Archive for the Maria-sama ga Miteru Category


Maria-sama ga Miteru Sixth Novel: Valentine’s Gift, Part 2 (Part 1)

August 10th, 2005

Valentinusu no Okurimono Atoben
Valentinusu no Okurimono, Part 2
Valentine’s Gift
Part 1

The sixth novel picks up immediately following the last line of the fifth novel (which means that there is no usual opening…something author Konno Oyuki comments on in her Afterword.)

There were few surprises in this novel, and those were small surprises. The anime pretty much killed this novel in a death of a thousand cuts. I think that if I had read the novel first, then watched the anime, I’d have been pretty livid, since the anime made everyone seem completely out of character and kind of stupid in comparison to the novel. Especially Yumi. The anime made her seems really doofy, but she’s not at all like that in the novel – and no lame “cliffhanger” where she thinks Sachiko has walked off, thank heavens.

For the record – 16 pages of notes this time – THAT’s how much was changed, cut, or just plain interesting. Again, some of the many things I will comment on were in the anime (no manga is available yet, and I have not yet had the pleasure of listening to the CD Drama), but for whatever reason, if I thought it of note, I jotted it down.

Notes will be in three parts, since there were three parts of the novel. :-)

“First Date Triangle”

The section heads of this particular story were food-related: Hors d’ouevre, main course, etc…

Order

1) As Shimako falls apart in Sei’s arms, crying because Sei will leave when it becomes spring, Sei comforts her with the thoughts that the rest of the Yamayurikai love her and that time moves on, she’ll find a soeur, etc. Shimako thinks, but does not say, that although her friends in the YYK are fine, they are not Satou Sei!

Sei jokes that Shimako seems cranky.

Boy did they leave THIS out of the anime: Sei then comments that, after the school elections she and Shimako embraced. If Shimako wants, now, Sei will kiss her…or do anything else she’d like. (!)

Shimako declines, thinking (again, not saying out loud) to herself that Sei offering such a thing is enough for her. They are too much alike – if they got to close, they’d end up being dependent upon one another to lick each other’s wounds. For Shimako, Sei and she are mirrors reflecting each other’s existence. Shimako’s wish is that RG remain there for her. That Sei was there in her life is enough for Shimako; she doesn’t need to be held.

As in the anime, Sei then puts Shimako’s hand in her pocket and begins to walk. When they reach the statue of Mary, Shimako stops, as customary. However, Sei grabs Shimako’s hand and pulls her past, saying, “For today, don’t.” Shimako goes along with Sei, but it’s the first time she hasn’t stopped and put her hands together in front of Mary. She thinks that Sei is the cranky one, now.

2) Yumi and Yoshino are alone in the Rose Mansion. As in the anime, Yoshino is writing out a list of girls who gave chocolate to Rei, so she can return the favor on White Day (March 14, when boys give girls they like – and return the favor of obligatory V-Day chocolates – with white chocolate.) Yoshino’s pretty pissy about having to do it and complains because Yumi doesn’t have to. Yumi apologizes that her
onee-sama is so fastidious, in a very fond tone. Yoshino is extra pissed, because Rei not only asked Yoshino to do this since she’s really busy, but its extra burdensome because when students found out that last year she gave white chocolate back, it encouraged even more gifts this year. Yoshino grumps that that’s what she gets for having a sexy and soft-hearted onee-sama.

All of this was in the anime, done just slightly differently. Yumi is hoping to ask Yoshino advice for her date with Sachiko. However, what was cut out (or washed out in the anime version) was, Yumi leaning forward and quite suddenly asking Yoshino if they could become closer friends. Yoshino responds by getting all embarrassed and a little gruff. Yumi tells Yoshino that she likes her and, since they are going to be en bouton and one day Rosas together….

Yumi asks, “Do you dislike me?’

(Let me digress for a sec. As I mentioned in my notes for Kibara Kakumei, the second novel, it is quite apparent that, other than Rei, Yoshino has no friends at all, really. So this is a really key moment for both of them.)

Yoshino wonders why it embarrasses Yumi to ask this, and Yumi admits that she can’t just come out and ask Sachiko if she, Sachiko, loves her, Yumi, although she wants to. Yoshino admits that she and Rei tell each other all the time that they love each other. The two girls look at each other and laugh at their mutual embarrassment. Yoshino stands up and puts a hand out and Yumi takes it. With a shake and few ritual words “Yoroshiku,” “Kochira koso” they move from being acquaintances to close friends.

