Archive for the Series Category


Yuri Manga: MURCIÉLAGO, Volume 9 (English)

June 4th, 2019

We are fairly far in to this series now, so if you’re just tuning in to the this blog and have never heard of this “violence Yuri” manga by Yoshimurakana, you might not understand from anything I am about to say what this manga is about. So let me be plain – this manga is about a psychopathic predatory lesbian and her harem of sociopaths and murderers who all kill people that the police can’t quite stop. Breasts are huge, the lesbian sex is atrociously ugly and the means by which people die are creative and bloody.

In MURCIÉLAGO, Volume 9, the gang takes a stand against The Sakura Pruning Group – a terrorist relic of World War 2 – in the sewers. After which we all go fishing because that is totally a great way to blow off steam after a below-the city battle to the death. And some ugly lesbian sex on the beach for Chiyo and Kuroko. Joining the is former Virginal Rose student Narumi, who was fought to a standstill by Chiyo.

After which Hinako’s dream comes true and she gets to fight a giant robot in a robot of her own. This story adds a mad scientist to our roster of killers and crazies. This can’t be a bad thing.

And finally we get a couple of shorts, including one about a well-matched pair of incestuous sisters, notable mostly because it has some of the least ugly lesbian sex in the series.

It’s a volume jam packed with violence, and death, murderers and thugs and whatever Hinako is and ugly lesbian sex. In other words, a good strong volume of MURCIÉLAGO.

Ratings:

Art – How can one even judge the art? Good? Bad? Both?
Story – 9
Characters – 8
Service – 9
Yuri – 9

Overall – 9

Still probably my favorite volume since the Virginal Rose arc and I’m with Hinako – giant robots are just what this series needed. Next volume, a giant shark!





The Little Series that Could: Asagao to Kase-san

June 2nd, 2019

1.Introduction

When Pure Yuri Anthology Hirari magazine, Volume 2 hit shelves in summer 2010, it didn’t have any big names in Yuri in the table of contents. (Hakamada Mera did not join the roster until Volume 3, and Morinaga Milk would follow in 2012.) Many of the names who joined in subsequent volumes had not yet become familiar to readers, but would as a result of their work in this magazine. In fact, looking over the author’s notes at the end of the magazine, several of the notes mention that this is the creators  first time attempting a Yuri story. Among these new names was Takashima Hiromi, an artist who had been recruited by Shinsokan at a doujinshi event. Having done BL and straight pairings, her editor asked her if she’d do a story for a new Yuri magazine.

And so, in August 2010, a story called Asagao to Kase-san. (あさがおと加瀬さん) made its debut in Pure Yuri Anthology Hirari magazine. The magazine favored stories set during school years. When compared to the Comic Yuri Hime issues at the time, the difference was a little stark. This was the same summer Morishima Akiko was writing Renai Joshika, about women who worked at a marriage planning company, complete with lesbian identity  expressed through the use of queer slang. In comparison, Hirari stories seemed rather bland.

2. What is “Pure” Yuri anyway..?

In this post-Maria-sama ga Miteru “S”-scented environment, we were introduced to Yamada, a high school girl who takes care of the school grounds and Kase-san, the school track star. Yamada, we learn, has somewhat low self-esteem, not helped by the people around her, who have limited expectations for her. The story, told from Yamada’s perspective, follows her interest in Kase-san as an object of romantic affection, then a partner in an emotional romantic, then physical, relationship through their high school years. We follow Yamada as she deals with the feelings of love and attraction – and we get constant reminders that Kase-san is not 100% confident and assured, either. She, too, is a teenaged girl and not quite sure she’s doing any of this right.

Although none of the three Yuri manga magazines being published by 2011 were in any way pornographic, Hirari was the most sexless. Despite the stated “purity” of the Yuri, readers are given plenty of fanservice – especially in early chapters – in the form of underwear and changing scenes. “Pure” could, of course refer to the “S” aesthetic of passionate platonic romance. Takashima-sensei took to asking herself and the readers “What does “Pure” Yuri mean, anyway?” in her author’s comments in each volume.

