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Maria-sama ga Miteru Eight Novel, Itoshiki Saigetsu, Part 2 (Second Half)

October 25th, 2005

Notes on the 8th Maria-sama ga Miteru Novel, The Loving Times, Part 2 (Itoshiki Saigetsuki, Ato Ben)

“One Hand Entwined”

This story is told in alternating first person, from Sei’s and Shimako’s points of view. There was very little different in the novel from the anime – just a few details here and there.

***

1)Sei stands under the sakura tree, letting the flowers wash away the world.

When the students call her “Rosa Gigantea” now, she’s not used to it – it’s not her title, it’s her onee-sama’s title. She doesn’t hate the students anymore, like she used to, but she still feels no connection to them.

2) The first time Sei sees Shimako, she’s reminded of Shiori – they don’t look alike, there’s just something similar about them. Sei suffers a profound sense of deja vu, as she feels the same way she did upon seeing Shiori for the first time.

3) Shimako immediately wanted to learn more about Sei. Her face, which looked like a carving, not terribly Japanese, had a look of grief which Shimako’s classmates find sexy.

4) Yoshino was sent by the Yamayurikai to invite Shimako to the Rose Mansion, because she was the only one who knew what Shimako looked like.

5)It irks the daylights out of Sei that Youko understands her better than she understands herself. ^_^

When Youko invokes Shiori’s name, Sei is repelled by Youko and demands that she not speak that name. Sei thinks that it would be a good goal to be able to forget Shiori, but knows she can’t – Shiori is her cross to bear.

Youko says that she thinks that Sei and Shiori would have made bad soeur, but if they had just gone and become soeur, they might have been able to spend the next years accumulating good memories.

Youko admits to being very surprised when Sei asked about Shimako – Sei had the same expression she had had when she had asked about Shiori.

When Youko tells Sei that Shimako reminds her of Sei, Sei comments that if she’s like me, then she has my weak points. Youko responds, “I like your weak points.” Sei shoots back, “I hate your strong points.”

As Youko disengages from this conversation, she comments lightly that she’d better leave or Sei really *will* hit her.

6) Cut from the anime:

After the above conversation, Eriko and Sei walk out of the Rose Mansion together. Eriko wonders if it was all right for her to have remained. Sei says that she thinks it was better that there was a referee.

Sei asks Eriko what she should do. Eriko asks if it would really be that bad if Shimako helped the Yamayurikai out?

7) Another cut scene!

Youko finds Sei wandering the first-year’s hallway, fixing the first-year students collars and ties and generally touching them and making them blush. Youko call her out on this, but Sei just responds Youko’s the one whose always remind Sei about her duties, and upperclassmen are supposed to tell underclassmen about their collars
or ties – she’s just being proactive.

Youko complains – why are you fixing everyone’s ties?

Sei shrugs – It would be unfair not to.

Youko – Being conscious of equality isn’t like you.

Sei – oh look, your tie needs to be fixed, too.

Youko backs off.

8) As they walk out onto the school grounds, Youko points out Shimako. Sei and Shimako lock eyes, and Sei feels “caught.” (In the anime, Sei was by herself at this moment.) She’s feeling self-conscious because Youko can see her reaction to Shimako.

9)Youko confronts Sei to ask why she hasn’t invited Shimako to assist the Yamayurikai with the festival. Sei accuses Youko of becoming an unpleasant person. Sei thinks that Sachiko is a hypocrite, Rei is a fool and Yoshino is a braggart. But she tells Youko that’s she, Youko, is evil.

Youko says that Shimako not joining the Yamayurikai would be a heavy loss – then
comments that there are other ways to make sure it happens, Shimako could always just run for a position in the elections…

10) Sei comes to a realization (satori) that Shimako is really her wish come true – someone who understands her, a replacement for Shiori for whom she can care, but not desire. Shiori was an angel and therefore, they couldn’t ever be together. But Shimako is human and Sei can remain separate from her. And that, she concludes, would be nice.

11) At a Yamayurikai meeting one day, quite suddenly, Sei calls Shimako “Shimako”,
with no honorific. Soon everyone follows suit. For the first time, Sei begins to enjoy the idea of a “Rose Family” and she starts to forget her unhappiness and discomfort.

