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Archive for the Series Category


Otherside Picnic, Volume 3

April 17th, 2020

In Volume 1 we met mystery hunter Sorawo, who nearly died while visiting an “other” world that had access points in our own and Toriko, the beautiful blonde who saved her life. In Volume 2 Toriko and Sorawo and their broker for artifacts, Kozakura, learn of the research into this other world, known as the Ultrablue. Sorawo meets an admiring kouhai, Seto, and proceeds to do everything she can to distance herself, all the time haunted by the mysterious Satsuki Uruma, who clearly connected with the hearts of Toriko and Seto, but whom Sorawo sees as a threatening and manipulative presence.

Now in Volume 3 of Otherside Picnic, after a terrifying brush with death and madness at the end of Volume 2, Sorawo and Toriko decide to take a more aggressive view of the UB, and face it head on. They customize an agricultural vehicle and head into the world to try and map it. With Sorawo’s one UB eye and Toriko’s transparent hand, they have the ability to see the reality of creatures in the UB. But Sorawo can see something that she’s not telling Toriko, who is becoming more and more dear to her. Sorawo can see that Satsuki Uruma…is watching them.

We get a few random glimpses into both Sorawo’s past, which helps explain a lot about her, and Toriko’s, which doesn’t, but offers tantalizing hints. They encounter a foe whose UB ability is deadly and, for the first time, we run into something that actually frightened me as a phenomenon. As a result I kind of want to talk about the horror author Iori Miyazawa bakes into this series. The author’s notes fascinate me, because they are themselves a kind of second-hand urban legend that the work purports to draw upon. “I read this on a board that’s gone now…” is pretty much the Internet version of  “a friend of a friend told me….” The horrors themselves are random and inexplicable, often being “explained” away by something even more inexplicable, which is charming, but doesn’t make the scare any scarier…unless it coincides with something you, personally, carry. Then it’s fucking terrifying.  ^_^

You may remember we tend to stay in Ikebukuro and we know the corner where the Junkudo is across from the ramen shop well. Yes, that ramen shop with a long line is real. The line starts about 10:30 in the morning and goes all day until the shop closes. It’s mostly Japanese folks, but sometimes has foreigners in it…and it’s on my list of things to do, to get on that line and eat there. ^_^ Well, a few years ago, my wife and I had a scary and strange experience nearby. I won’t get into details, but suffice to say the whole scene outside that Junkudo make me deeply uncomfortable to the point of being genuinely terrifying. Which is when I realized how Miyazawa’s horror works.  All the stories need to do is to evoke a place or a feeling that already scared you, and you’ll fill in the rest. Stories of weird beach houses and toilets in the middle of the hotel room, or strange looking constructions in the middle of the woods might not get you, but if you had stayed in a creepy beach house, or a really weird hotel room or saw some kind of bizzarro structure in the woods, you’d be looking for that light switch as you walked down the hall. ^_^;

Volume 3 ends with an important moment, but one that can’t really be considered a climax until we see if anything will come out of it. Toriko and Sorawo need a heart-to-heart ….but it’s not Satsuki Uruma that they need to talk about.

shirakaba’s art is less-irrelevant than usual, which was nice. Hats off to translator Sean McCann and editor Krys Loh, because translating made up fake horrors and making them make sense is way harder than translating things that exist and making them make sense.  

Ratings:

Story – 9
Character – 9
Service – 3
Yuri – 6

Overall – 9

Volume 3 is available on Kindle, Bookwalker Global  and directly from J-Novel ClubVolume 4 just came out in Japanese in March, so I imagine it will be a while before we’re getting the next installment! If you can’t wait, you can grab it digitally on Bookwalker Global, as well!

 





MURCIÉLAGO -ムルシエラゴ- BYPRODUCT -アラーニァ- Arania, Volume 2

April 8th, 2020

MURCIÉLAGO has been a favorite of mine since Volume 1 hit shelves in Japan in 2014. And I loved that we got a side story about crazy-eyed sniper Reiko in 2018. It kind of ended and I forgot about it. Imagine my surprise, then to find that not only had I fallen behind on the main MURCIÉLAGO manga, but that there were like 5 more volumes of Reiko’s adventures in the underworld!  D’oh!

So here we are at MURCIÉLAGO -ムルシエラゴ- BYPRODUCT -アラーニァ- Arania, Volume 2 and Reiko is still corpse-deep in a Chinese mafia gang war. But, don’t worry, she’s cool. She is hired by one of the sides, which spell sdoom for the other side, and I wonder if you get shot like that, specifically, if your eyeball would hang out of your head like it does here. When I read this series, I end up wondering a lot of things like that, far more than I ever question the plot.

Reiko’s domestic idyll with her nice girlfriend is now permanently interrupted by the presence of a former Chinese mafia girl who likes to sleep naked and who fantasizes about Reiko.

