Archive for the Series Category


MURCIÉLAGO, Volume 20

January 13th, 2023

Blonde woman with large breasts in a tight t-shirt that reads "Destroy" short short and hiking shoes, sprawls with a variety of classical Japanese toys. Large outlined letter read MURCIÉLAGO and again in yellow, MURCIÉLAGO, 20, by Yoshimurakana. And explicit content warning features prominently.“Kuroko’s group goes to a hot spring deep in the mountains, where the entirety of the land is owned by the wealthy Yamatsukami family. But right as the family is going to decide the next heir, the third son is found murdered… To make matters worse, the only road in and out of the area is suddenly destroyed! Cut off from the rest of the world, the family begins to whisper about a mysterious “Ayako.” With little to go on, how will Kuroko solve this closed-room case?”

Not gonna lie – that synopsis does a better job of summing up the plot of MURCIÉLAGO, Volume 20 than anything I could have written, Kudos to whomever at Yen Press was responsible for that.  ^_^

Super creepy murders, a family secret, probably someone being buried alive, Hinako running off after bugs, large breasted women…you know, a typical volume of MURCIÉLAGO.

But when Reiko, our crazy-eyed, hot sniper shows up, I wondered where this story was going. It’s not like I have to be convinced to keep reading, I’m clearly in for the whole mishegas on this. 

The extra chapter was a hoot, however, as Kutsuha, Reiko’s…whatever she is… introduces herself at the end as a variety of famous people, including a kind of Rose of Versailles’ Marie Antionette in a little tale meant to praise Reiko. These pages had me laughing out loud, all out of proportion to the actual story. I guess any humor after 170 pages of death, manipulation, lying and torture is extra funny. _^_

Ratings:

Art – 8
Story – 7
Characters – 8
Service – Weirdly, still mild on the sexual stuff, but murdery service is pretty high.
Yuri – 1

Overall – 7

MURCIÉLAGO, Volume 21  is slated for a May release in English and has been out since March 2022 in Japanese. Volume 22 seems to be the last one available so far in Japanese so far, so we may catch up to this series this year.





Tsukuritai Onna to Tabetai Onna, Volume 3 (作りたい女と食べたい女)

January 8th, 2023

On a white cover, two women look at one another as they shop for groceries. The taller of the two, a large woman with black hair in a ponytail, wearing a light grey sweatshirt and a black pillow jacket, pushes a shopping cart filled with food. The shorter woman, with reddish-brown medium-length hair, wear a black tutleneck seater and print pattern skirt, with a stylish grey coat. She holds a large package of meat. Green outlined letters read "Tsukuritai Onna to Tabetai Onna" in Japanese 作りたい女と食べたい女. A large white number 3 sits in the middle of the cover. In black letters across the top it shows the creator's name, Yuzaki Sakaomi, in Japanese ゆざき さかおみ.In Volume 1, we met Nomoto Yuki, a contractor in an office. She finds society’s expectations for women confining and stress-cooks to relax. We then met Kasuga-san, her neighbor two doors over, a large woman with a physically strenuous job who eats with gusto. They bond over the making and eating of food. In Volume 2, Nomoto comes to realize that she’s probably never been interested in boys, and is definitely interested in Kasuga. They enjoy each other’s company and the food they make and share.

Tsukuritai Onna to Tabetai Onna, Volume 3 (作りたい女と食べたい女) is everything I could have ever asked for. This is an excellent volume of this consistently excellent series.

To begin with, there are two Content Warnings in this volume, one for eating disorder-food phobia and one for parental verbal abuse.

