by Sandy Ferguson, Guest Reviewer

Otherside Picnic manga, Volume 12 concludes “The Whisper Is At-Your-Own-Risk” then launches into “About That Rush” concluding with Kozakura’s rebuttal, “Flashback To That Night”.

Another intense read, from gripping action, troubling revelations and a trip to the Otherside where Furth Kind idol Runa will discover the consequences of meeting your idol.

And then there is Toriko’s declaration of her feelings for Sorawo. The conclusion to “The Whisper Is At Your-Own-Risk” is exhausting and satisfying, there are a lot of moving parts and the artwork makes sure that you will be shocked. And then the “About That Rush” gives us a guided tour of The Mountain Ranch, the place created by Runa’s fan club to be a conduit to the Otherside.

So safe to say, there is a lot going on in this volume.

I have often explored Otherside Picnic as an exploration of trauma, of how victims try to navigate the legacy of their trauma. This volume is certainly in this case as Sorawo struggles with a critical question, can Sorawo deal with the fact that other people care for her? And that other people are even willing to risk their lives for her? This is a profound challenge for Sorawo as we are reminded that she was a victim of her own family who tried to destroy her.

So, as well as intense action, there are some intense emotions floating around.

And then to add to the pile, Sorawo also is forced to deal with the consequences of hiding stuff from people she is learning to care about, the stuff they desperately want to know. She fears the consequences of her actions, but eventually also takes ownership of them when the truth is revealed. This leads to Sorawo being confronted with a new situation, people will not abandon her.They may be mad at her but are willing to stick around to try and figure out what the hell is going on with Sorawo, because despite what Sorawo might think about herself, she is worth their care. Cue more angst from Sorawo, after all she is still figuring out what it means to care about other people and that sounds like too much work! Especially in the middle of a crisis.

And it is not just Sorawo who is going through an emotional wringer here. We see Toriko beginning to deal with her own trauma as she is confronted with a dose of reality about the gap between the Satsuki she yearns for, and what Satsuki has become.

And there are her feelings for Sorawo.

Sorawo and Torino’s relationship has mediated through the Otherside is one of a messy rebirth of 2 wounded people learning to care for themselves, one another and other people, something that is heavily illustrated in this volume.

After the intensity of the conclusion of “The Whisper Is At-Your-Own-Risk,” with an interlude where Kozakura hosts the Otherside after party we begin “About That Rush,” which focuses on the messy aftermath of the clean-up of the Farm created by Runa’s cult. There we meet a new group, Torchlight, a security group that participates in this operation. Then we are treated to an idyllic moment in the last chapter as Sorawo and Toriko explore the new possibilities of the Otherside and their growing relationship.

And then everything shifts, and we are given a heads-up that in future volumes Sorawo is going to be facing some unfinished business from her past.

In “Flashback To That Night” Kozakura provides her perspective on the events of “The Whisper Is At-Your-Own-Risk,” as she reflects on the actions of Sorawo and Toriko, and the encounter of what Satsuki has become. Kozakura gives us a glimpse of the gap between the Otherside Satsuki, and the Satsuki she knew.

Ratings:

Story– 9
Artwork– 9 The artwork is intense and vivid, something I learned while enjoying a coffee and a donut, as I followed the confrontation in the Otherside.
Character– 9, there is a lot going on with both Sorawo and Toriko in this volume.
Service– 9
Yuri – Toriko is a 10, Sorawo has some catching up to do, maybe a 8?

Overall – 9

Volume 13 is headed our way in November.

Recently, to much excitement, the cover for the ninth novel of Otherside Picnic was revealed. What I noticed was how it was a neat reminder of the importance of food and drink in this series.

And food is certainly a theme in Otherside Picnic manga, Volume 9.

We have already witnessed the importance of food and drink as a way for Toriko and Sorawo as a way to recover from the trauma of the Otherside. In the conclusion to ‘The Little Birds in the Box’ Toriko and Sorawo are joined by Kozakura for a meal. A meal that leads to a conversation where Kozakura struggles to understand the hold that the Otherside has over Toriko and Sorawo despite their best efforts to explain it.

And then, with Yamanoke Presence, we have the main event! In volume 3 of the novel series, we finally had the picnic that the title promised us, and now we have it in the manga series.

It is a fun moment, with just a dash of weirdness. But in Yamanoke Presence we are reminded of what I find to be one of the compelling strengths of Otherside Picnic; its ability to shift from a cozy slice of life moment to encounters with horrors that will haunt your dreams with a dash of ‘what the heck is going on?’ conversations. For example, one of my favourite moments is watching an absolutely clueless Sorawo trying to understand Toriko’s family solution.

In this volume we also witness moments of Sorawo and Toriko’s vulnerability, particularly in the aftermath of The Little Birds in the Box. I was struck by the sight of Sorawo without her glasses, lying in a hospital bed hand in hand with Toriko. For me this moment was a reminder that Sorawo and Toriko are young women who may be strong enough to face the terrors of the Otherside, yet at the same time are struggling to connect with themselves and one another.

One of the many things I appreciate about Otherside Picnic is how Iori Miyazawa uses dialogue to make observations about larger issues. For example, Toriko’s response to Sorawo’s description of the Yamanoke critter possessing women and Toriko responds with a compelling question, “why do so many of these things go after women?” One aspect of the artwork I found very compelling is how successfully conveys Sorawo’s struggles with the Yamanoke as it possesses her. We definitely get the sense of the Otherside seeping into Sorawo’s consciousness.

Remembering that the entities of the Otherside take forms shaped by folklore and urban legends created by people, creating stories where women are all too often the victims.

We also have the first chapter of Sannuki and the Karate Kid, and A Daytime Guest which gives us Kozakura’s perspective on ‘Karate Kid’.

I confess that I enjoy watching Sorawo in full panic mode as she tries to figure out how Akari Seto found out about Kozakura’s place, and then more panic as she faces being dragged into someone else’s problem. The mention of Satsuki Uruma doesn’t help the situation, especially as her baleful presence has been noticed by Sorawo throughout the volume. Sorawo wonders what does Satsuki want, and how much of a threat is she to this unfamiliar sense, for Sorawo, of being happy? Through conversations and reflection we gain more insights into Sorawo and Toriko that reveal their unique path towards being in relationship with one another as they learn more about themselves.

Another great volume in this series.

Ratings:

Story – 9|
Artwork – 9
Character – 8|
Service – 6
Yuri – 8

The mutual nature of their relationship is growing as Sorawo muses on how much she enjoys sharing the Otherside with Toriko. But for a brief moment I do have to give a 0 rating with Sorawo’s complete befuddlement over Toriko’s parents!

Overall – 9