Archive for the Now This Is Only My Opinion Category


Support Independent Anime Journalism on Giving Tuesday

December 2nd, 2025

It’s “Giving Tuesday” here in the US and other countries,  a movement that began after the high-pressure capitalism of Black Friday and Cyber Monday in which people are asked to spend some money on charity, while they are loading up on gifts. 

This year I wanted to take a moment to also focus on the needs for free press and independent journalism. Mainstream media companies are run by the very billionaires who we need independent press to watch and report on. Local newspapers are being bought up by media conglomerates or folding. I hope you can or will support the independent news outlets you trust.  

We are very lucky in anime and manga to be an industry that has some very decent independent news and opinion media.  While not technically charities, I wanted to highlight a number of sites that can always use your help to thrive. These sight offer news, opinions, analysis, interviews and more and all of them take pitches from anyone, so if you have something you feel strongly about, pitch an article to them!  More importantly, all of these sites are editorially independent. No company is dictating what we write or how, who we report on or what we say about it. Reader support is keeping all of us afloat, so on this Tuesday, consider adding a few bucks to support independent anime/manga journalism.

Anime Herald is a newsmagazine site that has been around as long as Okazu. They publish opinion and history pieces, interviews and more. As they say in their motto, “We Speak Otaku,” they are focused on deepening the knowledge and connection fans of anime and manga have with the industry and artform. They just released the first issue of Anime Herald Magazine, in print and digital, which is fantastic and you should pick up a copy! Support them on Patreon or Ko-fi.

Be a part of the Okazu team, help support Yuri Journalism
Become an Okazu Patron today!

Obviously, here on Okazu, we’re always looking for reviews, news, opinion pieces and interviews related to on Yuri/Baihe/GL. We’re at a critical juncture right now – I very much want to raise writer rates and expand the number of writers, but we need your help to do so. If we had 20 more patrons at $5.month or 10 at $10/month,  we could give everyone who writes for Okazu a raise and match the highest rates in the industry right now. My goal is to reset industry standard a little higher, because I remember the days when writing an article actually paid decent money.  ^_^

If you value the content you get here on Okazu, please consider becoming a Patreon patron or a Ko-fi Supporter. You’ll get access to insider information, get-togethers online and off, a private lounge on or Okazu Discord and our undying gratitude. ^_^

Support Yuri News and Reviews on Ko-fi!

Yatta-Tachi is another amazing site that offer news, reviews, guides, upcoming releases and more. They also track industry on social media so you can find them wherever you are. They can take sponsorship on Patreon and Paypal.

Anime Feminist is a terrific sight for opinion and discussion focusing on feminist and queer and other diverse perspectives on anime, manga  and related media. They have a Patreon.

Lastly, I want to say something about Anime News Network and a staff dedicated to not only reviewing and reporting, but analyzing and scooping. I probably don’t have to tell you that it is the largest muti-country anime and manga news site, with a vast encyclopedia and, while is not technically independent, as it is majority owned by Kadokawa, they are wholly independent when it comes to editorial direction. (Disclaimer, I am now working for them, but this is not a paid endorsement!) Neither reviews nor perspective pieces are limited in any way, except by decency. This is probably more important than many of you understand.

I don’t want to write a whole essay on this, but let’s say that game and gaming media was, for a long time, mostly a mouthpiece for the industry.  A bit like if Viz put our a catalog with “reviews” of their titles and called it a magazine. I had a discussion with the late Zac Betschy about this, as *.*gates were both revealing these cracks and creating many more in gaming, comics coverage and general sanity.  Please support them by sharing, commenting, and clicking those advertisers! (Today the main banner is for Love Bullet. ^_^)

All of the above sites take pitches from anyone, allow for completely independent opinions, and pay for the work. In this day and age, these are all incredibly important and powerful needs – especially in an industry that is now large enough to be prey for mainstream media companies. 

