Archive for the Series Category


Live Action: Rose of Versailles Digital Remaster Blu-ray (ベルサイユのばら デジタルリマスター版)

December 24th, 2018

What better way is there to celebrate a holiday, than to watch Lady Oscar, the French live action movie with English cast and audio, Japanese subtitles, based on a Japanese manga about the French Revolution that is being translated into English?

Rose of Versailles Digital Remaster (ベルサイユのばら デジタルリマスター版) is Schrodinger’s movie – not bad, not good, not inaccurate, not accurate. I think I like it but I cannot be sure. ^_^

On second thought, I think I like it.

As a live-action version of the manga classic, it’s really not bad. It follows the key pieces of the story in a condensed fashion. The Affair of the Necklace has a chunk of the story and the end rush to tragedy plays out at increasing speed. 

The major changes are in the characterizations. 

Andre is a freedom fighter and tends to chide Oscar, demanding she be one, too. He’s not lovelorn, he’s vexed that his woman is so gosh-darn delusional. He’s kind of a mix of Bernard and Andre.

Girodel is another changed character, but at least he is in purple, which I thought was funny. Instead of being a self-proclaimed rival, Girodel is a jerk, but his marriage offer provides us with a scene in which Oscar strides into Versailles in white and silver and cape and dances with one of the court ladies, then kisses her, so I am not complaining. ^_^

General de Jarjayes is not nice to either Oscar nor Andre, which is a shame. I much preferred the General of the anime.

Jeanne and Rosalie are exactly as we remember them, although we don’t get to spend too much time with them. (I also feel that the actresses were too old for the roles by about 25 years, but that might be me.)

Marie Antoinette is overblown and likewise delusional right to the very end. They do a fine job of making her unrepentant through the final moments. 

And finally, there’s Oscar. Catriona MacColl plays the role exactly as it is written and does a fine job of it. 

I also want to shout out Granny, who is the only sane character in the movie. When Fersen is praising Oscar as a fine young man, Granny looks at him like he’s an idiot and says, “How could anyone see Oscar and not realize she’s a woman?” Thank you Granny. Oscar could not have passed for a man if she were trying.  In fact, the issue of her sex and gender presentation is a running thread throughout the story and is one of the reasons General de Jarjayes comes off as such an asshole. For a man who called Oscar his son for two decades, he marries his daughter off pretty quickly. It was a vexing moment.

The movie ends with a nice little scene of Oscar and Andre shouting each other’s names, but fades on Oscar unable to find Andre, who has been killed. She does not die at the storming as she did in the manga and anime. It kills some of the epic feel of the story.

Ratings:

Overall – Not bad

I wouldn’t probably recommend this movie to someone who isn’t already a fan of the story, but if you are, how could you pass up this chance to see this classic manga as a live-action movie?

 





Yuri Anime: Sailor Moon Crystal, Season 3, Disk 2 (English)

December 21st, 2018

As I wrap up watching Sailor Moon Crystal, Season 3, I find that there is indeed a lot to talk about in this final disk of Crystal so far.

First, let us speak of the actual story, in which a very few tweaks to the plot turn a messy confusion into a rather horrific arc.

The Outer Senshi tell us that when they are gathered together and their Talismans resonate with one another, Sailor Saturn appears with the sole mission to destroy everything.

Sestuna says that it was unlikely for them to all have been reborn at all, and for them to be born together is even odder. And we’re told by Haruka and Michiru that they were used to being alone on their planets. They imply that being along was by design to keep their Talismans from being together, and resonating.

We know that as the Senshi awaken in this world, they have imperfect recollection of their past lives. We saw it with all the Inners and Haruka and Michiru. (Not Setsuna, because she is a particularly strange case. PLUTO appears in ‘R’, but we know that to be the Pluto of the future, because for her to be reborn on Earth, the Pluto of the second season had to die and Meioh Setsuna had to be born as a human some years before Tsukino Usagi was born.)

All of this is why I want all anime with magical girls to have an adult, rather than a toy or animal, as a companion.

The story is told wrong because it’s told by people who don’t have all the information and no one told them any different

They believe that, when the Talismans all gather and resonate, Sailor Saturn is caused to be reborn, but it’s pretty obvious that the Talisman resonate because Sailor Saturn is being reborn. Ami really drops the ball on the whole genius thing here.