12) Shimako sees Sei with Goronta and asks her if she likes animals. When Sei says yes, Shimako wonders to herself is humans are included in that.

13) When Sei finally asks (commands, really) Shimako to be her soeur, more
than the request, it’s the look of loneliness in Sei’s eyes that makes Shimako say yes.

After Shimako agrees, Sei tells her that she’s too serious. Shimako tells Sei that she is too insincere.

When Shimako says the word “Onee-sama,” it reverberates inside her. And she apologizes internally to Sachiko and to all the Rosa Gigantea fans, because she needs this person in her life.

The End





Maria-sama ga Miteru Eight Novel, Itoshiki Saigetsu Part 2 (First Half)

October 24th, 2005

Notes on the 8th Maria-sama ga Miteru Novel, The Loving Times, Part 2 (Itoshiki Saigetsu, Ato Ben)

This book took me a lot longer to read than usual, mostly because of preparations for Onna! and getting Yuri Monogatari 3 to print, but also because of a number of other things which killed my free time completely.

It actually took me almost a week to just get these notes typed up…

There were less notes than usual, only about 10 pages this time. The anime did an exceptionally good job I think of these two episodes. I’m assuming,as a always, that you have seen the anime, and I’m just commenting on things left out, of interest or I forgot that it was there in the first place. ^_^

***

“Will”

The prologue begins with a discussion of the inevitability of time. Time moves on, no one can stop it. At the end of February, when the 3rd-years’ pictures are taken for the yearbook, no one cries. It’s still in the future. But one day, traditionally, a countdown appears in front of the office “Two days until graduation.”

And then….

1) Yumi is positively *shocked* when she realizes that it’s Rosa Chinensis who has grabbed her. She’s sweeping the tree-lined path and is sure some classmate will see them. She thinks Youko may be possessed by a spirit, she muses, when Youko pouts at her(!) and kicks a pebble(!) cutely in protest.

Yumi wonders at all the Rosas using each other’s given names w/out honorifics. (This will come back as a theme over and over in this novel.)

Youko takes Yumi to the milk hall for warm milk. She explains that her parents gave it to her as a child – it’s become a comfort thing. As they walk, Yumi thinks about the school Youko has chosen and comes to the conclusion that she herself would not be comfortable at a co-ed school.

2) Eriko took several exams – she didn’t really care what course of study she took – she’s probably going to a fine arts school. Youko chose the school she tested for on her “greatest day”. She figured that passing that exam that day was a sign.

While she’s talking to Yumi, Youko begins to cry, even though she’s smiling. She’s going to law school because, although she wants to go to a fine arts school, she can’t really help people doing that.

Yumi thinks about Youko’s desire to do something meaningful – that she likes people, and wants to help them. She comments that it’s a good thing Youko doesn’t want to be a surgeon, because that would mean she likes to cut people up.

3) Yumi’s late. Shimako tries to defend her from Sachiko’s wrath “Shimako’s here, where is Yumi?” “We had different areas to clean.” Sachiko stands in front of them and demands an explanation – which sections did they have and how far away were they from each other. She says she wants to see whether Yumi’s excuse holds any water. Yumi is blown away – Wow, what magnificent sarcasm. She compares Sachiko to a stereotypical TV drama mother-in-law.

After she stops being annoyed at Yumi (who stops her cold with a mention of Rosa Chinensis,) Rei whispers that Sachiko was worried – Sachiko throws a fit and lifts a hand as if to strike Rei. But on second thought decides that striking a nidan (second-degree black belt) in kendo is a bad idea, puts her hand down and kicks a chair, instead. Rei teases her, saying that she shouldn’t keep her anger inside, stress poisons you.

4) Yoshino likens Rosa Chinensis’ last request to a confession of love, because some of her feeling is left behind with it.

5) This was in the anime, but slightly changed:

Yumi asks Shimako if Sei had any last requests for her, Shimako says that she gave none to her, but Yumi can go ahead and ask her. Yumi apologizes for being the one Sei hugs, but Shimako says she’s happy about it. Yumi gets suddenly anxious about Shimako and begs her to not go away anywhere. All of a sudden, Shimako seems to disappear and reappear, but have no real substance.

