Archive for the Series Category


Revolutionary Girl Utena Manga, Volume 1 (English)

May 10th, 2017

A few years ago, we had the 15th anniversary re-release of the Revolutionary Girl Utena anime from Nozomi/RightStuff, and this year we have the Revolutionary Girl Utena Manga Complete Deluxe Box Set from Viz Media! And what a deluxe set it is.

This two-volume set of all 6 volumes of the manga (5 for the TV series, one for the movie) drawn by Saito Chiho, in collaboration with Be-Papas, comes in a black box that provides a similar kind of gravitas that the anime packaging provided, with beautiful rose-themed design work in both black glossy on black matte and in color. 

Volume 1 has the pink color theme of the first of the anime arcs, a nice nod to an established color scheme.

Each volume comes with color page inserts from the magazine run and covers of the manga. The collection also includes a poster of Anthy and Utena, suitable for any Yuri fan and guaranteed to have you singing Rinbu Revolution as soon as you see it.

Unlike most manga series that come out at the same time as an anime, the Revolutionary Girl Utena manga is not a literal rendering of the anime at all, but a separate tale, using the same characters and elements that existed in the anime. The rose sigil, the dueling ground, Akio’s car, the planetarium projector all exist here, as they did in the anime. But they do not necessarily mean (or not mean) the same things. Where the anime went for visual effect, the manga relies on shoujo manga tropes of emotional relationships, complications and manipulation.

Compared to the anime, the manga is short, tight, and deeply complicated. When we meet her, Tenjou Utena is very apparently a very young, immature girl with a dream of a Prince that has extremely tenuous roots in reality. It becomes quickly apparent that everything around Utena has extremely tenuous roots in reality. And, when Utena arrives at Ohtori Academy, this does not change.

Where, in the anime, we spend a lot of time with the Student Council, here in the manga they swiftly take a second seat to Ohtori Akio. In the anime, Akio is insidious and horrible, here he is overtly manipulative and power hungry. His honesty about his desires for power and his use of Utena to that end doesn’t make him any less loathsome. What is significantly different is the character of Touga who appeared to be manipulated almost until the very end of the anime here defects to Utena’s side and acts in part as a Greek Chorus, explaining the whims of the gods, and part as a Virgil to Utena’s Dante.

Speaking of shoujo tropes, the relationships portrayed in the manga are almost all toxic. Non-consensual kisses and slapping are common. There is a lot of slapping in these 3 volumes. A lot. Even when it doesn’t really serve any function, or move the story forward. By the time Saionji hauls off on Anthy the last time, in the bonus curry explosion chapter, you can be forgiven for thinking Anthy wouldn’t mind seeing them all dead.

Ratings:

Art- 8 Good, solid, sensual, beautiful but compared to her current outstanding work in Torikaebaya it’s almost simplistic.
Story – 7 Uncomfortable making, weird, and still, strangely hopeful.
Characters – 7 Not as fully developed as in the anime. Everyone seems slightly more delusional.
Service – 5 Creepy non-con seductions and slapping so…mostly violence against women’s autonomy
Yuri- 1 Only if you’re reading anything into Anthy and Utena’s relationship which, as of yet, has not developed beyond lies.

Overall – 8 for content , 9 for presentation

It’s equally as uncomfortable as the anime, although in different ways. I like that Akio is more overtly horrible, but am sad that it’s at the loss of fully developed Student Council.

When I read this series the first time back in 1998 or so, when I remember that it was very difficult for me to read the word “hyou” (leopard) for the longest time. Yes, I know there is a leopard on the page. I wanted to find a official translation…and couldn’t. It moved me to buy my first Japanese dictionary. ^_^





Yuri Animation: Asagao to Kase-san Clip on Youtube

May 8th, 2017

Via YNN Special Correspondent Verso S., the animation clip being developed for Takashima Hiromi’s Asagao to Kase-san series has gone up on Youtube. Check out this “Kimi ni Hikari” starring Yamada-san and Kase-san, accompanied by, “Kimi no Egao” sung by Oku Hanako.

If you like the clip, please consider giving it a “like” and a comment on Youtube.

And then we all sit back and wonder, is this a teaser for something more? Is this testing the waters? Whiat, we have to wonder, is this clip for?