Now that Yumi is more comfortable, she says, “So, can I ask you something – about my date…”

I loved this scene and wish it had been included in full in the anime.

3) A Tsutako scene, like all others where Tsu shows off her understanding of human nature and Yumi boggles. Lol

Tsu, rather facetiously, tells Yumi to look up the word “date” in the dictionary (which she does, which leads from a Japanese dictionary to an English one to a French, which they don’t have on hand. Tsu boggles at Yumi doing this the entire time…) Tsu comments that Rei and Yoshino would, naturally, living next to each other and being cousins and soeur, go out all the time, so Yoshino most likely really
can’t help Yumi with her issues. If Yoshino and Rei go shopping, it’d be a kind of date, so…

Tsutako offers to go on a dry run date with Yumi so Yumi can “practice” her schedule. Yumi thinks she doesn’t have the time as the date is this Sunday. But more importantly, this is the 2nd time we get a glimpse that Tsutako likes Yumi a little more than she lets on.

Tsu suggests going to ask Shimako.

4) Shimako seems listless. Minako wants a preliminary budget for each date and a report by each en bouton and contest winner – Yumi thinks it all sounds oppressive.

When Yumi asks Shimako if she’d asked Shizuka about the date, Shimako falters and Yumi rushes to keep her from falling. Yumi asks her what the matter is, Shimako says that she doesn’t understand Shizuka’s true intentions.

5) This leads Yumi to see Shizuka, who accuses her of coming because Shimako or Sachiko suggested she do. Yumi denies it, but breaks out in a cold sweat.

Shizuka tells Yumi that she’s not a god, or a psychic – she happened to find Shimako’s card entirely by accident.

Hors D’ouevres

6) When Sachiko smiles, Yumi thinks that she looks like Maria-sama, but then she decides that she likes the hysterical Sachiko, too. We get a moment of Yumi being besotted – a long look at Sachiko, admiring her outfit, then thinking that what was in the clothes is even better. (!)

As in the anime, they have decided to go Dutch on this date, because they couldn’t agree who would pay. The final agreement is that they would each put in half and Sachiko will give Yumi something for White Day – to keep it all even.

The first place they stop is a bookstore. Yumi sees Yoshino following Rei and Chisato.

7) Yoshino spends a huge chunk of this section reproving herself for following them. Disgusted with her own behavior, she berates herself for scene after scene.

8) Tsutako, who is hoping to get a picture for the newspaper, is hungry. In a cut-out scene, (gosh, I wonder why they cut this?) she spends about two or three pages fantasizing about eating something with rice. lol It’s an entire chapter of Tsu thinking about lunch!

9) Shimako and Shizuka get off to a bad start, which is pretty fairly done in the anime. BUT, we didn’t get to see Shimako wondering if Shizuka picked their meeting place because there were many places to buy food. In fact, Shizuka picked it because she knew Tsutako would be there and thought that it would be fun to try and dodge her, “Playing with fire” a little.

Shizuka points out that Shimako picked the school as their “date” place for the same reason. Bull’s-eye. In fact, as the bus pulls out of the station, Tsu sees Shizuka in the window, and Shizuka sees her as well.

To Be Continued…





Maria-sama ga Miteru Manga, Volume 4

July 11th, 2005


I love getting my Maria-sama ga Miteru manga fix from Margaret magazine twice a month, but there’s definitely something extra special about getting a whole volume with a complete story in your hands. The down side is, you don’t always get the splash page art (especially if the series has alot of color splashes) but you get wonderful goofy filler pictures where all the magazine blahblah went. :-)

This week I got my paws on the manga of Maria-sama ga Miteru: Rosa Canina. And even though the story only ended a month ago in serialized form, it was amazing how much more I can catch when I read it as one whole continuous story. I guess I’m just not all that good at remembering who’s what where from month to month. LOL

I have actually discussed most of the differences between the novel/manga/anime and Drama CD in my notes from the 4th novel, so I’ll try not to repeat myself too much. Let me just draw your attention to a few things: 1) The manga inserts some internal Shimako dialogue that doesn’t exists anywhere else and which heavily foreshadows her Cherry Blossoms arc; 2) I am steadfast in my belief that Shizuka is coming on to Sei in a big way after the school elections.