So what we have are three young woman who are practically unsocialized in their interaction with other Senshi, lacking a guide with the ability to say, “Kids, this is not on you. Saturn will appear when she appears and when she does, your Talismans resonate.”  And we have to assume that their memories of the past are imperfect when they say Saturn destroyed everything, because she explicitly does no such thing, even as we watch her attack Pharoah 90. It’s easy enough to imagine that she never destroyed the Silver Millenium.  Saturn’s use of the word”invader” reminds us that she, too, is an Outer Senshi, tasked with defending the Solar System from invaders. Duh, right?

So I propose that Pluto, Uranus and Neptune remembered what happened the wrong way ’round. The Silver Millenium was attacked and invaded, but not from the outside, from within, so the Outers could do nothing until it was too late. When they arrived, they saw Saturn destroying what was left in order to keep the future safe, because she too has ties to Chronos, aka, Saturn.  Their Talismans resonated as they saw her, but when they were reborn it all got mixed up in their heads, because they are fricking’ children. Haruka and Michiru are 16 years old and this Setsuna is 20, she says she’s a first-year in college.

All of this is to say, I got very little work done today. ^_^

I think Sailor Moon Crystal Season 3 is brilliant, and if I wrote fanfic anymore, I’d write one, because there is a terrific story in there.

The music is good, the writing actually works better here than in the original anime (and the idiotic final confrontation of Outers and Sailor Moon that made no sense is disappeared appropriately.) Professor Tomoe comes off looking much worse, by having any desperation or desire to save his daughter stripped and, as a result, Hotaru’s story is darker and more moving.

Director Kon’s touches of visual homage to the original anime are on point. 

In conclusion, I liked Sailor Moon Crystal, Season 3. It was good.

Ratings: 

Art – 9
Story – 10
Characters – 10
Yuri – 0 really
Service – Not really…unless you are quite desperate

Overall – 10

I hope that the fourth season has been postponed until after the 25th anniversary celebrations are complete. Ideally, they have been working on it all this time, so as a theatrical release it will look amazing. Knowing Toei, they have done nothing and will cheap out and rush the whole thing if the project gets revived.  

 





Yuri Anime: Sailor Moon Crystal, Season 3, Disk 1 (English)

December 20th, 2018

Why yes, I am finally getting around to watching Sailor Moon Crystal, Season 3 just so I can put it on this year’s Top Yuri Anime list. Come at me, I don’t care. ^_^

There were many legit complaints about the animation in the first two seasons of Sailor Moon Crystal, but when Kon Chiaki took the helm, it was much less an issue of animation badly done, than personal opinion about the manga versus the original anime designs. It will probably be no surprise that I came to really like the Crystal iteration of the Senshi because I am whole-heartedly in love with them in every version and cannot be convinced that any version is better or worse than any other. In fact, it was an actual delight to see the manga brought to life in the exact way the creator had initially designed it.

I said in my review of the season when it initially aired, Minagawa Junko and Ohara Sayaka did a bang-up job as Haruka and Michiru and I grinned like a loon the first time through. Well, here it is during my second viewing and here I am grinning like a loon. I really loved this disk. 

We get to see a Haruka and Michiru who are way more confident than the emotionally tortured teens of the original anime, but equally as convinced that their way is the only right way for everyone. Haruka’s seductive behavior feels far more like manipulation; trying to keep Usagi off-balance so she doesn’t take charge. And her non-apology for “confusing” Usagi would be enraging if we had time to process it.  But we don’t, because our attention is split between so many things – Chibi-Usa and Usagi’s growths, Hotaru’s story, the appearance of the Outer Senshi and the many mysteries that lay obscured behind them – some few of which will be made plain in the next half of the series. And,of course, the main plot.

The one genuinely weak part of this series is, shockingly, the translation. Several times on this disk Chibi-Usa’s name is translated as “Small Usagi” which is questionable even if that was not being used as a name.  I was yet again disappointed to note that this translation team still doesn’t get the reference to Ribon no Kishi and hacked the bit about Haruka having the heart of a man and woman to death, then stomped on it. I was not happy at this shameless display of ignorance and crappy translation. Heart of a man and a woman, goddamn it. HEART OF. Get the fucking reference right.

/wipes spittle off mouth/

Other than that, I still cheered when Setsuna returned and saved us all with Dead Scream, I felt terrible for poor, tragic Hotaru, and thrilled at Sailor Moon’s transformation at the end of the disk into Super Sailor Moon. 

