Archive for the Now This Is Only My Opinion Category


Okazu Reader Survey

July 17th, 2008

The Okazu Reader Survey is now closed. Thanks to the 300 people who took it! I’ll report the results as soon as I have a moment so you can see just who you are. :-)

Last night, I received a comment that made me realize that while I *write* Okazu for two 40-something women who happen to live in my house, I am often read by people who are younger, male and totally Yuri fanboys.

So I thought about it a bit, and decided that I’d like to know who you are better than I do. I probably won’t change my writing style or opinions, but I was just curious, because I have a pretty good idea of who I *think* is my audience.

So, if you have a few seconds, Click Here to take survey. It’s only 10 questions. I’m not collecting names or anything, I just want to know if you are who I think you are. :-)

Thanks in advance!





The Truth About Publishing, Selling and Buying Manga

July 13th, 2008

One of the top subject among all anime/manga blogs these days is the difficulties and frustrations of finding and buying the items that, as fans and consumers, we want to support.

I don’t know if I’m going to be able to express well enough all the many complexities of the issues, so my apologies in advance if I seem like I’m oversimplifying or making things more confusing. To try and explain the whole mess, I thought I’d split the whole thing into three perspectives. Hopefully as I go through the process from each group’s point of view, you can start to see the problem areas on your own. Honestly, I have no suggestions at all about how to fix this.

Let’s start with the point of view of the consumer:

I want to buy a manga. I have several choices to decide how to do that. If I go to a comic book store, I can look through a copy of Previews (for which many comic stores charge, something that I think is criminal,) and decide what I want to read three months from now. The comic store places the order and we both *hope* that the book will come out on time and that there will be enough to fill my order, because the distributors frequently fill larger orders first, leaving the remainder of their initial order from the publishing company to fill the smaller orders from individual shops. If I don’t get my book, maybe the distributor will have enough remaining orders to place a new order with the publisher…or maybe not. If they do, maybe the publisher will have enough books from the first printing left to fill that order…or maybe not. If any of the “not” options arise, I don’t get that book. Even though I ordered it three months in advance.

So, I decide to go to a bookstore. Here’s a spot where consumers have a serious disconnect between their reality and real reality. They think – the bookstores will have books. Or they will order books for me! The reality is that bookstores only want to shelve books that will sell. So they will almost never order a book/author they don’t know, that has a niche audience, a small chance of selling, or a book that they don’t know anyone wants. Whether they have a lot of manga shelf space or not, real estate is always at a premium. Naruto sells, Bleach sells. These titles, for many reasons (some of which I touched upon last week) sell multiple copies. Strawberry Panic Light Novel (and I don’t want to beat on Seven Seas particularly, I’m just choosing that because it is a niche publication by being both Yuri and a Light Novel,) might, maybe, possibly, sell a copy. If you are a bookstore – which are you going to place an order for?

So, I go to the bookstore and ask them to order a copy of a book. They check to see if their distributor has it. They won’t go through the publisher directly, because that would be madness…there’s a million publishers, small and large. There are fewer distributors, so the bookstore can place an order with a few places, rather than many. Now the cycle goes back to the – does the distributor have it in stock or not?

So, in the case of say, Yuri Monogatari 5, you walk in to the store, ask them to order it. They place the order with Diamond and eventually, yes, you have your book. But if Diamond has none in stock, and they don’t plan on getting any more, because the last bunch never sold or was returned – or they can’t because I’ve shifted distributors, then you don’t get your book.

All of this applies to online bookstores as well as brick-and-mortar and is no less vexing. Online is a little more annoying because they may not even have the ability to let you place a pre-order or order, if they don’t list the book on their site.

Now, the distributor’s point of view:

A publisher tells the distributor that they have a book going on sale in five months. The distributor adds it to their catalog, that goes out to book stores, comic book stores, etc. Bookstores look through the catalog and decide to place some orders for that month. They may change their order a bit if a lot of pre-orders come through for a particular title, by adding more to what will go out on their shelves. Or, if a book that was on the shelves is not selling well, they’ll return the unsold copies (to make room for new volumes) and not buy as many the next time of that title.

