Archive for the Series Category


Mahou Shoujo Madoka ☆ Magika Anime (魔法少女まどか☆マギカ)

July 3rd, 2011

Any wish bound by logic can be twisted….

A few months ago, I wrote a preliminary discussion of Puella Magi Madoka Magica (魔法少女まどか☆マギカ) and I noted that, at the time, almost no one seemed to understand my point. ^_^ I’m going to try again, this time without being clever about it.

The reason for magical girls is very simple. Teenagers desperately want to be grown-ups – to have people rely on them and to be mature and reliable. Unfortunately for most teenagers, they have neither the critical decision-making skills nor the life experience to make mature decisions. Young adults often mistake the trappings of adulthood (drinking, driving, sex) for real maturity (the strength to say “no,” for instance.) Magical girls are needed, Kyuubey understands, because magical middle-aged women would look at him and say, “You know, I have no reason to believe that you’re telling me all or even part of the truth. It’s in your best interests to keep this cycle going by your own admission, so why on earth would I take your advice?”

Kyuubey, like all good Lucifers, speaks mostly truth, and in some cases, the exact truth. Innocents are too innocent to parse the one from the other, or what the significance of that truth really is to them.

Any wish bound by logic can be twisted….

Well, duh, then…right? The answer is obvious.

So, Madoka Magica was very interesting to me. I very much loved the art used in the witch’s realities, and very much didn’t like the design of the people. If this series had character designs as beautifully done as the witches art and the buildings, most of the fans who loved it wouldn’t have given it the time of day, but, oh how gorgeous it might have been!

The ending was…what was the ending? Was it the expected ambiguity or was it writers that don’t know how to write a or are uncomfortable with a happy ending? Was it, in fact, a happy ending?

Here’s what I think – I think “end of the world” scenarios, like “Good” and “Evil,” are too much for human brains to really grasp. We assign funky art to represent Evil, because it’s easier than really establishing a new normality. We make terrible things the purview of Evil, because we can’t grasp that the selfishness of self-preservation is really what creates terrible things that other people have to live with.

Any wish bound by logic can be twisted….

The answer to that is, obviously, that one has to make a wish not bound by logic. Madoka did that.

In the world of Mahou Shoujo Madoka Magica, it is established that this Good/Evil, Hope/Despair dichotomy runs the universe. Girls sacrifice themselves to stop this cycle, but only end up repeating it over and over. Until one girl wishes to stop the cycle before it ever begins. And you know…her wish comes true. But, it doesn’t stop the fact that the tension between Hope and Despair still powers the universe. So…did it work? Is Madoka a God, or is she still fairly limited in her ability to think outside the box?

What would you have wished? I know what I would have wished, but I’m not going to tell you. Wishes should be made in secret and not in front of Incubators. ^_^

And Yuri. Yes, Homura is clearly in love with her ideal of Madoka. An ideal, I can’t help but point out, who fails to live up to her expectations eternally. And yet she goes back again and again. Sounds like a lesbian to me. Madoka loves Homura like the Virgin Mary is supposed to love you.  An utterly unsatisfying situation to me, but I was never the target audience for this anime. The target audience for this anime are boys who think magical girls are a good idea.

Ratings:

Art – 5/9 for character designs and “witches” worlds respectively
Story – 8 It’s not standing ovation-worthy, but it’s good for a conversation
Characters – 7 pretty much types, rather than fully-fleshed out personalities, but in 12 episodes of angst, there’s not that much time to bother
Yuri – 5
Service – This series is, by default, created for otaku. For the amount of time we stare at the girl’s legs – the zettai ryouki, specifically – 10

Overall – 8

I had initially wanted to watch the final episodes on Walpurgisnacht (April 30,)  but life kept me from doing so. I’m almost glad I didn’t because, for an utter destruction of everything, this was a little disappointing, honestly.





Revolutionary Girl Utena Anime Box Set – Volume 1 Disk 3 (English)

June 25th, 2011

Revolutionary Girl Utena: Student Council Saga Limited Edition SetBy the time you reach the third disc of the Revolutionary Girl Utena Student Council box set, you’ve already developed your ideas about what you think is going on. My ideas and yours may not be the same, but they are all valid. The show is consciously constructed to allow all our ideas to be valid. Now we, as viewers, have to allow each other’s ideas to be valid, too.

