Archive for the Miscellaneous Category


Yuri Network News – March 16, 2013

March 16th, 2013

YNN_LissaYuri Manga

The May issue of Comic Yuri Hime‘s (コミック百合姫) cover is festive, flowerful and has a kitten, to cover all bases.

The second volume of Amano-sensei’s Watashi no Sekai o Kousei Suru Chiri no You na Nanika (私の世界を構成する塵のような何か) with more compelling stories of real lesbian relationships hit shelves  mid-April.

Also streeting in April are the second and final volume of Fu~Fu (ふ~ふ) with an utterly goofy-grin making ending,  Kazuma Kowo’s Namae ha Mada nai (名前はまだない) and the second volume of Kimono Nadesico (きものなでしこ).

From Tsubomi Comics, April sees the second volume of Kami-sama bakari Koi o suru (神さまばかり恋をする)

And from Hirari magazine, April sees the debut of Koubai no Procyon (購買のプロキオン).

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Other News

Kodansha USA has donated books to libraries trying to rebuild in the Far Rockaways in New York. I’d love to see more publishers based in New York follow suit.

Shimua Takako’s masterwork, Wandering Son, Volume 5 is available for pre-order on Amazon.

Bodacious Space Pirate film project now has a February release date and some spiffy new designs. Check out ANN’s article for both.

Last up, we have a very exciting and challenging contest coming up tomorrow, so tune back in!

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That’s a wrap for this week! Become a Yuri Network Correspondent by sending me any Yuri-related news you find. Emails go to anilesbocon01 at hotmail dot com. Not to the comments here, please, or they might be forgotten or missed. There’s a reason for this madness. This way I know you are a real human, not Anonymous (which I do not encourage – stand by your words with your name!) and I can send you a YNN correspondent’s badge. Thanks to all of you – you make this a great Yuri Network!





JManga Shutting Down

March 14th, 2013

日本語で

What a way to start a morning. I woke up to this announcement: JManga.com Retail/Viewing Service Termination and Refund Notice

This is not a hack, I have received an email from JManga expressing their regret. I have no more details about this matter than is stated on the website, so I strongly urge you to read the message for those details.

We do not know why they are shutting down. I had every expectation of continuing to do business with them this year, this was very sudden. You cannot extrapolate from nothing the “why.” Business is a series of risks, and the risk goes beyond just sales – there are so many variables here, it’s impossible to know which – if indeed any – of the risk factors were involved in this.

There will be some people who will point fingers and gloat about having not purchased any manga with JManga. To me, it’s about the equivalent of seeing a movie in the theater. I paid a price and enjoyed the media. In fact, reading a manga on JManga was less than half the cost of seeing a movie. I hope that the readers of Okazu are not the kind of people to gloat when a movie theater dies, because you still have Netflix.

I want to say that it was my sincerest pleasure to work with Robert Newman and Sahashi Yae-san at JManga, with Erin Subramanian, Elina Ishikawa, Simona Stanzani, Mari Morimoto and William Flanagan at ALC Publishing and Carl Vanderhout and Sam Pinasnski, who handled lettering . I sincerely hope to work together again one day soon.

To all the folks that made JManga happen – thank you. It was a lot of fun.

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なんて朝の始まり方でしょうか。私が目覚めて気づいたのが、JManga.comによる販売・購読サービス終了と払い戻しについての告知でした。

これは悪戯などではありません。私にはJMangaから、彼らの遺憾の意を伝えるメールも届いていたのです。この件について、サイトで示されている以上の詳しいことは、私にも情報がありません。なので、詳細についてはそのメッセージを直接確認することを、強くお勧めします。

私達にも、閉鎖の理由はわかりません。私自身も今年中はずっと彼らとビジネスを続けていく予定でしたから、本当に突然のことでした。情報がない以上、理由を推測することは出来ません。ビジネスにはたくさんのリスクが付き物ですし、単純な売り上げ以外のリスクというものも存在します。そこにはたくさんの変わっていく状況がありますし、もし実際にあったとしても、どんなリスク要素が今回の件に関わっているのか、知るのは不可能だと思います。

