Archive for the Otherside Picnic Category


Otherside Picnic, Volume 10

July 24th, 2024

Two women stand back to back. The shorter with collar-length dark hair in a green jacket over striped shirt holds her hand up to her face near a blue eye, that does not match her other brown eye. Behind her is a taller women with long, blonde hair, looking back over her left shoulder at us. In the background are a tall girl with red hair, her hand on a shorter girl's shoulder. The shorter girl holds up a fist as if ready to protect the other girl.by Sandy Ferguson, Guest Reviewer

Otherside Picnic, Volume 10 includes the satisfying conclusion of ‘Sannuki and the Karate Kid’, the beginning of ‘The Whisper Is At-Your-Own-Risk’ and the always welcome bonus Kozakura story ‘Getting Lost in Self-Loathing’, the title is a bit of a spoiler…

In this volume the events of the stories happen in our world. Sorawo and Toriko do not enter the Otherside, instead they are responding to the Otherside interacting with our world in both stories, though in very different ways.

Throughout this volume Sorawo shares her thoughts concerning the nature of the Otherside and how it becomes part of our world.

And through conversations Sorawo explores the distinction between those who actively seek an encounter with the Otherside, people like her and Toriko who are willing to risk the consequences of such an encounter, compared with those who stumble on a ‘patch’ of the Otherside that has somehow infiltrated our world. This is partly as an explanation of why she is willing to help those who stumble into the Otherside, but as she also makes clear she doesn’t want to deal with them being a nuisance who might get in the way of her and Toriko’s fun.

We hear more of Sorawo’s definitions of urban lore and ghost stories and why the distinction is so important to her, with a harrowing glimpse into her childhood to explain why this is the case.

One aspect of Otherside Picnic I appreciate is the ability to portray the presence of the Otherside in an ordinary setting that I find unsettling. For example, Sorawo’s response to seeing Satsuki in a crowd and what happens next.

Satsuki Uruma looms more and more into the narrative throughout this volume in a variety of ways, such as Sorawo becoming annoyed when people are happy to tell her that she looks like Satsuki.

Satsuki haunts Sorawo’s life, not just with her presence, but her fears of what will happen if she shares with Kozakura and especially Toriko that she can see Satsuki. We see more of the connections that Satsuki made, the young women who were drawn to her and who she recruits. The question that arises is what was Satuski’s objective bringing these young women into her vision of the Otherside?

In ‘The Whisper Is At-Your-Own-Risk’ we meet Runa Urumi, also known as Luna-sama, a Satsuki devotee touched by the Otherside with a talent that is a powerful illustration of the consequences of what happens when elements of the Otherside being deliberately introduced into our world.

But it is useful to remember that Satsuki and her ilk are not the only people bringing the Otherside into our world. Sorawo uses the gift of her eye to prepare Akari for her confrontation with the Kano Sannuki.

‘The Whisper Is At-Your-Own-Risk’ is one of my favourite stories from the novels, and the manga has already got a good start in its version of the story, with its dramatic recreation of the kidnap, the story of Luna-sama being touched by the Otherside and Sorawo’s realisation that she has to face the trauma of her past as she is confronted by held captive by a cult who worship Luna-sama.

I am really looking forward to Volume 11, which comes out in November!

I was particularly drawn to the bonus short story, “Getting Lost in Self-Loathing”. As always, we are invited to witness Kozakura’s perspective on events, and this one was a doozie. Kozakura’s honesty about her complicated feelings about Satsuki, Toriko and Sorawo and how they had drawn her into the Otherside is compelling and raw.

Sorawo’s role in Kozakura’s musings are particularly interesting, as Kozakura expresses a combination of annoyance with a dash of gratitude over how Sorawo has changed her life.

Ratings:

Story – 9

Artwork – 9 “A whole lot of…teeth?” is a scene that will be haunting my dreams. And then there is the ethical dilemma, can we enjoy the wonderful artwork of Akari beating up what looks like an old woman?