I’m going to tell you some of the things I think are going on (bearing in mind that while I know what is going to happen, I wont be talking about that – just what is happening on this disc. What I would REALLY like is to hear what you think is going on in the story. What are your thoughts about The End of the World – no spoilers, remember, just based on this first arc! – or about Touga, or the duels, or Anthy, Utena, whatever.

Okay, so here I go.

The disk begins with Saionji doing something very stupid, and being expelled for it. I have this belief that, in some way, all the members of the Student Council, by becoming members of the Student Council, were essentially consenting to being manipulated by the End of the World.

Which is why I personally find it hardest to watch Nanami being screwed with. She did not give this consent. Miki is innocent, but not unbsubtle. Nanami is a child. She is driven by delusion and fear and has no place in the duels. That Touga offers her up to them was, in my opinion an unforgivable crime.

Up to this point, it would be natural to think that Touga is the master manipulator here. He seems, to Utena at least, to be in control. It’s only at the end of the arc that we and he see that he wasn’t in control at all.

The last two episodes were as amazing as I remembered them to be.

In episode 11, Utena find herself stripped of her confidence, her purpose, her very self by Touga, who uses his good looks, his masculinity and his position to turn her into a “normal” girl, who needs a prince to rescue her.

And most important IMHO, is that in response to losing the duel Utena says simply, “Please don’t take Anthy away from me.” She would give herself up…but not Anthy.

In episode 12, Wakaba slaps some sense into her, by making her realize that “normal” is not normal for Utena. Utena challenges Touga to a rematch to regain herself – the self that wants to be a Prince, not be rescued by one. She defeats Touga without help from Dios or an enchanted sword – she defeats him with nothing but her determination and will. To awesome music. To regain Anthy. NOT to regain the Rose Bride, but to get Anthy back.

Most importantly, at that moment, Anthy is *surprised.* That alone is worth watching the final episodes for.

When the episode (and the first arc) ended, I began spontaneously applauding. Again. As I have every time I have watched this series.

It’s gonna be a long, long, few weeks before the next set arrives!

Thanks again Nozomi/RightStuf for making it possible to watch this remastered version.

Ratings:

Art – 8
Story – 10
Character – 9
Yuri – 4
Service – 1

Overall – 9

The music video for “Revolution Rondo” blew my mind more than anything else in Utena ever has. It was filmed in New York City, which was just…entirely unexpected.

Here’s an interesting aside. On Twitter today I mentioned that what I would love to see is a ridiculously high budget live action version of the moment Utena draws the sword from Anthy. Just that scene. At which, a very good friend of mine from way back mentioned that there is a rumor of a pitch in Hollywood for an Utena movie…and that Variety is supposed to be doing an article about it next month. I guess we’ll see if that article ever happens…. Thanks for the heads up, Rob!

Now it is your turn – what are some of your thoughts on this arc?





Breaking News: Noir Live-Action Movie

June 18th, 2011

According to ANN, the anime Noir has gotten the go sign for a Live-Action Movie for the Starz Network.

My reaction – ambivalence. I dislike American rewrites of anime because the producers didn’t read/watch the original and don’t really care about the material. On the other hand, the development team is Sam Raimi and Rob Tapert, creators of Xena: Warrior Princess. So, I gotta trust that they’ll give us the girls with guns on the run team that we deserve.

Also, I plan on writing them and telling them exactly what I expect from them. ^_^

I’m pretty sure I don’t have Starz, but if this actually gets made and trailers do not look like they suck, I will consider it. (Ambivalence, thy name is Erica)

So, part of me squeed at the news, and part of me groaned. Let’s see part which wins!

Thanks to YNN Correspondent Filo for the heads up!





Random Thoughts on the Strawberry Panic Light Novel Omnibus (English)

June 16th, 2011

SPN2There’s two things you need to know up front about today’s post about Strawberry Panic: The Complete Novel Collection.

1) This not a review. I’ll explain why in a moment.

2) I worked as the Copy Editor on this book and so, if you find any typos, I declare them things that were found, but inexplicably not corrected. Kapeesh? ^_^

Okay, so, this isn’t a review because realistically, you either LOVED Strawberry Panic anime, manga and/or Light Novels and nothing I will ever say will sway you from your opinion or you didn’t love it and ditto. And, at least for the first two novels, I’ve already reviewed them in English.

It’s also not a synopsis because I did that already too, when discussing the original three volumes in Japanese.

Instead, I’m going to jot down some random thoughts about the series.

