Archive for the Series Category


Breaking News: Noir Live-Action Movie

June 18th, 2011

According to ANN, the anime Noir has gotten the go sign for a Live-Action Movie for the Starz Network.

My reaction – ambivalence. I dislike American rewrites of anime because the producers didn’t read/watch the original and don’t really care about the material. On the other hand, the development team is Sam Raimi and Rob Tapert, creators of Xena: Warrior Princess. So, I gotta trust that they’ll give us the girls with guns on the run team that we deserve.

Also, I plan on writing them and telling them exactly what I expect from them. ^_^

I’m pretty sure I don’t have Starz, but if this actually gets made and trailers do not look like they suck, I will consider it. (Ambivalence, thy name is Erica)

So, part of me squeed at the news, and part of me groaned. Let’s see part which wins!

Thanks to YNN Correspondent Filo for the heads up!





Random Thoughts on the Strawberry Panic Light Novel Omnibus (English)

June 16th, 2011

SPN2There’s two things you need to know up front about today’s post about Strawberry Panic: The Complete Novel Collection.

1) This not a review. I’ll explain why in a moment.

2) I worked as the Copy Editor on this book and so, if you find any typos, I declare them things that were found, but inexplicably not corrected. Kapeesh? ^_^

Okay, so, this isn’t a review because realistically, you either LOVED Strawberry Panic anime, manga and/or Light Novels and nothing I will ever say will sway you from your opinion or you didn’t love it and ditto. And, at least for the first two novels, I’ve already reviewed them in English.

It’s also not a synopsis because I did that already too, when discussing the original three volumes in Japanese.

Instead, I’m going to jot down some random thoughts about the series.

Thought 1 – I want to congratulate and thank Seven Seas for another excellent adaptation from Japanese into English. If at any point you think the books sound utterly ridiculous and no one speaks that way, you should thank the translators and editors for perfectly capturing the tone of voice from the Japanese.

The original novels were written in a tone of voice I don’t have a word for, so if you can think of one, let me know. The tone is faux-serious, overformal and precious, yet so facetious and corny that it’s hard to take any individual sentence seriously, much less whole conversations. Oh, wait! I have it – a new word to describe this! I will call it moego, the language of moe. ^_^

Well, these novels are written in full moego, let me tell you. As I read, I keep saying to myself – no one speaks that way. And really, no one does.

Thought 2 – The one genuine negative comment I have about this book is that it is both an omnibus, but made with thin paper. So it feels…impermanent, but clunky. The originals were all Light Novels, which are printed in a small size and made to be a quick read, so can get away with less than stellar paper, precisely because they are “Light” novels. This collection has too much bulk to be easily carriable and yet is made kinda crappily, so it won’t survive being carried around in a book bag or briefcase well.

Thought 3 – I feel bad for this book, because there are very few anime/manga reviewers who can really do it justice. The very intelligent reviewers out there will look at this thing like a piece of three-day old dead cod. They won’t “understand” it, (as few have “understood” A Certain Scientific Railgun.) The problem is that these novels are a franchise extender for a franchise few of them are likely to have seen, even fewer to have enjoyed and Light Novels as a whole puzzle them – as they expect, y’know, *stories* in a novel and not meaningless drivel wrapped in detailed discussions of school uniforms.

As I said on Twitter the other day, manga is generally not written for people to get into, the way a novel is. Manga are frequently written for people who already have a hook into that thing to try something like that thing. With Strawberry Panic!, if you’re not a Yuri fan, there’s darn little here to appeal. (Unless the reviewer is a *very* good reader and can hear the moego for the broad parody it is.) With few exceptions, the reviewers who are likely to “get” this omnibus are going to be unashamedly uncritical fans who love the series, but won’t get what’s actually going on in the novels. I desperately hope that a few people I know and respect will review this book for what it is, loving it for the lovable bits and laughing heartily at the hilarious bits sprinkled throughout.

I will, of course, do my best to do all that. I just hope that I’m not alone in this. I can almost see the look on Brigid Alverson‘s or David Welsh‘s face trying to read this wholly inexplicable thing….(Or Ed Sizemore or Kate Dacey or Melinda Beasi or just about any reviewer I respect, honestly…. Sean – it’s all on you, I think. Help me out here!)

Thought 4 – Drinking games. It’s a toss up who cries more – in Novel 1, I’d say go for Chiyo. In Novel 2, Hikari. In Novel 3, just drink every time Chikaru shows up and does nothing.

