Archive for the Magazines Category


Yuri Manga: Comic Yuri Hime Wildrose, Volume 1 (百合姫 Wildrose)

December 13th, 2007

Comic Yuri Hime: Wildrose, Volume 1 (百合姫 Wildrose) is an anthology from Ichijinsha, the folks who put out Yuri Hime magazine. Many of the artists are already contributors to YH, and some are known for outside series.

The stories in the collection are variations on the “two schoolgirls in love” theme, much like the ES ~ Eternal Sisters and Yuri Tengoku anthologies. Most of them involve sex, very few of them involve plot or characterization.

The entirety of the collection can be summed up by describing one story, drawn by Morishima Akiko, in which the two protagonists, having kissed, wonder out loud “What’s next?” And as they progress to “what’s next” we get a sort of shortened version of every lesbian’s internal coming out – without the lesbian identity, of course.

Which leads me to today’s digression. Recently, on the Yuricon Mailing List, we had a discussion about how few Yuri characters are “out and proud.” The majority of posters said that it was enough for a character to be “obvious” to be considered “out,” with me disagreeing, as usual. lol I feel that in order to be considered out, one has to actually be able to say, “I am a lesbian.” Otherwise, you’re just “obvious.” Not the same thing at all to me.

This all made me realize something I hadn’t ever put into words before, so here we go – “Yuri” is, almost by definition, a character with lesbian interest who is *not* lesbian-identified.

Even my beloved Queens of Yuri, Haruka and Michiru, never came out. They were obvious, but never once did they say “we’re a couple” or “we’re lesbian.” Yes, the creator later said that. And yes, they were characters in a shoujo manga in 1994. But the point is – they are not “out” in the context of the canon. In fact, when confronted directly in the anime, Haruka denies that they are a couple (I have a theory about that, but I’ll skip it for now) and in the manga asked in return if it really mattered whether she was a man or a woman? This was probably as close as Takeuchi could get to coming out at the time, but it was still ambiguous enough for many people to deny their “obvious” relationship.

If a character self-defines as a lesbian, then she’s out. But the LARGE majority of Yuri characters are not out – they are “just, in love” with this-person-who-happens-to-be-female. Much like the large proportion of BL characters who are amazingly not gay, although they only have sex and relationships with other men.

When pressed, obviously “lesbian” characters in manga will often say, “I like women” or “I don’t want to be labled” rather than say “I am a lesbian.”

I imagine that some of this can be chalked up to the Japanese preference for obfuscation and some to the fact that ambiguity sells better. And to add to this, the fact that long-term couples in real life don’t walk around saying “Hi, we’re lesbians,” so in actual *lesbian* manga (and real life,) you still don’t have overt “outness.” Rica and Miho going to Gay Pride, are rare indeed. There’s far more like Nene and Jun, who have sex, fall in love, and generally are a couple, without *ever* acknowledging that that is what they are. You know – “More than friends, less than lovers.” (A phrase that I later commented allows a person to have her cake and eat it too. Pun intended.)

So most of the stories in Wildrose are in this space – girls in love, having relationships – and sex – with other girls, but they’re not lesbians. Just, you know, in love.

Here is what I thought was the best story of the collection. It begins with Yumi and Sachiko clones. The Yumi clone, Mari, tells us – and all her classmates – that she and the Sachiko clone, Michika, are in love. And we see them sitting next to each other in class where Michika passes Mari an eraser, their eyes briefly meeting not particularly meaningfully. Then Mari tells us that they go out for a bite after school together, so we see them sitting next to one another at a snack counter – but apart as if there is no connection. In fact, it becomes apparent that the relationship is one-sided and our cheerful little Yumi clone is a stalker. Her friends freak out and try to stop her, but she gets away from them as she follows the subject of her desire. Her friends go one way, but we see behind the wall where the two girls are now together, embracing passionately. Mari and Michika make love, and Michika apologizes for not being more forthcoming recently. Of course she is forgiven. The next day at school, the classmates all demand to hear that they have a relationship directly from Michika’s mouth. “From my mouth” she says, and leans over to kiss Mari. The classmates all apologize for their doubt and we’re left smiling, because it was a stupid, but fun, almost-Marimite parody story. With no lesbians.

