Archive for the Series Category


Yuri Manga:Ameriro Koucha Kandan stories

September 5th, 2006

I’m cheating today. This is not a collection of manga I’m writing about, it’s two different stories in four different places, and two are cameos, which all happen to star the same characters. Because it *will* be a new series starting in the next Comic Yuri Hime magazine  I thought it would be fun to tell you the story as it exists currently.

The story in question tells of the women of the Ameiro Kouchakan Kandan (飴色紅茶館歓談). It begins in the book pictured above, [es] Eternal Sisters 2 anthology. On the cover are the two principles of the story, Seriho (left) and Sarasa (right.) In the ES collection, we meet Seriho who is the owner of the Ameiro Kouchakan, (loosely, the Amber Tea Pavilion.) Sarasa is a local high school student who spends an inordinate amount of time at the cafe, and asks, quite cutely if she can just work there. But Sarasa’s motive is not money – she’s in love with Seriho. Seriho reciprocates the emotion, and Sarasa comes to work at the cafe. In this story we also meet regular customers Haru – who runs some kind of freaky fortune website, and her friend/partner in mischief Hinoko. Hinoko is the obligatory goth-loli girl that one always finds in Fujieda Miyabi’s work.

The second “chapter” of this story takes was published in the extra comic inserted in the August 2006 volume of Yuri Hime. In this little omake, we are given character profiles in which we learn that Seriho, despite her youthful looks is 25, and Sarasa is 17. Huh. How ’bout that.

Tanabata is fast approaching and Seriho wants to something extra special for the cafe. They come up with a special blend of tea that they pour in a long stream (evocative of the milky way, which features in the Tanabata story.) Haru and Hinoko join the staff for the day and the four women have a successful and lively day full of customers. To thank them for their assistance Seriho offer to treate everyone for dinner. Haru and Hinoko leave first, while the others remain. Seriho tells Sarasa that, long before today, she had planned to close the cafe. Sarasa reacts strongly, protesting that people – she – loves the cafe. Seriho and Sarasa have an emotional scene, but Sarasa is successful and the cafe remains open. Phew.

The third appearance of the ladies of the Ameiro Kouchakan is Kotonoha no Miko to Kotodma no Majyo to manga. In this volume, Letty, having newly freed Tsumugi from her confinement in the shrine, takes the miko to her favorite watering hole. The big scandal here was when Tsumugi – assumably unfamiliar with ways of the outside world – expresses her love for Letty firmly and loudly. Poor Seriho almost dies of embarrassment…

And the fourth, but not at all final, appearance of the Ameriro Kouchakan is the MikoMajyo Drama CD (the one packaged with the manga in the deluxe set), in which Letty and Tsumugi once again visit, this time accompanied by the errant mountain god who has run away. Shrine guardian Isuzu is forced to drag the wayward deity back to her shrine bodily. Tsumugi’s request for Letty to open up and say “ahhh” forces Letty to confront her inner femme, and inspires Hinoko to fluster cool Haru by doing the same.

Now, to be honest – these four appearances are the ones I have, or have noticed. I have no doubt that somewhere along the line there’s some crossover with Fujieda’s other series, especially the ones I’m less familar with.

But what does exist is cute enough that I though it warranted a mention. And I bet that, once the story begins running in Yuri Hime we’ll get a collection that includes both of the first two chapters.

Here’s hoping, anyway.

No ratings, since it’s not *yet* a collection, but overall – even more adorable Yuri from Fujieda Miyabi!

BTW – Happy Birthday me. Older, as my mother says, but not at all wiser. If you’re moved to send a present, buy a book from ALC Publishing or t-shirt or mug or something from the Yuricon Shop. That’s all the present I need. ^_^





Yuri Anime: Stellvia, Volume 8

August 17th, 2006

Twice, I thought over how I would approach reviewing this, the final volume of Stellvia. Twice I thought about the plot, the characters, the Yuri, and twice I had the same thought: Battle Atheletes.