Included in this volume is the New Year’s arc, which is marginally more accurate to the novel than the anime, but still changes alot of things. And sadly…we don’t get to see Sei flirting with the miko who was handing out the fortunes. I think that would have been worth a panel, at least. Because the New Year story (Nagakiyono) ran in Margaret before the Student Council election arc (Rosa Canina), that’s the order they appear in the volume, the reverse of the novel. This is a truncated version, since the hatsumode (first shrine visit of the year) scene was done as a short by Hibiki Reine for Cobalt Shueisha Magazine, the magazine where Marimite is serialized.

The only down side to the New Year story in the manga is that we *still* don’t get much of Sayoko, Sachiko’s mother – and she was so *cute*! I think we were ripped. We should demand more Sayoko. (In fact, fans must have done so, because in the one-shot short “Library Book”, which was included in the 19th novel, In Library, we get a bit more of Sayoko as a student at Lillian. And its a REALLY cute story, full of truly obnoxious groan-inducing puns. LOL I did a really crappy, rough translation of the one-shot for the folks on the Yuricon Mailing List. The translation is in the group Files – if you join you can read it and have a good laugh at my expense. :-))

Let’s see, what else is notable…well, the incidental filler art this time is on the theme of “sports”. Sei is given a surprisingly sexy beach volleyball figure. In fact, thinking about it – she’s always drawn really sexy in these incidental art pieces…. Actually, thinking about it – I’m always surprised when any of them look sexy in these pieces. I guess I’m so used to seeing the girls in those awful school uniforms that it’s a system shock to see their figures. LOL And to be honest, the first-years look cute, not sexy. Eriko in racing leathers is quite nice, but Youko’s baseball catcher’s outfit made my wife say, “What is she? A turtle?” LOL

Probably my favorite picture in the whole book is at the end, where Sachiko is feeding Yumi. It’s impossibly adorable. lol

The other thing of note is how the art is changing slightly to reflect the characters as drawn in the anime more. At this point the anime is long over and the manga is on-going, so the artist probably has a little less pressure to conform.

Ratings:
Art – 8
Characters – 9
Story – 8
Yuri – 9

As always, another enjoyable entry in the Marimite body of work. It’ll be going up on the Yuricon Shop in the next few days!





Notes from the Fifth Maria-sama ga Miteru Novel

June 27th, 2005

Valentinusu no Okurimono (Valentine’s Gift Part 1)
Part 2

1) The second part of the novel, which takes place entirely on Valentine’s Day, begins with Yumi’s thoughts, “If anyone had red eyes that day, it wasn’t from crying. If so, a great calamity had had befallen up to a third of the entire class.”

Obviously, most of the girls had, like Yumi, stayed up late making chocolates and finishing hand-made gifts.

2) The day begins with Yumi overhearing all her classmates talking about their chocolates, about giving it to onee-sama in front of Maria-sama, or not being able to give it until after school, etc.

3) Yumi thinks, after being told by one of Sachiko’s classmates that they were all rooting for her in the treasure hunt, that for the 2nd-years the treasure hunt is much less urgent or desirable. After all, who wants to go out on a date with a friend whose desk you push against yours every day for lunch? Yumi thinks that she feels pretty much the same way about winning the ticket for a date with Shimako.

4) AGAIN we find Shimako’s behaving strangely, as Yumi find her coming out of the first-floor storeroom, with her face all red. Yumi assumes she was hiding her card.

This was in anime and manga, but I want to make the point that, Shimako isn’t so much acting unusually , but that Yumi *thinks* that she is. I point this out, because in every single novel so far, at least once, usually twice, we’ve seen Shimako doing something unusual, “mezurashii”. I’ve become convinced that this is the author’s way of pointing out that Yumi hasn’t a *clue* what kind of person Shimako is (much the same way she really didn’t know Yoshino at first), but more that no one – not even we the readers know the real Shimako yet. We know that we will, later, learn more about her and find that she really is hiding a secret, etc, etc, but right now, it’s just a thing here and there that makes her enigmatic.

Which makes me wonder how mortifying all this card hunt for a date must be to Shimako. All she ever wanted was to be a normal, unexceptional student, and here she is, an en bouton as a first-year, Rosa as a second year, super-famous star of the school, with people vying for a date with her. Poor Shimako!

5) Yumi asks Sachiko to meet her in the greenhouse after everything is over that day. Sachiko agrees, but has a “complicated” expression. (We will learn that the reason for it is, of course, that she buried the red card there, but neither we nor Yumi know that yet.)

6) When the time comes for the searching for the cards to begin, both Yumi and Yoshino are held back in the Rose Mansion to help clean up (and search the premises, subtlely).