Ratings (variable, so everything is averaged):

Art – 6
Stories – 6
Characters – 6
Yuri – 9
Service – 7 (lots of undressing)

Overall – 6

If what you like best is young women finding love and sex with one another Wildrose is perfect. If you’re looking for something with more awareness of lesbian identity, go re-read Rica tte Kanji?! :-)

 





Yuri Manga: Comic Yuri Hime S, Volume 2

November 13th, 2007

I admit it – I’m reviewing in size order, largest to smallest. My parents are coming at the end of the week and I’m trying to get the piles down to a size my father can watch the TV over. No joke.

Today, I’m going to tackle the second largest object in the pile, Comic Yuri Hime S, Volume 2. ^_^

Just as a reminder, CYHS is the brother compilation to Yuri Hime, in which artists who are well known for drawing highly servicey, moe and/or fetishy Yuri for a male readers are drawing Yuri for a more mixed audience.

My opinion of this magazine remains the same – it’s not as bad as I feared, but it’s not as good as I hoped. The “moe” part of the fandom means that many of the characters seem waaaaaaaayyyyy ootsy-cutesy or baby faced and I just will never, ever find that appealing. Sorry. If you do, then you will like this magazine better than I do.

The magazine begins with a few color pages on the recent Blue Drop anime, once again mirroring our conversations on the Yuricon Mailing List.

The first story is “Cassiopeia Dolce,” by Takagi Nobuyuki, creator of Kokoro Library. Anna arrives at Dolce to be the new worker and is surprised, confused and alarmed by the fact that the dolls are people, the people are really strange, and the girls seem to be kissing one another, and her, with alarming frequency. The story was just sort of silly, until the saliva string length contest began and I checked out. Not sexy at all. Ecch.

Kurogane Ken’s story “Watashi no Kido” was kind of suspended between two things that weren’t fully developed. The end of the world is coming and a bunch of girls gather on the roof to greet their death. Just as the end begins, Misa spots Yuma, who she had never had a chance to tell how she feels. In trying to call out to her, Misa falls off the roof, but (no deus ex machina here) ends up floating as the multiple-kanji explanation is given over the world PA system that I didn’t fully comprehend. Yuma and Misa end up floating together in space and kissing as the world probably doesn’t end, but I can’t be sure. lol When I have more time, I’ll give this one a closer look. Despite myself, I like Kurogane’s work.

“Flower Flower” by Iwami Shouko pickes up after Princess Nina has established her seme role over poor Princess Shuu. Shuu struggles to find a way to make Nina be nicer to her, which succeeds, but only in private. Poor Shuu. Poisoning Nina seems like the easiest route. The art is cute, the story is sort of soppy and I can see it going on eternally like this. I don’t dislike this story, but I hope something happens. Passive-aggressiveness isn’t a plot.

“Yappari Idol” by Araki Kanao lost me right from the first page. You like loli/moe, it’s perfect. Grow these kids up so that they are not repulsively young and then maybe I’ll care. Young idol is a lesbian, so gropes and kisses another idol. Yes, young lesbians are known for this kind of behavior and not say, years of confusion and self-loathing. Reading this story made me feel ucky.

Still with the schoolgirls, but much less nasty was “Sketch,” by Yoshitomi Akihito (Blue Drop.) Rika asks Sae to do a portrait of her, so she can give it to the person she likes. Sae knows that Rika’s seeing a sempai. As she works on the picture, she starts to realize that she’s in love with Rika. As Rika goes off to go on a date with the sempai, she gives all the pictures to Sae who, after a moment of hesitation, kisses her. The story is given a little depth and humor by the addition of a great analogy about apples being eaten. This story was sweet without being sickly and I like Yoshitomi’s art.

“Otome-iro Stay Tune” by Fujieda Miyabi was hysterical. Back in the studio with Arise and Hina, Arise is voice-acting the very Yuri story of a shoujo manga series that takes place at St. Lotecia’s Academy. Hina’s surprised, she’s not really a shoujo manga fan. Arise segues into using the manga as a pretext for playing with Hina’s hair, but talking about it in a way that listeners would get totally the wrong idea about what was going on in the studio. ^_^ The program producer and director approve. The last issue was so short, we barely had time to see who was who, but this issue was much better. I can see that this story isn’t going to be deep or emotional, but as art, characters and story are all kind of fun, I’m okay with it. As “funny” teasing goes, this was WAY better than Nina heaving books across a room.