These two series have quite a lot in common. Both are series that ran in Dengeki Daioh magazine, both have lead females whose extraordinary talents save the world, and both have a cast of supporting characters that are more interesting than the lead herself.

So let’s do a compare/contrast for fun. To start let’s compare the Yuri:

Battle Athletes clearly wins here. There are so many potential couples – many of whom make *sense* and are not just random pairings of two women who stand next to each other on the screen. And there are at minimum, two canon couples – especially if we count the manga. Mylandah and Lahrri and Kris and Akari are couples. No ifs, and or buts. In contrast Stellvia has only one Yuri couple, but a very decent one it is. I once again enjoyed the heck out of Yayoi’s and Ayaka’s public acknowledgment of their feelings. Not as good as Kris’ and Akari’s manga kiss, but just as public. ^_^

Comparing them as space stories:

Stellvia wins, no question. While both series have invading aliens, threats to the planet and the like, the Battle Athletes anime has so many other, incredibly stupid add-ons to the basic formula that even thinking about it makes me squirm. Stellvia sticks with bug-eyed monsters and a gigantic threatening alien energy menace.  I think, perhaps, the aliens in BA might have not been so bad if they hadn’t chosen the stupidest plot complication EVER as their means of attack.

But, as I thought it over, the real point of comparison has to be their lead characters. And this is why, both times, my mind connected the two. Because once again, Stellvia is vastly superior. Akari from Battle Athletes is the typical idiot savant character. She can do NOTHING right, ever, no matter how hard she tries. But she never really tries, until a crisis occurs and her innate skills mystically pop into overdrive. (This is far more prominent a theme in the anime than the manga, which was mostly free of this.) At every step up the ladder Akari starts back at the lowest level until a miracle catapults her to the top.

This happens to be something that generally bugs me about anime – one of the main themes of nearly every anime is “hard work” – and especially “teamwork” – will get us to the top. There’s a lot of cultural reasons why this is so that I won’t get into but what bugs me is that, in anime it is so rarely either that really gets anyone to the top. Sailor Moon never really works hard at anything, she just *is*. The same is true for most heroes and heroines of manga and anime. Of course fighting series are full of work, but the heroes follow a similar pattern – they are defeated, then come back and defeat the person who just beat them – usually by having miraculously, sometimes magically, sometimes just from sheer “guts”, powered up a gazillion orders of skill/power.

In stark contrast, Shima works her ass off through the whole series. Volume 8 of Stellvia has scene after scene of her working hard enough to make herself puke. There is the teeniest deus ex machina at the end of the series, at zero hour, when the clock has counted down to one second, etc, etc; but as Shima has spent the entire series actually striving to do this *one* thing, I can forgive it without prejudice.

And her moment of lucidity arrives just as infuriatingly cool – or is that, clueless – Kouta melts down completely. That was worth watching the volume for because that boy was annoying the living daylights out of me.

So, yes, Battle Atheletes has more Yuri, but I genuinely think that Stellvia is the better series. It makes sense. No cows. No transgender psychotic murderous twins, no resurrected dead parents. Just one teeny little handwave and a lot of good solid human moments.

Ratings:

Art – 7 Consistent, mostly, throughout, but never great. The CGI stuff is quite good.
Story – 9 I kept nodding over and over as key “space opera” points were handled, competentely
Characters – 9
Yuri – 7
Service – 3 The uniforms. Ugh.

Overall – 8.5

Stellvia was one of my best anime of 2004. Over here in 2006, it’s still in my top twenty of things I’ll reach for to rewatch. My only regret was that the sequel was never, and will never, be made.