Regardless of what the publisher may have meant, fans of the Kase-san series found the relationship between Yamada and Kase-san to be realistic. Awkward, gentle, with bumps in the road from jealousy, self-esteem, body issues, boundaries, we see both Yamada and Kase-san mature over time both as individuals and together as a couple, in a world peopled with friends and teammates, classmates, teachers and parents.

 

3. To Be Continued..

By the time the magazine ceased publication in 2014, Kase-san had become one of the most popular series. That year, the second volume, Obentou to Kase-san. was awarded the #1 Yuri Manga of the Year on Okazu. In my end-of-year write up I said of this volume:

Sure, it’s the same old story, but without being creepy or trite, without featureless moe faces, or featureless Yuri romance.  Kase and Yamada’s romance is adorable and we can watch it develop without feeling like sick voyeurs, more like the adults we are, merely happy to see the children so happy together.

Although the magazine was no longer in print, the publishers continued several series online in order to wrap up final volumes. Shortcake to Kase-san. (ショートケーキと加瀬さん。) was published in 2015, ending the story begun in the magazine. And,  it would seem, that the series was done. With no place to publish, we might have expected to never hear of Yamada or Kase-san again.

Except…Takashima Hiromi is an exceptional manga artist. In conversation with her at TCAF 2019, she expressed complete confidence in her abilities to tell a story. When the magazine ceased publication, she took the Kase-san series online and sold individual chapters on the various online manga platforms such as Yahoo Comics (on the Japanese version of the portal platform; there is no western equivalent), the social SNS platform LINE, and later on the publisher’s online version of their leading magazine, Wings, Web Wings. In 2017, the 4th volume, Apron to Kase-san. (エプロンと加瀬さん。) was published in Japanese. The publisher was still in Takashima’s corner. With the publication of that 4th volume came an avalanche of events.

In 2017, Kase-san and Morning Glories made its English-language debut from Seven Seas Publishing. This has been followed by translations into French and German and Polish. That same year, animation studio Pony Canyon launched a video clip on Youtube; a 6-minute music video, Kimi no Hikari (キミノヒカリ). In English and Japanese, with promotion in both languages, on all their social media platforms, Pony Canyon teased that if they got 100,000 views on the video, that they’d consider something more. When the number was reached, Pony Canyon did indeed come up with a stunning announcement – Asagao to Kase-san would be getting an animated OVA, to be released in Japanese theaters.

In summer 2018, Asagao to Kase-san‘s national roadshow took it through theaters for 2 and half months, an almost unheard of length of time for an animated feature. That OVA was shown in America at Anime Expo 2018 and AnimeNYC 2018. In Q&A sessions at AnimeNYC with the Producer and Director, Satou and Terada both expressed that for them, the importance of the story was not “two girls fall in love,” but what a relationship looks like as it develops and how communication is what helps it grow.

2018 continued to be a good year for the series. 8 years after we first had met Yamada and Kase-san, they finally reached high school graduation. With the publication of Sakura to Kase-san (さくらと加瀬さん。) the two we’d followed for so many years entered college in Tokyo and slept together for the first time, bringing the story once and for all out of the realm of imagined purity  (although, in her author’s notes at the end of the volume, Takashima’s avatar once again asked “what exactly is “Pure” Yuri, anyway?” as she had in the previous volumes.) Also in 2018, the Kase-san series premiered in the print edition of the Shinsokan flagship manga magazine, Wings.

In 2019, Takashima-sensei was a guest at Toronto Comic Arts Festival. She spoke with quiet confidence about her work and about the evolution of the series. Watching Yamada grow, and both she and Kase-san develop in their relationship, was the point for her. With both Yamada and Kase-san now grown up and starting to face more adult life. she stated that we should expect to see their relationship to develop as well.

This little story about two high school girls, a story that as a “Story A”, one might have expected to have finished and been forgotten, has thrived both online and in print. The Kase-san series can be seen as emblematic of Yuri as a whole – persevering when no one cared, now thriving in the current environment. Kase-san has been the “little series that could” and as we look forward to the 6th volume of the series, the upcoming Yamada to Kase-san (山田と加瀬さん。) , we can feel pride in its success. We could do worse for ambassadors of Yuri, energetically leading us forward into the next 100 years.