“Minus Literacy.” I just don’t know where it’s going. We pick up at the end of last chapter with Iinchou somehow having been involved in Takeyama’s family drama, in which her deceased family left her millions of dollars in debt with only a big house filled with priceless treasure and money – and a maid. I just don’t get it.

If you are fan of the Lucky Star art style, you will probably enjoy “Kokoya Riron.” I am not. Therefore this short story filled with adorable little SD creatures assumably doing incredibly cute, yet somehow Yuri things was completely lost on me. It started with a snake puppet hissing “suki” and just went downhill from there.

Madoka has a boyfriend. In any other world, this would be a good thing, but if you are the ghost protagonist of “Honey Crush” by Tsubaki Asu, is it not. You would be reduced to playing mean-spirited little tricks on your love and her boyfriend in hopes of breaking them up. Kyouko arrives in time to stop ghost girl from kissing Madoka after inhabiting her boyfriend’s body. Kyouko confesses to Madoka, who plainly says she’s not interested. In the end, neither ghost nor girl are willing to give up on Madoka. Why? I have no idea. :-)

“Nanami to Misuzu” remains exactly the same as it always is. Goofball situations with Bwa-wa-waaaah punchlines. A new character shows up, in lieu of a plotline, a cute ninja girl this time.

In “Kuroi Hitomi no Majou” a serious first-year confesses to Satomi, who reacts coldly, then tortures herself about it. In the fine tradition of shounen manga, her “no” is completely ignored, because you know, she really didn’t mean it. Or something. Two Hakamada Mera stories where the girls didn’t skeeve me. It’s a miracle. They still have huge cabbage patch heads, though.

And last of all, the one story I was most looking forward to, the second chapter of Sudou Kaoru’s “Otome Kikan Gretel.” We last left Yuu in a state of complete and utter confusion as she inexplicably defeated a gigantic monster with powers she is now informed are “Aube” – Appearance of Unlimited Bio Energy. In other words, Nagi explains cheerfully, we’re all witches here. Mariya and Nagi defeat the big-ass monster, but it’s not really dead yet, so Nagi commands angry Mariya to kiss Yuu – deeply. It turns out that Yuu’s power is to absorb the powers of anyone she kisses, so…. The kiss occurs, Mariya and Yuu combine to defeat the plug-ugly Formica and thus it is that Yuu’s all-girl school life begins. This story is so dumb, I love it.

While Comic Yuri Hime S isn’t as full of joy for me as Yuri Hime is, it’s not bad, either. I’d like to see a lot less of the moe/loli/cute, but there’s just nothing I can do about that.

Overall – 6

I forgot to mention this yesterday – for some reason, in both YH magazines, there’s a bunch of reviews of manga that in no way at all look Yuri. Now, to be fair, I didn’t actually read the descriptions, but it really looks like a rattlebag of manga with no rhyme or reason. I suppose I should read the reviews to find out why they were mentioned, but I’m not going to. ^_^





Yuri Manga: Yuri Hime, Volume 10

November 12th, 2007

Yuri Hime, Volume 10 comes in at a bulky 400 pages. Wow. Despite that, I’m going to try and review it in one post, because I have a gigantic backlog of things to review and only a week before I go away and don’t care for a while. So, let’s see if I can keep the story synopses short and sweet. (But not alliterative, because that would be annoying.)

To begin with, this volume comes with a lovely clear file with the cover picture of Seriho and Sarasa (in tie, notably designed by Alice Quartet. AQ is another Fujieda series about five clothing designers. Yes, five.) Very nice.

The volume starts out with “Clover” the beginning of a new series by Hiyori Otsu; a tale of four sisters, a transfer student, an embarrassing situation and whimsical desire to ride on the luggage rack of a subway car. Thumbs up as always from me for Otsu’s art and characters.

“Arcadia” is a story of love between Yui-chan, a typical schoolgirl and Nanako, a wandering spirit that loves her. There was nothing particularly stand out about this, nor was it in any way horrible. Sweet and forgettable.

Ash and Towa play out two parts of the same story in “Epitaph,” in which chance(?) encounters bring a mother and daughter together.

Miura Shion’s Yuri essay covered a story I had never heard of – “Honey Honey-Pie” from a collection called “So Long.” I’ve got it in my Amazon JP cart now.