Drama CD: Kotonoha no Miko to Kotodama no Majyo to

August 11th, 2006

When you purchase the deluxe edition of Fujieda Miyabi’s Kotonoha no Miko to Kotodama no Majyo to, it comes with a Drama CD. As I promised in my review of the MikoMajyo manga, today I will be reviewing the Drama CD. Let me begin by summing up with “Squeeee!” ^_^

The CD begins with Letty the witch (Nabatame Hitomi/ Hanazono Shizuma from Strawberry Panic) and Tsumugi the miko (Noto Mamiko/Toudo Shimako from Maria-sama ga Miteru) walking along. Tsumugi’s outside world skills are still a little rough, so when Letty asks her to stay put for a second, Tsumugi finds herself swept up in the waves of people walking by, becoming separated from Letty. Letty comes running to the rescue, thanks to their red string of fate. Tsumugi asks to get a drink of something, so Letty gives her some money and *she* promises to stay put until Tsumugi comes back.

Unbeknowst to her, Letty is being watched…this time the mysterious watcher is not Isuzu, as in the manga, but the god of the shrine herself! And she’s still wearing Tsumugi’s body and voice. (Since now Isuzu is her main squeeze, everyone’s happy with the choice. Except Letty…). Kami-sama jumps Letty and pretends to be a *very* daring Tsumugi when she openly propositions her to spend some time getting to know each other better – at a hotel. Letty’s about to cave when the real Tsumugi returns. She’s pleased as punch to see the god she served for so long, and naive – or confident- enouigh to not be bothered by the fact that she and Letty seem to be awfully close. Kami-sama takes being busted with good grace and decides to accompany her former miko and her girlfriend for some refreshments.

Which takes them to the Ameiro Koucha Kandan…again. (I *told* you that you’d be hearing alot about this place!) The god introduces herself as Tsumugi’s twin older sister, Kinu. Letty splutters adorably through this brazen lie. The proprietor of the the cafe, Seriho (Nogami Yukana/Yukishiro Honoko from Futari ha PreCure, Nakanotani Mina from Air Master) and her employee Sarasa (Mizuki Nana/ Fate Testarossa from Lyrical Nanoha, Shinobu from Shinobuden/Ninja Nonsense) are immediately charmed by Kinu-oneesama, while Letty is clearly trying to keep herself from leaping across the table and strangling the mountain god. Just as their cake arrives, however, Isuzu (Watanabe Akeno/Fuho from I Me My Strawberry Egg) crashes in and drags the god back to the shrine.

This leaves Letty and Tsumugi with an extra piece of cake to share. Letty tells Tsumugi to say “ah” and feeds her. When Tsumugi attempts to return the favor, Letty falls apart. She explains that it’s not really her nature to be the one fed – or pursued – and um, she tends to do the feeding, and the pursuing, you know. Tsumugi thinks that Letty’s butchiness is adorable, but proceeds to feed her anyway. ^_^ Isuzu pops back in to remind Letty to take care of Tsumugi, then runs off after her own, infinitely more difficult, girl.

Impressed by Tsumugi and Letty feeding each other, the two friends and regular customers of the Ameiro Koucha, computer whiz Haru (Asakawa Yuu/Sakaki-san from Azumanga Daioh) and goth-loli loli Hinoka (Koyama Kimiko) decide to feed each other too, thuse giving the cafe that special yuri love-love feeling all-around. (Wait until I get a chance to discuss the women of the Ameiro Koucha Kandan in detail….)

The last track is once again Letty and Tsumugi walking together. Tsumugi is, as always, glad to be with Letty anywhere, doing anything. Letty manages to pull her butchy self together, mentioning that the god, that is, Kinu, had sort of propositioned her…and wouldn’t it be nice, really, if the two of them went somewhere to become a little closer. Tsumugi agrees happily. The conversation devloves into excruciatingly sweet nothings, and Letty ends it all by saying that she is looking forward to being together with Tsumugi, wherever, forever.

Ratings:

Story – 7
Characters – 8
Voice Acting – 7
Yuri – 8
Service – 1 on principle

This is yet another goofy grin-inducing thing from Fujieda Miyabi. Totally worth getting the deluxe version on MikoMajyo for…and yet another terrific way to practice those Japanese listening skills!