When Yumi gets away, she finds herself being followed by a group of students and ends up climbing through a window to escape them. All of which was in the anime. What wasn’t in the anime was that she was caught by her classmate, of all people, Kagura the busybody, who immediately wanted to know what was up. Yumi lied and said that the door to the bathroom (the window led to a bathroom) was locked. To ensure verisimilitude, Yumi goes back into the bathroom, locks the door, then climbs back out the window. ^_^

7) In the case of a tie, i.e., several people finding a card at the same time, the rules provided for a Janken Taikai – that is, a rock-scissors-paper tournament – as tie breaker. This is needed for Rei’s card, as it happens. Three students found it at the same time.

They found it because the newspaper had reported Rei and Yoshino’s interests reversed. Rei had hid the card in books that Yoshino liked (while Yoshino looked in books that Rei liked.) But because the newspaper had switched their interests, the other students thought Rei liked samurai novels and found the card. ^_^

8) When Sachiko and Minako head to the greenhouse to show where the red card was buried, they are accompanied not only buy Yumi, but about 10 disappointed Sachiko fans.

9) It is Tsutako who proves that the card was reburied. Sachiko has no clue how deep she buried it, but Tsutako had (for photographic record) measured the hole with a school notebook. The notebook had not been completely buried when she took the photo. Now, as they find the card, the notebook is completely underground.

10) Sachiko smiles at Yumi when she tells her that she believes her story of the other girl in the greenhouse, and Yumi wishes that time would stop, so she can just look at that smile forever.

11) It’s not stated in the anime (although there is a short manga by Hibiki Reine for Cobalt Shuiesha that tells of Yumi making “surprise chocolates” for Sei), but Yumi puts things like umeboshi (pickled plum, which are actually  salted apricots…) and tuna in the centers of Rosa Gigantea’s chocolates. ^_^

The remainder of the book is the resolution of the Yellow Rose family’s chocolate issues, as seen through the eyes of all three girls. This is totally, completely different than the anime. And a lot funnier.

6:50 PM – It begins with Eriko, staring at the box she had just received from Rei, who had bicycled through the snow to give it to her. Eriko has not opened the box, but is sure that she has received the wrong box based on the size. It was much too large. Last year Rei had made bittersweet chocolate truffles and Eriko had adored them and asked for the same this year. But this box was the size of a shoebox and couldn’t possibly have truffles.

After about 30 minutes of staring at the box, waiting for Rei to call and explain that she had given Eriko the wrong box, she hides the box (to keep it safe from her brothers and “tanuki father”) and goes to dinner.

7:18 PM – Yoshino stares at the box she had received from Rei, sure that she has received the wrong box. Surely this giant shoe-box sized thing was destined for Eriko? Yoshino’s thoughts are consistently the most convoluted and difficult for me to read, but in this case, her thoughts are meant to echo Eriko’s almost exactly.

Yoshino feels that her deductive abilities must be failing, because she can’t figure out what is in the box, and she wasn’t able to guess where the yellow card was hidden. She decides that her biorhythms are low. She also thinks that she wants to open the box, because her father is running late and they hadn’t eaten dinner yet. But what if the box isn’t hers?

7:30 – God, poor Rei! Not only does she have school and kendo club and her duties for the Yamayurikai, but when she gets home, her father expects her to train at his dojo, as well.

We learn that several years ago, unbeknownst to her father, Rei started giving his youngest students sweets on Valentine’s Day. Eventually, as the years passed, he learned about it and by this time it was just a tradition. He’d say to his students that his daughter made too much and so save face. (Dad’s a really traditional guy.)

Dad compliments Rei on her chocolate chip pound cake for this year’s handout, but when she offers to make it again, he says that if she has time to make more cake, she should spend it practicing. ^_^;

(We get this massive fanservice scene of Rei taking a bath while she does her thinking. I make this point, because when I got to that point in the book, I was not at *all* surprised to find a “naked Rei in the bath, looking impossibly bishounen” picture.  I’m telling ya – this scene was TOTALLY fanservice.)

Rei thinks that, as she’s used to midwinter practice, bicycling to Eriko’s in the snow was no biggie – but it was a tad lonely. She ponders how annoying it is that they don’t have a shower, and we learn that she sneaks over to Yoshino’s house to use the shower, especially in the summer, when she doesn’t want a hot bath.