Character – 9 We are given more glimpses of the complexity that is Sorawo, how she responds to the trauma of her childhood and how this has shaped her ability to be in relationship with other people. And ‘Getting Lost in Self-Loathing is an excellent character study of Kozakura

Service – 7

Yuri – 8 In this volume we are introduced to more potential Yuri thanks to Natsumi and Akari.

Overall – 9





Otherside Picnic Manga, Volume 9, Guest Review by Sandy F

May 8th, 2024

Two women sit on a bench outside a dilapidated building, eating. The blonde holds a rise ball in both hands one of which is transparent, the brunette with one blue eye and one brown eye holds a sandwich, as she speaks animatedly, smiling.Recently, to much excitement, the cover for the ninth novel of Otherside Picnic was revealed. What I noticed was how it was a neat reminder of the importance of food and drink in this series.

And food is certainly a theme in Otherside Picnic manga, Volume 9.

We have already witnessed the importance of food and drink as a way for Toriko and Sorawo as a way to recover from the trauma of the Otherside. In the conclusion to ‘The Little Birds in the Box’ Toriko and Sorawo are joined by Kozakura for a meal. A meal that leads to a conversation where Kozakura struggles to understand the hold that the Otherside has over Toriko and Sorawo despite their best efforts to explain it.

And then, with Yamanoke Presence, we have the main event! In volume 3 of the novel series, we finally had the picnic that the title promised us, and now we have it in the manga series.

It is a fun moment, with just a dash of weirdness. But in Yamanoke Presence we are reminded of what I find to be one of the compelling strengths of Otherside Picnic; its ability to shift from a cozy slice of life moment to encounters with horrors that will haunt your dreams with a dash of ‘what the heck is going on?’ conversations. For example, one of my favourite moments is watching an absolutely clueless Sorawo trying to understand Toriko’s family solution.

In this volume we also witness moments of Sorawo and Toriko’s vulnerability, particularly in the aftermath of The Little Birds in the Box. I was struck by the sight of Sorawo without her glasses, lying in a hospital bed hand in hand with Toriko. For me this moment was a reminder that Sorawo and Toriko are young women who may be strong enough to face the terrors of the Otherside, yet at the same time are struggling to connect with themselves and one another.

One of the many things I appreciate about Otherside Picnic is how Iori Miyazawa uses dialogue to make observations about larger issues. For example, Toriko’s response to Sorawo’s description of the Yamanoke critter possessing women and Toriko responds with a compelling question, “why do so many of these things go after women?” One aspect of the artwork I found very compelling is how successfully conveys Sorawo’s struggles with the Yamanoke as it possesses her. We definitely get the sense of the Otherside seeping into Sorawo’s consciousness.

Remembering that the entities of the Otherside take forms shaped by folklore and urban legends created by people, creating stories where women are all too often the victims.

We also have the first chapter of Sannuki and the Karate Kid, and A Daytime Guest which gives us Kozakura’s perspective on ‘Karate Kid’.

I confess that I enjoy watching Sorawo in full panic mode as she tries to figure out how Akari Seto found out about Kozakura’s place, and then more panic as she faces being dragged into someone else’s problem. The mention of Satsuki Uruma doesn’t help the situation, especially as her baleful presence has been noticed by Sorawo throughout the volume. Sorawo wonders what does Satsuki want, and how much of a threat is she to this unfamiliar sense, for Sorawo, of being happy? Through conversations and reflection we gain more insights into Sorawo and Toriko that reveal their unique path towards being in relationship with one another as they learn more about themselves.

Another great volume in this series.

Ratings:

Story – 9|
Artwork – 9
Character – 8|
Service – 6
Yuri – 8

The mutual nature of their relationship is growing as Sorawo muses on how much she enjoys sharing the Otherside with Toriko. But for a brief moment I do have to give a 0 rating with Sorawo’s complete befuddlement over Toriko’s parents!

Overall – 9





Otherside Picnic Manga, Volume 8

January 26th, 2024

Two women hold their hands over an ornate box, out of which fly red bird shadows. Sorawo and Toriko take steps to explore the Otherside on a more permanent basis in Otherside Picnic, Volume 8. At the same time, they learn about the consequences of contact with the Otherside….will this deter them?

No, obviously not.

