Archive for the Series Category


Yuri Anime: Battle Athletes Victory, Volume 8

February 21st, 2008

In keeping with my tradition of being out of step with the large majority of Yuri fandom, I would like to take some time today and review the final volume of this mostly-unknown-to- today’s-generation-of-Yuri-fans anime.

Battle Athletes Victory Volume 8 is arguably the worst final volume of an anime I have ever watched. ^_^ It resurrects every irritating characteristic of the earlier volumes, manages to insert some entirely new, even *more* irritating concepts and then play it all for laughs, so if we get irritated, it’s obviously our lack of a sense of humor that’s the problem, not the fact that the story is a truckload of horseshit.

At the end of Volume 7, you may remember, Akari has won the title of Cosmos Beauty AND beaten her mother’s record, as unlikely as that seems. And, you may also remember, that the aliens chose that very moment to attack.

In Volume 8, we learn that the whole Cosmos Beauty thing was a cunning plan by schoolmaster Grant Oldman, in order to train a cadre of unbeatable female athletes to do one thing – take on the aliens! Oh my god, how clever he is! Not to mention nearly immortal, but they sort of gloss over that.

In any case, Kris is recalled (with her cow), Anna shows up to cook for the team, Ichino is added to the roster along with Akari, Jessie, Tanya, Mylandah and Lahrri, and we face off with the aliens, with “Mister Miracle” as our coach.

Of course, the aliens cheat.

And of course, we manage to somehow hang on despite the obvious bias. And, of course, it comes down to the final race, which is, of course, a dash and, of course, we’re relying on Akari and Kris. And, of course, the aliens pull out the ace up their sleeve. Because they are clever too, they have brought Tomoe Midori BACK FROM THE DEAD to race against her only daughter. Even better, they bring her back at the age she won the Cosmos Beauty title, so she’s actually a year younger than Akari. Bet you saw that coming, huh?

Akari has the usual crisis of identity, and Kris gets her to gambare again and in a complete shocker, she saves the Earth and wins.

The story doesn’t end there, however. The epilogue follows mostly everyone as they set out on their post-alien invasion lives. In most cases they stick with athletics, but we’re treated to a funny final scene with bratty Tomoe teasing Akari, and the absolutely shudder-making idea that her parents are together again and now expecting a baby.

And we all live *happily* ever after.

It just occurred to me that you might think, reading this, that I didn’t enjoy this volume. That isn’t true. I did enjoy it. But not for any of the above. ^_^

I spent most of the volume watching the only two reasonably sane characters left, Mylandah and Lahrri. They spend the entire volume in a world of their own. No one is gonna tell me that they aren’t totally together. And they’re damn cute together, too.

For Yuri fans who like their Yuri a little less subtle, Kris immediately pins Ichino to the wall about her total gayness for Akari. Kris insists that Akari is her’s, but Ichino won’t even admit she’s interested, although she’s immediately jealous. So the two of them engage in a bizarro rivalry throughout.

My one real question about this volume is – who named it “Volume 8: The Human Race”? Because I think that person deserves a blow to the head.

Ratings:

Art – 6
Story – seriously, it’s so over the top with dumb, it’s practically genius – 7
Characters – 6
Yuri – 4
Service – 5

Overall – 7

In the end, the end of the anime was nothing as satisfying as the manga, where Kris and Akari kiss in front of the known universe and Mylandah and Lahrri retire to a tropical love nest. But it was what it was. If Kris’ cow and Grant Oldman’s panty fetish made you laugh in the first seven volumes, you’ll probably think volume 8 was just fine. ^_^





Yuri Manga: Kyoshiro to Towa no Sora, Volume 2

February 20th, 2008

Let’s play a game, shall we? I’m going to review Volume 2 of Kyoshiro to Towa no Sora as if Kaon and Himeko were the protagonists. Pretend you don’t know they are not. Read it all the way through and then *honestly* commment about the series. Because my guess is, all you Kannazuki no Miko fans would LOVE Kyoshiro, if Kaon and Himiko were the leads, regardless of how junky it is. (Of course it’s junky. Kaishaku writes junk. It’s all they have ever written.) The bottom line is that you loved KnM for the Yuri kisses, not for the story, despite how awesome you say you thought the story was because the story made little sense and rape really isn’t romantic no matter how you’ve chosen to fill in Chikane’s motivation in your head. Since the Yuri in Kyoshiro is secondary, you all *suddenly* noticed that Kaishaku suck. ^_^

Here we go.