So, please, while you are considering how to support the charities who work you resonate with, I hope you’ll take a moment to support the independent anime and manga journalism you love!





Giving Thanks for Yuri!

November 27th, 2025

It was a habit of mine to write a short post on what I am thankful for on Thanksgiving (in the USA,) for many years on Okazu, but I fell out of the habit when I became very ill, then lost my job just before the holiday. This year I find myself with some time and energy and I wanted to take a moment to not only be thankful, but specifically to be thankful for Yuri.

Tomorrow I’m going to write up a post on something amazing – the celebration of 30 years of Yuri manga with Rica Takashima’s Rica ‘tte Kanji!?, the first Yuri manga to be published in English and it occurred to me that Yuri manga has so profoundly changed my life for the better. I have been able to travel to world to speak about Yuri and see Yuri manga and related events, I’ve met amazing people—including so many Okazu readers!— and tons of folks in the manga and anime industries. 

It is entirely due to Yuri that I am currently able to write for Okazu, ANN, Anime Herald and have some extraordinary manga over the years. And because of Yuri I have been able to publish manga and pay writers and even launch a few  artists’ and writers’ careers.

I am extremely grateful Okazu Patrons and Supporters for everything you do for Okazu and Yuricon. Thank you all. And thanks to Rica Takashima and Yuri manga for changing my life forever. ^_^

 
 

 

 





Though I Am An Inept Villainess, A Tale Of Two Privileges

June 22nd, 2025

A girl in red and black "ancient Chinese"-styled robes, under a parasol looks at us, while another young woman stands behind her looking disapproving. Off to the left a handsome young man in a black uniform watches, his arms crossed. In the foreground are pink flowering plant,s the background is a Chinese style building.CW for this series and this post: Trauma, chronic illness, emotional and physical abuse.

A few months ago, on the recommendation of my dear friend, excellent reviewer and Sr. YNN Correspondent, Sean Gaffney, I picked up Volume 1 of Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court light novel series written by Satsuki Nakamura, with illustrations Kana Yuki, published by Seven Seas Airship as something to read on the plane to visit my mother.

Later, I found myself sitting in the bathroom on a plane, sobbing uncontrollably.

Since that moment, I have wanted to write about this series, but have not had the time. I expected to wait until Volume 9 landed in English (since the series tends towards two-volume long arcs, I was holding off reading Volume 8 until 9 came out), but I find myself today with an unexpected bit of leisure and want to get my thoughts down. Even now, so many months removed from that initial reaction, I find myself overflowing with hopefully not-entirely-inexpressable things I want to say about this series. These notes are not specific to any volume but are based upon my reading of Volumes 1-7 of the light novels.

In a fantasy Chinese-ish rear palace, i,e. harem prison, the consorts of the Emperor and their protégés vie for the Emperor’s and Crown Prince’s favor, blah blah blah. Kou Reirin is the unquestionable favorite to become the next Empress, but Reirin is chronically ill and weak to the point of being unable to do the activities that are required of her. As a result of being forced throughout her life to rely on others for so much, Reirin pushes herself constantly in everything. When she is well enough, she practices dance and martial arts, when she is not she sews and does calligraphy. Every moment she is able to sit up she hones skills and is always as kind as possible. Reirin is universally beloved for her dance, her embroidery, her writing and her generous nature.. 

Across the Inner Court is Shu Keigetsu, despised by everyone for her lowly upbringing, her lack of grace and talent, and her unpleasant personality. In a rage, Shu Keigestu uses magic to swap bodies with Reirin. Keigestsu quickly learns that, yes,  while being respected and loved is a privilege, so is having a healthy body. Reirin, having spent her lifetime captive in a body that was capable of little, suddenly finds herself unfettered. Exiled to a corner of the court as Keigetsu, Reirin find herself in a body that is strong and healthy. She sets out to make herself a life of almost complete freedom through hard work, study and a little luck. 