“Apple Day Dream” continues as Kaoru attempts to find the guts she needs to tell Mayu how she feels, while Mayu takes the opportunity on their date to explain that she is neither tsundere or an ice queen – it’s just in her nature to be that way. I almost liked this chapter. The clothes were nice, at least. (This is meant to be ironic, as the story *is* about clothing designers.)

The newest chapter of “Cleo the Crimson Crises” (still a great title) follows Suo’s friend Momo as she’s approached, glomped and “befriended” by newcomer Kiki (whose name screams “watch out – bad thing lives here!) while Cleo hugs Suo in lots of interesting poses. I keep waiting for something to happen, but the art is such a train wreck, I’m not sure I’ll notice when it does. ^_^

I was surprised to find that Kazuma Kowo’s story was continued from last volume in “Tsumasamadachi October.” Nanao meets Mastumoto-sensei by chance and when the teacher’s friends make fun of them, implying a crush, Nanao is fast to deny it. But Mastumoto is just as fast to say that she’s damn sexy and she can prove it. Nanao is left with a drunken teacher sleeping it off on the sofa. Personally, I’d write on her face or something. lol I liked this story for reasons I can’t quantify. I just liked it.

Chi-Ran has a story in which two girls are in love and they kiss. Brilliant! “Himitsu Shoujo” is pretty much like everything else she does.

One of my top three stories in the book, “20 musume x 30 otome” (The 20 year old girl and the 30 year old virgin) by Morishima Akiko follows the trials and tribulations of 30-year old art teacher Keiko, when she agrees to go out with her 20-year old student Emi. Blinded by Emi’s shinyness and youth, Keiko comes to face with lots of issues she didn’t know she had. It’s cute, it’s about grownups and it’s got a sweet ending.

Takahashi Mako once again explores the world of neurotic Yuri in “Kumo no Ito”. It was yuck – creepy horrible kids doing creepy horrible things, but hey, it’s LOVE! Gah.

“Strawberry Shake” was brilliance. Best chapter yet. Hayashiya Shizuru’s art is really peaking. Love love love, is all about as Julia and Ran learn what Zlay band lead Ryou wanted with them after all. And once they clear the level of dealing with the clothes – which were great, btw – they run into the big boss. They are being asked to kiss on stage. This precipitates a major crisis and an even more major confession. It was a terrific chapter from beginning to end. It was worth getting the book just for this.

But, since we *have* the book already, we also ought to enjoy “Ameiro Kouchkan Kandan” by Fujieda Miyabi. Sarasa barely notes the fun of the school trip, so focused is she on things at home. The other girls aren’t stupid – they recognize love when they see it, but Sarasa is still mortified when Haru fills them in on the fact that it’s someone older. Meanwhile, at the tea shop, two customers ask Seriho if she misses Sarasa, ’cause she seems out of it. Seriho agrees that when Sarasa’s not around, she let’s things slide, but the two women, who admit to having been together for 15 years ,say they they weren’t talking about the shop. When Sarasa returns, Seriho has a suprising (and happy-making) question for her. Wonderful chapter. Wonderful story. I love Fujieda’s ability to do Yuri with high moe content that is neither fetishy, nor shallow.

Ryounosuke tells us a bit about himself, and his life, before he considered becoming a woman in “Mermaid Line.” He tells Mayumi that he’s considering beginning hormone therapy, but has some issues – and obviously, so does Mayumi. Will this bring them closer or break them up? You’ll have to read the chapter to find out.^_^ I like how this story is dealing with deeper feelings, and confusions and worldviews, without being strident.

“Nanami to Isuzu” remains wacky without being funny. I’ll be honest, I barely skimmed this one. If you want to tell everyone how it went, feel free to do so in the comments field. ^_^

Plot complications fall thick and fast, as we get a load of tragic Yuri backstory for Sawacchi in “Aoi Shiro.” Luckily, as quickly as she burdens us with her past, she sheds it in the face of Momo’s cheerfulness, until…gasp! A relic of the past comes back! Shock! Confusion! I found this to be a realllly long chapter for some reason. It wasn’t bad, but it dragged. Maybe half a dozen plot complications at once was a bit too much.

“Tokimeki Mononoke Gakuen” reaches a new level of bizarre as Arare is confronted by her classmates who are distressed at the idea of running a marathon. “If you’re a rain fairy, make it rain,” they say. Sadly, her advice turns them into a room full of teruterubozu, thus practically guaranteeing a beautiful day and a weird-ass end to the chapter. Pun intended.