Well…

We didn’t have to wonder long, though because on Sunday the Asagao_Anime official twitter account sent out a post asking people what they thought of the clip…and asked for feed back….And commented that maybe full series might be in the works if they got enough response.

 

The official account has shown themselves fluent in English so, if you’re on Twitter, feel free to let them know what you think there, as well.

In all honesty, I thought this to be a genuinely beautiful animation of Takashima-sensei’s art. I’ll admit to grinning through the whole clip. ^_^

Here’s hoping that we’ll get a Kase-san anime!





ROD The TV Anime Rewatch (English)

May 5th, 2017

12 years have gone by since I last cracked open ROD The TV. Wow.

I had so much fun with the Girls with Guns Trilogy rewatch and wanted something else epic (but not tear jerking) to revisit, so the 7-volume box set of the Aniplex anime based in, around and on the READ OR DIE light novels and manga and READ OR DREAM manga series seemed like a perfect fit.  And it was. (For all the anime, manga and book reviews check out the R.O.D Category here.)

Three Chinese Paper Users are hired to protect Japanese author Sumiregawa Nenene. They save her from an attempt on her life, and come to Japan to stay with her. Nenene has been in a slump since her friend and inspiration, Paper Master Yomiko Readman, has disappeared.   Nenene, Maggie, Michelle and Anita are drawn into a plot that is meant to literally reshape the world, lead by Yomiko’s former boss at the British Library, Joker.  

The story turned out to be atrociously timed. As the United States is slipping more quickly than we could have imagined into a not-Democracy, with the assistance of Putin who would love to recreate the Soviet Union as the world leader, watching a story about Joker remaking the world in a former age’s image was hitting way too close to home. I was not series-angry with Joker’s stupid pretension of world peace, I was actually really angry. So that wasn’t so good.

But the story hangs together in ways that I could not have expected and the lessons I came out of the whole thing clutching at were these: In the penultimate episode Yomiko says of Joker “I have to make him give up or he’ll just keep trying again.” This is a lesson for the resistance to any repressive regime. We need to make them give up. And so we will.  It took 12 years and entire world to overthrow Hitler. My calendar is clear through 2028. We’ll get rid of these fascists, too.

Also, there is an important life lesson in the arc in which Joker “reveals” to the three Paper Sisters what the “truth” of their existence is. I use quotes because 1) ultimately it doesn’t matter, as they discover, that they were created and their memories seeded. Their feelings are real, even if the events are not and 2) why would anyone ever believe Joker in the first place? People who gaslight aren’t trustworthy. We’ll trust in our bonds, no matter what they say about us, that our marriages aren’t real, or our lives aren’t worthy. We’re going to tell our stories every day and not let the gaslighters get the final word. 

So plot and character wise, this series hold up really well. But animation-wise? Peee-yeeww. I remember vividly  when this ran on TV, fan complaints about the shitty animation and Aniplex promising that they’d do clean up for the DVD release. Well, they did, but not much and not really well. The first half is still really shitty, up to, including and past the linchpin moment when Nenene finds Yomiko in the stacks at the Diet. The animation is distractingly awful in many places. So awful that when it’s good, it’s distractingly good. “Oh! Look it’s not bad!” you exclaim and then “Oh, it’s bad again.” Over and over. This is not good for an anime series that is otherwise deep and complex and nuanced and needs your full attention to follow it all.

That said, the story is so good that, craptastic animation and all, it’s still worth watching for a definitive “history” of all the Read or Die timelines and a plot that ties them all up in a way that not only works, but provides satisfactory ends for everyone…even the bad guys, but especially the good guys.

Ratings:

Art – 3 Godfuckingawful
Story – 10
Characters – 10
Yuri – There’s a whole lot or none, depending on how you want to see it. I say 9
Service – 5 Boob mechanics are just the most pathetic thing ever,

Overall – 10, possibly 100

It’s still an amazing story. I just wish it had gotten the animation it deserved.

 





Rose of Versailles Manga, Volume 13 (ベルサイユのばら)

May 4th, 2017

Rose of Versailles, Volume 13 (ベルサイユのばら) is both a touching story and a really ridiculous, overblown melodramatic piece of nonsense. ^_^

In the first half, Oscar’s feelings towards Fersen become complicated by a melodramatic overblown psychological examination of her fears and desired around being raised as a man, complete with fantasy self dooming her to misery. This part of the book was a missed opportunity to really have Oscar delve into gender politics, but no, it’s all about one-sided love for a man she hardly knows.