As Yumi holds Shimako’s hands, the teacher comes up behind them and takes their hands in hers. She apologizes for throwing cold water on this beautiful expression of friendship, but homeroom is starting…

Yumi is so embarrassed, that she wishes she had a backspace button with which she could erase the last three minutes – her head is buzzing and she feels like a teapot steaming. When Shimako mouths a-ri-ga-to-u to her, Yumi knows she doesn’t have to backspace after all.

6) Cut scene:

After cleaning that day, Yumi sees Katsura. She’s about to call out, when Katsura squats down and begins to cry. Yumi sees some girl holding a tennis racket, talking to Katsura as she, Yumi, was about to call out. (We are told that, during the Yellow Rose Revolution, Katsura and her onee-sama broke up, but were reconciled when it ended.) As Yumi watches the girl with the tennis racket, Tsutako arrives and tells Yumi that the girl wit the racket is the Vice-President of the Tennis Club. As the VP helps Katsura to her feet, Tsutako takes a picture of them. Yumi is about to complain, when Tsu says that that picture was taken at Katsura’s request.

The VP hands Katsura her racket. Katsura looks surprised, but takes it, hugging it to her. Tsutako narrates as all this is going on:

When Katsura split from her onee-sama during the Revolution, she fell for the VP of the Tennis Club.

Yumi immediately grasps the picture – Katsura akogare/admires the VP, but has an onee-sama who is feeling a bit uneasy right now in their relationship.

7) Yumi enters Sei homeroom and even though Sei is smiling, somehow Yumi senses that she’s not her usual self.

(At this point, I note in my notes that Konno Oyuki is genuinely a master of mood – in a sentence or two, we can really *feel* Sei’s melancholy.) Because Yumi thinks Sei’s melancholy is contagious, she takes Sei’s hand in sympathy. This surprises Sei so much that she springs to her feet in shock and Yumi sees an expression on Sei’s face that she’s never seen before.

8) As Sei tries to kiss Yumi, she tells her “Close your eyes like a good girl.” Yumi zooms in on the parts of Sei’s face that look Japanese and thinks that Sei is really lovely. In her head, the scene plays out like a movie shoot, hence the “Cut!” she cries out when she pushes herself away.

Yumi is torn. She’s not hating the idea of kissing Sei, but senses that it’s not really a joke – Sei’s quite serious about the kiss. Yumi’s feeling really torn, and feels genuinely bad for running away. As she stands there, thinking over her own reaction, Sei asks her what she’s thinking Yumi thinks, but does not say, “About the kiss. What else?” She’s thinking about it being a first kiss and the fact that the problem she was having with it is that it was on the lips. In her head, she hears Yoshino calling her fickle.

9) Sei picks on Yumi by telling her that she’s not going on to college at all. Having seen Yumi made her want to stay here as a student.

Sei also says, that although she was never very ordinary, after having met Yumi, she wishes she had been. She tells Yumi that she doesn’t want Yumi knowing where she is going to school, because she fears Yumi might coming running after her “beloved Rosa Gigantea.” Yumi laughs, but thinks that Sei actually hit the bull’s-eye with that.

Sei really did think it would be funny not to tell Yumi that she’d be at Lillian University, and see how long it took Yumi to notice her there. She’s going on to study English and American Literature.

(This seems unlikely, if you remember that she hates reading novels, but this is not true – she only learned to hate *romance* novels. Think about the scene in Ibara no Mori. where Sei reads the entire novel in about an hour. This is *not* the way a non-reader reads. Only hardcore readers read that fast. It was fairly obvious from other comments in her arc that Sei was always a serious reader – she mentions that she read alot by herself quite often. She’s the perfect Comp. Lit. major…says the former Comp. Lit. major. ^_^)

10) Youko watches the girls handing out flowers to the graduating seniors. She remembers that the year before, her classmates played janken to see who would do the honors, but she doesn’t remember playing janken. Then she remember that they all sort of voted her to do it unanimously.

11) Sei thinks the graduation program guide looks like a menu.