The comic book stores take the orders for manga and hand them in – they rarely buy anything for the shelves, because most small American comic book stores really don’t *get* manga, and don’t want it hanging around the shop, but some do keep a nice selection. Those will deal with the orders just like the bookstores do. Mostly comic stores buy what their subscribers pre-order and no more.

The distributor collects the pre-orders and gets back to the publisher with a purchase order for x number of books. The publisher sends those books. It takes time for them to get sent, then logged into the system, then shipped out. In fact, it adds anywhere from a month to two months to the from printer-to-consumer cycle. So even though a book is “on sale” on Day/Month, you may not get it for a while.

Now, let’s say that the distributor gets no, or only a few, pre-orders. They won’t place a big order w/the publisher, because as far as they know, only 40 people want this book. In reality, there may be 4000 waiting for it to come out, but since those people didn’t pre-order it, the distributor and bookstores have no idea. So they place an order for 100 books, send out the 40 orders, and fill other orders as they come in. That’s 3900 people who are waiting for a book to show up on a bookstore shelf so they can buy it – but that book will never arrive, because the bookstore and the distributor can’t read minds and didn’t know to order it.

Once people realize this and ask their bookstore to order it, pretty quickly the distributor is out of books. Maybe they get enough orders to make it worth placing another order with the publisher, but because the initial order was small and they only have a few more orders coming in, not 3000, but maybe 30, they place another small order and the cycle repeats. They don’t want to be warehousing thousands of unsellable books, so they will be very conservative.

And, if they start getting returns from bookstores, they’ll be even more conservative, because they can’t resell books that have been returned to them to another bookstore. They will sell to discount and bargain sellers (like the people who sell books cheaply on the Marketplace on Amazon,) but those are few and buy in small amounts. So, if Diamond is stuck with 100 shipped and returned copies of Iono-sama Fanatics, they won’t request a new order, even if they get a few orders in for it – and they won’t ship what they have, because they are considered used. So, even if the publisher can fill the order, they may not be able to get you a book.

Last up, the publisher’s point of view:

The publisher has to work on a schedule and know about 5 months ahead of themselves when a book will come out. (This is easier for larger companies. It’s really hard for me, since I can never be sure how much time a book will take and, more importantly, how much time at any given point in my life, I can give it.) They tell their distributors, who put the books into their catalogs. Then they wait for the purchase order. So, if you pre-ordered Kannazuki no Miko from Amazon, that pre-order went into the initial p.o. from Amazon to the distributor and the distributor to the publisher.

Let’s say the publisher publishes 6000 books. They get an initial p.o. for, again, say 1000. That leaves them holding 5000 books. Now, maybe the best situation happens and all 1000 get sold and few returned, so they get another p.o….this time for 300 books. Because, remember, the distributor isn’t going to want to warehouse more than they can sell, bookstores don’t want to shelve more than they can sell (and bookstores don’t really get that new fans pop up all the time, so having only the latest volume of a manga series makes it hard to sell that volume 5 to someone who hasn’t read 1-4.) So the second p.o. will always be smaller than the first. Unless there’s an astounding number of orders from stores.

Maybe, from this point on, the publisher get a p.o. every few months for a few more books here and there. But mostly, they still have about 4000 books sitting in their stock. The stores/sites will also only keep a book or two – at most, and after a while won’t bother stocking more. And they may return a title if it gets too old, so the orders dribble out. The publisher *has* the books, but can’t get them to new fans, because the system has no method for that.

And, just to make this all more annoying, all these books sold through a distributor are sold for a very low price, so the distributor can add a percentage and so can the bookstore, so everyone makes money. If a publisher sells a book that is a cover price of $10, they may only get $4 from the distributor. If the cost of printing that book is $4/book, then with shipping, the publisher would actually lose money even though they made a sale. So per-books costs have to be very low in order to make any money at all.

You will probably say “why not just sell direct?” but that’s not as easy as you think. People don’t order directly that often and not in great numbers. Fulfillment for 1000 single items is a nightmare. That’s 1000 books that have to get packaged, labeled and mailed and many of the publishing companies don’t have that kind of staff. I certainly don’t. If I had 1000 copies to send out of a book, you’d be waiting WEEKS while I got all those orders filled. Also, some publishers don’t bother discounting their books on their site, so you get a better deal at a store site. In the case of the one book you want from that publisher, it’s sometimes not worth the effort to get that one thing. People would rather buy on a site where they can buy many titles at once, like Amazon, or go in a bookstore and find it on the shelf…only that title might not be there, for all the reasons I mentioned above.