JMangaでどの漫画も購入しなかったことについて非難し、悦に入る人達もいるでしょう。私にとって、それは映画館で映画を観るのと同じことです。料金を払ってメディアを楽しむということでした。実際のところ、JMangaで漫画を読むのは、映画料金の半分よりも少ないくらいです。Okazuの読者達は、映画館が潰れた時に、まだオンラインレンタルサービスのネットフリックスがあるからと、悦に入るような種類の人達ではないと思いたいです。

JMangaのロバート・ニューマンと佐橋八衣さん、私のALC Publishingを通してエリン・サブラマニアン、エリーナ・イシカワ、シモーナ・スタンザーニ、マリ・モリモト、そしてウイリアム・フラナガン, またレタリングのカールヴァーでハウトそしてサムピナンスキといった方達と共に仕事が出来たことに、心から感謝を伝えたいと思います。いつかすぐまた、共に働けることを心から願っていますね。

JMangaを実現させてくれた全ての方々に – ありがとう。本当に楽しかったです。

(小松さんによる翻訳 Many thanks to Komatsu-san for the translation)





Okazu News: Okazu Post in Academic Online Journal

March 12th, 2013

Last year I wrote a blog post on Okazu about Maria-sama ga Miteru, Bodacious Space Pirates, The Bechdel Test and portrayals of women in anime that were genuinely strong (as opposed to the “strong woman” trope of body-suited chick with big gun). The article has now been published in an academic online journal on feminist studies, labrys. It’s been cleaned up so there is less presumption of knowledge of the series discussed for non-fan readers, so please feel free to share the link with media and feminist studies folks.

It’s a Woman’s World: Maria-sama ga Miteru, Bodacious Space Pirates, “strong women” and the Bechdel Test

It’s also been added to the Yuricon Essays page. If you’ve written something that belongs there, please let me know, we’re always looking for Yuri scholarship to add!

 

 

 

 





Fearless Defenders Comic, Issue 1

February 27th, 2013

On the Yuricon & ALC Publishing page on Facebook, Shannon Luchies put me on to this title and offered up this picture to entice me:

 
Little known fact about Erica – she has the entire original run of the Defenders.  I was a comics collector for many years before stilted writing and tiresome art put me off and I stopped. When manga took my hand and led me down the rabbit hole I was well-primed for the kind of fanaticism it required.

So, vaguely intrigued by the new series, Fearless Defenders, I called my Local Comic shop to see if they had it. I was told by the owner, a friend, that it was “pretty good.” Right now I’m feeling like most people must feel when they visit their childhood homes and see everything has turned all shoddy and their parents are becoming feeble.

Reading this book inspired me. Not probably the way the creators intended, however. Fearless Defenders inspired me to create the:

The Friedman Addendum to the Bechdel-Wallace Test

Does female character have agency?
Does she have society?
Does she have personality?

Or is she merely a female-shaped male hero doing male hero things while being female?

I’ll be using this in reviews going forward. Just as a litmus test, Bodacious Space Pirates passes the FA. So does Sailor Moon. The original Ghost in the Shell movie does not. This is not meant to overtake the Bechdel-Wallace Test, just to add a level of depth to understanding why a series might have a “strong, female character” and still be disappointing for women.

So, let’s get the bad out of the way. The female’s bodies can only be described as AAAAAAAHHHHH!!!!! I knew American comic art was going all tits and ass (often at the same time) but if their spines curve like that all the time, poor things must be in terrible pain.

Let’s do a quick contrast in battle art. Exhibit 1, , Fearless Defenders, Issue 1:

Ow. I dare any man to stand on their toes, with weight on their back leg, and spine curved and call it good defensive posture. I’m sorry, but fuck this. My wife rightfully points out that they are not in heels, which is true, and yet I notice that their feet are posed as if they were.
 