Once upon a time, there was a girl named Himiko. She was very gentle and kind, and a very talented artist. Because she was so talented, she was recruited to attend an exclusive school run by the charming, but overbearing Ayanokouji Mika. Mika-sensei ran the school like a harem, taking various students, including Himiko, as lovers. But her true interest lay with a girl named Kaon. Kaon was tall and beautiful and powerful – because she was not human. In reality, she was the human form of a powerful weapon, an Absolute Angel. Himiko and Kaon fell in love, but they could not be together, since Kaon was Mika’s possession. They stole moments together and kisses here and there, but all the time they knew that Mika owned them both.

One day Mika commanded Kaon to kidnap a girl, which she did. But she was weakened in the attempt. The girl was immediately claimed by Mika as her own, and given to Himiko to take care of. But when the girl’s previous owner sent his weapon to take the girl back, Kaon was too weak to fight. Himiko kissed Kaon to giver her “mana,” the energy she needed to fight. But it was too late. The other weapon, named Setsuna, and her owner, Kyoshirou, took the girl away. Kaon was punished by Mika for failing, and she and Himiko were once again kept apart.

The next chapters follow the girl’s adventures as she is returned to Kyoshiro, but not left at peace. She learns that she too is an Absolute Angel, something that she simply can’t handle, having thought she was human all along.

And then, Mika and Kyoshirou’s crazy older brother shows up. Everything is about to change.

Ratings:

Art – 7 Orders better than usual. I wonder what happened.
Story – 7
Characters – 7
Yuri – 7 Don’t forget that Mika is an EPL, too
Service – 7

Overall – 7

Admit it. If Kaon and Himiko were the protagonists, you’d love this story and wouldn’t be able to sit still waiting for Volume 3. Yuri fandom is willing, able and wanting to watch absolute crap (cognitive dissonance will assure us that it is good, as long as we liked it, anyway) as long as the lead characters are a Yuri couple.  ^_^

Kannazuki no Miko isn’t as good, and Kyoshiro isn’t as bad as you think you think. ^_^





Maria-sama ga Miteru Drama CD 11: Cherry Blossom

February 11th, 2008

Is there any one among us hard-hearted enough not to swoon when Noriko relates her first sight of Shimako under the sakura tree, looking like Maria-sama come to life? Not me, certainly.

Maria-sama ga Miteru: Cherry Blossom Drama CD set was lovely. Simply lovely.

For the plot, please take a look back at my notes on Part 1 and Part 2 of the novel. (I had not yet begun translating the books at that point, so these are notes/synopses not full translations and therefore still available on Okazu.)

The first CD in the set recounts “The Sakura Among the Gingkos,” the portion of the novel in which we meet Nijou Noriko for the first time, and she meets Shimako. Incidentally, we also meet Matsudaira Touko, but I’ll get there in a bit.

“Sakura” follows Noriko as she meets Shimako and deals with some mild bullying because of their developing relationship. (The latter is only partially true, but she doesn’t know that.) The story climaxes during the Maria-sai, as Shimako is forced to out herself as the daughter of a Buddhist priest.

The Drama CD of this part was fantastic. Noriko, a transfer student from a co-ed school, has always seemed to me to be the most grounded of all the characters in the series. She comes off here as so *normal* it almost takes one’s breath away. Confronted in the beginning of the story by Touko and two other classmates and their positively Baroque formal Japanese, it’s really no wonder she feels disoriented and alien at Lillian.

Noriko’s meeting with Shimako is related very prettily. Noriko’s happy obsession with Shimako is instant and very much *right* on that line between friendship and love. It’s powerful – and mutual. The “outing” scene was horrific. From Noriko’s point of view, it can only be seen as heavy-handed…at best. When Shimako admits to being the owner of the juzu and Noriko bursts into tears for her – it was very moving. Once again, the Marimite cast is superlative.

The second disk of the set, “Background Noise,” covers the same circumstances from Yumi’s point of view. We see the concern Shimako’s friends in the Yamayurikai have for her, and how much they are, really, trying to help. However…to her credit, Yumi spends the entire story thinking that they are handling it really badly. They are, and I’m glad Yumi recognizes it. Itou Miki’s over-acting Sachiko is both hysterical and really cringe-making. As I listened to the scene in the church, I kept thanking the universe that I was no longer a teenager. ^_^

The other half of “BGN” is the introduction of Touko who, if you will please excuse the language, is a total twat. Kugimiya Rie is spectacular as the entitled, manipulative Touko. I’ve grown so used to her – and she has changed *so* much in the course of the novels, that I had completely forgotten what a slappable little creature she is when she first arrives en scene.

