th, 2010

Yuri Anthology Hirari, Volume 2 has some good qualities and some less good ones.

Many of the stories don’t actually seem to be “Yuri” at all. Two girls meet and, um…they meet. But there are others that are less preliminary and a few even go so far as to lightly touch upon some semblance of emotion.

The best of the bunch, in that regard, was “Yubisaki no Koe,” by Maeda Tomo. Not because it was a good story, per se, but unlike many of the other stories in the collection, where we have to just assume that the two girls are interested in one another *because* this is a Yuri anthology, there was a palpable feeling of tension between the two characters.

Also, “Nanami-sempai to Arisa-chan,” while I didn’t like the art at all, did a shift halfway along that created some unresolved (and kind of unresolvable) sexual tension. When Arisa learns that her interest in one upperclassman is hopelessly unrequited, she simultaneously learns that what she thought was a rivalry with another upperclassman was nothing of the sort.

The most unique story, although not necessarily the most satisfying, was Minagi Asaoka’s “Anata to Ireba”‘ when a young woman accidentally encounters her namesake, who is a famous figure skater. They end up having a heart to heart talk. We get a rather sudden epilogue ten years later, when the skater asks her namesake to marry her. This story was indicative of the collection as a whole. “Here’s two girls,” we’re told as we’re handed two girls at random. “This is a Yuri anthology. Therefore they must like each other.” Even if we never actually see or feel that. Or, in something like Scarlet Beriko’s “Mine,” we’re shown a friendship that, at some barely-anything kind of provocation, suddenly is love (and desire.)

As a perfectly fitting ending, there is a short story by Sakaki Kazuki, illustrated by Hirao Auri, the creator of Manga no Tsukrikata. I haven’t read the story yet, but I felt that the choice of illustrator was somehow characteristic of the collection as a whole. Manga no Tsukurikata is also a series in which the interest and tension between the characters largely has to be assumed by the audience, because we see little actual sign of it in the story itself.

Ratings:

All things Variable. Overall – 6

It’s not that it’s a bad collection, it’s just sort of still in prep stages and not quite ready to be cooked.





Yuri Manga: Yuri Hime Wildrose, Volume 6 (百合姫 Wildrose)

October 17th, 2010

I know, I know. I said I was done with this series. I say that sometimes. But then I need another item or two to make an order on Amazon JP worth it, so…

Anyway, here we are in Yuri Hime Wildrose, Volume 6 (百合姫 Wildrose) and while I am not dancing a joyful “this is it!” dance, I’m not gritting my teeth or anything, either. And perhaps the folks at Yuri Hime are getting comments that echo my own, because in it’s own PWP way, this volume of Wildrose steps up its game by a notch.

This is most apparent in the first story of the volume, “Yume no Hanashi,” in which Naho is moved to tears when she realizes that she is not alone in her school as a girl who loves other girls. Given that recently the US is dealing with reports of young gay, lesbian, bisexual and transgendered youth struggling against  prejudice and abuse from not just the people around them but from the leaders of their communities, who don’t seem to care that their casual homophobia is inciting acts of hate and intolerance…this message is an incredibly powerful one. And, given that Wildrose does tend to be rather more superficial than sensitive, and almost all Yuri avoids complications of awareness and identity, this simple acknowledgement of how alone a LGBTQ young person can feel and how important just knowing that you are not alone, is an amazingly powerful statement. It was a strong opening for the volume.

Again, in “Moment Like Fireworks,” the continuation of Nanzaki Iku’s ShizNat-esque couple, Sayo and Ritsuko’s story, Sayo first introduces Ri-chan as a friend to an old classmate , then corrects it to a “good friend,” and then backtracks, explaining that she and her girlfriend would like some alone time to engage in some love talk. Sayo later apologizes for not making the point right away, but Ritsuko expresses understanding and gratitude.

There were a few stories where younger women had to work a little harder at getting their point across to their older lover, and one story in which a Devil tries to ruin an Angel, only to be thwarted by her purity and love (a very cute story, I thought. It seems obvious to me that the real danger is that the Devil will start to feel “Love” and go good.)

There are a few stories which are not “good” in the big picture – one in which a not-very-veiled threat of suicide brings two lovers back together did not, to me, seem to be a good ending to a relationship that just needed to end. Relationships do that sometimes.  But then there’s something like “Houkago Berry Girl” which was just…silly. It made no statements, had nothing deep to impart, but was cute.

My major complaints about the Wildrose stories are that they have basically been retreads of “Story A” and left me feeling empty at best and quite often icky. This time I felt like they had actually stepped up their game, with more established couples and even some “lesbian identity” in a few of those stories.

Ratings:

Overall – 7

I’m back on the wagon for Wildrose 7.