We learn that Yoshino did give Rei chocolates. Not *quite* handmade. She bought commercial chocolate, melted it into molds and gave Rei those. Rei is totally happy at this because, despite the fact that it’s not really home-made chocolate, it’s a step towards them and it shows that Yoshino cared enough to try. So she’s terribly pleased with them. Yoshino, for her part, handed the chocolates over with the romantic line, “Baka.” 

At which point, Rei’s brain “melts into miso” from the heat of the bath and “an intoxicating sense of  accomplishment.”

11:00PM – Eriko

She stares at the box a little more and caves, since shortly it won’t be Valentine’s Day anymore, so she’d better eat it now. And she’s hungry from studying for exams anyway. Inside is a chocolate chip pound cake, which Eriko decides must be something Yoshino likes. She considers asking Yoshino what she got, in the morning, to see if there really was a mix-up, but then what? So she just eats a piece of cake. The flavor is sweet, (Yoshino’s favorite?) but really delicious. All she says about it is, “Hunh.”

11:PM – Yoshino

The first few sentences of this section are word for word the same as Eriko’s. ^_^

Once she starts to eat the cake, she’s annoyed as hell that she can’t stop. She finds the fact that it’s so delicious extremely vexing. She snaps the box with her fingers – exactly as Eriko does at the same time. She eats another piece and says, “Hunh.”

11:10 – Rei

And here we get the punch line to all this. As she’s lying down to go to sleep, she vaguely remembers that Eriko wanted truffles again. The truth was – she had *completely* forgotten to make anything for anyone, until that morning when she arrived at school and saw girls exchanging presents in front of Maria-sama. She called home and asked her mother to pick up chocolate chips and flour, ostensibly for Dad’s students, and after the treasure hunt RAN home, made six pound cakes, bicycled over to Eriko’s, gave Yoshino her cake and finally got home to go practice at the dojo and give the kids there their cakes.

As she falls asleep, she thinks that Eriko probably forgot anyway, and collapses into unconsciousness.

The last few lines of the novel extol the soeur relationship and how well soeur understand each other. LOL

The End.

Conclusion? I worship Konno Oyuki, she’s a hoot. 





Notes from the Fifth Maria-sama ga Miteru Novel

June 22nd, 2005

Valentinusu no Okurimono (Valentine’s Gift Part 1)
Part 1

Ta-da! The “Cliff Notes” for the fifth Maria-sama ga Miteru novel have arrived. :-) You can find all the notes I took on the first four books on past Okazu:

Notes on the First Novel: Maria-sama ga Miteru.

Notes on the Second Novel: Kibara Kakumei

Notes on the Third Novel(Part 1): Ibara no Mori.

Notes on the Third Novel(Part 2): Shiroki Hanabira.

Notes on the Fourth Novel (Part 1): Rosa Canina

Notes on the Fourth Novel (Part 2): Nakaniyo

These notes assume you are familiar with the story and has spoilers galore. If you haven’t watched it, then do – it will help to understand what I’m talking about. :-)

I want to start with the very, very end of the book � the author’s notes, in fact – because I really wanted to share this. Sean Gaffney once commented that “Saying Sei is your favorite character is like saying the sky is blue.” I was talking to my friend Masako-san, (who arrived at my hotel in Tokyo toting Soeur Audition, the latest Marimite novel, lol) and she said that she likes Sei best, too. Just for the record.

Well, in the author’s notes, Konno Oyuki mentions that she got a lot of letters asking if she had any intention of sending Sei off to school in Italy, assumably to follow Shizuka, with whom she “might have become good friends.” (So, that pretty much confirms my belief that Shizuka was coming on pretty darn strong!) In any case, Konno-sensei says, no way! She plans on Sei going to school at Lillian University because she loves her best and can’t let her go. LOL So there you go. Sei is *everyone’s* favorite character. (I can even tell you why…. She is not just a happy-go-lucky lesbian; she’s also the most complex character of the bunch, shifting from goofy dirty-old-man mode to insightful and deep thoughts in mere seconds. The most subtle thinker of all the characters. The second deepest thinker, btw, is Yoshino. I’ll talk about that later in part 2.)

Okay, and with that somewhat bloated intro � here we go with the Notes:

Because the fifth novel has not yet been made into a manga (except in small part) and I have not had time to rewatch the anime, there may be bits that I comment on that *are* in the anime. I’ve ceased to think of these write-ups as just “here’s the differences” but more of a “here’s the salient points” � just like cliff notes, in fact. You’ll have to excuse me, I was a Comparative Literature major in college and
I cannot help myself. ;-) That having been said, there *are* some differences � notably the entire end of the Yellow Rose family situation. I will elaborate on this as we get to it.