The publisher *might* go to events, but that is extremely expensive and may not make more money than it costs – unless the publisher has new items constantly, it gets harder and harder to sell that Volume 1. Sure, there’s a new fan here and there…but they need to sell out the last 4000 of those books, which is a lot of new fans to try and get. It’s not reasonable to expect to be able to have sales like that at a show. New books make it easier to sell the old ones, but then publishers are locked into a cycle of having to constantly be putting out new books, which can get very expensive and you actually end up with more older volumes lingering each time.

You, the consumer, might really want a copy of Last Uniform and Seven Seas may have the copies to sell. But if the bookstore won’t or can’t place the order, or the distributor won’t or can’t place an order, then the books might be there, but they can’t get to you.

Here is what I can tell you. There is NO publisher – none, ever – who want to screw you, the consumer, the fan. If you believe that, you are being silly, or perhaps deranged if you *insist* that any company is out to screw or deceive you.

*Every publisher wants to sell books. They want you to get the books you want.*

Plain and simple, they want to make money. The profit margins in publishing are so low that, trust me – they all really, really want to sell books.

What does happen is that a lot of companies are run by fans, who have a middling to poor grasp of business and/or business communications. So their inability to communicate to you may seem like them fucking with you. But it is not intended to be that way. On the other hand the company may be run by suits and they don’t understand fans at all, so then it seems like they don’t give a shit. They do, but they don’t know the particular issues of fandom. Again, it’s not personal.

Because of the legacy process from comic books, and the process for books in bookstores that is geared for short-lived best sellers, manga publishers in particular have a hard time getting those books to you. And the onus gets put on the consumer’s shoulder to pre-order things, which is ridiculously unfair. It basically means that you have to buy first, in order that people after you can buy later. It’s an absurdity and I’m sure we’ve all been burned by it at some point.

If you’re from overseas the problems are multiplied, because to your country our books are foreign and therefore of significantly lower priority than your own. Even if my distributor has a deal in place with bookstores in your country, it’s not guaranteed at all that any bookstore there will ever place an order for one. Even if you go in and ask, they may just not care enough to bother.

It sounds good to just get rid of the distributor, but that’s unrealistic. Bookstores and comic bookstores typically buy from distributors because that makes their lives easy and in some cases, it’s the *only* way to get that book. So without a major distributor, you’re basically selling off your own shop. And that just will never generate major sales on a regular basis (except in some unusual cases. If you are thinking of Right Stuf, for instance, remember that they were actually a distributor first, with a website that aggregates many companies’ items, so it’s more like going to an anime/manga store or Amazon, than a single publisher.)

Lastly, the sad truth is that far more people buy Volume 1 of a title than will buy Volume 2 and it goes down in numbers from there. So if a publisher spends $10k to publish 6000 copies of a book and sells 2000, and doesn’t come close to breaking even, then the impetus for them to spend 8k to print 3000 copies (because even though it’s less copies, they’ll still pay license fees and royalties and the cost per book will rise, because they are printing less) and will only sell 1000 this time. And so on, as they put out more volumes. Unless pre-orders are there to pick up the slack.

So, it comes down to the fact that the whole cycle of publishing, distributing, buying and selling is a total mess. Not just for one company or one consumer, but for all of us.

I hope that that explains some of the issues you, the reader, run in to when trying to find the manga you want. It doesn’t help the problem, but I hope I’ve been able to shed some light on why sometimes, even if a publisher says a book is available, you can’t seem to get it.

If any of the other publishers out there have any thoughts on this, I’d love to hear it. I’d also love for us to get together and figure out a way to fix this system, because for manga publishers at least, it’s way beyond broke.

While writing this, I started thinking about the complexities of promoting manga, so I’ll deal with that at a later date, too.





Happy Independence Day

July 4th, 2008

Today is the day Americans celebrate the choice, more than 200 years ago, to break with England and become an independent nation. Most people really don’t think about that decision too much, but if you take a look at it objectively, it took some serious balls. No country had ever done that before. Ever.