Ratings:

Art – 7 Extra bloody and gutsy
Story – 7 Ditto
Characters – … … … What do you want me to say, really?
Service – 7
Yuri – 5

Overall – 7

I mean, who can blame her.





Yagate Kimi ni Naru Saeki Sayaka ni Tsuite, Volume 3 (やがて君になる 佐伯沙弥香について)

April 5th, 2020

Saeki Sayaka, very serious, prone to overthinking things, has met someone who will change her life. Edamoto Haru, first year in college has confessed to liking Sayaka, and now she needs to decide what to do about it.

In Yagate Kimi ni Naru Saeki Sayaka ni Tsuite, Volume 3 (やがて君になる 佐伯沙弥香について), we get to ride along as Sayaka overthinks the whole thing in the most lesbian ways possible. ^_^ Haru, who tends toward being bright and energetic, in exactly the way Sayaka isn’t, is honest about her feelings. And, thankfully for us, patient as Sayaka works her way through what exactly her response ought to be.

I’m not going to spoil any of this for you because, although we may or may not get a print version of Volume 2 in time for June, we are likely to get the digital version. Instead of spoiling this ending with a detailed synopsis, I’m just going to call out a few things that I really particularly enjoyed. You’ll get to read it when it comes out in English and you can squirm through every lesbian thing Sayaka does – or doesn’t – do. 

Haru quickly takes to telling Sayaka to call her ‘Haru,’as one might expect. On brand for her, Sayaka continues to call her ‘Edamoto-san’ well into their relationship. It’s kind of a joke, kind of being an asshat, and kind of endearing…and, as I say, very on brand for Sayaka. My favorite scene in the book might well be when Haru pushes the point and Sayaka calls her “Edamoto” without the honorific. ^_^;

I loved the moment when Sayaka, standing alone in her room just stops and says out loud, “I have a girlfriend.” Squee.

As we know from Volume 8 of the manga, Sayaka meets Yuu while with Haru, and she kind of expected Yuu to tell Touko. Yuu stands her ground and tells Sayaka that it’s her responsibility, not Yuu’s. The conversation that Sayaka really has to have with Touko does happen here. I was so relieved, honestly.

Iruma Hitoma did an exceptional job of writing for this series. For an author I’ve found to be inconsistent, every one of these three volumes absolutely hit the mark for Sayaka’s voice and personality. Of course the art was on point, as well, given that the character creator was doing the art, but something more than that was apparent here. For one thing, every scene that ought to have been illustrated was. That’s unique for light novels, which so often emphasize irrelevancies in the art. And, in every image, the two characters were shown exactly the way we know them to be. I’m not sure I can explain this correctly, but you’ll see when you read it. Sayaka’s composed, staid way of holding herself, Haru’s more mobile expressions and body language…and the final picture, the satisfaction on Sayaka’s face, all were perfect.

Ratings:

Art – 10
Story – 9 A solid relationship story from the perspective of a young lesbian
Character – 10
Service – 3 A couple of small things and a big thing
Yuri – 9 A solid relationship story from the perspective of a young lesbian

Overall – 9

A better end to the Bloom Into You / Yagate Kimi ni Naru series than I could have ever imagined back in 2016, when I reviewed the first volume of the manga. A very satisfactory ending for Sayaka. I wish her and Haru (and Yuu and Touko) well.

Oh! I forgot to mention….I grinned throughout this book. It was really just that spot on. ^_^





The Legend of Korra: Ruins of the Empire, Part Three

March 6th, 2020

Imagine my surprise this morning when I settled in to work and found that Nickelodeon was running a Legend of Korra marathon. So as I worked, I watched the story of Avatar Korra and her friends and allies work to stop Kuvira and the Earth Empire from invading Republic City. Imagine my annoyance when the Nick marathon cut off four episodes from the end of the arc. Who does that?! So I pulled up LoK on Prime, because duh.

All of this is to say, I felt that this was a sign, that the time was perfect to review The Legend of Korra: Ruins of the Empire, Part Three.  You may recall, from Part One and Part Two that the Earth Empire is once again at the center of chaos, as General Guan has brainwashed pretty much everyone to vote for him in what was to have been the first open democratic election after King Wu stepped down.  To stop Guan, Korra enlists the help of Kuvira herself.

In Part Three, Kuvira is on our side. She has a short, bitter reunion with Baatar who, ultimately, also offers his assistance. Together they figure out how to break Asami free from Guan’s brainwashing. But Kuvira escapes and head off to face down Guan herself. When the Avatar catches up, Kuvira surrenders and she and Guan are put on trial. Kuvira pleads guilty and is miraculously remanded to the custody of her family. (I wish this arc had been animated, because Kuvira looks throughout as if she would sound…younger, I guess, less burdened, maybe…and I’d like the opportunity to hear Zelda Williams voice her again.)