Exhibit 2, Avare Senki by Nakamura Ching
 

Which cover looks like it has a “strong female” on it?  I’ll be honest, I’m biased, because things like weight distribution in stances actually has meaning to me, and I’m heartily sick of females drawn with exaggerated “sexy” spine curvatures.

Okay, but, you say, what about the script? It was pretty good, wasn’t it? Fearless Defenders reads just like Tantric Stripfighter Trina, only in 20 pages not 200. The fact that the issue is a mere 20 pages is part of the problem, but the writing also made me very aware of the fact that American comics are now written for a very specific audience, one that does not include me. I’ve been defending comics a long time, but if this an example of a good one, I’m done. Like a Hollywood movie, every line was trite and overplayed.

Is there any good news? Yes, yes there is. Despite art and story being woefully mis-matched, this comic does indeed pass the FA. Misty Knight and Annabelle Riggs are friends. And, Annabelle has chosen to be there, and to stay, even when undead Vikings rise up around her. Split between good and bad,  Annabelle randomly kisses Val when she appears (see above) because, as the text helpfully explains, she “likes girls,” and as we all know, lesbians walk around randomly kissing any girl they find attractive, regardless of circumstance, like undead Vikings rising from nearby graves.

What is my point in all this? My point is, this series passes the Bechel Test and the Friedman Addendum and has at least one character, maybe two, who is a lesbian…and it’s still a bit disappointing.

That kiss should have been further along in the plot, not right off. It makes no sense where it is. Art, dialogue and that kiss are off of my mark for “pretty good.”  If a 15-year old sent me this I’d think it was genius. but for adults creating for an adult audience…. sigh…..

Ratings:
 
Art – 6 It’s executed well, but poses like that need to stop already
Story – 7
Characters – 7 We don’t get much beyond a line or two
Yuri – 9
Service – 9
 
Overall – 7

I’m going to follow the story for a bit, see if it gets better, but here’s what I think. You know how anime has a low frame rate, so when you watch it you have to fill in a lot of detail? This comic was drawn at a low frame rate and fans have to do a lot of the work to make it “pretty good.”





Destro 246 Manga, Volume 1 (デストロ246)

February 12th, 2013

Destro 246 (デストロ246) is the newest manga by Takahashi Keitarou, the creator of Jormungand. Where I might summarize Jormungand as an action manga about a group of unrealistically cheerful arms dealers Destro 246 is more or less about a bunch of young female assassin/bodyguards and their underwear.

Let me slack off and re-quote Tomo K. who let us know about this series in the first place:

“The story starts out with a Japanese businessman buying two 17-year-old female professional killers from a South American mafia to avenge his murdered wife and children. In Tokyo, the two bump into Imari, the professional killer from Ordinary, Takahashi’s debut series.

The Yuri part involves Ichigo, a senior-high girl who’s inherited her father’s yakuza business. She has two female bodyguards, Manten and Renka (who’re her classmates as well). The three talk of having threesomes “as the usual thing”, and there are panels where Ichigo fondles one of the bodyguard’s huge boobs, and the bodyguards kiss Ichigo in public as well.

When Ichigo destroys a rival, she keeps the girlfriend of the gang leader alive, and orders her to be their sex slave until she grows up and inherits her father business (then she’ll be forced to hand money over to Ichigo’s organization).”

There’s a lot of fighting and the above female assassin/bodyguards beat the crap out of some guys but in Volume 1 at least, there’s only vague hints of a plot.

So, what is this manga about? I honestly have no idea. ^_^

Ratings:

Art – 6
Story – ?
Characters – 4 Kind of cookie-cutter at this point
Service – 7

Overall – 5

There’s no sense of “competence” here as there was in Jormungand, just magical hand-waves of skill. And awkward angles for upskirt shots because we just can never ever ever have enough of looking at underwear on indifferently drawn female bodies.