Morishima Akiko weighs in again, this time with the next droolly-faced entry of “Yuri x Yuri Mimasen.” This time she and her editor take a break from creating Yuri, to attend (and throw lots of cash at) the all-Yuri doujinshi event, “Maiden’s Garden.” Jealous? Who, me? Grrrrrr.

Drama scatters like falling leaves in “Hatsukoi Shimai,” where Miyu and Kirika share memories of themselves as children and face a crisis in which Miyu, who has been given the role of the Princess for the school play (again) runs away form the Drama Club. She is sick to death of playing princesses and wants to do something else, but when she expressed this, she seen as being too big for her britches. She resolves her angst by deciding to play a very tomboyish princess. Akiko learns that Touko-sensei’s time at the school is coming to an end (nooooooo!) and Teshigawara gets extra grumpy to drive of the cute younger girl who’s been hanging around her. Haruna and Chika plan an afternoon of relaxation in their secret place; Chika runs off to get drinks when out of her past comes Haruna’s evil plot complication, erm, sempai. As always, I really like this. But if Touko-sensei and Akiho don’t get together soon, I may be forced to pout.

Hakamada Mera’s “Ame to Hatsukoi” follows the usual progression of rain=angst, sharing umbrella=love, to a first kiss that threatens to become a lot of kisses. Yukari-chan runs away into the rain, terrified of her desire, but Ebi-chan follows with an umbrella of love and more kisses.

Good volume? Yes. Absolutely. Percentage-wise, there was significantly more I loved than any other volume previously. I figure if there’s three stories I really like, then a magazine’s doing good – this one had 7. And the clear file. Yay.

I really wish this magazine would go monthly, but I don’t know how they’d do it. The artists already have brutal schedules.

Overall – 8

If you’re not getting this magazine, then you *are* missing some of the best Yuri out there. Sure, scanlations are nice for you, but I want the artists to be able to pay their bills. Buy it.





Yuri Manga: Mist Magazine

September 20th, 2007

I really don’t have time to review anything today, since there’s only ten days to go to our “Yurisai” event. Days right now are long, with tasks for Yurisai, then updates on the Yuricon website (Yuri Hime S, Iono-sama Fanatics and Hayate x Blade Drama CD – all 2nd volumes – up on the Shop now!), then getting copies of Yuri Monogatari 5 out in the mail. So I busted my hump today to get everything done early, so I could sit down and relax with a “new” issue of Mist magazine. Then I thought, hey, why not tell you all about it?

Mist was a “Ladies Comics” manga magazine that ran in the mid-to-late 90s. “Ladies Comics” are often adult in nature, with a target audience of adult women. Mist was, basically, lesbian porn drawn by women, for an audience of (presumably straight) women.

The covers, as you can see above, almost inevitably featured Caucasian women who, to me at least, often look Russian. I’m guessing that these are just stock photos that were bought because they look exotic. And the “best friends” poses and early 80s clothing cracks me up.

The stories almost always star an apparently straight woman who is (even if she doesn’t realize it yet) not satisfied with her life. If she’s in a relationship or married to a man, she’s usually just unhappy. Not always, but often. A lesbian love affair usually makes her realize what she’s missing. Sometimes it ends in a happy threesome, but more often, she goes off to live a happy lesbian life.

The lesbian character is more ultrafemme than butch, but sometimes there’s a genuine butch lesbian. The lesbians are *usually* pretty normal and not pulp fiction melodramatic, but there’s a few classic exceptions. (But only one knife fight that I’ve ever read.)

Sometimes the lesbian couple marries a gay couple to shut the families up.

Sometimes, they fly off “to America.”

But sometimes, every once in a while, there’s a story that just about two women who love one another. And who have sex. (They all have sex. It’s a porn mag. Duh.) Not surprisingly, I like those stories best. Second best are the women who aren’t in relationships, but just are swept away by their new-found love.

In almost all cases, the story begins with a sex scene. Then we get the set-up for the story, or the flashback of how the couple met. Then the DRAMA, plus crisis dujour, then more sex. Then they make up and sex. It’s formulaic, but it works for me. ^_^

In an effort to let people enjoy this fine crap, my entire Mist collection, including the one I just got in the mail today, will be part of the Yuri Manga and Doujinshi Library at, you guessed it, our Yurisai event. This is pretty much the only time I plan on ever letting these books out of the house, so don’t miss your chance! (You’re only other option is to get a lunch invitation, and you know how picky I am about those.)