The gate opening in Kozakura’s front yard is a boon for Sorawo and Toriko, even if it is a burden for Kozakura. She’s living in fear most of the time now, and is starting to get used to it, something that does not thrill her.  She’s worried about the other two, too. Their reckless behavior (from her perspective) is going to get them in trouble and she’s half annoyed she’ll have to pick up the pieces and half upset that they will get themselves hurt. This would all feel more adult, if she wasn’t portrayed like a child, honestly. It’s nice to have an adult in the room, but it is hard to take Kozakura seriously as an adult.

Now that Sorawo and Toriko have determined to investigate deeper into the Otherside, they are taken to the halls of DS Research, the obscure organization that is buying the artifacts they bring back. While this book has always had a horror element to is, relying on netlore and urban legend for the weirdnesses of the Otherside, for the first time, our intrepid adventurers come face to face with the results of digging too deeply into the “Ultrablue Light,” or UBL.

As if on cue, Uruma Satsuki appears and leaves behind an item that is a very direct attack on Sorawao and Toriko. The Toribako, a curse box full of bird-like shadows that fly through one’s body, shredding it from the inside, was illustrated in the manga as horrifyingly as it was described in the novel. Up until now, the Otherside has been vaguely menacing, but now…now it it actively trying to kill our protagonists.

This is one of the two scariest moments of the novels and once again Mizuno Eita does an absolutely outstanding job of illustrating it. I cannot get over how much the art enhances the already subtlely terrifying aspect of the UBL. Much as with Aonoshimo’s art for I’m In Love With The Villainess manga, the compelling narrative of the novel really is enhanced here by the art.

Now we must wait to see if Toriko and Sorawo will survive Uruma Satuski’s attack.

Ratings:
Story – 9
Art – 9
Character – 8,
Service – 0
Yuri – 7

In the meantime, Toriko has pointed out to Sorawao how she is changing  and becoming more caring about other people … and that terrifies her. Intimacy is the great hurdle here and will be for some time.





Otherside Picnic Manga, Volume 7 Guest Review by Sandy F.

November 29th, 2023

In Otherside Picnic, Volume 7 of the manga we have the conclusion of ‘Resort Night at the Beach of the End’, ‘The Attack of the Ninja Cats’ and the latest edition of Kozakura’s ongoing rebuttal, ‘The Tanuki Guards the Night’. The final chapter of ‘Resort Night at the Beach of the End’ is an intense read as Sorawo and Toriko’s fun on the beach becomes a more traditional Otherside event as they are pursued by a cavalcade of Otherside entities determined to drive them mad. Though they escape, Sorawo receives a glimpse of something that has the potential to impact her relationship
with Toriko.

‘The Attack of the Ninja Cats’ begins with a conversation between Sorawo, Toriko and Kozakura. As well as being a debriefing covering the events of the Beach at the End and the follow-up party in Okinawa, Sorawo discusses a recent encounter with a fellow student, Akari Seto. Sorawo crankily discusses how Akari wants Sorawo to help her with a problem because she has latched on to the idea,

much to Sorawo’s annoyance, that Sorawo is an occult expert and so just the person to help her as she is being stalked by Ninja Cats. Yes, Ninja Cats! One thing I appreciate about Otherside Picnic is how Iori Miyazawa can work with what often seems to me a fairly ridiculous concept and convince the reader to take it seriously. I may have rolled my eyes when I first read about the Ninja Cats, but not for long as it doesn’t take long to realise they are a threat. For a variety of reasons Sorawo initially isn’t interested in helping Akari, including a surprising revelation, Sorawo likes cats and is fearful if she gets involved, she may have to do something that terrible that will change her perspective on cats.

Cranky Sorawo has a cute side! But the crankiness remains as we witness Sorawo trying to cope with the gosh-darned perkiness of Akari, with Toriko not helping. Sorawo and Toriko meet with Akari, and as a result of this meeting we are introduced into a new aspect of connection
between our world and the Otherside through the realm of the Ninja Cats. The Ninja Cats prove to be formidable foes, and the artwork rises to the challenge of depicting the resultant battle. It will be during this struggle that Sorawo will learn more about how her eye can influence people as well as the entities of the Otherside.