12) A classmate asks Sei if she’s nervous. Sei asks if she looks nervous. As she’s talking with the classmate, she thinks to herself that in all these years, she’s never really chatted nonsensically with a classmate before. Suddenly Sei blurts that she’s sorry that she didn’t ever contribute more to the class. The classmate says it couldn’t be helped. She adds that Sei was onee-sama to the entire school.

13) Sei fell asleep at her onee-sama’s graduation…

14) As a child, Eriko was not bored all the time – she was very class leader-y and “let’s go!” all the time.

Sei preferred to be by herself. When Eriko asked “Are you American?” all of a sudden, so impolitely, Sei just sort of snapped.

Because of the fight they had, Eriko and Sei remembered each other from kindergarten. In middle school, they were seated next to each other and Sei remembered her – which was unusual, because she didn’t remember anyone else from that time. At which point the classmate who Sei has been talking to is taken aback to find that Sei does not remember that they have been in classes together for more than one-third of their school years.

15) In her first year, Eriko was in Go club, in her second year, Calligraphy club. Third year was Table Tennis. Eriko was the one who pointed out Sachiko to Youko. She saw that Sachiko’s level of calligraphy was significantly higher than everyone else’s.

Upon meeting Youko, Eriko realized that the other girl was one of those “can-do” type people and immediately decided to not try and compete with her – even though Eriko had initially decided that she’d be class rep and honor student. (Eriko, Sei and Youko were all in the same class their 1st year in middle school.) Because Youko had gained the position of class representative, when Youko came over the first time, Eriko assumed it was to gloat. (Remember, Youko had transferred in to the school just that year.) Youko asked Eriko about her tie, instead, offering an awfully adult kind of reconciliation.

16) Youko is feeling terribly impatient with the graduation ceremony and only wants it to be over. She thinks that she just has to get past the formal farewell address and the reply and it’s over.

She’s sure that Sachiko will do well, but she wonders if her own reserve will hold, or will tears collapse the dam of her emotions. She also wonders if address and reply being done by soeur is accidental or on purpose…and whether it’s happened before.

As soon as Sachiko begins her formal reply, Youko thinks, “This is bad. Very, very bad.” Her eyes fill with tears almost instantly. But the dam that breaks first is Sachiko. As she stands there on the podium crying, Youko looks at Sachiko as if seeing her for the very first time.

17) When Rei joins Sachiko and continues the address, Youko is glad, but also a little jealous.

Youko doesn’t remember the last two graduation ceremonies she attended being this eventful. Last year the mic was broken and no one could hear anything.

18) In the anime, Youko wonders if, had it been she that cracked, would Eriko and Sei save her like Rei did Sachiko. She thinks they’d just laugh. In the novel, she thinks they’d *point* and laugh.

19) In middle school being in a club was mandatory, so Sei joined Reading Club, Youko was in Literature Club. Because of good grades in gym class, Sei was always getting invitations to join from the volleyball and softball teams.

20) Ultimately, Eriko doesn’t really know why she didn’t choose Lillian University.

21) Sei changes the words to the traditional song to fit Yumi – changing the word “beloved” to “adorable”.

22) Eriko is *really* harsh to Yamanobe. When he says he didn’t think he had the right to be there, she replies that because she wished it, he was worthy and so, should have come to the ceremony.

23) As Eriko and Sei think back on their original argument in kindergarten, Sei mentions that she eventually figured out why Eriko thought that she was American. She says that in the past, one of her relatives on her father’s side didn’t have Mongoloid genes. Apparently, she favors that ancestor.

Eriko responds, “Atavism, huh?” Then she asks if that ancestor was American, Sei says she doesn’t know – probably of mixed blood.

Eriko and Sei reconcile after 14 years of antagonism, but afterward, Eriko thinks to herself that Sei’s making it up, probably.

***

The end of the anime was pretty much word-for-word from the novel. ^_^





Yuri Manga: Transistor ni Venus, Volume 6

October 21st, 2005

Feeling down? A little depressed? Transistor ni Venus is just the ticket. This yuri spy series is so exceptionally goofy that it’d take more than a blue mood to hold out against Enus and her adventures. As always, my deepest thanks to Touko_no_doriru-san for insipring me to read this series!

Volume 6 is a paean to love.

