Archive for the Miscellaneous Category


My Broken Mariko, Guest Review by Laurent Lignon

January 19th, 2022

Content Warning: This comic contains descriptions, implications and consequences of domestic and parental abuse, violence and rape.

Hello there, this is Laurent, your Frenchman guest reviewer. I wish you all the best for this new year, full of happiness and great Yuri stories. I also wish to once again express all my thanks to Erica for running such a great website and allowing a French guy like me to talk about some Yuri that may not have been translated in English yet. Enough talk, on to the review ! My Broken Mariko has been released in English by Yen Press and in French by Ki-Oon Editions.

Tomoyo is your regular 26 years old salesperson, working for an insurance company. One day, while spending her lunch time at a ramen restaurant, she see news on the TV about the suicide of another 26 years old girl : Mariko… Her oldest and best friend. Tomoyo doesn’t understand what just happened, for she met Mariko the previous week and everything seemed to be fine. But Mariko had a dark secret, a secret Tomoyo knew about for years and which could have been the cause of her death : regularly beaten by her father when she was a child, then regularly raped by him when she was a teenager, Mariko’s life has been a downward spiral of abuse. Stricken by guilt, thinking she’s partly responsible for her friend’s suicide and, after a violent confrontation with Mariko’s father, Tomoyo decides to honor a promise made years ago : that they would go together see the ocean, Mariko and her. Thus begin the road trip of a woman and the funeral urn containing the ashes of her best friend.

To say that My Broken Mariko was like a slap in my face on first reading would be an understatement. I wasn’t expecting something so violent, so deep. This is an adult story, hitting hard on some very mature themes (at this point, I cannot say it is just ‘touching on’). To start with, Hirako Waka never hides the physical violence suffered by Mariko : black eyes, split lips, bruises on various parts of her bodies… It is sometimes painful to watch, and those are just drawings. Then, there is the sexual violence : never shown, but bluntly stated. With the same bland excuses used by every sexual predator, and the same painful excuses offered by victims unable to understand that the fault does not come from them. Then, finally, the psychological violence : with a Mariko so spiritually broken that, once she manages to leave the parental home, she ends with boyfriends as abusive as her father… And finally, like way too many victims of domestic abuse, going back to live with the one who started it all. All this despite Tomoyo’s efforts to defend her.

While Mariko is a kind girl whose only answer to abuse is to endure until she cracks, Tomoyo is a more tough character that never hesitates to use a metal pan or a knife to get what she wants. Until she also cracks under the guilt of not having been able to save the girl that mattered the most to her. This is shown in the various stages of the trip, in which deprivation of sleep and alcohol abuse allows Tomoyo to hallucinate conversations with Mariko at different ages, and to dive into their common memories together through old letters written by her departed friend. This degradation is shown in the way Tomoyo is physically depicted : barely changing clothes, chain smoking to stay awake, her nose dripping with snot from sleeping in the cold, losing the little money she has left to pay for the train… All this so that she could simply bring her friend’s ashes to a beach that was special to both of them.

This is a story of a deep friendship, wrong turns, of misunderstandings, of mourning and of redemption. This is a story about going forward. When finally Tomoyo manages to overcome her guilt, it is the only way she knows how : by violently defending someone. And in doing this, she manages to let Mariko go and finally be at peace herself. The finale, on a simple two case page followed by a single panel, is a masterful demonstration of how to say a lot with very little.

My Broken Mariko is not a manga about LGBTQ characters (although some scenes clearly leave room for interpretation about the true feelings of Mariko towards Tomoyo, something Hariko herself said that it would be up to each reader to decide) but a manga about the emotional relationship between two women, a friendship so strong that one could say it transcends Death. My Broken Mariko is a poignant story, yet it is not a downer. There is darkness (a lot), but there is light also. This is about what we do, what we are. This is a walk through trauma, whose message is clear : there is ALWAYS hope, even during the darkest of times.

The volume comes with two more stories : Yiska (Hirako’s first published story which owes a lot to Quentin Tarantino’s movies and the Coen Bros’ rendition of Cormac McCarthy’s masterpiece No Country For Old Men and is a non-Yuri work) and a bonus chapter for My Broken Mariko.

If you read French, the translation published by Ki-Oon Editions comes also with a very interesting in-depth 4 pages interview of Hirako which was especially done for the volume, and in which she discusses her graphic influences how her very difficult personal life (and especially one of her best friend, who is the template for Mariko) influenced her work.

Ratings:

ART : 7 – Very European style, with some shades of Jamie Hewlett (Tank Girl, Gorillaz) especially in the faces, suiting perfectly the story. It may unsettle readers accustomed to more traditional Japanese style of drawing.

STORY : 8 – Well written, full of characters one can relate to. If you’ve ever felt grief at the senseless passing of an old friend, then you’ll understand what Tomoyo feel.

CHARACTER : 9 – While Tomoyo and Mariko takes full stage, even the secondary characters feels real-like. Special mention to Mariko’s father : I’ve rarely met a fictional person that I truly hated until then.