Nomoto and Kasuga have an empty apartment between them. In this volume they meet and quickly adopt their new neighbor. Nagumo-san is young, very nervous and has a very fraught and uncomfortable history with food. Nomoto and Kasuga accept Nagumo immediately without demands that Nagumo conform to any behavior. When Nagumo offers up a given name, Sena, we learn that Kasuga’s given name is Totoko. Nagumo immediately refers to them as Yuki-chan and Totoko-chan, which turns them red. ^_^

Nomoto is also getting closer with an online friend, Yako. They watch a lesbian movie together online and have snacks, drinks and talk. Yako talks to Nomoto about the spectrum of sexuality – a great conversation, I thought. We learn about Nagumo’s problems with food. And then, we turn towards Kasuga when…her father calls. I don’t want to spoil this scene, not even to summarize, except to say it was magnificent. I’ll scream about it when it comes out in English. ^_^

Yako invites Nomoto, Kasuga, and Nagumo over for a meal, where they make and enjoy naan and a bunch of curies and sauces. Yako gets to see Kasuga’s eating powers for herself. Then they have a sleepover where, again, they discuss the kind of small family trauma that clogs up a childhood. We all have those stories in our hearts, where inequity forced us to accept things that denied us something truer to ourselves.

This volume came with a little extra comic about the work Nomoto puts in to her social media food posts, ^_^

Overall, this volume covers a LOT of territory and does it with skill and sensitivity. There is tremendous power in being seen. I cannot WAIT for you all to read this volume. Volume 1 is out now in English from Yen Press and Volume 2 is headed our way in March. Definitely read this series – it is an outstanding slice-of-life (and bread) story about found family, finding one’s self and sharing delicious food with friends.

Ratings:

Art – 9 Yako and Nagumo give Yuzaki-sensei a chance to ramp up expressions to 11
Story – 10
Characters – 9 (only to give them room to be even more wonderful)
Service – 0  Unless, like Nomoto, you consider watching Kasuga eat “service.”
LGBTQ+ – 10

Overall – 10

OH! And! Valentine’s Day is coming…and yes, Kasuga-san would love to make, give and get chocolates with Nomoto.  ^_^ We have that conversation.

No one:

Me: …I am 100% confident that I am not the only person who actually looked through their shopping cart on the cover, because between the inside cover and back color pages, we get an intimate look at what they bought. ^_^





Tsukuritai Onna to Tabetai Onna Live-Action Drama (作りたい女と食べたい女)

December 18th, 2022

Pictured: Two women sit at a wooden table in a small one-room Japanese apartment, with plates and bowls in front of them. One women is in a sweater over a blue and white checked dress. The other woman wear loose-fitting grey sweats. Words on the image read 作りたい女と食べたい女 Tsukuritai Onna to Tabetai Onna. Tsukuritai Onna to Tabetai Onna (作りたい女と食べたい女), the NHK live-action drama, may well be the very best adaptation from a manga I have ever seen in any media.

Nomoto is an office worker who cooks as an outlet for stress. Many things stress her out, including the men in her office assuming that her cooking skill is meant to make some man happy. One day, she encounters a neighbor entering the apartment complex at the same time as her, carrying quite a lot of KFC. Upon asking if it was a party, the woman says, “It’s for me.”

Next time she’s super stressed, Nomoto introduces herself to the neighbor, offers some of the too-much food she’s made and a friendship is born. Kasuga is a woman of little affect, and is clearly not in the habit of making friends. She and Nomoto become closer as they spend time together, cooking and eating. Slowly, Nomoto starts to realize that her feelings for Kasuga are more than friendship..

Of course, going into a story like this, with a fandom who undoubtedly has feelings TM for the story and the characters, is challenging. This is a story that openly addresses Nomoto’s feelings for Kasuga. The word “lesbian” spoken out loud. As I sat down to watch on NHK Plus, (a system for which I am appreciative but have a deep loathing for it’s cumbersome process), I had all my digits crossed that they would come close to the feel of the original.

They nailed it.

Higa Manami is absolutely brilliant as Nomoto. She wears her every emotion openly, so we can burn with repressed rage, or tear up in amazed relief, or joy. Equally, Nishino Emi does a fantastic job of the sincere, eager, yet reserved, Kasuga. I was thrilled with the supporting cast, Nomoto’s co-workers felt utterly real, and my sympathies to Nakano Shuhei, whose role exists largely to be cheerfully clueless, annoying and occasionally despised. Poor guy. He did a great job.