Yuri Manga: Kiss & White Lily For My Dearest Girl, Volume 9 (English) Guest Review by Christian LeBlanc

May 29th, 2019

Hello and welcome to Guest Review….Thursday. Yeah, I dropped the ball yesterday and simply forgot to post this. But I didn’t want you to miss this terrific review by Senior Kiss & White Lily Correspondent, Christian LeBlanc of 3DComics! So please welcome Chris back and give him your kind attention as he breaks it all down once again for us.

Let’s cut right to the chase: this penultimate Volume 9 of Canno’s high school “Yuritopia” Kiss & White Lily For My Dearest Girl (translation by Leighann Harvey, lettering by Alexis Eckerman) is a better end to the series than Volume 10, and if you enjoy these books well enough but happen to only own a few volumes, you owe it to yourself to add this one to your collection, because s*** gets real.

How real? Well, one girl forgets her toothbrush after sleeping over at her girlfriend’s house, someone else gets so angry at the world that they turn to cosplay to cope with it all, and in the climax of the series, another girl tells off their mom and then makes out with the girl she likes! (Suggested listening for this scene: your favourite pump-up music, be it something from Sailor Moon, Kill La Kill, or, if you want to get real campy, the opening 27 seconds of “Everything Louder Than Everything Else” by Meat Loaf.)<

With that out of the way, let’s back up a little and talk about our final new pair of characters. Asuka Sakurada finds herself repeating her final year of high school due to a basketball injury that made her miss too many days (it must have been a concussion or something, because she’s only shown with a broken leg in flashbacks, and I assume the poor girl would have had access to crutches). As a senpai forced to join her kōhai, she gets a *huge* chip on her shoulder about it, attending only the bare minimum of classes, refusing to integrate or socialize with anyone, etc. Her self-destructive attitude becomes extreme enough that she turns to that most delinquent form of rebellion, cosplay, which is how she meets Mikaze Hagimoto. Asuka cosplays a character who has a lot in common with Mikaze and vice-versa, the two hit it off, and we quickly see them making out on school benches, fashion wigs and all.

All of this is framed as a tragic romance, by the way – the first two words in the book are “It’s over.” If you’re like me and have a predilection for the melancholy, it means good times all around: put on your favourite gloomy Cure record and enjoy the tearful scenes that are to come. (I joke slightly, but it does get dark for poor Mikaze, who takes the break-up very hard indeed: the color has gone out of her world, she can’t concentrate in school, she starts skipping classes…we see later on in flashbacks that she spent at least one night alone with Asuka, which perhaps sheds light on why she’s having such a tough time, if things had gotten that intense between them.)

I think a much stronger ending would have seen these two making peace with each other as friends, but, you’ve already seen the cover, and you’ve probably read at least a few volumes of this series before, so you’ll just have to put on a different Cure record, I guess (one of their happy ones, that make you want to live). This is why Volume 2 will always be my favorite, by the way – Chiharu is rejected, but we get to see her *move on*, and she gets the entire volume in which to do so. Here, it feels like Canno wanted to explore a good break-up story, but had to wrap things up in order to get her characters posed happily for the cover shot; Asuka’s sudden change of heart even feels more like a plot requirement than anything sincere.

As for flagship characters Ayaka and Yurine, both characters get the plot resolution that the entire series has been building towards. Both of their chapters start with the same event (viewing exam results, the only thing that makes Ayaka feel alive…I worry about how she’s going to cope after high school, actually), and then follows either Ayaka or Yurine for the rest of their respective chapters as they resolve their plots in a neat bit of parallel story-telling. Yurine even gets a call-back to the very first chapter of the series, which makes it feel like a better ending than Vol.10, even without things “officially” wrapping up.

