Archive for the Series Category


Maria-sama ga Miteru Manga, Volume 7

March 29th, 2007

I am usually quite happy to call Maria-sama ga Miteru a “Yuri” series, knowing full well that there is only one character who can really be called lesbian. But there’s just no way to call this particular volume “Yuri” without being an outright liar. LOL

Maria-sama ga Miteru, Volume 7 tells the incredibly straight story of Torii Eriko, Rosa Foetida’s mysterious dates with multiple men. Is it Enjou Kousai, as Yoshino suggests? Or is it love, as Mizuno Youko, Rosa Chinensis insists? Yumi isn’t sure and the thought weighs heavily on her.

Despite it’s unremittingly straight plot (joke, joke) this is an absolutely hysterical volume. Eriko’s flaky personality really works to highlight the slightly off-beat, just barely off-color humor here. And the manga, which typically changes the script here and there from the novels, does a superlative job of inflating the mystery, so that it becomes much more like Eriko is doing something questionable, if not downright immoral or illegal. If you haven’t seen the anime or read my notes on the relevant bits of the seventh novel, this volume, of all of the manga so far, holds up best as a stand-alone story.

I have not really cared for the manga art very much since the beginning and this volume is not changing my opinion for the better. I prefer the character designs from the anime and novels much more than these. I swear Eriko was youthening as the volume went on…. Also absent from this volume was fun incidental art. There was one picture of Eriko with a teddy bear, I seem to recall, and the rest of the blank spaces had the title of the series. I was sort of bummed – those little incidental pieces have been one of my favorite things about the manga. But, as the story is so amusing – and I adored the manga version of Minako’s fiction “The Yellow Rose” (in which, oddly, they didn’t do the name pun thing that Minako used…) – I can overlook that.

Ratings:

Art – 6
Story – 8
Characters – 9
Yuri – not much
Service – ditto

Overall – 8

Did I ever mention that the manga has been moved to The Margaret magazine? It’s back on a just about monthly schedule, so collected manga volumes *ought* to come out on a more regular basis going forward. I hope. I imagine the closer deadlines had some impact on the lack of incidental art, as well.





My HiME Anime, Volume 2

March 26th, 2007

This review has been brought to you by the generosity of Okau Hero Brent A, I believe – there was no name on the shipping label.  In any case, my sincere thanks for his generosity and kindness. This is another of the items off my Amazon Wish List, which I am exceedingly glad to review for you all, as promised. :-) If you would like to sponsor a review, just go ahead and choose something off my wish list – I’ll be sure to acknowledge you with genuine thanks and warm, fuzzy feelings.

So, in Volume 2 of My HiME, we continue filling in the ranks of HiME, get some backstory on a few of the characters and commit the first of what will be a series of heinous crimes against the viewers. The things that were good about this volume were also the things that were bad, so it was an interesting watch from my perspective.

Let’s talk technicals first. The subtitle issue was not resolved for Volume 2, so unless you have state of the art DVD players or computers, you will not be able to see the subtitles. Luckily, since I reviewed Volume 1 I did indeed get both a new DVD drive and new software. Not, you understand, so that I can watch this disk, but because my previous DVD burner began to melt. So, I was able to see the subtitles. And boy oh boy, I understand why they want them to be hard to see! Bandai…appears to be using the teeniest, most pixelated yellow subtitles they can find. I’m not asking for fancy text effects (Ogma knows they’re wasted on me) but I’d like to be able to *see* the subtitles. My laptop screen is 15″. I’m old. They were small and hard to read. And pixelated! That’s all I’m saying.

Once again., let me stress that the animation for My HiME, despite your faulty recollection, is *significantly* worse than that for Mai Otome. Really. If you think I’m lying, you just don’t remember. Because the animation for this volume is *awful*.

Volume 2 deals primarily with two things – the addition of two HiME who function for a *very* short time as foils for one another, and Mai’s personal backstory. The backdrop to all this is rain, so you know it’s dramatic. In fact, the first episode is called “Rain and Tears” in case you miss the point of just how dramatic it is.

But as fast as we gain HiME, we lose at least one in this volume and, in the process, we learn the true risk of being a HiME…that the person (not yourself) that is most important to you will disappear if you’re defeated. On the one hand, we gain a HiME who thinks of her role as a superheroine – and revels in it, much as she revels in her obvious lies about herself and, on the other hand, we lose a HiME who probably wouldn’t have hurt a fly otherwise.