So yes, the cast is terrific, and – at least, in my opinion- they handle the material well. We get all the key moments of the first manga volume and a half or so. There are way too many excellent moments to claim one as a favorite, but perhaps my vote goes to the conversation Kasuga and Nomoto have about their periods when Nomoto is struck down by hers, and Kasuga comes over with pads and a cooling patch, energy drink, etc, and makes Nomoto food. This scene – in which two non-related adult women care about and take care of one another in a way that I have seen in the real world a million times, but rarely in media – brought tears to my eyes. But really, this is one of a dozen wonderful moments. Nomoto squealing her way around the farmer’s market had both my wife and I grinning because…yes, been there, done that. ^_^ Like the triumphant moment when Kasuga and Nomoto return to the karaage restaurant where Kasuga had previously been given a small rice portion because she is a woman, when the proprietress was now asking whether people wanted a small, regular or large rice order – moments like this trumped even the moment when Nomoto recognizes that her feelings for Kasuga are more than friendship.

All that said, my absolute most favorite thing about the series is…their apartments. Whoever did the set design for Nomoto and Kasuga deserves an award. They live in studio apartments. Nomoto’s bed is under the window, her furniture and kitchen are all wood. It gives the room a warm, homey feel. I love the dresser they found for Nomoto. It’s behind Nomoto in this image below. Look at how wonderful it is.

Pictured: Two women sit at a wooden table in a small one-room Japanese apartment, with plates and bowls in front of them. One women is in a white cricket sweater with blue striped collar, the other in loose fitting dark sweat pants and shirt. Behind the woman in the sweater is a wooden dresser,each drawer stained a different shade of wood. The effect is very stylish.

Kasuga’s room is mostly white and unadorned, with a soft, blue comfy sofa chair and large TV. It really nails the “feeling” of these women’s lives… .

OH!…and the way they film Kasuga eating. Can I just tell you a story quickly? When I was a kid there was a Bill Cosby Show long before the Bill Cosby Show you all remember, back in 1969. And in one episode he was hired to film a commercial about a breakfast cereal. They do a gazillion takes and he gets sick to his stomach from eating so much cereal. The child actor with him tells him to never really eat the food. That scene has lived rent-free in my head for 50+ years. So…watching Kasuga eat is a big part of this story. How are they going to handle that? Well…they film a take from 7 different angles, then keep using it, so it looks like she’s eating, but Nishino-san doesn’t have to get sick. I thought it quite clever. ^_^

I sincerely hope NHK will bring this over to NHK World so more folks can enjoy this series (not that NHK World is any less annoying and cumbersome than NHK Plus, mind you, but if you have cable you can just get it added. Still grrrr, let people watch your shows!) In the meantime, if you can manage the byzantine labyrinths of NHK Plus, sign up and definitely give this a watch!

Ratings:

Cinematography, staging – 10
Story – 10
Characters – 10
LGBTQ – 6 Solid opening
Food – 7 Easy to cook stuff that looks yummy. We were dying for karaage….

Overall – 10 I can’t think of anything they could have done better.

In the meantime, Volume 1, Volume 2, Volume 3 and Volume 4 of Tsukuritai Onna to Tabetai Onna (作りたい女と食べたい女) are out from Kadokawa in Japan, and Volume 1Volume 2 and Volume 3 of She Loves To Cook, She Loves To Eat are out in English from Yen Press to keep us happy and emotionally fed until Season 2!

Get yourself someone who looks at you the way Nomoto watches Kasuga eat.

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I’m In Love With The Villainess, Volume 5

November 14th, 2022

I have already read, enjoyed and reviewed this volume twice previously. The first time in Japanese and the second time in digital format, because I did not want to wait for the print edition. Now, at last, I have the print edition in English, from Seven Seas of I’m In Love With The Villainess, Volume 5.