Thought 5 – Finally! This book is the first time my Commanding Officer, Ana M. and I have had a chance to work together on a book since Inukami! For that alone, I love this book with all my love.

In fact, I do love this book. It’s hilariously funny and, in a few cases, there’s a teeny bit of romantic something or other. Thank the gods my memory of the helicopters was not some fever dream, but actually part of the story. Phew. Dodged that bullet. ^_^ In fact, I believe that, overall, my synopsis of the novels from Japanese stand solid. When I’ve read this whole thing at once, I shall endeavor to once again synopsize and properly review, knowing that, if God is indeed in his heaven and all is indeed right with the world, that shall be the very last Strawberry Panic post I will ever write.

Until then, dear readers!





R.I.P. Kawakami Tomoko

June 12th, 2011

I’ve been away for the past few days, with limited access to communications so, while I saw and approved the comments about Kawakami Tomoko, I was unable to comment appropriately.

The news of her untimely death from cancer was sobering and saddening, and she shall be missed by many.

Here are a few of her Yuri roles – take a moment to watch them and think of her, as you do:

Revolutionary Girl Utena/Shoujo Kakumei Utena – Tenjou Utena

Battle Athletes /Battle Athletes Victory – Kris Kristopher

Kanon – Kurata Sayuri

Uta~Kata – Takigawa Satsuki

Haru Natsu Aki Fuyu Drama CDs – Reiko-sensei

These are, of course, just a few roles and she’s played a part in many, more series that we’ve loved.

Thank you Kawakami-san for all your hard work in this life and best of luck in the next. You are missed.





Revolutionary Girl Utena Anime Box, Volume 1 set Dub Review by Eric P

June 10th, 2011

Revolutionary Girl Utena: Student Council Saga Limited Edition SetOnce again a Prince steps in to give me a night off! As you may know,  I don’t listen to anime dub tracks. ( And in the case of Revolutionary Girl Utena, with Mitsuishi Kotono, Kawakami Tomoko and Hisakawa Aya in the Japanese voice cast, there is nothing that can convince me to listen to it, sorry.) Luckily, Okazu Superhero and long-time Friend and Supporter of Yuricon, Eric P has gallantly kneeled before us and offered his services as a dub reviewer! Thank you so much Eric!  The floor is all yours…

Before we get started, and so everyone knows, this is a review of the English dub by itself, and not as it is compared to the original Japanese acting (which I have watched). Alright, now let’s get started:

After getting the whole Utena Central Park Media set through a special mailing order for just $100 back in the day, I didn’t know what to expect diving into this series. I watched the first episode subbed for about seven minutes or so, before I decided to start all over and switch to dub. It was not because I disliked the Japanese voice acting. Everything about Utena within those seven minutes—its opening theme song, its animation, artwork, tone, atmosphere, characters—charmed and enchanted me from the get-go. The problem was I felt reading the subtitles distracted me a little too much from taking in the full experience. So the English version was what I watched first, and at the time it worked for me—the mostly low-key acting fitted the story’s weird, surreal tone.

With RightStuf’s re-release I watch the dub again for nostalgia (and for this review), and by now I can acknowledge its flaws. It is a mixed bag, with few weak links sprinkled throughout that gives it a feeling of flucating. It hardly mattered for me the first time since I was so invested in the story and the magic. But for any viewer with high expectations, it could be those weak links that would turn them off and make even the stronger performances sound less strong. The best (worst?) example would be the English voice for Nanami. When talking plainly, she sounds like a spoiled rich girl probably would, but after a short while she comes across too flat in too many moments.

Thankfully the two lead characters, Utena and Anthy, get well-suited English voices. Rachael Lillis as Utena is sufficiently spot-on, and Anthy’s voice by Sharon Becker has a kind of charm to it for me; I always liked how she said “Miss Utena.” There are still points where it seems like the ADR director and the actors were looking at the imagery, interpreting it as vaguely low-key, and were directed accordingly. Unfortunately that does not always work. In the scene where Anthy calls out to Utena during her duel with Miki, the restrained tone just doesn’t fit well at all. Speaking of Miki, while he is not acted badly, his voice still an example of one of those dub voices sounding far older than he’s supposed to be (although , in my opinion, all the characters look like they are in their early 20’s, even though they’re supposed to be 13-15). Fortunately for some, fan-favorite Jury receives a cool-sounding voice. Saionji, the wife-beating creep, sounds suitably creepy, and the shadow-girls sound as mysterious and strange as they come across in the animation. But, without a doubt, the single strongest performance is Toga as voiced by Crispin Freeman, the future veteran of many stellar roles, among them including Alucard from Hellsing and Kyon from Haruhi Suzumiya.