The Monsters of the Day turn up the conflict a notch, Nagi continues to be irritating and wow – is it freakish watching this volume after having been so thoroughly brainwashed by Otome. The level of angst is SOOOOOOO high, that it was hard to take seriously, since I know that all the pain and suffering will…well, I won’t rant about it again. It just seems more like *this* is the fanfic now, where someone took all these happy-go-lucky Garderobe characters, made ’em kids, stuck ’em in a school and upped the angst.

Let me digress a bit and talk about angst. In my Fanfic Writing Workshop, which you can find on “Worldshaking” Fanfic (or at a con near you that is also near me), I discuss the concept of “hand of god” writing. Many people – especially young people, like very angst-heavy stories. There’s a lot of reasons for that that I won’t get into, but I will say this – from the author’s side angst is MUCH MUCH MUCH easier to write. You know the saying, “Dying is Easy, Comedy is Hard”? This comes from the stand-up comic circuit and it is absolutely true for writing, as well. That’s why so much fanfic sounds like this “Person X is forced to react when Person Y is killed doing something or other.” That’s hand of god writing. To me, the very best writing of all is the kind that plays out in small details. So a lot of anime fails in terms of writing, for me, but some are better than others. I was all for My HiME’s hand of god until the end, where the entire series was invalidated. (Dammit, I promised not to rant again… oh well.)

I had completely forgotten that Nao was Mikoto’s age in HiME, that was really weird. LOL In any case, I found it a tad depressing to watch this volume this time, but if I treat it like a fanfic of Otome, it’s not so bad. ^_^

No Yuri, really, even if you squint and turn up the Yuri goggles, unless you’re counting Mikoto and Mai. Which I’m not.

Last up, the DVD extras. They were universally disgusting. Oh, wait, no, the last one wasn’t disgusting, just pathetic. I know that they are just service for the fanboys, but gawd…how do you guys stand it? I was gagging trying to get through them. (Just another good example of how what lesbians think is sexy and what guys think is sexy is nothing like the same thing…)

Ratings:

Art – 5
Character – 6
Story – 6
Yuri – 2
Service – 9
Angst – 8 and going up quickly from here on in.

Overall – 6





Yuri Light Novel: Strawberry Panic, Volume 1 (Japanese)

March 21st, 2007

One of the many reasons I began teaching myself Japanese was because I resented having to rely on translators’ interpretations. I know that in translation one is always balancing “feel” and “sense” and I wanted to be able to read things in the original in order to be able to grasp both, without someone making my decisions for me.

So, since Seven Seas will be coming out with a translation of the Strawberry Panic light novels, I wanted to read them first in Japanese, so I could better appreciate how they were reproduced in English.

Let me give you this piece of background info, that should help you appreciate my feelings about this novel:

On average, it takes me three months to translate a 200 page Maria-sama ga Miteru light novel. If I am reading for myself, without translating, it takes me about a month to read, with the assistance of at least two dictionaries and a translation tool.

…It took me *4 days* to read this 300+ page novel.

With one dictionary.

If you can’t appreciate the significance of that, let me add this piece of information: the amount of furigana in this novel was astounding. There was so much furigana that I’m tempted to think that their target audience is 12 year olds. Tops. Comparatively, there is very little furigana on any given page of a Maria-sama ga Miteru novel. As Tsutako explains to Yumi in an interesting metaconversation in Ibara no Mori (translated here by Erin Subramanian,) the audience for the book is really adults, although it is ostensibly a book for teens.

Strawberry Panic, Volume 1 (and I am still linking to the Japanese edition here, as that is what I am reviewing. When I review the English edition, I’ll link to that) is about the happenings at Astoria, an old, tradition-laden campus that is composed of three distinct schools: St. Miator, St. Spica and St. LuLim.

Miator is the oldest and, in many ways, the most powerful. Spica is the second oldest, and sort of “mod” to Miator’s “traditional.” LuLim is the youngest of the three, and “eclectic” in comparison with both the other schools.

The events and characterizations in the novel follow the manga closely – this one novel pretty much covers the events in the two manga volumes (Here are the reviews for Volume 1 and Volume 2.) Much of the clunkiest, most derivative junk that mucked up the anime has been shed, which is good. So, no memory loss, no global warming, no angsty avoidance. And much less open rip-offs of memes from other Yuri series. (Just one, other than the whole “Catholic schoolgirls misbehaving” thing.)

The opening of anime, manga and novel are almost identical, as we meet playgirl extraordinaire Hanazono Shizuma as she breaks up with her most recent paramour, and proceeds from there to meet – and be enchanted by – incoming transfer student Aoi Nagisa.