My only complaint with this book is the same as all the others in this series – everything feels very rushed, with any given “episode” handled in about 4 pages. It makes for a fast read, but a thin one. Someone please write this as a Sayaka-style 3-part novel series, so we get all of Asami’s, Korra’s and Kuvira’s perspectives and internal dialogue. ^_^ On the other hand, the pace means we’re not dragging through expository scenes.

Michelle Wong’s art in this final volume was very good. There’s a moment at the very end where Asami takes the opportunity to address Kuvira about her father’s death (a half chapter in my internal novel…2 panels here) that were worth the price of admission for me, as Asami lets her residual anger and resentment go.

As for Korra and Asami, they only get to be together for half to book, as Asami spends the first half brainwashed. But when they are reunited, they get a prelude to a romantic interlude, when they are interrupted. Nonetheless, the story is neither awkward nor coy about their relationship in that moment or any other.

This series and Turf Wars were very solid sequels to the animated series. I’m happy to have had them and certainly would be pleased if any more were announced.

Ratings:

Art – 9
Story – 9
Characters – 9
Service – 0 Well, they almost get a bed scene…
Yuri – 10 Same

Overall – 9

I am once again reminded that had I had this comic at 9 years old, my life might have been very different indeed. ^_^ Here’s to is making a difference for the 9 year olds out there who need it!

Thank you so very, very much to Okazu Superhero Eric P. for his sponsorship of today’s review and his ongoing support. If you’d like to help support Okazu, please consider subscribing on Patreon! $5/month will get you access to sneak peeks at content from the Big Book o’Yuri!

Now I’m going to go rewatch the final two episodes of the cartoon!





LGBTQ Anime: Sailor Moon Stars Limited Edition, Part 1, Disk 3 (English)

February 26th, 2020

If Sailor Moon Stars did nothing else in the way of being extremely gay, it could easily ride on it’s reputation as an extremely gay anime for the rest of the series. But…it doesn’t. Because in Sailor Moon Stars Limited Edition, Part 1, Disk 3, Haruka and Michiru show up, are extremely gay, and then Aluminum Siren and Lead Crow show up and are also extremely gay.

In regards to this disk I have some good news and some bad news.

Let us begin with the beginning. Sailor Moon learns from Setsuna, Haruka and Michiru that the enemy is definitely from outside the Solar System and that both Chibi-Chibi and the Starlights might, possibly, be bad. We definitely cannot trust them, for sure. This despite the fact that we definitely seem to be able to trust the Starlights to not throw us at the enemy as a distraction. And we finally learn of Sailor Galaxia.

The first and most persistent of the several not-good things in this part of the story is that exactly zero new ideas appear in this series. The Starlights take over for the Outers in Stars with “we are not allies, despite all evidence to the contrary” and “they cannot be trusted”– exceptionally ironic coming from the Outers who, you may remember 2 whole years earlier were in the exact same position. Chibi-chibi is given the exact same cover story as Chibi-Usa. If we were rational beings, about now, we’d doubt the writer’s abilities. But no, we too have been besotted and smile and nod like this isn’t the laziest writing in the known universe.

Worse – and worst, IMHO – is the aggressive ball of toxic masculinity passed off as perfectly normal. Seiya and Haruka are ridiculous at each other. Seriously if they were real people saying this shit, we’d be like, “dudes, you have some issues.” And Michiru has developed a deeply not-real-world okay tic of shooting Haruka down in public. Passive-aggressive much Michiru? I will handwave Michiru’s behavior toward Seiya, pretending that she also sensed something and wanted to be sure, or something…but “or something” was what I said a lot during this bit. Worst, when Usagi went to help a hurt child she made him feel insecure about his pain and told him that boys don’t cry. That…actually really annoyed me. What a hypocritical thing for her, of all people, to say.

On the positive side, Haruka and Michiru, having come completely out of any small closet they were in are gaying around town. You know they are. They say really suggestive stuff right in front of us, so only the most aggressively clueless among us can still pretend they are not gay, by covering their eyes and ears when they are on the screen. This is so classic “we are out of the closet, dammit” behavior, I actually find it a bit cute. ^_^

And then the surprisingly adult pair of Aluminum Siren and Lead Crow show up and again, you’d have to be ignoring every single thing about them to not see how much of a partnership they are. Next disk, they will prove me correct.

The art on this disk is not particularly good, but there is no inconsiderable effort to show Ami, Rei, Makoto and Minako as visibly more grown up than they were in previous seasons. I appreciate those touches.

Ratings:

Art – 4
Story – 7 Much less bad than I anticipated
Characters –  7
Queer – 9
Service – 5 The Inners have racks, too. When we seem them shirtless, the Three Lights don’t have a six-pack. They deserve six-packs.

Overall – 7

Overall, this disk isn’t nearly as bad as I remember, and I find myself not-disliking the Starlights as much as expected to. I’ll even grant that Seiya might even be good with Usagi, if it weren’t for Mamoru. It’s hard to not be angry at Mamoru for making Usagi sad, but as he’s dead, I’ll give him a pass.