On a planet that looks like a Mediterranean resort, Enus and Eriari encounter a Romeo and Juliet kind of situation. Po, a young aristocrat, and Kurani, are in love. But Kurani’s family and Po’s are not about to let them be happy together, for reasons that are no doubt idiotic. Po’s brother is engaged to Kurani, but she and Po (who is male, btw…straight couples are rare enough in this series that it’s noteworthy) are really, really in love.

Of *course* they end up together, duh. No one suffers in Transistor ni Venus. And they look quite tropical and exotic in their wedding gear. Even young spy in training Eriari finds himself a cute girl. Enus is saddened that she doesn’t have a nice girl, or guy in a pinch, to marry. Shiku, shiku.

The second half of the volume is taken up with a search for cannisters containing something or other of crucial importance. For this job, Enus is teamed up with Professor “Call me Iselin” Suiminkova. Iselin spends every second she is not busy communicating telepathically with her trained dolphins to seduce Enus…or, really, to begin seducing her, the blaming Enus for making her do weird things. Thankfully, Enus and Iselin are captured by the Lizard guys and their pet human Samaja. Samaja and Iselin immediately forget Enus even exists, freeing her to free them all and recover the cannister and get herself the hell out of there.

Enus goes running off to find Mariaana, her usual fallback lover and takes her immediately to bed. She says to Mariaana that she’s glad that they are friends, and Miariaana goes all pouty. Just friends? Lovers, Enus assures her. Just lovers? Enus asks what she’s getting at and Mariaana wonders if Enus would marry her. Hooray! Enus is glad to agree and is ready to take off to do the deed this second, when Mariaana starts coming up with delays. Oh well – at least Enus got Mariaana in bed, and that’s good enough for now.

The outcome? Enus and Mariaana are more of a couple than before, and Enus really, really comes to dislike dolphins.

Ratings:
Art – 8
Story – 8
Characters – 8
Yuri – 9

Overall – 8

Now, if this series, and Hayate Cross Blade ever become anime, *then* I’ll be a happy Erica.





Yuri Anime: Noir, Volume 4

October 19th, 2005

Get Noir, Volume 4 on the Yuricon Shop!I rewatched Volume 4 of Noir in the post-Onna! “marathon of watching and reading things non-stop so I don’t have to talk to people” fest. It’s quite good. And remarkably bad.

Let’s get the plot complication stuff over quickly…the first two episodes are designed to make Mirielle and Kirika seem more human. I think. In the first episode of the volume Kirika befriends an ex-mercenary turned painter and takes up painting herself. Mirielle warns her away from befriending anyone, but Kirika persists, with tragic results. In the second episode, we learn yet another little piece about Mirielle’s past and, if we are not entirely clueless, will come to realize that this is not just “making Mirielle seem more human” but really a hint that her past is quite relevant to the story. Think about it – Kirika has no past and we never, not really, try and figure out who she is. But little by little Mirielle’s family, and their fate, keep popping up, over and over and over….

In any case, this attempt by Mirielle to recreate an old relationship fails in a slightly more tragic way than Kirika’s attempt to make friends. In Kirika’s case, the guy is killed more by circumstance than anything else; in Mirielle’s case, she actually pulls the trigger and kills her beloved uncle.

The second two episodes are ridiculous. I love them, but if they were disappeared the story as a whole would not suffer one iota. A Chinese Tong sends a irresistably goofy assassin to take out Noir, (she kills with poison nails…and wears a fashionable leather jacket, all at the same time!) with predictable results. This is the mini-arc in which we see Kirika’s magic bullet shield on full – she kills about 40 people and not one of them manages to so much as graze her with a scathing look.

But, let’s let that all go and talk about the Yuri. In Volume 4, where Kirika obsesses about a guy and Mirielle about her uncle? Why, yes, now that you mention it.

This one was easy – watch Mirielle react to Kirika’s new hobby. Neutral, a little amused. Then watch Mirielle react to the cause of the new hobby…open jealousy, baby. I never noticed it the first time, but Mirielle spends the entire rest of the episode *bristling* when she thinks about Kirika spending time with that guy. Great voice acting from Mitsuishi Kotono there – she sounds deeply irked and bitchy. ^_^

Then we have the other half of the equation – Mirielle returns with the news that her uncle is in town, yay! Kirika would, assumably, be annoyed, yes? Something to take away from the well-oiled machine that is Noir? Nope. She’s pleased as punch that Mirielle has regained this link to her past. Why – because she can see how happy this has made Mirielle.