I sometimes wonder how different history might have been if our founding fathers hadn’t made that decision. How long might it have been for any other country to take that leap, if ever? The French people revolted in part because they had a precedent – the Americans had successfully destroyed the mutually agreed-upon illusion that Kings were akin to Gods.

I remember in 1976 when this country was celebrating that decision all year long as part of the Bicentennial, and every freaking class, club and organization I was in did *something* related to 1776. During that year I visited Philadelphia (site of the signing of the Declaration of Independence,) Washington, D.C, (where I saw the actual document, along with the Constitution – another outrageously ballsy document,) and a host of colonial and Revolutionary-period sites. I live in a town whose nickname is “The Crossroads of the Revolution” and which has several houses where George Washington slept, his headquarters for two years during the war, and many a battlefield.

In 1976, I was also given the opportunity to watch what I still consider to be one of the best movies ever made. 1776 is a musical based on a Broadway play. It recounts the days leading up to the creation, passage and signing of the Declaration of Independence and if you have never seen it, I really recommend you run out and do so *immediately*. Of course its fictitious, but much of the dialogue and situations are taken directly from letters written by the members of that Congress. So for a fiction, it’s pretty factual. And most of the songs are pretty great, too. :-)

If you have ever wondered about the whole American Revolution thing, or if you’re not American and really don’t get the big deal, definitely watch 1776. Every year I watch it on July 4, and every year I’m reminded that despite our current administration trying so hard to destroy everything we’ve worked for for 200 years, being American is actually quite wonderful.

Happy Independence Day!





Top Ten Yuri Countdown of 2007

December 24th, 2007

As I sit here and look over my top ten list for 2007, I have to laugh. I’m not sure I know what I was thinking when I wrote it. lol But that’s okay, I can’t imagine why anyone would care what I think, anyway. So here goes:

10) Cream Lemon Escalation Light Novel

Yes, this book is 20 years old. But I only managed to read it this year, so here it is. Not only is this Light Novel chock full o’Yuri hentai, it’s the ancestor of several other notable Yuri series. Like a pervy grandfather alongside our grandmothers Yoshiya Nobuko and Ikeda Riyoko, this story shaped what we know and love as “Yuri” today.

9) Cutie Honey/Cutey Honey

Speaking of pervy grandfathers. This year saw the release of the awesome Cutie Honey a-GoGo Perfect Volume *and* the new Cutie Honey the Live TV show. And once again, Yuri abounds in this heap of pandering, fetishes and pervtasticness. It’s almost a challenge at this point – how low and horrid can this series go and still be loads of fun? I don’t know – I guess we’ll find out, won’t we? :-)

8) Strawberry Panic Light Novels and Drama CDs

One more for the how low can you go file. These novels were full of tortured metaphors and ridiculous handwaves (can you say private helicopters? I knew you could) – and the occasional sexy and sometimes even lovely moment. I still await their English debut from Seven Seas with bated breath because they are so laughably awful and I await the response of fandom even more as they bend reality to justify how good they *must* be, since we can never admit to just liking something that’s junk. lol And the Drama CDs are even worse! This grandchild of Escalation makes this list for the combination of wtf-ness and Yuri.

7) Kashimashi Girl Meets Girl

This is the last time I mention this, seriously. Both anime and manga came out in English this year, marking Media Blasters’ entry into the Yuri market, and continuing Seven Seas foray into yuri-ish manga. I really don’t love this series half as much as it might seem from its presence on all of this year’s lists, but it was well-adapted in all cases and it’s just a fluke of timing, mostly. lol Although I still wished Tomari and Yasuna ended up together, Kashimashi makes this year’s top ten at 7th.

6) Magical Girl Lyrical Nanoha StrikerS

I’m going to allow my biases to show for one moment – this is on this list for being conglomeration of many things that I like, as much as because I saw it as Yuri. StrikerS had adult women, in military uniform, kicking ass in pretty colors, all of which made it one of the best shows I watched this year.

5) Blue Drop

And gee…Blue Drop has women in (admittedly ugly) military uniforms, etc, etc. I’m consistent. I like soup to have nice chunky pieces of meat and veggies and I like women in uniform. And spaceships and battles…and Yuri. Since the Yuri in Blue Drop is more overt that that in StrikerS, it makes it onto the list at fourth. I really wish this series was longer – I’d happily watch it for as long as they wanted to show it to me.