In the end, the dub feels dated, which some may either find oddly charming or off-putting. But, no matter what, the series itself remains as multi-layered and wonderful as it always has been.

It was actually kind of hard determining the final ratings, so here goes…

Ratings:

Overall –  I dance between 6 and 7 on this, so I’ll give it a 6.5

Erica here: Thanks again Eric! Much obliged.





Revolutionary Girl Utena Anime Box Set – Volume 1 Disk 2 (English)

June 9th, 2011

Revolutionary Girl Utena: Student Council Saga Limited Edition SetOne of the most amazing things about Revolutionary Girl Utena is that the heavy-handed symbolism, which was left without specific meaning quite on purpose, can effectively mean anything you want it to mean. As a result, whether you say the series is about adolescence and maturity, or delusion and reality, or hope and despair, or kangaroos and elephants, you are quite correct.

Disk 2 is about all those things. It’s also about one huge whopper of a lie.

This disk begins with the end of Miki’s arc, in which we learn that Kozue’s perspective on Miki’s childhood trauma is quite different – this will remain the case throughout the series. Kozue’s wounds are never Miki’s. And, for the first time, we are able to see the lie in effect…and just how much somebody else’s problem it is for everyone in the series.

This arc is followed by an episode that, based on a short conversation on Twitter, seems to have made quite an impact on fans. As I put it to my wife, in a series full of weirdness, Nanami episodes are profoundly weird. In episodes that include aggressive elephants, Touga boxing a kangaroo and exploding curry and personality switching, the thing that *I* noticed the most was that Miki and Utena have the closest thing to a “normal” conversation that we’ve seen so far in the series, as they discuss Nanami…and even then it’s not all that normal.

And then we move on to Juri. Beautiful, athletic, smart Juri. Juri the jaguar, in whose presence even the teachers quake. Juri, voiced magnificently by Mitsuishi Kotono and who was for many, the first lesbian Yuri character they ever saw in anime. Her episode still wrang me dry. It hurt to watch her so angry – eternally so, as we never really know what will become of her. Hurt, betrayed, too smart to not know what the real problem is. Too angry to not lash out at Utena who does not yet understand that kind of pain. She will, but not yet.

As I watched this disk I realized that the entire series up to this point is predicated upon a single lie. There will be more lies later, but right now – there is one. Saionji and Miki believe – or hope – that it is true. Juri presumes it is a lie, but then Utena defeats her and she will have to lie to herself to continue to presume it is a lie. Touga…well, Touga will come later.

The lie is simple and has already been repeated so many times that probably you don’t think of it as a lie by the second disk.

The lie is…

…that whomever is engaged to the Rose Bride can command her utterly.

Think for a second. When has Anthy ever done *anything* Utena wants her to? She can’t even get Anthy to stop calling her “Utena-sama.” At this point, Anthy isn’t even hiding herself in the lie, because no one around her can see the lie even exists. They all believe or pretend to believe that it is a truth. Anthy simply does whatever best suits the situation to bring about the outcome desired by the End of the World.

Utena’s one real wish for Anthy won’t be expressed for some time to come and it won’t be realized for even longer – so, then, what *does* being engaged to the Rose Bride mean? To find that out, we must keep watching.

I am reminded that Revolutionary Girl Utena did many anime-viewers a harm by being so absurd, so surreal and so amazing – practically Dada-esque in its complex simplicity – that nothing was able to come close for years to some. Maybe, nothing has really come close yet.

True story – I was watching the Utena movie for the first time with a 15 year old who knew nothing of the story. We had rented it from a Japanese video rental store. It was raw. We watched it transfixed and, when the roses began to overflow the dueling ground she turned to me with huge eyes and asked, “This is what anime is all about, isn’t it?” “Yes,” I said. “This is what it is all about.”

Ratings:

Art – 9
Characters – 10
Story – 10
Music – 10
Yuri – 8
Service – 3
Voice acting – 10

Overall – 10

Revolutionary Girl Utena – *this* is what it’s all about.