I’m told the bundled manga and Drama CD are sold out. BUT, when I’ve had that happen, I just keep the order around in my Amazon JP inbox, because it often comes back in a second shipment. Don’t give up, just yet. :-)

It looks like there’ll be an upcoming full-length Drama CD for this series. Here’s a link to buy the CD “Magrigal Halloween”: MikoMajyo Drama CD You can be sure that I’ll be getting it.





Yuri Manga: Kotonoha no Miko to Kotodama no Majyo to

August 9th, 2006

From the creator of Iono-sama Fanatics, comes an equally adorable, equally yuri-riffic series, Kotonoha no Miko to Kotodama no Majyo to, by Fujieda Miyabi. (Transliteration supplied on the book itself.)

MikoMajyo, as Fujieda refers to it in his afterword, ran in Yuri Shimai, then Yuri Hime magazines, and has now been collected into a single volume. There are two versions – the manga only and the deluxe version which comes with a Drama CD. If you know anything about me, you’ll be able to guess that I bought the deluxe version. A review of the Drama CD will be forthcoming. ^_^

As with the other Yuri Hime Comics volumes, I’m going to review this story as if we have never read it before. Some of you may have not…although you absolutely should.

The story begins with European witch Letty, complete with broom and big pointy hat, arriving at a small shrine in Japan that is hidden away by a magic barrier. Letty penetrates the barrier without difficulty and finds that a lone priestess, Tsumugi, tends the shrine. Something about Tsumugi’s plight moves Letty and she takes it upon herself to free the miko from the magical ties that bind her to the shrine. Tsumugi finds herself immediately attracted to Letty and tells her so unhesitatingly. Letty is loathe to free the miko and leave her without normal life skills, so she agrees to take Tsumugi with her. To save Tsumugi from getting lost, Letty conjures up a magical string to connect them. Tsumugi says her favorite color is red, so they are bound by a red thread of fate…and how embarrassed is Letty to find out what that means in Japan! But Tsumugi isn’t fazed – she feels an instant connection with Letty, Letty’s pronouncement that the kiss they shared was just so the magic could work notwithstanding.

The first order of the day is to get refreshments. They just happen to stop at a cafe which you will hear alot more about in the upcoming days – the Ameiro Koucha Pavilion. (The characters from this story were originated for [es]Eternal Sisters 2 and will be the main focus of the new series from Fujieda-sensei for upcoming Yuri Hime issues.) Tsumugi embarrasses the bejeebus out of Letty by happily, loudly and publicly saying that she likes the witch. Letty rationalizes it as a comment from a child, since Tsumugi is essentially a babe in the woods when it comes to personal interaction.

Miko and witch head over to what I can only guess must be a cross-over with another Fujieda series. At a stab, I bet it’s the crowd from Twinkle Saber Nova, Fujieda’s other ongoing manga series. I haven’t read it, yet. (9/5/06 note: Wrong. The designers are all from Alice Quartet, yet *another* original series Fujieda does. It dawned on me when I was going through my Drama CDs and found the first Alice Quartet volume. I had forgotten about this series entirely… it’s about five – yes, I know – clothing designers. Hence Letty and Tsumugi coming to their shop to get clothes.) In any case, Letty and Tsumugi trade in witch and miko costumes for regular street clothes and proceed to go out for a walk. Despite Letty’s reticence, Tsumugi continues to press her case for liking Letty, until Letty is forced to admit that maybe her feelings are not like a child’s. Tsumugi confides she has very little memory of her past. We see that they are being followed by a mysterious someone, even as they are growing closer.

While they are out in a boat on a lake a mysterious wave soaks them. The mysterious someone mysteriously communicates that she’s found Tsumugi and will watch her until she can get her back to the shrine. Mysteriously.