4) Simoun

The Megami magazine version didn’t do a thing for the mythos, but the Drama CD massively upped the “obvious” Yuri. And the anime, which I feared would not be adaptable and coherent, was extremely well handled by the folks at Media Blasters. And instead of downplaying the Yuri, they jumped right in and marketed it as Yuri, which makes them the first anime company to ever do that. Above all, the story remains brilliant, as does the art, the music and the characters. We can all look forward to more Simoun.

3) Maria-sama ga Miteru

The OAVs were fun, they were romantic, they were a very decent adaptation of the novels. The DJCDs and web radios massively pumped up the Yuri for fans’ enjoyment, and the novels…they are just full of love-love moments. I’m so far behind in reading them, that you’re going to have to hear about this series for a long time to come. :-) For Yumi and Sachiko, Rei and Yoshino, Tsutako and Shouko and Sei and everyone, lol, this series continues to make my top three for the year.

2) Yuri Hime and Yuri Hime S

Never before have so many artists, male and female, been gathered together to draw stories of girls (and women, sometimes) in love. Some of the best names in the industry, many who have been drawing Yuri/Girls Love/Onna x Onna manga for ages, are represented here. Yuri Hime, mostly by women who draw Yuri and Yuri Hime S, mostly men who draw Yuri, all drawing for us, the Yuri audience. Their collections are high quality and coming soon to western shores via Seven Seas, and I’m really looking forward to seeing them here. Because 8 times a year I get all excited to see what each new issue holds, Ichijinsha’s GL magazines are the second best Yuri of the year.

1) Iono-sama Fanatics

As I mentioned yesterday, I still find it incredible that Infinity is translating this. But even more so, how fantastic that second, final volume is, with its silly epilogue, fashionable clothing (Fujieda does brilliant costume design) and charming, appealing characters and all the Yuri a fan could want. Heck, for the cover of the second volume alone, this series could make number one. lol

The number one Yuri title of 2007 – Iono-sama Fanatics

***

Let me take this opportunity to thank all the folks who have sent me items to review and the companies that have provided review copies – I couldn’t do it without you.

Most importantly, I want to thank everyone who has read and commented here over the past year! I wish you all a happy, healthy New Year!

Next entry, my adventures throwing money at the Japanese economy! See you there. ^_^





Top Ten Yuri Manga of 2007

December 23rd, 2007

Arrrghhhhh! How on earth am I supposed to pick a Top Ten? There was so much with dribbles of Yuri and so little that was *good*. I could do a Top 4 easy, 3 anyway. lol Again, to ease my indecision crisis of conscience, I’m splitting the list into English and Japanese…and cheating by having a bunch of Honorable Mentions. It’s not like this is a science or I get extra points for precision or anything. lol

English Language Manga

Honorable Mentions: Because they made the Top Ten lists last year and because I’ve beat them to death here at Okazu, I would like to give Honorable Mentions to both Read or Dream and Strawberry Marshmallow. I can’t get enough of them, but I’m sick to death of singing their praises. :-)

5) Kedamono Damono

This series is a go nowhere dead-end shoujo romance story where the Yuri is meant to provide comedy and ballast for the straight romance. But as far as the volumes I read went, the *only* part of the romance that was even marginally functional was the Yuri part, so, despite my personal disinterest in the story, we’ll give it fifth place.

4) Yuri Monogatari 5

This year’s anthology from ALC is almost *exactly* the book I want to publish. With 6 stories by Japanese artists and 8 by artists from the rest of the world, this is an awesome book. Happy sad, realistic, fantastic, there’s something for everyone. I don’t personally love every story, but every story taught me something. As the only example of josei Yuri by women for women out there, I’d be remiss if I ignored it out of humility. If I hadn’t published it myself, it would have still made this list – and probably at a much higher rank.

3) The Last Uniform

How I wish I liked this series. But I don’t. I don’t care for the endless gavotte these girls dance around one another and I have never liked the art. But Seven Seas does an exceptional job of reproduction and it’s the only really Yuri manga they mangaged to get on to the shelves in 2007, so I could point to it and say, “this is Yuri.” For the sheer Yuriness of it, The Last Uniform comes in third.