With the conclusion of the events of ‘The Attack of the Ninja Cats’ Toriko is confronted by a surprising revelation involving Satsuki Uruma, who continues to be a shadowy influence from the Otherside. Before I forget I should mention that in this volume we also have a Public Service Announcement on the dangers of online shopping while drunk because you never know how people will respond when an agricultural vehicle is delivered to their doorstep!

One of the ongoing themes of Otherside Picnic is how the characters struggle with trauma and its consequences. In ‘The Tanuki Guards the Night’ Kozakura reveals how she deals with the trauma of the consequences of being associated with Sorawo and Toriko. In her story, she shares her thoughts on how she is treated by Sorawo and Toriko. At the end of the story and the manga we discover that Kozakura might need a bigger Tanuki…

Ratings:
Story – 9
Artwork – 9, the usual excellent job of conveying the horrors
of the Otherside.
Character – 8, some different glimpses of Sorawo illustrating
how much she has changed through knowing Toriko
Service – 6
Yuri – 8, there is an important conversation with Sorawo making it clear to Toriko that she considers their accomplice relationship to be an exclusive one.

Overall – 9





Otherside Picnic, Volume 6, Guest Review by Sandy Ferguson

September 6th, 2023

The cover of Otherside Picnic, Volume 6, manga, makes it clear we are about to enjoy the common trope of the “beach episode.” At least from the cover it looks like Toriko is enjoying herself, whereas Sorawo has her usual look of, ‘how can I possibly be happy with the fact that this gorgeous blonde wants to hang out with me?’

In Volume 6 we have the conclusion of The Kisaragi Station Marines Rescue Operation, then the fun part of the ‘Resort Night at the Beach of the End’. Then another story from Kozakura’s perspective, ‘Ms. Yozakura’s Food Spam Livestream.’ 

First, there is thrilling climax to the rescue operation where the Sorawo and Toriko tag team bring this story to a satisfying conclusion, with some classic Otherside Picnic dialogue from the Marines in response to their success.

What struck me was how successful the manga is in conveying a moment of quiet after the Marines have gone, that provides an effective backdrop for a touching moment of intimacy between the accomplices Toriko and Sorawo as they deal with the emotional consequences of their actions, and what it reveals about their evolving relationship.

And then off to the beach, because girls just want to have fun, well at least Toriko does.

There are obligatory moments of accomplice panic from Sorawo as she wonders what is more terrifying:
a) discovering that they have somehow ended up on a beach in the Otherside, or
b) dressing for the beach in the presence of Toriko.

In this volume we are given some fleeting glimpses of the happier days of Sorawo and Toriko’s lives, a rarity in the usual narrative of loss that are their backstories. Indeed, these glimpses may be seen as a backdrop to the unusual aspect of this volume, we see the Otherside as a place where Sorawo and Toriko can chill and have fun, free from their fears of the social pressures of this world, in this case the fun consisting of drinking beer and shooting guns.

In this volume the Otherside becomes, for a moment, more nuanced. It is not just a place that provokes terror or triggers insanity, but a place that can bring for Sorawo and Toriko moments of connection based on simply enjoying being with one another. But this being the Otherside, things change, and Team Sorawo and Toriko once more must face the terrors of the Otherside, and the artwork rises to the challenge.

In the bonus story we discover more about Kozakura’s gig as a virtual YouTuber and the nature of her avatar, in what I found to be an interesting reflection of her past relationship with Satsuki Uruma. This YouTube session centres on food, with unexpected contributions from Sorawo and Toriko’s bender in Okinawa. There are also moments when Kozakura shares her pungent thoughts on her dealings with Sorawo and Toriko, as well as her thoughts on the nature of Sorawo and Toriko’s relationship.

Story – 9
Artwork -9
Character – 8, I enjoyed watching Sorawo and Toriko learning to have fun together.
Service – 9, it is a beach episode, though tastefully done. And Sorawo discovers how comfortable Toriko is in her presence…
Yuri – 7, this volume explores the various levels of initimacy growing between Sorawo and Toriko

Overall – 9

All in all, another great read.