Now add those two little things up. They equal a relationship. Not, perhaps one between lovers, but certainly one between people who care, a lot, for each other.

Now, Bee Train has already said about Noir that if you see Yuri, it’s there. I choose to see a relationship that is beginning to leak past professional into personal.

And because, for some reason I cannot fathom, some people like Chloe, I’ll also mention her stalking Kirika to Hong Kong as a sign of her obsession about the other girl. But I strongly feel that the vibe is one-way. While it’s clear that Chloe sees Kirika as her perfect future partner, I don’t get the sense that Kirika even sees Chloe as a an existence, really. Her mind is on her partner *now*. And from my perspective, it stays there…except in the bits where they brainwash her. But I’m getting ahead of myself. ^_^

Ratings:
Art – 6, it’s horribly inconsistent from scene to scene
Story – 7
Characters – 7
Music – 9
Yuri – 5

Overall – 7 and a great way to pass a gloomy Sunday afternoon. On par with a decent kungfu flick. ^_^ There was something terribly important I wanted to say here, but now I’ve forgotten what it was. Oh well.





Yuri Manga: Aria, Volume 7

October 18th, 2005

Since the Aria anime has just started, there’s a fair amount of interest in this series now, so I thought a review of the manga was appropriate.

For refreshers, you can read my reviews of volumes 1,2 and 3, which are available in English and volumes 4,5 and 6 which you can get from Amazon Japan.

The first 6 volumes are sweet, pleasant and not particularly melodramatic slices-of-life about the adventures of Akari, a gondolier in training on Neo-Venezia. If there’s any weakness in this series it is that we don’t go very deep into any of the character’s, well…character.

Volume 7 remedies this.

Our journey this time begins with a story about vanity. Aika, Akari’s fellow trainee and rich girl heiress, has always prided herself on her beautiful long hair, so when it is accidentally burned and has to be cut, she has to face her own self-image – and her dreams about what she wants to be when she grows up. To bring her to the realization that she has to strive to be herself, her mentor Akira has to resort to some tough love.

The rest of the book follows this lead – spending more time on the trainees (Akari, Aika and Alice of the Aria, Hime and Orange companies, respectively) and their relationships with their sempai; Alicia, Akira and Athena. It’s a nice glimpse a little further beneath the surface of the trainees’ endless admiration for the older women. It’s especially nice to get some extended time seeing Alice grow into more of a person. (To her benefit, she is considerably younger than Akari and Aika and we are apt to forget that in the face of her extraordinary skill as an undine. This time we can see Alice the young woman, instead of Alice the trainee. Trust me – it works.)

Alice and Aika spend some quality time together, as well – yet another angle on the kids. We’re so used to Akari’s outlook, that it’s refreshing to see Akari from the outside, and learn a little bit more about all three in the process.

The final chapter does something new yet again – we get a chapter from inside Aika’s head. And her point of view is significantly different from Akari’s. In fact, for once we get to see Akari through her eyes, which is rather amusing. We end as we began – with Aika’s hair. Only this time, it’s all complicated by love. Because although the other women think her new hairdo is spiffy….there’s Al, who hasn’t seen it yet. Of course, he loves it. ^_^ (But then, he thinks the cat looks spiffy too in her clothes…)

We finsh up with a side story about Akatsuki which shows him at 6 – all very funny if I though kids, or cats, were cute. Which I don’t.

In any case, this volume is, by far and away, the *strongest* volume so far for this enjoyable series. It gives me hope that we’ll get the same treatment for the older undines – more exploration of their pasts, their hopes, dreams and the relationships they have with each other.

Ratings:

Art – 9
Characters – 9
Story – 8
Yuri – 3 (Aika still has that lingering akogare for Alicia, and the way Akira talks about her….I got give it a few points!)

Overall – 8

A really fine story in the tradition of Yokohama Kaidashi Kikou. Great characters, fun times that make you smile. A win all the way around.