2) Kashimashi Girl Meets Girl

I was so very, very sure when I first read this series, that Hazumu was going to end up the series as a boy. I’m very pleased to have been wrong about that – and about every other thing in regards to this series that I predicted. lol The story had some serious handwaves to overcome, but is fairly solid as a love story and a Yuri one at that. And extra points to Seven Seas for what continues to be the best adaptation of a manga into English that I’ve seen.

1) Iono-sama Fanatics

I can’t tell you how excited I was that this apparently obscure Yuri manga was translated. It’s whimsical, fun, action-filled and well…Yuri. Fujieda Miyabi’s art is moe to the max, and yet it really grew on me. He writes sweet, somewhat goofy stories that don’t adhere to most of the tropes of Yuri. No schoolgirls here, just a Queen and her handmaidens, ridiculous adventures and Yuri love. While Infinity definitely can improve in their adaptation of the book, the story and characters carry this series far above and beyond the rest of this year’s lot. The winner, without question for this year’s best Yuri manga in English – Iono-sama Fanatics.

Japanese Language Manga

Honorable Mentions: These go to Kools which I have yet to read, but am adding to this list solely on the basis of Erin’s glowing recommendation. :-) And Gunsmith Cats Burst for bringing back Evil Psycho Lesbian Goldie and notching up Misty’s campaign to stay near Rally in a way that will surely start a new round of fanfic somewhere. lol

5) Sakura no Kiwa

No one paid the least bit attention as I reviewed this ridiculous series by the same artist that created Transistor ni Venus. lol It has a passive-agressive lesbian couple – in all sorts of denial – and slacker family members, and way too many cats. In a sane universe I would have loathed and despised it, only, I didn’t. In fact, I’m really hoping against hope for a 4th volume I know will probably never come. No one’s gonna scanlate this. No one cares. No one but me, that is. Fifth, dammit.

4) Kawaii Anata

Like many of the Yuri Hime collections, these stories work better as an anthology than they did as separate stories in the magazine. Hiyori Otsu also eschews the typical tropes for older, sometimes randomly cracked characters, but even the typical characters seem to have some depth. The art is pleasing, the stories don’t make one want to bang one’s head against the wall, so it comes in at an easy fourth.

3) Hatsukoi Shimai

This series, with two volumes out now in Japanese with a third around the corner,and one out any day in English, is so stereotypically “Yuri” that it hurts. Like The Last Uniform it is about love among students at an all-girl’s school. Unlike The Last Uniform, the girls actually get together, with admissions of love and kissing (necking, even) and all the stuff that so frequently is missing from schoolgirl Yuri. And it has Touko-sensei, whose inappropriate and unethical relationsip with Akiho is my most favorite couple in the series. :-) When they get together, this series goes up a rank. Third place for this Yuri Hime serial where the girl actually *gets* the girl.

2) Hayate x Blade

In reality, there is only one lesbian character in this series. But there are dozens of couples. Hitsugi and Shizuku, Kiji and Michi, Akira and Sae, Momoka and Isuzu…the list goes on and on. But above all of them, Jun, with her openly proclaimed love and desire for women and Hayate with her openly proclaimed love and desire for Ayana, make this baka school/action/comedy win for Yuri fans everywhere. With Hayashiya Shizuru at the helm, you can be sure to get laughs and Yuri love aplenty.

Envelope please…this year’s winner for best Yuri Manga in the Japanese language is….

1) Aoi Hana

Technically, this book was published right at the end of 2006, but I bought, read and reviewed it in the beginning of 2007. Sweet Blue Flowers is yet another schoolgirl Yuri story. With a simple, quiet feel, an understated realism and touching, interesting characters, this story, like Hatsukoi Shimai is practically a poster child for the genre. I was honestly hoping to have Volume 3 by now to review, but I’ll be sure to pick it up asap in Tokyo. Fumi and Yasuko’s relationship has few fireworks, but the drama is solid. For taking the same old story and doing something *good* with it, Shimura Takako’s Aoi Hana takes top prize.

We have one winner from the boy’s side – Iono-sama Fanatics and one from the girls’ side – Aoi Hana. How balanced we are here at Okazu!

Tomorrow – the final countdown for the year! Bring popcorn!