Listening to her snipe at Yumi, a thought suddenly hit me. Rainy Blue is coming up. I’m going to have to sit through those DCDs. Ugh. Ughughugh. I don’t know if I can do it. Oh well…I have Kohitsuji no Kyuuka to look forward to, after that whole thing is over. I’ll just grit my teeth and cope.

In happier news, we get a little Sei-service, when Yumi visits her, and after the Maria-sai.

For the first time, there is a bonus track where we get some very amusing comments and a lots of “natsukashii”s and “hisashiburi”s by the voice actresses. I was very glad for the bonus track. It’s about the only time we hear what the seiyuu have to say for themselves – it is immediately apparent that this group feels *very* comfortable with each other at this point. And that they’ve got a load of in-jokes. Also, I found it amusing to hear several of them refer to the series as “Marimite.” ^_^ I don’t know why, it just tickled my fancy.

The one physical extra is a postcard of Hibiki Reine’s art of Noriko. Pretty, as always.

Ratings:

Story – 7
Characters – 8 for Noriko and Shimako, 4 for Touko, 7 for everyone else
Yuri – 5 It worked a bit better visually, with those long, lingering “just kiss her” moments
Service – 8 who else buys these other than us obsessive fans? ^_^

Overall – 8

This is me, grasping at the Touko of Bara no Hana Kanmuri and trying to forget the Touko of Cherry Blossom, signing off.





My Zhime (My Otome) Anime, Volume 3

February 10th, 2008

Sincere thanks to Ted for sponsoring today’s review! Be a hero and sponsor a review of your very own by purchasing something off my Yuri Wishlist. You’ll get my sincere thanks, and the adoration of everyone who reads and enjoys the review. :-)

My Otome, Volume 3 is a total gyroscope of a story. You know how a gyroscope spins so fast that it looks like it isn’t really moving? That’s pretty much the feeling you get watching this volume of My Otome. Nothing is happening, but it’s not happening so fast that there’s an illusion that the story isn’t moving. Only, it is.

The first big exam for Otomes-in-training has arrived, and as is usual, the protagonist has no clue what anyone is talking about. Every else in Garderobe knows that this cross-country trek and cooking competition is a major portion of their grade – how Arika manages to not have heard of it even a little approaches a kind of genius. Sabotage strikes Arika and poor Erstin, and although they both survive, lots of nothing-really-happenings happen as a result. Sergey and Arika have a tense encounter, Nina starts to move her dislike for Arika out of “rival” into “person I most want to see die horribly” and Tomoe turns out to be Evil, and Psychotic. We’ve already seen evidence that she is a Lesbian, so we can add her to the list of EPLs.

The other main “nothing really happens” arc, actually explains a lot to us, the viewers, although just about none of the characters have enough pieces to put anything together. In a thoroughly predictable twist of fate, it turns out that Queen Mashiro, Nina and Arika all share a birthday. Huh, how ’bout that.

Mashiro meets and is befriended by the Prince of Zipang, Takumi, but as both are incognito, they just think that the other is a commoner. Arika (because of course, with all the graceful, accomplished and beautiful Otomes-in-training at Garderobe, the only one who could possibly take Mashiro’s place is the one bumpkin in the place) pretends to be the Queen, while poor Akira, who is already pretending to be a boy, now has to pretend to be the Prince of Zipang as well.

Shizuru proves that her gaydar is good and sees right through Akira’s drag king act. Later, when Akira *has* to use her mouth to give Takumi medicine, Shizuru is completely unflappable as everyone else reacts to what appears to be a m/m kiss by pointing out that that’s another type of love. So the Graceful Amethyst comes through like a seasoned lesbian. Points to her.

Important stuff does really happen in the middle of all this silliness and chaos. Among them, the development of a definite triangle between Nina, Sergey and Arika is probably the most icky-making, but it is pretty significant.

On the good side, we get to see Chie and Akane materialize. ^_^

It’s episodes like this that pissed off a lot of viewers. Where My HiME was, about this point in the story growing very serious, My Otome simply refuses to. I see that as a positive – we’re not being fooled into taking this more seriously than it deserves. But I can see where the humor wears thin, too. I will give it this – until Mashiro used Marie Antionette’s line about “let them eat cake” I’d never really thought about it as an expression, not of disdain, but of complete cluelessness. (I’m not in the habit of thinking about Marie Antionette much, I’ll admit.)

The one extra is bizarro world side story as Shiho “maki-maki”s everyone, causing much of the havoc that fills the exam arc.