Thought 1 – I want to congratulate and thank Seven Seas for another excellent adaptation from Japanese into English. If at any point you think the books sound utterly ridiculous and no one speaks that way, you should thank the translators and editors for perfectly capturing the tone of voice from the Japanese.

The original novels were written in a tone of voice I don’t have a word for, so if you can think of one, let me know. The tone is faux-serious, overformal and precious, yet so facetious and corny that it’s hard to take any individual sentence seriously, much less whole conversations. Oh, wait! I have it – a new word to describe this! I will call it moego, the language of moe. ^_^

Well, these novels are written in full moego, let me tell you. As I read, I keep saying to myself – no one speaks that way. And really, no one does.

Thought 2 – The one genuine negative comment I have about this book is that it is both an omnibus, but made with thin paper. So it feels…impermanent, but clunky. The originals were all Light Novels, which are printed in a small size and made to be a quick read, so can get away with less than stellar paper, precisely because they are “Light” novels. This collection has too much bulk to be easily carriable and yet is made kinda crappily, so it won’t survive being carried around in a book bag or briefcase well.

Thought 3 – I feel bad for this book, because there are very few anime/manga reviewers who can really do it justice. The very intelligent reviewers out there will look at this thing like a piece of three-day old dead cod. They won’t “understand” it, (as few have “understood” A Certain Scientific Railgun.) The problem is that these novels are a franchise extender for a franchise few of them are likely to have seen, even fewer to have enjoyed and Light Novels as a whole puzzle them – as they expect, y’know, *stories* in a novel and not meaningless drivel wrapped in detailed discussions of school uniforms.

As I said on Twitter the other day, manga is generally not written for people to get into, the way a novel is. Manga are frequently written for people who already have a hook into that thing to try something like that thing. With Strawberry Panic!, if you’re not a Yuri fan, there’s darn little here to appeal. (Unless the reviewer is a *very* good reader and can hear the moego for the broad parody it is.) With few exceptions, the reviewers who are likely to “get” this omnibus are going to be unashamedly uncritical fans who love the series, but won’t get what’s actually going on in the novels. I desperately hope that a few people I know and respect will review this book for what it is, loving it for the lovable bits and laughing heartily at the hilarious bits sprinkled throughout.

I will, of course, do my best to do all that. I just hope that I’m not alone in this. I can almost see the look on Brigid Alverson‘s or David Welsh‘s face trying to read this wholly inexplicable thing….(Or Ed Sizemore or Kate Dacey or Melinda Beasi or just about any reviewer I respect, honestly…. Sean – it’s all on you, I think. Help me out here!)

Thought 4 – Drinking games. It’s a toss up who cries more – in Novel 1, I’d say go for Chiyo. In Novel 2, Hikari. In Novel 3, just drink every time Chikaru shows up and does nothing.

Thought 5 – Finally! This book is the first time my Commanding Officer, Ana M. and I have had a chance to work together on a book since Inukami! For that alone, I love this book with all my love.

In fact, I do love this book. It’s hilariously funny and, in a few cases, there’s a teeny bit of romantic something or other. Thank the gods my memory of the helicopters was not some fever dream, but actually part of the story. Phew. Dodged that bullet. ^_^ In fact, I believe that, overall, my synopsis of the novels from Japanese stand solid. When I’ve read this whole thing at once, I shall endeavor to once again synopsize and properly review, knowing that, if God is indeed in his heaven and all is indeed right with the world, that shall be the very last Strawberry Panic post I will ever write.

Until then, dear readers!





R.I.P. Kawakami Tomoko

June 12th, 2011

I’ve been away for the past few days, with limited access to communications so, while I saw and approved the comments about Kawakami Tomoko, I was unable to comment appropriately.

The news of her untimely death from cancer was sobering and saddening, and she shall be missed by many.

Here are a few of her Yuri roles – take a moment to watch them and think of her, as you do:

Revolutionary Girl Utena/Shoujo Kakumei Utena – Tenjou Utena

Battle Athletes /Battle Athletes Victory – Kris Kristopher

Kanon – Kurata Sayuri

Uta~Kata – Takigawa Satsuki

Haru Natsu Aki Fuyu Drama CDs – Reiko-sensei

These are, of course, just a few roles and she’s played a part in many, more series that we’ve loved.

Thank you Kawakami-san for all your hard work in this life and best of luck in the next. You are missed.