Early on, Shizuma determines that she will run for the school’s star positon, the Etoile, with Nagisa. This is unheard of, since she is in her final year at school, and cannot possibly hold the position for more than a few months…and her chosen partner is a transfer student who barely knows anything at all.

Her only real competition for the position is the junior year Prince of Spica, Ootori Amane. Their battle for the position is just about identical to that in the manga.

In Spica, the way Amane and meets her partner for Etoile, Konohana Hikari, differs strongly from manga and anime – and it makes a lot mores sense. So does the fact that they fall in love just about instantly without much fuss.

The first third of the novel is almost identical to the manga, with the creepy, servicey almost-kisses between Shizuma and Nagisa. But from there, the author seems to shed a lot of the less good stuff the story had piled on it, and manages to do a halfway decent job with what is left.

Which is not to say that this is a good story, but more on that later.

Here are some of the main differences between the versions.

We learn a LOT more about the individual schools and how they work. St. Spica, particularly, has some weird rules – all new transfer students live by themselves for two weeks. When you enter the Spica side of the dorms (and there is no free movement allowed between the three sides, so sneaking around for those midnight tea parties is really awkward) you have to ring a bell and announce your name. Even if, especially if, you’re a Spica student.

Hikari and Nagisa are both transfer students. So the first usual test for the younger partner in the Etoile, which is an exam on Astoria history, is canceled completely, as neither has had time to be able to compete fairly.

Nagisa is, as long as she isn’t speaking out loud, pretty much okay. Once, she’s so distressed that she forgets to refer to herself as “Nagisa” and instantly jumps up a notch in my estimation. She’s not nearly as stupid or whiny as the anime Nagisa was.

The vow-taking ceremony for Etoile couples is not held in the church, but in front of a replica of the Roman “Mouth of Truth”.  They get points on style, as they did in the manga. Spica council President Shion still tries to sabotage Shizuma, and fails.

Tamao is in love with Nagisa, but all her pervastic behavior is disappeared, leaving a very intense girl with a crush on her roommate. It was such a relief, let me tell you.

Shizuma tells Nagisa early on about the Etoile position and how it works. After she tries to seduce Nagisa in the library and fails, Shizuma backs off until, on the way back from the grand tour, they meet Chiyo and Tamao. When Tamao claims Nagisa as her “vitamin Nagisa,” Shizuma goes cold and serious and vows to run for Etoile with Nagisa. From that point on, the playboy seduction ends, and she really opens up to Nagisa, and tries to be a reasonable partner. Her expressions of interest in and like for Nagisa certainly seem much more trustworthy.

Miyuki is much, much snarkier in the novel. I liked that.  ^_^

Amane is less hesitant, and completely able to fight off Kaname’s desire to run for Etoile with her. Kaname is the boyish, dark-skinned Kaname of the manga, not the Evil Psycho Lesbian of the anime, so she and Momomi do not appear to be a couple at all. Kaname is interested only in Amane, and Momomi just likes drama. ^_^ We get a fair amount of time in Amane’s head, too, and we really learn just how much she hates being the school star and being idolized by all these girls. It’s not that she hates herself, or that she hates them, she really just doesn’t understand why they think she’s attractive, since she’s so boyish, and feels burdened by their idolization of her and the resulting celebrity she has to deal with all the time.

Hikari isn’t a stuttering ass, Amane isn’t a non-verbal freak. They are so much more likeable here where they are just *together*. Hikari is very lonely in the beginning, mostly because of the isolation rule. She’s contemplating leaving the school when she meets and falls for Amane. She is not nearly as much of a pushover as she is in either manga or anime.

Here’s some things that were the same:

The horseback race/rescue from the tower is still one of the Etoile tests for the elder partner – Amane and Hikari win, and Amane is really pretty showy and fun about it. (Not the acutely embarrassed Amane of the anime, for sure. And phew for that!)

Nagisa still refers to herself in third person.

Chiyo is still an annoying crybaby.

The midnight tea party in the center grounds of the Ichigosha dorms at the end of the manga is the same as well. With a slight difference. The midnight tea party in Nagisa and Tamao’s room is the same – but because we follow Yaya and Hikari there, through the really strict halls of the Spica side of Ichigosha, we get to see what kind of risk they take getting there.

And here are some things that are significant, and help make the novel better than the manga and a whole different class than the anime:

Nagisa does, yes, receive a note that leads her to the library, and to information about Shizuma’s late Etoile partner, Kaori. In the novel we get Nagisa’s thoughts on all this, which are (quite sensibly) that she feels as if Shizuma is using her, Nagisa, as a replacement for her dead lover. This was completely left out of the anime, so that long, (quite tedious,) arc after Nagisa learns about Kaori, in which she and Shizuma avoid one another, is never explained. This reaction was simple, realistic, logical and not overly prolonged. Nagisa ends the book by asking straight out about Kaori, and Shizuma responds straight out by telling her.