The whole thing actually looked excellent in Blu-Ray, so I don’t for a secon regret getting it.

Ratings:

Art – 8
Story – 9
Characters – 10
Yuri – 4, mostly Haruka and Usagi, but then that scene between Haruka and Michiru brings it to 7.
Service – 2 some slight moments with the Witches 5 costumes and camera work being a tad linger-y.

Overall – 10

I am actually hoping that we get the 4th season movie as planned, because the Inner Senshi have really lovely power-up story /sequence in the Dream arc. I’d really like to see that animated.





Monthly Dengeki Daioh, January 2019 (月刊コミック 電撃大王 2019年1月号)

December 13th, 2018

One of the most fascinating aspects of 2018 for me is the fact that I am once again reviewing individual magazine issues much more often this year than I had for years previously. And typically, with mainstream manga like Yagate Kimi ni Naru/Bloom Into You, once it gets established and popular I tend to not bother, since I’ll review the collected volumes.

However. The January 2019 issue of Monthly Dengeki Daioh (月刊コミック 電撃大王 2019年1月号) contains something so extraordinary and – for me – so important – that I felt it was worth a special call out. And it had a clearfile. ^_^

To begin with, I will remind you that I have had several reservations about the narrative and characters of Yagate Kimi ni Naru, since the beginning. I have also trusted Nakatani-sensei to have good judgement and have trusted her to tell a compelling story that holds up to scrutiny. I feel that my trust has been well-placed, which is really refreshing.

I will also remind you that I have long desired the portrayal in manga of adult role models for younger characters, so they are not left to struggle with feelings of same-sex love in what they believe is isolation. This is one of the things that keeps me coming back to this particular series, as we’ve seen Kodama Miyako, the cafe owner, befriend high school student Sayaka and take on this role. 

In this issue, we learn how Miyako and her lover (a teacher at Yuu’s school,) Hakozaki Riko, met. They met in college and while their story is not groundbreaking, it is pleasant and realistic. What is groundbreaking is that we see the two getting ready for bed and chatting – and Riko-sensei says to Miyako that it must be strange for her to be a role model to Sayaka. Miyako says that it is a little weird to be guiding the girl, but it must be harder to be a teacher. 

This exchange is mind-blowing. Not only is there an established female couple to exist as role models for the young woman who knows well enough what she is, but is still looking for who she is, they talk about it. I have never before seen that in a Yuri manga. In the real world, most of the older LGBTQ folks I know do, in fact, talk about this. We talk about the importance of being out and being role models precisely for this reason. But even in manga where characters openly identify as LGBTQ, I have never before seen a character say, well, yeah, it’s weird that I’m a role model, but I’m glad to be able to help a young person find their way. Which Miyako basically does.

And that, my friends, my dear readers, is the “cut, scene,” moment for 2018 for me. We have come so far in such a short time. I cannot *wait* to see what 2019 has to offer!

Ratings:

Adult Role Models who know that that is what they are doing for the fucking win. 10

I’m going to spend some time this weekend working on the end-of-year- Top Ten lists and I have never before looked forward to them so much!  ^_^





Yuri Manga: Kiss & White Lily for My Dearest Girl, Volume 7 (English), Guest Review by Christian LeBlanc

November 28th, 2018

Hello and welcome to Guest Review Wednesday on Okazu! Yay! Today we welcome Christian LeBlanc of 3Dcomics.weebly.com to our loving embrace. Or, was that deadly clutches…I can never remember. ^_^ In any case please give Christian your full attention…as we head out together on today’s review.

By Volume 7 of Kiss & White Lily for My Dearest Girl by Canno, (translation by Leighann Harvey, letters by Alexis Eckerman) we’ve firmly settled into the template for a K&WL book: several chapters will showcase the new characters shown on the cover, and the remainder will focus on a ‘legacy couple’ (more than likely Ayaka Shiramine and Yurine Kurosawa, as is the case in this volume).

Our newest cast members are piano-playing junior-high student Haine Aoi (who has recently joined the gardening club so she can get closer to Yurine), and her supportive aunt Aika Yukimura, a senior at Seiran. (scratchy noise of a record skipping) Yes, I did say aunt, so let’s address this elephant in the room right away before it knocks over something valuable.