For the record � 10 pages of notes…again.

1) As she ponders the expense of Valentine’s Day chocolates, Yumi thinks how, even though she goes to a rich girl’s school, there’s a HUGE difference between herself and Sachiko’s world.

2) I don’t think anyone else has ever commented on this…in a school with uniforms right out of the turn of the 20th century, the students wear gym uniforms and play sports that are exceptionally unladylike. Just struck me as odd. :-)

3) In this novel, we see the third-year Rosas all manage their soeur all at once, for the first time. We’ve seen little of Eriko or Sei managing their soeur, but when they do, it’s a doozy! Each one of the Rosas has a completely different technique, which is entirely based on the personality of their little sisters. Youko, having been accused of meddling by Sachiko, invokes the one thing Sachiko is helpless in front of � Yumi’s happy, smiling face. Eriko simply overbears poor, henpecked Rei and *totally* disses Yoshino. Sei just tells Shimako to “gambatte” and Shimako caves. LOL Yumi thinks that Sei should have said that when Shimako was running for the Yamayurikai. Shimako caves in so quickly, obviously, because as an one-sama Sei doesn’t ever ask her to do anything, or ever get in her way of doing something. With such an onee-sama, how could Shimako resist a direct request?

4) When asked by Yumi for advice, Tsutako suggests that Yumi make chocolates but, if Sachiko is in a bad mood on Valentine’s Day, not giving them to her. Instead she can share with Tsutako, later. LOL

Yumi briefly considers asking Tsu to be there for mental support when she braves Sachiko’s wrath to give her the chocolates (remember, Yumi thinks Sachiko hates V-Day chocolates,) but decides she doesn’t want her rejection by Sachiko documented.

5) Rei gives Yumi the recipe for the chocolate by pretending that it is something she wants Yumi to deliver to Yoshino.

6) When Shimako sees the recipe, Yumi has a sudden realization that, although Shimako is an en bouton, she’s really only a first-year and still responsible for such things as serving the upperclassmen tea and cleaning. All of a sudden Yumi realizes how terribly busy Shimako must be, with the environmental committee and the Yamayurikai.

7) Yumi meets Shizuka in the music room. Shizuka comments that all of her, Shizuka’s, classmates are jealous of Yumi because she is close to Sachiko and should be able to find the red card easiest. But…the real prize, the half-day date, hadn’t been announced at that time, so everyone is just assuming that the prize is a card or chocolate from Sachiko.

Initially, Shizuka isn’t terribly interested in the treasure hunt. She jokes about setting up a crystal ball booth and selling potential hiding places. But she does suggest to Yumi that she, Yumi, should think about where *she* might hid the card, if it were her, which might lead to realizing where Sachiko would hide it.

While talking to Shizuka, Yumi comes up with the idea to give chocolates to the older girl and also has a brief thought of making chocolates for Sei.

8) Shizuka explains to Yumi that, even as a first-year, Sachiko received many presents of chocolate from her own age group and even some of the older students, which might explain why she doesn’t like them, Shizuka suggests that it was a very lonely experience for Sachiko.

Shizuka also tells Yumi that Sachiko is kind *because* she rejected all of the chocolates last year.

9) Sei finds Yumi in the Rose Mansion, and leads her out with a really odd discussion of how Yumi looked very self-satisfied and how she was like a kid who visits a lot of temples and shrines to pray for something. Yumi listens, but is pretty much confused by it all. Sei seems to ramble on about depending on one’s preferences, bathing in cold water and then eating a hot meal is nice. Sei is not rambling, of course � she’s trying to tell Yumi a few important things, in her own
way. One, that she had been seen going to everyone for advice (visiting shrines and temples) and two, that depending of the circumstances something that sounds bad, might be good (Sachiko’s dislike of Valentine’s Day chocolates.)

Shimako shows up and Yumi is much relieved to end the conversation which confused her.

10) We get to see that Shimako really *does* understand Sei. Sei turns to her soeur and says only, “Success” and Shimako understands immediately and congratulates her. Yumi follows up with an extended train of thought that gets her to the right conclusion � that RG has passed her university exam.

11) After the fight with Sachiko, Yumi goes to the greenhouse and tells the Rosa Chinensis plant how much she loves Sachiko and yearns to be with her, but she’s sure that Sachiko hates her now.