Through Shizuma’s thoughts we learn about Kaori very early in the novel, so we *know* that there’s more to Shizuma than just being a playgirl. We also know why she feels that she can never commit to someone like that again…and we see that blown away early on when she meets Nagisa.

The two girls who follow Shizuma around in the anime? Remember them? They are always behind her in the greenhouse. The *appear* to be the other Miator Student Council members…well, they’re actually Shizuma’s closest childhood friends, Hitomi and Mizuho. I very much liked the fact that Shizuma had some close friends.

And lastly, here are some of the things that are either relics of the anime/manga and had to be done, or just didn’t work.

At Miator, the wind is blowing. Fuu— Fuuu—, and the flowers swirl around. Swirl…dance….. If they took out *half* the references to the wind (Fuu–) and the flowers (swirling, swirling!) the book would be 20 pages shorter.

At Spica, they wear miniskirts. Did you know they wear miniskirts at Spica? Yes, miniskirts. Really. By the fifth or sixth mention I was fairly well-informed on the miniskirt situation and really, really didn’t need to be told again. But that didn’t stop the point from being made a few more times.

The utterly pointless scene in the library, where Yaya (who otherwise in the book is perfectly normal and kind of funny/nasty as she refers to Amane’s fanclub as “Amane wannabees”) sexually harrasses Hikari seems incredibly out of place. Shizuma trying to get a kiss from Nagisa feels slightly less absurd, but the whole scene had a sense of “the editor thinks this is sexy, so keep it in or else”. The same was true for the bath scene with Shizuma and Miyuki. The conversation could have been anywhere…and the service felt very forced and incongruous as Shizuma had already abandoned her playgirl persona by then.

All of these things had the distinct feeling of things that the author was *told* to include. None of them make the least little difference to the story, and most of them are very tiresome. They are all in the first third of the book. Starting at about halfway, the book seriously decreases in service, increases in character development and gets a fair power up in the not sucking utterly department.

The last scene, at that “secret” midnight tea party in the central garden of Ichigosha, (to which the entire school comes, but it’s still, somehow, “secret”) where Nagisa confronts Shizuma about Kaori (and Shizuma admits that she wasn’t going to tell Nagisa, and hoped that she wouldn’t find out) was handled as well as one could expect in this series. Amane and Hikari are given the Petite Crown for winning the horseback race contest…and the Etoile-sen continues in the next volume.

I really feel bad for the person working on the novel translation because, although this novel is miles better than the anime, and yards better than the manga, it is whole continents away from being as good as even the worst of the Maria-sama ga Miteru novels. In short, it pretty much bites. The author did a brave job with the material, but you can only do so much with…well, crap.

Ratings:

Art – 7 (light novel, it has pictures, remember?)
Story – starts at 3 and manages to claw its way to a 6 by the end
Characters – 3, except for Amane, who comes in at a surprising 5
Yuri – 9
Service – 9

Overall – 5, but only because the author really, REALLY worked at it.

I’m just dying to see how the English language version does! Because really, anyone who get past that wind, and those flowers deserves an award. ^_^; I really don’t envy that translator and adapter… That all having been said, this is light years better than the Drama CDs, which were service for the sake of service and not much more.





Yuri Anime: Maria-sama ga Miteru OVA 2, Operation OK, For Short (Provisionally)

March 20th, 2007

I’ve linked the picture on the left to the Deluxe Edition of the 2nd Maria-sama ga Miteru OVA. Should you not want the collector’s edition, here is a link to the regular DVD on Amazon JP.

So, Ryakushite OK Taisakusen (Kari), or Operation OK, for Short (Provisionally), is abstracted from the novels Manatsu no Peeji and Satsusatsu Suzukaze, primarily those scenes focusing on getting Sachiko over her dislike of men enough to meet with the Hanadera Academy Student Council. I’ve linked to my notes from the pertinent novels, so you can go back and grab the basic plot from there, allowing me to gush without having to do tedious things like tell you what I’m talking about. ;-)

This is a wonderful OVA. It has lots of Sachiko-liciousness, with some yummy Yuminess. I find myself grinning, yet again, like a loon as I watch, because it’s just so damn fun.