Why did I read it again? Because as much as I love digital books for their convenience and accessibility, I find that I actually do read print differently. My eyes tire at a faster rate when I read text on paper than words on a screen, so a print book is a chance for me to slow down, take time with the words, the emotions, the feel of the story, rather than rushing through it for the content of the story.

In this final volume of the Demon Queen arc, we learn the Truth of The World. So many of the fragments we have been told suddenly make sense.  What was at first a grand, epic, high-fantasy tale, has become something far more complex…and far more interesting because of it.

When I read this book this first time, I reviewed it thusly, “What if you had the chance to remake the entire world in order to save the person you love…and learned that the world was never what it seemed?

And when I read this series the second time, I said, “Stories in which communities come together to build a better tomorrow. The fact that the leaders of this particular community are queer women is delicious icing on this sweet and satisfying narrative cake.”

In between these two things is a fascinatingly complex series of connections that use everything we have learned in the first 4 volumes, but almost without exception, use them in ways we could not have expected. Things that seemed like they might have become a whole side quest on their own are resolved almost offhandedly, but only to allow space for something far more interesting and relevant. In the end, this is a series about how people form relationships and how complicated it is to make space in the world for those relationships to thrive.

Ratings:

Art – 9 hanagata presents characters as cute and moe, but the art is visibly improved from the first volume
Story – 9
Characters – 10
Service – Very little, for perfectly good reasons
Yuri – 10
Queer – 10

Overall – 10

The worst thing about this series is that it ends. It had nerve making us care so much about fictitious characters and situations. Luckily for the ILTV fandom our enthusiasm has made the series more popular now than ever. If you’d like to lend a hand, drop into the voting for the “Next Light Novel Award” which will begin at 13:00 JT on November 16th and give your vote to inori-sensei’s work – the LNs could use a little love in Japan.

Thanks to the Seven Seas team, and especially to translator Keven Ishizaka for making this book very readable.

 





Watashi no Oshi ha Akuyaku Reijou -Revolution-, Volume 2 (私の推しは悪役令嬢。-Revolution-)

November 10th, 2022

As we all wait breathlessly for the formal announcement of an anime for I’m in Love With the Villainess, today I am looking at the Japanese print edition of Watashi no Oshi ha Akuyaku Reijou -Revolution-, Volume 2 (私の推しは悪役令嬢。-Revolution-). As a reminder, this series came out in print in English before it made it to print in Japan. So the edition you have read is the English translation of the webnovel which was put out digitally by GL Bunko. The series was licensed for print by Ichijinsha. Volume 1 of the JP print edition was reviewed here on Okazu last spring.

This will make the third time I have read this volume, having read it in the GL Bunko novel and English language editions. Because this is a new, deluxe version, with extra stories that have been written since the webnovel was initially licensed, there was quite a bit of new material tucked in between things with which we are already familiar.

There are several key elements to this content, even aside from the new content.  Lily becomes a major player on the board and we eventually learn several secrets regarding the Royal Family and their advisors. Rae explains her former life and tragic first love to her friends. Claire’s class consciousness is awakened when they visit Rae’s hometown. Manaria arrives and forces Rae and Claire’s relationship to change during the Scales of Love arc, which coincidentally completed in the December issue of Comic Yuri Hime as grandly as I had hoped. ^_^

So while the Yuri goes up significantly, with the addition of Manaria and her boyish charm, as well as the Love Scales, the LGBTQ rating stays high with open discussion of complicated queer lives, once again.

Ratings:

Art – 7 Still portraits of the people rather than the scenes.
Story – 9
Characters – 10
Yuri – 10
LGBTQ –10
Service – Rae’s obsession about Claire shifts more to her moods than her body, but there’s still some body commentary, Let’s still say 2

Overall – 9

The board is set now for what is to come. In Volume 3, what is to come will be…revolution.