12)Sei finds Yumi in the greenhouse. (Interestingly, throughout the novel Sei keeps being described as a “shadow.”) She apologizes to Yumi for walking out, leaving Yumi and Sachiko in the middle of a fight. She says it seemed like the thing to do at the time, but afterwards, it left her with a nasty taste in her mouth.

RG goes on to say that the fight reminded her of “back then” and tells Yumi that, although she doesn’t realize it, she is very much like Sachiko. They both keep close counsel, unlike say, Yoshino, who doesn’t hesitate to speak her mind. Youko had had to actually train Sachiko to speak up…. Sei mentions, causally, how Sachiko has still left the Kashiwagi affair unsettled, because of her dislike of speaking up. Sei goes on to tell Yumi that Youko and Sachiko had almost the exact same fight last year, in October. Because she, Sei, was preoccupied with someone else, she wasn’t paying attention to them much and didn’t know what set it off, but she was an eyewitness to the fight.

Yumi realizes that what Sachiko had probably been most angry with, was the reflection of her past self in Yumi, unable to speak up.

Sei excuses herself with, “Well, I’m going back. I dislike this greenhouse.” Shadows of Shiori, assumably.

13) At this point, even Yumi realizes how much Sei is acting like her onee-sama and throws herself at Sei to get a hug. She mentally apologizes to Shimako for “borrowing an arm” and wraps Sei’s arm around herself.

Yumi asks Sei if she, Sei, and Shimako are anything alike. Sei responds with “a little”. She goes on to say that she was a real pain as a first-year, while Shimako is much her superior. But she understands Shimako, which is why she doesn’t want to be interfering.

14) As they leave the greenhouse, Sei sets herself up for the nasty chocolate joke, by going on and on about how handmade chocolates by Yumi would be really good. They get on the bus together and Sei goes off on a monologue about chocolates and coffee, how she likes chocolates where the sweetness has been curbed, especially with liquor centers. Then she asks Yumi to make her chocolates and starts to chant, “Chocolate, chocolate” in her “oyaji mode” voice until other people on the bus start to stare. LOL

End Part 1.





Notes on the Fourth Maria-sama ga Miteru Novel, Rosa Canina

May 14th, 2005

Rosa Canina
Part 2

Have I mentioned that Sei is gay? ‘Cause she is. Really, obviously gay. I just want to make the point. I was ambivalent after reading Ibara No Mori. I am no longer ambivalent.

In case you feel like arguing that falling in love with a woman once doesn’t make you gay, with which I agree, let me remind you that, after Shizuka and she have their conversation, Sei comments that Shizuka is quite charming, and that she would have liked to get to know her sooner – they could have been good friends. Then Sei kisses Shizuka as close to the lips as she can. Still not convinced? Read on…

Nakakiyono

1) The New Year’s arc is written in first person, from Yumi’s point of view. It gives us some serious insight into her thoughts. The rest of the Yamayurikai do not show up for this arc, something that is done correctly in the manga, but not in the anime.

2) The entire first part is Yumi at home with her family on New Year’s Eve and Day – all very normal family interaction and establishes her relationship with Yuuki much better than the anime does. It turns out that Yuuki was conceived right after her birth then born prematurely, so that he’s a little small for a boy. It mortifies Yumi that they look like twins, but she’s glad he’s a boy, so not in the same school as her. She’s also very older sister-y to him, despite the fact that they are pretty much the same age.

3) Sachiko’s New Year card was drawn with calligraphy pen and ink – Yumi did hers on the word processor with clip art, last minute, because she forgot. :-)

4) Yumi hears the phone ring and her mother answer it, and based on the responses, she thinks it must be her grandmother, because her mother is speaking so formally. So she’s quite shocked to find out that it’s Sei.

5) Yumi’s first thought at Sei’s invitation to hatsumode (first shrine
visit of the new year) is that she might get to see Sachiko praying at the shrine in kimono.

6) Sei goes from speaking like an old man, wanting to see Yumi’s pajamas in her bag, to speaking like a child – probably just to drive Yumi crazy. When Yumi asks how Sei got there, Sei responds, “bun bun” – like a baby calling a car a “vroom vroom.”

Sei shoves a bag of sweets in Yumi’s coat pocket, then spends the rest of the scene reaching into Yumi’s pocket to pull out candy. (Yumi does, as well, so the scenes are accented with flavors as she puts pieces in her mouth.)

7) When they get to the shrine, Sei makes them get fortunes first. Yumi finds it hard to believe that Sei is even normally religious (and, in fact, Sei never prays while at the shrine), but when she sees that pretty young miko seem to be handing out the omikuji, Yumi becomes suspicious of Sei’s motives.