For fans of the series, one of the most important factors has got to be how Yumi and Sachiko interact in this OVA, now that all the Rainy Blue misunderstanding is behind them. This Yumi (and even more so in the sports festival OVA to come) handles Sachiko softly, with a deft touch, but without having to compromise her own values – something that Sachiko comments on. For her part, Sachiko is able to accept that moving past her limitations is important not only for her, but for the rest of the Yamayurikai…and her frank discussion of her own temper was truly magnificent.

In short, this story is about Sachiko being magnificent, and about Yumi enjoying that magnificence, and polishing it to an even greater shine.

There’s more than enough funny for anyone’s taste, but the greatest scene has got to be Yumi calling Yuuki her brother “for the time being” (or “Pretty much, as Lililicious translates it) followed by Yoshino stealing the gag. A brilliant scene, and really well animated, because we can see the differences between boys and girls right there, in a nutshell, as they all laugh.

In terms of Yuri, the best moment has to be when, as Yumi and Yuuki wait for the bus home after meeting with the “unpalatable” Kashiwagi, Yuuki decribes his perfect type as someone who sounds awfully like Yumi, while Yumi’s description of her type, as Yuuki points out, sounds suspiciously like Sachiko. ^_^

But really, what this OVA is about is Sachiko being magnificent. If you are not a rabid Sachiko-hater (and you shouldn’t be, but the first season of the anime did make it hard to like her) you will also grin like a loon as you watch this. If you are already in love with Yumi and her onee-sama, you will find this time more than well spent.

Ratings:

Art – 7
Story – 8
Characters – 9
Yuri – 2
Service – 1

Overall – 8

This is such a terrific story. Just watch it and learn to love Sachiko and Yumi properly.





Yuri Manga: Read or Dream, Volume 3 (English)

March 19th, 2007

The fantastic and wacky happenings in Read or Dream, Volume 3 have not been altered from when I originally reviewed the Japanese edition, so please click that link for an overview of plot, character, and random references to Betty Davis…and now that I look at it, Kojak, as well. ^_^

So, as the story hasn’t changed, let’s focus on the reproduction to English. In this and this alone, the volume takes a pretty bad hit. The original has a dust jacket, underneath which is a short story on the cover of the book proper. As there is no dust jacket in this version, that story is reproduced in the book in black and white. Not deadly, but…the lack of color pages means, no cool Paper Sisters mini-poster page, which I very much like, and more importantly, the lovely color reproductions of the novel covers are turned into a totally skanky black and white page which is hard to see. It sort of killed the joke, too. I liked it better when we were allowed to make the connection ourselves between those shockingly shoujo novel covers and the ROD The TV anime series.

Let me try to explain why I feel so strongly about what is, in reality, one stupid color page.

In the anime, the one single thing that fills the entirely of the first 13 episodes is that Yomiko is NOT there. Her absence is a constant presence, if you will.

In the manga, in *this* volume particularly, there is also a person whose non-existence sort of fills up the empty spaces. That person is famous author Sumiregawa Nenene. In this volume, the fact that the beginning of the anime is reproduced almost exactly, but that the author is NOT Nenene pretty much shapes the whole story – and the story to come in the next volume.

So the color page with those novels by Nishizono Haruhi instantly brings to mind the fact that she was the author that debuted right after Nenene, won the same award as Nenene, and constantly pops up in the anime to be a thorn in Nenene’s grumpy side. Those covers also bring up memories of Haruhi’s irritating little sister pimping her sister’s books in Anita and Hisa’s class. In other words, those novel covers are memory markers. They provide a link to key moments and people in the anime. And those novel covers are reproduced in the *beginning* of this volume of manga, where they can ping those memories before you even start reading what will turn out to be a cool alternate universe reading of those very same situations and characters.

In the English edition, those novels are reduced to a comment that these are some novel covers drawn for the anime by the artist for this manga and placed in the back of the book. Thus losing every bit of tension, of anticipation, of memory that they stimulated.

I am just about 100% sure that no one but me cares, but I really think Viz blew it on that. That color page may not have been intended to be the stimulant it was…but I like to think that Japanese artists, writers and publishers *are* that intelligent. Sadly, Viz was not. Boo on them.

Ratings:
Story – 8
Characters – 8
Art – 8
Yuri – 4
Service – 7 (lots of ass shots…what’s with *that*? Maggie in a suit.)

Overall – 7 (one point off the original score for Viz missing a great opportunity to up the quality of their reproduction and get the point of that page.)

This and Volume 4 make great reading. I really enjoyed the direction the story takes here, and I don’t think it gets weaker in the next volume. Another enjoyable afternoon read.