For analysis, let’s back things up again a bit. Ok, a lot: having lived and died centuries before Yuri began 100 years ago, René Descartes likely did not anticipate getting the opening quotation, “Conquer yourself rather than the world!” In this book, this means bringing about change through internal, rather than external, factors. Ayaka can’t change how her mom feels, but she can change how she accepts and internalizes the support she gets from others. Yurine doesn’t stop feeling alienated because of how she performed on any external exams, but by realizing she’s been gradually becoming a “normal girl” with her own community of friends all along. Mikaze tries to become someone “special” enough to win back her ex-girlfriend, but realizes it’s much healthier to try and accept the break-up, who she is, and that neither partner should have to change to suit the other. And Asuka stops cutting herself off from everything, after realizing she’s gone too far in cutting Mikaze out of her life. To drive the point home, Asuka’s pocket mirror keeps getting passed back and forth between her and Mikaze, further reflecting (sorry) this focus on the self and internal change.

In all, it’s a wonderful volume of Kiss & White Lily – we get closure for plots that have been in motion since the very first chapter (along with some related tender scenes), Ai Uehara and Kaoru Machida each get some good scenes to help lighten the mood (Ai could be one of Yuri’s best supporting characters ever, if we only got to see her more often), Asuka and Mikaze bring some enjoyably melancholy drama, characters in Kiss Theater flit in and out of cameos as always, and anyone who’s ever been on a cover of K&WL appears in at least one panel.

Canno’s Continuity Corner: there’s an incidental panel of Ayaka and Yurine starting Year 2 from Volume 3 (this time drawn as background characters); Lyrical Seira, which Asuka and Mikaze are cosplaying as, is the anime from their childhood that Sawa and Itsuki went on a movie date to see in Volume 5; there’s some bonus Valentine’s Day vignettes at the end featuring our cover-stars from Volumes 5, 6 and 7; we briefly see Yurine’s little sister again (poor Sumire – this marks her last appearance in the series, and she only gets the one panel, just like in Vol.7). In one of my favourite tiny details, the exam results show Nagisa and Hikari from last volume placing in the top 10, consistent with their characterization as high achievers – not only that, but Nagisa is even 4 places higher, which fits with how she had complained “Why does everyone always put Hikari and me on the same level? I have better grades!” while a visual of their test results shows her getting 98 vs Hikari’s 97.

Ratings:

Art – 9 The thicker blacks compared to the Japanese edition aren’t as destructive this time around; I looked, but couldn’t find any tell-tale moiré patterns. A point is still taken away for how much art gets trimmed off the edges, though. Canno’s art is gorgeous, expressions are delightful, and backgrounds really contribute to the atmosphere in a few key scenes.
Story – 9 Plot resolution, dramatic tension, sweetness, cosplay…this one has a lot going for it.
Characters – 10 Ayaka and Yurine have grown a lot as characters, and their relationship has evolved over time to reflect that. Asuka and Mikaze with their cosplay were a fun change of pace as well.
Yuri – 8
Service – 3 As Erica said in her review of the Japanese edition: “I’m not gonna lie, that kiss was pretty hot”

Overall – 10

I still remember back in April 2018, how excited I was when the 2-page colour illustration from the opening was teased on Twitter, showing Ayaka and Yurine holding hands while they emerge from a cold, snowy winter and walk off into the warm spring-like foreground together; I immediately retweeted it stating “THEY ARE HOLDINGS HANDS THIS IS HUGE THIS IS NOT A TEST” in all caps. It’s still one of my favorite illustrations from the series.

And, you don’t have to be a genius like Yurine to know how things will end up, but you’ll still want to see how it all happens in the final Volume 10, which is set to come out on October 29, 2019 from Yen Press.

Erica here: “anyone who’s ever been on a a cover of K&WL appears in at least one panel.” Foreshadowing the entirety of Volume 10, frankly.
Christian, you deserve an award for this review. It was absolutely brilliant and got both laughs and thumbs up from both members of the household here at Okazu Central. Well done.





MURCIÉLAGO Manga, Volume13 (ムルシエラゴ)

May 21st, 2019

MURCIÉLAGO, Volume 13 (ムルシエラゴ) is a rare volume. While there is a ton of violence and fighting and implied lesbian sex and the return of a fan favorite enemy, very little actually happens.