Sei comments that in Yumi’s family, she can tell that Maria-sama and Buddha live side by side, because of the smell of incense and sacred wine that comes from Yumi. Yumi starts to protest, but Sei just looks at her seriously and says that it was just a metaphor. Yumi think that she’s right though – although her family isn’t religious, they have ofuda hanging, and Yuuki has Buddhist objects from Hanadera Academy, while she, obviously, has Christian things from Lillian.

8) When they finally get up to the front of the line Sei does, in fact, flirt with the miko, giving them openly “eroppoi” looks – let’s call it somewhere between a leer and bedroom eyes, shall we? When the miko hands over the omikuji, Sei takes her hand and holds it.

On the way to the car, Sei keeps handing Yumi all the bags of food to carry – at some point Yumi feels as if she’s running away from home.

9) It turns out that *Sachiko * was the one who coined the “Gingko Prince” nickname for Kashiwagi. (And, btw, neither Sei nor Yumi can remember his name initially.)

10) There is no butler at the door of Sachiko’s house, like in the anime – really, all the servants are gone. Yuuki answers the door, to Yumi’s shock. Which brings me to this point – Yuuki did not lose a bet at the game center – he WAS the bet. His friend Kobayashi lost to Kashiwagi, so Kashiwagi got Yuuki for the night. ^_^

11) When Sachiko comes to the door, we get a *detailed* description of her clothes, her hair – even how her make-up is romantic. Yumi is overcome by the desire to turn around and shout, “This lovely woman is my onee-sama!” to everyone and anyone around.

12) Sachiko’s mother, Sayoko, is very relaxed and delightful. She tells Yumi right off to call her Sayoko, and that she will call Yumi Yumi-chan. (Yumi notes that when Kashiwagi called her Yumi-chan, Sei got pissed, but when Sayoko does, Sei doesn’t protest.)

I think that Kashiwagi is gayer in the novel than he is in the anime. Remember – Sei pegged him immediately in the first novel. Here he serves tea…traditionally a woman’s job.

13) Sayoko plays cards with everyone and Yumi begins to really like her. But when Yumi catches Sayoko-obasama pouting at Sachiko she wants to run up and hug the older woman, because she’s so cute! (I’m SO sorry we didn’t have time in the anime to get to know Sayoko better – she’s really adorable.) Oh, and Yumi recognizes the pout – she’s seen Sachiko use it on Rosa Chinensis.

14) Yumi catches Kashiwagi stealing sushi out of Sachiko’s box and gets indignant…even when she realizes that he’s probably just taking the things she doesn’t like, it still annoys her. In her head she calls him, “You bastard Kashiwagi” – in the same tone of voice that Rosa Gigantea uses when she talks to him.

Oh – when the sushi is opened, both Yuuki and Yumi hesitate to eat it, knowing that if they do, they will never be able to eat sushi again. ^_^ (I’ve had that problem myself, so I sympathize. Once you’ve had good sushi, you can never order it again at a place that’s mediocre.)

14) Unlike in the anime, (where Sachiko and Yumi never had this talk) Yumi *does* know about Kashiwagi’s sexual preference and she worries through the whole story about Yuuki. (Acting older sister-y again – and she’s very conscious of the fact.)

15) Kashiwagi and Sei get into an argument just before Sayoko comes by with the Nakakiyono paper and brushes. Kashiwagi complains that no one likes him because he’s too cool. Yumi think of Yoshino’s line – “your brain is turning into miso.”
Sei just clears her throat derisively.

Sayoko and the boys all do the Nakakiyono charm with the girls. Yumi complains that her writing is terrible – she’s not used to writing vertically, or right to left, or with a brush. Then she sees Yuuki’s characters and feels better.

16) And last of all, Yumi’s first dream of the New Year is this:

Sachiko, dressed as Benten, goddess of wisdom, is staggering under many large black boxes of sushi, while Sei, as Kokuten, god of wealth, has bags of takoyaki and roasted corn in one hand and in the  other from her mallet flows a wave of candy, “falling down like a never-ending rain.”

The End

I have to say that, with every Marimite novel I read, I’m falling harder for all the main characters. They’re just so darned delightful.

I’ve just finished the fifth novel, and am looking forward to jumping into the sixth one asap!

Once again, a fun book from Konno Oyuki, a woman for whom I have nothing but immense respect as a writer. (Except her puns kill me.)

Oh, and btw…Sei is really gay. ^_^