This swap sets in motion events that will radically change the Inner Palace in ways that no one could possibly expect. 

Sean suggested I would enjoy these books as they are centered on the relationship between two women who are not just intimately – emotionally and physically – intertwined, but who find that they need one another. And I did indeed find that. But I also found a story that touched some deeply felt emotions in my own life. 

I know I’ve talked about it from time to time here, but let me be plain – I am chronically ill and have been my entire life. Like Reirin, every day is a goddamn struggle, and I’m very lucky to have the level of ability I have, which often means I pass an able person. I’m not. I never will be fully able. Like Reirin, I practice martial arts, and I exercise to the best of my ability every day. I practice those things I can do in order to keep my mind as sharp and proficient as I can. (Some of you may remember my struggle with Long Covid which robbed me of cognition and memory. I have worked incredibly hard to be here today, although my memory will never be the same. Like Reirin, I am often forced to and often privileged to be able to, rely on others. I thank people profusely and try to pay it forward for those reasons. 

So, when Reirin was delighting in a body that, for the first time in her life, was able…it hit hard. I felt every single thing she felt deep in my gut. I knew exactly how I might feel if suddenly given a body that just…worked.

Conversely, as screechy as Keigetsu is, I understood her shock and consternation at suddenly being in a body that simply can’t. I know the feeling well. I’m often shocked at how much this body simply cannot.

Even after this emotional volcano, I kept reading the series, which is very well written. While I very much enjoy the current blockbuster novels of  Apothecary Diaries, Inept Villainess is superior in writing skill.

Fantasy Chinese-ish court dramas are  all the rage now, but for any woman watching, the setting is unsettling at best and could be triggering. Abuse and trauma are commonalities of both series, which make some of the arcs hard to read, but so far worth it in both cases. The complexities and politics of the Inner Palaces in Inept Villainess are interestingly complicated and often rather real-world horrible. I could not for a second imagine this series being interesting to a young person, even beyond the fact that before I let a teen read it, we would have to have a long conversation about women being treated as chattel.  

But I did say that there are two kinds of privilege in this series. One, obviously, is physical ability which is easy to understand. The other is so much harder to capture in a single concept. “Systemic bias” might be as close as I can come. Mental wellness is another way to look at it.

Keigetsu is treated as lesser because of social status, yes, but she is also groomed through emotional abuse to become a hateful figure, a person meant to cause pain and hardship in order to eventually serve as a scapegoat.  Her mentor is setting her up for failure from the beginning and Keigestu, although not an innocent, does not have the tools to understand what she is experiencing.  I felt that this was a clear reminder for us that behind every apparently screeching Karen is very likely a lonely and angry person who life is spiraling out of control for reasons they might not even be aware of.  Yes, Keigetsu is abrasive, but she was trained to be. Yes, she is demanding and capricious, selfish and angry…but she was not expected or assisted to not be these things, as they suited someone else’s narrative. And she was abused into becoming the person she is, through emotional manipulation and physical abuse.  So what she sees as Reirin’s “privilege” of being openly and nearly universally respected, is something Keigetsu was not allowed to imagine for herself. The result is a childish understanding of what Reirin’s life must be.

Who among us has not fallen victim to envy at the apparent golden child of school, or work or community? That person who seems to be consistently given permission to do or say anything, who is always forgiven, who always get favors. It’s hard to not be angry at that or want that for one’s self. Keigetsu’s desire to live that apparently easy life, unloved and unliked as she is, is wholly understandable. What might not be as understandable is Reirin’s refusal to be envious of healthy people and her unbridled rage when she can no longer hold that in. Even as I type, I rage with her. Wishing for health is an oubliette into which I cannot look.

While this is in no way a Yuri story, not even if you squint really hard, the bond between Reirin and Keigetsu is undeniable. By Volume 7 it is something that cannot really be described as “friendship” or love or really by any one word. They have literally inhabited each other’s bodies and lives. Reirin has gained brief respite of ability and health, and the ability to move ignored by the rest of the court. Keigetsu has gained access and the power to command. Thus far, Reirin has come out on top, but Keigetsu is beginning to learn to control her powers and her confidence is growing slowly but surely and healing is in her future.