SERVICE : 0 – This is just not this kind of story.

YURI : I consider Yuri to go beyond just lesbian relationships, and to incorporate also deep emotional non-romantic/non-sexual relationships between women. My Broken Mariko is exactly that, and gets a 10 from me. The lesbian subtext exists, and it shows the strength of the story that it can be appreciated with or without Yuri goggles.

OVERALL : For her first published book, Hirako Waka strikes hard and right in the center of the target. This is one of the most intense, gutwrenching Yuri Josei I have read in 2021. It may not be suited for everyone (and I wouldn’t advice it for readers under 15/18 years old due to its mature topics, despite being without any sexual content), and you’ll have to bring some handkerchiefs to avoid too much tears in your eyes sometimes.

Such stories reminds us that when you’re down, when you think death is the only solution… IT IS NOT ! Reach for a friend, reach for an helping line, never give up : you’re not alone, you never are.

I don’t know what stories Waka Hirako will write next, but I will surely keep an eye on her future work

 

Thank you Laurent! For those of you interested in reading My Broken Mariko in English, you’re in luck!  Yen Press has released it digitally, or in print.

This sounds like a rough, but rewarding read. Thank you so much for reviewing it!





Patron Sneak Peek of Yuri Studio Season 3!

January 16th, 2022

Okazu Patrons and Pivix Fans are getting early access to Yuri Studio’s third season premiere!

We’ve got a lot of cool stuff lined up this season…and we’re always talking new suggestions from fans and patrons for more. Become a Patron or Fan at any level and your question may be the next on Yuri Studio!





Watashi o Tabetai, Hito de Nashi, Volume 3 (私を喰べたい、ひとでなし)

January 10th, 2022

Two girls in white sailor-stye Japanese school uniforms with black piping. One, with long hair embraces the other while smiling broadly. The girl being embraces seems pensive as they stand before a colorful sunset sky.At the end of Volume 2 of Watashi o Tabetai, Hito de Nashi, (私を喰べたい、ひとでなし) by Naekawa Sai, Hinako was forced to confront her best friend Miko’s secret – that she is not what she appears to be.

In Watashi o Tabetai, Hito de Nashi, Volume 3, mermaid Shiori snarkily forces Miko to reveal her true form and confess her intentions to Hinako. What Shiori doesn’t reckon with is the power of love and friendship. As fierce as Miko is, she has decided that protecting Hinako and the town around her, is more important than her own power. Miko is then forced to decide if this is still true and, despite Shiori’s doubt, she makes the same decision…again, reaffirming her affection for Hinako. Now it’s up to Hinako to decide if Miko’s human form is someone she can trust, now that she has seen her for real… .

This was an amazing volume of the manga. I’ve tried to not entirely spoil the reveal, because it’s great all by it self and then the confrontation between Shiori, Miko and Hinako is emotionally charged and only a little weepy, with some great truths about humanity tucked in there. The art’s pretty solid too.

As we head into Volume 4, with Hinako having finally gotten a grip on the reality of her situation, her team looks more than competent enough to take on a human-eating ghost in the school pool.

I think the story does a good job of balancing Hinako’s past trauma, with the seriously-it-is-also-trauma of her current life, without making anything overly preachy or mopey or handwaving it away. She’s carrying a lot of burden, but she’s also being helped by people around her and now she’s able to see that and understand what heavy lifting is being done for her.

The story also strikes a perfect note of just creepy enough. And the lack of service is refreshing. I liked Kaijuu-iro no Shima, plenty, but the service really got to me after a while.

Ratings:

Art – 8
Story – 8 Still ominous and compelling
Characters – 8 The more we know, the less we know
Service – Blood. Violence. Monsters. Secrets. More Monsters.
Yuri – Hinako’s BFF is possessive, Shiori is infatuating

Overall – 8

For a school story that is just creepy, emotional, and possibly Yuri enough, this story gets my recommendation.





Uchi no Shishou ha Shippo ga nai, Volume 2 (うちの師匠はしっぽがない)

January 6th, 2022

Weirdly, it was almost a year ago that I reviewed volume 1 of this series, in which we met Mameda, a tanuki who wanders into the big city and becomes enamored by the magic of rakugo, Japan’s traditional form of storytelling. This week I finally made time for Uchi no Shishou ha Shippo ga nai, Volume 2 (うちの師匠はしっぽがない)

Rakugo is, effectively, a one-person play, in which the story teller captivates an audience by playing all the roles in their funny, or sometimes sentimental, story. If you did not know any of this before you came into this series, I assure you that you will most definitely know about it. when you leave.

Each chapter is accompanied by interstitial notes on some of the specific cultural touchpoints of that particular chapter. In this chapter Mameda will up her rakugo skills and defeat a mischievous god child at the Tenjin Matsuri,  be possessed by one of the three most famous ghosts in Japan, Okiku and she’ll help out her master’s shamisen player, Koito-san, when an accident threatens to stop the show.