The second half of the book was far more interesting, focusing on a watch that was beloved by Marie Antoinette, the circumstances around which it came into her possession and the tale of how General de Jarjayes recovers it for her, to give her comfort in her final hours in prison. It also tells the story of the watchmaker and France at the same time. The bits in prison with Marie were the best parts, showing her, not as a clueless Kardashian-like creature, but as a woman who loved what she knew of France as much as anyone. That her experience of France was vastly different to common people’s is plain. And we get to see Marie standing before the guillotine with a thought for France to prosper, which were in fact not her last words at all. (She is purported to have apologized to the executioner for stepping on his foot.)

Ratings:

Art – 7
Story – 7
Characters – 8
Service – 2
Yuri – 0 This is a very straight book.

Overall – 8

Frustrating and touching, melodramatic and epic, Volume 13 is perfect example of the breed. Although, in retrospect, I cannot imagine General de Jarjayes would have survived the guillotine for long enough to be around when Marie was killed. Really, we can only imagine Bernard and Rosalie (who makes an appearance as Marie’s attendant in prison) to be the sole survivors of the story.





Yuri Manga: Kiss & White Lily For My Dearest Girl, Volume 1 (English)

April 24th, 2017

Anoko ni Kiss to Shirayuri wo broke into the Yuri marketplace in 2014. Although it recycled well-worn Yuri tropes, it found a willing audience with the (primarily male) readership of Comic Alive. Subsequent volumes ran with the “Yuritopia” idea and used it to tell increasingly complex and interesting stories centered around relationships at a fantasy all-girl school. I find that, as the stories move away from the first volumes, they have become more interesting – even the relationship of the main couple has moved past it’s initial boundaries.

And here we are, able to enjoy those volumes in English, with Yen Press’ release of the series as Kiss & White Lily for my Dearest Girl. In Volume 1  we meet pathologically hardworking  Shiramine Ayaka and slacker genius Kurozawa Yurine. 

As I’ve said several times recently, this particular set up is somewhat teeth grinding for me. ^_^ I’m not saying it’s unrealistic or anything, au contraire, I know several of those geniuses and let me tell you how *vexing* it is to work one’s ass off only to never be as good. ^_^ So, despite her melodrama, I’m on team Ayaka, all the way. And, if it weren’t for the fact that Yurine was also on team Ayaka, I would have chucked this series away a long time ago. ^_^

But there we are, Yurine has that even more vexing quality of being sincerely lovely as a person. Ayaka is wholly unprepared for liking her rival and even less prepared to be liked in return. Nonetheless, as their like slips causally into “like” like, Ayaka becomes somewhat less unprepared for everything.

A side story starring Ayaka’s cousin Mizuki and her closest friend and track team manager Moe, adds a little typicality to the story and gives the volume another well-worn path to walk through the lilies.

On the negative side, this series inhabits that all-female fantasy world in which adults and men exist only as shadows and barriers to happiness. It’s all a little tiresome. But, ultimately, despite the fact that this series is a “pair-’em-up” it works because none of the characters are unlikable. No matter how well-trod the paths might be, when we can sympathize with the characters, we’ll want them to be happy. We want them to give hope to all the girls who might read this series and imagine that kind of happiness for themselves and hope that some of the guys reading might just get that this is a valid way to be that doesn’t actually involve them and is still okay.

Overall, this series translated well to English. again thanks to the deft touch of Jocelyne Allen (who apparently is the current queen of Yuri translation!) I wasn’t sure if the screaming and melodrama might work, but I’m well-satisfied with the results. Technicals are otherwise well done and once again, I feel that this volume offers the kind of authentic reading experience that fans crave. 

Ratings:

Art – 8 
Story – 8
Characters – 7 
Yuri – 8
Service – 1 on principle only

Overall – 8

This ran in Comic Alive, but it could have run in a girls’ magazine as art and story are firmly rooted in shoujo stereotypes. Volume 2 will be out at the end of May!

Many thanks to Yen Press and Brgid Alverson for the review copy for this volume. ^_^