The two women find themselves in a hotel, where Tsumugi once again makes a strong case for her feelings. Letty thaws enough to allow them to share a bed platonically, even giving Tsumugi a good night kiss. (From my perspective, at this point, Letty’s just playing hard to get – I’ve never in my entire life rolled over on someone like that to give them an innocent, chaste goodnight kiss. But…more on that later in the Drama CD review. ^_^)

The next morning Tsumugi seems to have developed a nagging cough. Throughout the day, her condition worsens, until the mysterious someone arrives and blames it on Letty! Turns out that the mysterious someone is a servant of the shrine, Suzushiro Isuzu. Isuzu tells Letty that Tsumugi’s well-being requires her being at the shrine, and Letty having released her is what is killing her. Tsumugi regains consciousness and tells Letty her unhappy story – in order to save her life, her mother gave her to the god of the shrine as a servant. While she eventually got used to it, as a child the abandonment weighed heavily on her.

Letty is determined to save Tsumugi from this fate, and decides to have it out with the shrine’s god. In a magical handwave, she is once again the witch and hops on her broom to save the woman she loves. Tsumugi comments that she never expected her knight on a horse to be a witch on a broom. Isuzu is shocked, but a little impressed with Letty’s skills.

I won’t give away the ending, which you already know if you’ve read my reviews of Yuri Hime anyway, but trust me – the girl gets the girl. ^_^ And she does it with some style, too!

Ratings:
Art – 8
Story – 8
Characters – 8
Yuri – 8
Service – 1 on principle

Overall – 8

Once again, Fujieda Miyabi-sensei comes through with an original work that doesn’t at all read like every other yuri manga ever. It is unrelentingly cute without ever getting cloying. The ending is solid – and cute – with a great lead-in to the Drama CD!

A definite must-have for Yuri manga fans.





Maria-sama ga Miteru Drama CD 9: Itsushika Toshi Mo

August 3rd, 2006

For my last review before Otakon (Yuri Panel on Friday, Aug.4, 9PM, Panel Room 3 – don’t miss it!) I decided to write about something that I’ve been saving for a special occasion. Itsushika Toshi Mo, the ninth Maria-sama ga Miteru Drama CD, fits the bill nicely.

This drama CD covers the events of the 8th novel, Itoshiki Toshitsuki, often translated as The Loving Times. This is the story of Graduation Day at Lillian Academy, from the varying points of view of Youko, Sei and Eriko, the now-former Rosas Chinensis, Gigantea and Foetida.

We get to listen in as they reminisce on how they met, how they formed their friendships – and rivalries. How Youko is perfectly aware that she can’t stop herself from meddling and how much Sei really has changed over the last year, to Eriko’s fretting about whether Yamanobe is man enough to show up at her request.

Following these reminiscences is the emotionally brutal scene where we listen to Youko’s thoughts as Sachiko, her beloved little sister, breaks down completely on the podium, causing a wave of sobbing throughout the audience and almost making Youko break down.

And, at last, we say good-bye to the three, with pictures, tears, smiles and fond farewells.

This is good shoujo. Really. Emotional without being maudlin, girly without being caricature, and solid, solid voice acting.

Shinohara Emi is universally adored by every group she’s ever worked with – this Drama CD allows her to show some range. Maybe not as much as “Rosa Chinensis’ Greatest Day”, but still. Youko as an eager, energetic middle schooler, Youko as a tired, relieved and slightly stressed high school student, Youko the ever-competent honor student.

Toyoguchi Megumi also has a chance to show some mad voice acting skills. We get a real earful of Sei bored, cold and aloof, compared and contrasting nicely with Sei alive and warm. Of course we also get to enjoy Sei the angry child as well, an added bonus.

Nabatame Hitomi spends most of her time in Eriko’s usual flaky tone, but we get a brief, amusing glimpse of her as Sei’s childhood nemesis, and also a flash of an angry Eriko, something scarier than you’d imagine. ^_^

Thumbs up for the drama, and for lack of melodrama. Just grab some tissues when that Sachiko scene happens….

Ratings:

Story – 8
Character – 9
Voice Acting – 9
Yuri: – 1
Service – 0

Overall – 8

As I frequently do with Marimite Drama CDs, I find myself listening to this CD with a big, stupid grin on my face. It’s just that wonderful. Another great way to spend a few more moments in the company of truly great characters. And, as I always say, a really fun way to practice your Japanese language listening skills.