Ratings:

Art – 7
Characters – 7
Story – 6
Music – 7 (I like the various materialize themes)
Yuri – 1
Service – 7

Overall – 6

My *only* complaint about the anime remains the same as was the first time. What complete ass makes girls trek cross-country in the woods wearing bloomers and boots? That’s just absurd. I hate the writers for doing that, and every single person who found that cute, sexy or otherwise in any way not completely dumb.

I’d also like to register a complaint with Amazon. PICK A SPELLING, for pity’s sake. My Otome, My Hime-Z, My Zhime. Pick ONE. Stick with it. Thank you. It’s like Ikkitousen all over again.





Yuri Manga: GIRL FRIENDS, Volume 1

February 8th, 2008

Among the many items I picked up in Japan last month was the first volume of Girlfriends, the newest manga series by Morinaga Milk.

Girlfriends runs in Comic High, a “shoujo” magazine for men. The stories in Comic High are shoujo-esque, girly romances and the like, but the intended audience is adult men. These are guys who read shoujo, but feel embarrassed picking up Margaret or Ribon, etc., in the store. I can’t help but feel that this is pretty much a perfect audience for Morinaga’s blend of blushy-cheeked sweetness, service and Yuri.

If you have read Kuchibiru Tameiki no Sakurairo by Morinaga, it might seem difficult to *not* make comparisons between the two volumes. In one sense, this story seems to be a few steps backwards from the story in Kuchibiru. And the character designs are very similar. (Similar, in fact, to all of Morinaga’s Yuri couples.) However, the characters here are different enough that you can read Girlfriends without making too many mental comparisons.

Mariko is a quiet, introverted girl. One day, quite out of the blue, it seems to Mariko, Akiko speaks to her in class. Akiko (called “Ah-ko” by her friends) is very extroverted. She rapidly draws Mariko (now called Mari-chin) into her circle. The two quickly become best friends.

The early chapters each focus around a very typically girly sort of topic. Hair. Clothes. Makeup. As the conversations and circumstances center around these things, we’re watching Mari balancing an undefined need to please Ah-ko, and a struggle to shed her introverted isolation and find herself. But don’t get me wrong – the story is about the hair, the clothes and the makeup. Mari’s struggle is happening in the margins of the story.

What isn’t happening in the margins is Mari’s infatuation with Ah-ko. That’s pretty much front and center. When she and Ah-ko change classes, Mari’s taken aback by the rapidity and familiarity of Ah-ko’s overtures to their new classmates. But Mari comes up from behind and makes new friends too, alongside her best friend.

Until a “go-kon,” a group date, where Mari simply cannot handle the thought of watching Ah-ko being super friendly to a bunch of guys, which precipitates a crisis. Ah-ko picks up on the signal pretty quick and she and Mari bail. They go back to Ah-ko’s place where they have a few drinks, since they didn’t get to drink at the go-kon. Ah-ko has no tolerance for alcohol, so she falls asleep and Mari, who can’t stop looking at Ah-ko, leans over and kisses her.

The volume ends with Mari being shocked/mortified/titillated at her behavior.

So far, the story is that of a crush in progress. Ah-ko, being the kind of extrovert she is, and with the kind of devil-may-care friends she has, is just the kind of person to practice kissing with her best friend, or have a breast-size competition with no deeper meaning in it. (Not that she does in this volume – it’s just the kind of thing she might do.) It is Mari who is so serious and who over-thinks things. It’s also Mari who is quite gay. Ah-ko *might* be, but Mari? Definitely. She just doesn’t know it yet. With apologies for paraphrasing an over-paraphrased line, “I have seen Girlfriends, and they are us.” If you take my meaning. ^_^

Girlfriends also has a fair dollop of service, mostly in the form of playing dress-up. This *is* a manga for guys, and generally shoujo manga has a a fair bit of that kind of thing anyway. Japanese women seem to have no qualms about enjoying other women’s bodies – as a point of comparison and as something nice to look at. Can’t really argue with that. (Although I personally prefer clothing to underwear for visual appeal.) The only really extra servicey bits are one of Ah-ko’s friends who seems to shuck her top at any excuse, or for no reason at all.

Without spoiling anything, I think it’s safe to say that the point of this manga is the journey not the destination, so expect a lot more delaying tactics as the story goes on. Will Mari and Ah-ko actually get together? No way to know as of yet. Guess we’ll just have to keep reading.

Ratings:

Art – 8
Story – 6
Characters – 6
Yuri – 6
Service – 5

Overall – 6

I have a 5-minute attention span for conversations about hair, clothes and make-up. After that, I’m done. If your tolerance for such things are higher, you’ll probably want to add a point or two to the Overall score. ^_^