Some of the art in Mist is awesome, some of it is not. Most of the stories are silly, but you know, I like them anyway. They are silly in a sincere and appealing way. And let’s face it, bed talk is absurd, no matter what the language.

Now, I’m going to go read the story of the unhappy housewife and her completely unethical affair with her gynecologist (and her sudden discovery that she’s had a post-miscarriage memory loss, zOMG!)

Ratings:

Art – as bad as 4 and as good as 9, averaging at about 7 or 8, depending on the issue
Story – Silly, formulaic porn – 8
Characters – Naive straight women, worldly hypercompetent lesbians – 8
Yuri – 10, because most stories end with love.
Service – porn, duh – 10

Overall – 8

Other than the few really manipulative or unhappy stories, this is happy lesbian porn. I really like it.





Yuri Manga: Kawaii Anata (Japanese)

September 7th, 2007

While I gladly lined up for all of the first round of Yuri Hime Comics, the second round has been a little less delightful. Of the six or so releases, I’ve only purchased three: Hatsukoi Shimai, Volume 2, Haru Natsu Aki Fuyu and the subject of today’s review, Kawaii Anata (かわいいあなた) by Hiyori Otsu.

(If you are interested in any of the collections that I will not review, use these links to get yourself your own copy from Amazon Japan, and by all means, feel free to send me your review as a Guest reviewer! Apple Day Dream, Otome Cake, Sunset Prince and Dawn Princess, Nanami and Misuzu, Volume 1.)

It took me a while to realize that I consistently liked Otsu’s work. None of her stories are “Oh my god that’s brilliant!” They tend to be more on the order of, “That was pleasant.” So it wasn’t until we had had about 4 or 5 stories that I realized that I just liked the author, period.

Kawaii Anata is named after the story of the same name, about a boyish girl in an all-girl’s school who is given the role of the Prince to play for the school festival, as expected. The girl she likes volunteers to play the Princess, and in the course of their rehearsals together, it is the Princess who turns out to rescue the Prince, from her own self-loathing and the careless, not ill-meant, but still damaging teasing from the other girls.

The book begins with “Maple Love” which follows the meeting and wooing of Satonaka Kaede by Miyaji Erika. It’s probably the first story I really took note of, because the characters are in college and it’s not a typical “first crush” story. Erika calmly announces that she prefers girls, to which Kaede replies that she doesn’t care. Let’s test that, Erika says and kisses Kaede, who slaps her. Erika retreats laughingly to being a friend, but their relationship progresses anyway. The only down side to this story is the bad non-joke at the end. Rimshot, please.

“Love Letter” is slightly more bitter than sweet story about a girl realizing what her feelings are, and how much she will never get what she wants, no matter how much she tries to look and act like the guy her best friend likes. The redeeming quality of this story is that while yes, a heart breaks, it breaks quietly and in private and she moves on with no outrageous and useless drama.

“Hoshizora Cycling” was probably the first Otsu story to appear in Yuri Hime. Or, if it isn’t, it was one of the early ones. A transfer student who is not strong physically gets bicycle rides to school from another girl. They grow closer as time passes. One night, they find themselves wishing on a star, but when Mako confesses that her wish was for Momo to like her, Momo responds by bopping her on the head, because…duh, she already does.

Another love triangle leaves our protagonist in “Fuyu-iro omoi” out of the running, but this time, all three are women. Shizuka knows she’s lost before she’s started, but is still there for her sempai when *her* heart takes a beating. And in the final story, “Kokoro Bento,” Shizuka’s feeling for her classmate Izumi now strengthen, and this time, they may just be returned. We all know that the way to a woman’s heart is through her stomach, after all. (Well, it is to mine, anyway.)

All of Otsu’s art is crisp, clean, easy to follow and simple. If you like Aoi Hana by Shimura Takako, you’ll probably like Kawaii Anata It has a similar art style (in a broad, general sense) and a similar lack of screaming hysterics, even when the story includes tears. Let’s call it “not shrill.” In any case…I like it.

Ratings:

Art – 8
Stories – variable, but they average at about 7
Characters – ditto, 7
Yuri – 7
Service – 1

Overall – 8

Nothing paradigm shifting, but there’s a few fine cut gems in the job lot, if you know what I mean.