Canno portrays many different types of relationships in her work. Countless micro-stories fill the “Kiss Theater” bonus pages at the end of each chapter. Her story in Éclair: A Girls’ Love Anthology That Resonates in Your Heart follows a 28-year-old rogue and the 16-year-old girl who pursues her, and she’s even explored monster girls in a MONSTAR doujinshi (along with circle mates Nega and Kawauchi).

Non-romantic friendships are also valid story fodder, as we’ve seen in Volume 4 with Kaoru, Kohagi and Momiji. Here, then, Canno continues exploring different relationships between women by focusing on an aunt and niece, close in age, who were brought up as siblings. Canno even makes it explicit in one scene that they will never be paired romantically, when one character momentarily considers the possibility and is put off by it. I think Canno felt this was necessary given the expectations of romance set up by the cover (and genre) (and by contemporary stories such as Citrus, coughcough), but it still feels a little strange that they consider it at all. The alternative, I guess, is to not show this scene, and leave the reader with a seed of doubt: “but . . . are we supposed to think of them as a couple?” Better to just nip that question in the bud.

This all being said, Haine and her aunt Aika end up being a delightful pair to read about.  Their affection for each other is sincere and touching, rendered even more so by Leighann Harvey’s thoughtful and expressive translation. They both suffer anxiety over the idea that siblings are supposed to drift apart to some degree in adulthood, but Aika receives advice from a returning character on this. There’s also some tension between the two early on concerning piano skills (something they once bonded over nearly drives them apart!) and Haine needing her space and independence (I know she’s just at that age, but oh boy does she act like a brat!), so in all, we still get our ‘romantic conflict’ for our cover stars to work through.

As for our returning players, we see some major growth in effortless-genius Yurine and her relationship with hard-working honors-student Ayaka. We’ve already seen hints throughout the series that Yurine’s advantages over her classmates have caused her some alienation. This comes to a head when Haine triggers a depressive episode in Yurine by telling her she has an empty life for failing to find a passion for anything. Ayaka gamely tries to help her recover, still grateful for Yurine’s help back in Volume 5 when Ayaka was at her lowest.

Contrasted with this, however, is Ayaka’s negative reaction when Yurine later suggests throwing the exams to let Ayaka take back first place. Ayaka has always been comically tsundere before, but there’s nothing funny about her reaction this time – her words are cold and mean, with no underlying hint of “but I really like you!” at all. It feels especially shocking given how much Ayaka was earnestly trying to help Yurine in this book, and speaks volumes about her unresolved hang-ups concerning perfection.

This is also the first volume to end on a cliff-hanger, incidentally: as their relationship evolves, Yurine feels something different after one of her many kisses she’s forced on Ayaka, and it freaks her out – the next volume is about her sorting through what these new feelings mean, so stay tuned! Volume 8 is currently scheduled to be published by Yen Press on March 19, 2019.

Art – 7 Significant improvements: hair is given a lot more definition and shading, and there are more efforts to visually distinguish Yurine from Ayaka (their height difference feels more pronounced, for example). However, I have to knock two points off the English edition for being printed with significantly thicker blacks than the Japanese version, which destroys a great deal of subtlety in the tones and shading; scenes set in the dark particularly suffer from this. Additionally, Yen Press routinely trims off a fair bit of bleed art, and it was frustrating to see Ayaka’s and Yurine’s test results get cut off as well.
Story – 9 Again, Leighann Harvey has done a wonderful job translating this.
Characters – 9
Yuri – 5
Service – 3 My wife may or may not have uttered “Holy Bazongas!” when she happened to glance over my shoulder at the bath scene, and if you have a thing for Santa dresses, Canno’s got you covered with the introduction to the closing chapter.

Overall – 9

I really enjoyed this volume. There are many returning characters, giving the book a welcome ensemble feel for the first time, reinforced by four bonus chapters at the end. The two main stories connect quite seamlessly, and the Christmas backdrop leads to some very pretty scenery (the cover, with its snow-flecked poinsettia, pinecone and holly border sitting above a starry-looking field of snowflakes, is my favorite of the series for this reason). It’s also refreshing to see Yurine struggling for once – she’s come a long way from her one-dimensionally super-human portrayal in Volume 1.

Erica here: Thank you so much for your insight, Christian. If I wasn’t already reading this series, your enthusiasm and affection for it would surely convince me to pick it up! Thank you again for a wonderful review. ^_^