All of these things are true, but the descriptions don’t do justice to the idea of a playful tanuki navigating through human and rakugo culture at the same time. Luckily, I don’t have to work too hard, because you can read My Master has no Tail, in English from Kodansha, available from these helpful affiliate links on Amazon, and Global Bookwalker, because this is not on the Yuricon Store.

And why is this not on the Yuricon Store, although I discovered it through Yuri lists? Because while I don’t argue that there is a bond growing between Bunko and her baka-tanuki disciple, Mameda, I’m not entirely sure I see it as Yuri. It is absolutely cute, and there are some obvious set-ups that are designed to make people think of more, but…well, I just don’t buy it. ^_^ Nonetheless this is a darling manga and very funny in places that I absolutely enjoy the heck out of and will probably read more.

TNSK’s art favors silly, rather than realistic, but the Osaka of the story is lively and fun and you’ll learn a lot about rakugo, which is always nice.

Ratings:

Art – 8 Good, but not to my taste
Story – 8 Goofy and charming
Characters – 8 Koito surged to the head of the pack. She ain’t no dope
Service – 4 Yeah, bathing and some implications and setups.
Yuri – Eh. Affection, definitely, so YMMV

Overall – 8

The Okiku chapter was particularly fascinating, because the very night before I read it, I had just finished a chapter of Zack Davisson’s book Yurei on that exact story. Zack’s book is a great read, by the way, especially f you like ghost stories. He’s a friend of mine, so I’m glad to say that I enjoyed it immensely. ^_^ But what a coincidence!





Look Back (ルックバック)

December 10th, 2021

Today’s review was inspired by a combination of two very different things. Various folks having mentioned this book in Yuri-friendly spaces online and, by complete coincidence, the fantastic podcast Mangasplaining putting it on their calendar, which caused me to bump this up on my to-read pile.

To begin with, Look Back (ルックバック) by Chainsaw Man creator Fujimoto Tatsuki is not Yuri. BUT…and this is a huge  “but”… it definitely falls under the Yuricon broad-umbrella definition of Yuri in one sense:

Yuri can describe any anime or manga series (or other derivative media, i.e., fan fiction, film, etc.) that shows intense emotional connection, romantic love or physical desire between women. Yuri is not a genre confined by the gender or age of the audience, but by the *perception* of the audience.

This definition has always been intentionally broad and subjective, because it has long been my opinion that media is subjective and we will see what we want to see in it, despite (sometime, even at odds with) creator intent. ^_^ With this definition in mind, let’s please take a look at Look Back which is a one-shot story about a manga creator Fujino. From a young age, Fujino loves drawing and loves the praise it garners her. As she gets older, she continues to draw, even when it stops being so cute or appreciated.

When Fujino is shown the vastly superior art of another person at school, her life changes irrevocably. Rededicating herself to her craft, she draws and draws, endlessly. These scenes are communicated by a view of her back at her desk, shown over and over as time, seasons, years change. We can see how many sketchbooks she’s filled, how many books on drawing she owns. And then…she visits shut-in Kyoumoto’s home and finds that she’s nowhere near the level of dedication, of search for perfection, that her erstwhile rival is. The scene that follow, as Fujino dances her despair out in the rain, had me sobbing. It was so…perfect. Not pretty, but perfect.

Still in middle school, Fujino and Kyoumoto team up to become a successful manga-making team. And still, Fujino draws and draws and draws. We see her back in front of that desk with a sketch pad, then increasingly sophisticated  equipment as time goes on. Kyoumoto and Fujino celebrate their success with simple things – Kyoumoto is still learning how to exist in the world. But, finally, after years together, after they’ve graduated high school, Kyoumoto makes a huge leap and applies to art school. Fujino continues to draw manga and continues to be successful.

And here I will not spoil anything except to say that I basically wept my way through the rest of the book. Because it was just that powerful and well-executed. And that there is violence. It is not gratuitous, it is extremely important to the remainder of the story.

The relationship between Fujino and Kyoumoto isn’t anything like romance, but they are both poles around which the story is built and neither they, nor the story, could exist as such without it. So not Yuri in terms of lesbian romance, but in the shadow of that broad definition above, the emotional connection between them is compelling.

Ratings:

Art – 9 Outstanding
Story – 9
Characters – 9
Service – 0
Yuri – No. The story is about a life-changing relationship between two girls

Overall – 9

Magnificently drawn, with incredible subtle detail (much of which Mangasplaining covers) and emotional in a way I haven’t experienced in YEARS.  Best of all, it’s available in English digitally from Shonen Jump. A Jump subscription is $2.99/month, with every major title being released as a simulpub. It’s a ridiculously good deal. You’ll need to supply your own hankies for this volume.

If this review inspires you to read this manga, definitely wait until you have read it, then jump over and listen to the show about it, Look Back by Tatsuki Fujimoto on Mangasplaining.