A new enemy appears, and is summarily dealt with by Rinko, after a dramatic rooftop battle. 

But, much more importantly, Narumi (former Therese at Rose Marie Acadamy) tells us that Gold Marie’s body is missing! And we can see that she’s up to her old tricks, or at least maybe she is, since a bed full of girls looks awfully like her old tricks.

And then a new enemy appears, in the form of a couple of corpses with their necks bitten almost all the way through. I applaud Yoshimurakana-sensei for her ability to convey visually that the bites were made with human teeth. That was extremely well done. And, as we’ve got Aika and Shizuka on our team now, I’m feeling a bit like this will be a grand battle.

I’m always fascinated by the violence and the new, even more horrific forms of death explored in every volume. I’d love to be a fly on the wall during the ideation sessions.

“So, this time, we’re going with a depraved lunatic who rips people’s throats out with their teeth.”
“Nah, too conventional. We need a better hook.”
“Oh! How about they *take a bite* out of the victim’s throats. Like they are food.”
“Now you’re talking!”

Ratings:

Art – 8 In so far as it is conveying horrific violence, I think it’s getting better.
Story – 7
Characters – 8
Service – 7
Yuri – 3 One bed scene and a threat of Chiyo’s jealousy does not much Yuri make. Not in this series

Overall – 8

I quite like this gang of lesbian psychopaths and I like watching them kill the people they kill so cheerfully. ^_^ More lesbian grindhous,e please.

 

 

 





Yuri Manga: Anoko ni Kiss to Shirayuri wo, Volume 10 (あの娘にキスと白百合を)

May 15th, 2019

Whenever a popular and long-running manga series ends, I’m always tempted to start the review with the lyrics of My Way. I may even have given in to that temptation once or twice. In any case, here we are at the end of the 5 year run of Anoko ni Kiss to Shirayuri wo by Canno. For 5 years we’ve enjoyed tales of love and rivalry and admiration and desire at a girl’s school in which a larger than usual number of girls would like to be, or are, lovers. Among these stories is that of the two top students of the class, the genius slacker Kurosawa Yurine and Shiramine Ayaka.

In Anoko ni Kiss to Shirayuri wo, Volume 10 (あの娘にキスと白百合を), Ayaka is having trouble facing, indeed, even understanding, her feelings for her rival. To provide herself some context, she walks around the school meeting and speaking with all of the characters we’ve met in previous volumes. And, because this is the final volume of the series, shes uses these conversations to sum up their stories and to explore all the ways her own has developed, by asking people to describe their relationships with their lovers/rivals/friend/etc to her. I found this to be a bit “Are you my mommy?”-ish, but it worked well enough, and gave us closure and assurance to some of the more-tenuous relationships.

In my opinion, Ayaka’s cousin and sempai, Mizuki, dropped the ball on this. Having been closest to Ayaka, I kind of feel her softballing her relationship to Moe was a failed opportunity to be a good role model. But YMMV. ^_^ Nonetheless, revisiting each of the storylines from the series gives Ayaka a chance to work through all her feelings for Yurine and admit what we’ve all known for a while – that she likes her.

The epilogue wraps their storyline up sweetly and, finally, ties up the story in a neat bow made of the series title.

As a tale that was always set in Yuri wonderland of a school, in the middle of which there there was a bit of realistic story-telling and some reasonable emotional growth, the outcome was never in doubt, really, but it’s still nice to see it unfold and end the way it did. The cover says it all – the same protagonists as the first volume, but their body language and expressions have changed significantly.

Ratings

Art – 8
Story – 8
Characters – 8 
Yuri – 8
Service – 2 Still nice kisses

Canno-sensei’s art has improved so much since her first volume, and she still can turn out an emotionally intense scene or three. After her breakout series was a pretty big hit, I hope she is able to do something she’s really happy with for her next series and not just have to pump out something to please her editors. Sophomore slump is a real thing, but I’m confident she’s got room to grow.