One hopes that they will ascend to the throne together, hand in hand.

Ratings: 

Art – 7 I mean, it’s fine. The anime teaser art looks nicer, frankly. Light novel illustrations really are just so pointless. 
Story – 9 Very good and it’s getting better and better as it goes on 
Characters – 9 Same
Service – A bit here and there, and the boys are stripped down a bit, too
Intimacy – 10

Overall  – 9

Because of my own deep emotional connection to the series, I probably am going to skip the upcoming anime. I really don’t think I can sit through it. But if you do, let us know what you think on the Okazu Discord. I do however highly recommend the novels, with the caveat that if you, too, are chronically ill or disabled, maybe read the first novel somewhere where you can scream loudly or punch something or cry. Not a plane. ^_^;





Female Intimacy and Slice of Life Anime Article on ANN

October 24th, 2023

You may  remember that this past spring I was extremely ill with Long COVID. During my recovery I turned towards slice-of-life anime in an attempt to feel engaged by something, anything. Struggling as I was with concentration and focus, these anime helped me relax and find myself again. And, in watching them, I discovered something else…powerful stories of intimacy between women.

This motivated me to write up an article and Anime News Network kindly gave me the space to discuss these anime. I hope you’ll enjoy The Joy Of The Everyday: Emotional Intimacy Between Women in Slice-of-Life Anime. If you do, please leave a comment on ANN!





I’m In Love With the Villainess and ‘The Talk’

October 17th, 2023

Welcome back to Reality in Anime Week. ^_^

We’ve already discussed The Power of Hope ~ Precure in Full Bloom~‘s honest look at adult life. Today we turn once again back to I’m In Love With the Villainess, for an episode that many people hope will change anime for the better. (And some people threw tantrums about, but that’s a different conversation.)

In Episode 3, Misha turns to Rae and says, “Are you what they call ‘gay’?” In Japanese, the word used is douseiai (同性愛), homosexual. Rae then answers this with honesty. At which Lene mentions that gender isn’t really the issue and Rae explains that gender does matter for her. The English dub is radiant here, with a line about “love is love” is not wrong, but gender does matter for those people for whom it matters. Ironically, we had had this very conversation the night before on the Okazu Discord. ^_^

I’m going to take a second to digress here and say that the English dub for this series is absolutely outstanding and I recommend watching either or both. Hannah Alyea as Rae is brilliant and Lindsay Shepphard is incandescent as Claire.

I spent most of yesterday reading the comments for the sub and dub (which turn out to be different! Why, Crunchyroll?) and people were positively glowing with praise for the frankness of the conversation. A few people were moved, many were surprised (I guess they haven’t been reading my reviews. ^_^;). Some folks inevitably mentioned that this has never been done before in anime – that is not 100% true, but this scene definitely broke some walls and of course anime fandom memory doesn’t go very far back as new fans never know what they missed.) I want to assure people that these walls were broken with intention – this series is not done providing realistic commentary about both queer lives and social and financial inequality. This is a show that I expected to knock people’s socks off and so far it has not disappointed.

Given that King Records thinks this series Blu-ray will sell well enough that they already have opened pre-orders, I think this may be a real moment of changing tides in an industry that has regularly utilized queer content, without accepting the people whose stories it tells. Media companies in general are conservative, and otaku are often, weirdly, also very conservative.

In a year where Kadokawa (a company that regularly profits from fannish pairings of same-sex characters and manga that portrays queer stories) backtracked on the relationship between Suletta and Miorine …a relationship witnessed by viewers worldwide, no less… this is a story that Ichijinsha is giving room to be exactly as queer as it wants and needs to be.

That’s worth celebrating.