Archive for the Revolutionary Girl Utena Category


Mobile Suit Gundam: The Witch from Mercury

October 10th, 2022

In space, capitalism still sucks. And, with the addition of weaponized armored robots, it looks a lot like war. In a world where different corporate concerns are literally fighting for control of market share, a family is torn apart, but not before a young child bonds with her mother’s mobile suit in a way that no one else can attain. Now, 14 years later, Suletta Mercury has come to Asticassia School of Technology to train as a pilot, only to find herself in a series that was brilliantly summarized by Kat Callahan as “Revolutionary Mobile Suitena.” ^_^

At Asticassia, Suletta functions both as a blithering idiot-type protagonist and a True Hero TM type protagonist. She finds herself in the middle of a duel to protect a girl she doesn’t know and, as a consequence of winning the duel, is “engaged” to the girl, one Miorine Rembran, who lives in a small greenhouse on campus. By now, you’ve probably cottoned on to the fact that Mobile Suit Gundam: The Witch from Mercury is honestly, in some key ways, Utena in Space.

There’s no doubt, from the credits to the character named Chu-Chu, (with a mouse-ear like hairstyle) and, of course, the duels for Miorine, this homage is deliberate and not especially subtle.

But this is not Utena, it is Gundam, which has plenty of its own references. Also, interestingly, it may be Shakespeare’s The Tempest. Suletta’s Gundam is named Aerial and the head of the Mercury-based Shin Sei Development Company, Lady Prospera is a pretty strong nod in that direction. Prospera is also this season’s Char Aznable-helmet wearing character, because if we don’t have one of those is it really a Gundam? ^_^

As many people have pointed out, Miorine is not at all a passive Anthy. She’s actively seeking to effect change and it seems likely that she’ll be a key piece to overturning her father’s influence. Suletta has a normal sense of what is right and wrong, and she can see that there’s a lot of wrong stuff going on. They may be very good for each other. One hopes so. Guel Jeturk is already our Saionji character and we can see hints of the rest of the student council, at least in part. I sincerely dislike the character designs, and the school uniform, but that’s fine, it’s unimportant.

So this season is carrying quite a heavy load of symbolism and imagery in the first few episodes.  But don’t be deceived, this is still a Gundam and is therefore full of politics and business that have a tenuous relationship to how those things work in real life. If it did, Miorine’s father, Delling Rembrand, would have been removed by the rest of the board long ago. Corporate extortion is one thing, but having to listen to the shouting is not. Those 30 other board members could just pool shares and bounce his ass. He’ll be a drag as a big boss.

And then there are the Gundam themselves. Aerial takes on the heroic white/red/blue and yellow “main Gundam of this series”* design, with unrealistic and very cool transforming weaponry. I am a huge sucker for transforming weaponry, apparently. Honestly, the Gundam battles are among the best parts of the series thus far. I’m glad, too, because they’ve had decades to get that right and it would have been depressing if they weren’t.

I have no idea how much of or how long, this series will be wearing Utena cosplay, plot-wise, but I’m hoping that it sheds it and movse on to a powerful story of its own. I’ve only seen a few Gundam series but one that makes strong anti-war and anti-capitalism statements would be welcome, although I wouldn’t bet on that this time. At least we have a female lead and a couple right from the beginning…let’s see what they do with that.

Ratings:

Art – Good on tech, less good on people, let’s give it a 6
Story – Well, since at the moment it’s 3 series trying to figure out who’s boss, also a 6
Characters – Other than Delling, who is stupidly unlikable, I’ll go 7 and hope some of them go up in score
Service – Erm, not really, but I don’t know if I should be reassured or not
Yuri – Again, erm. It’s Utena, but we’re at the beginning and who knows what will develop. Say….2 for the homage.

Overall – A strong 7, with loads of room to get amazing…or not. Guess we’ll find out!

Mobile Suit Gundam: The Witch from Mercury is streaming on Crunchyroll.

* I know every Gundam is different and fans could tell me in great detail why. They mostly look the same to me, but I feel that way about cars and planes and other forms of transportation, too. Feel free to detail your feelings about Aerial in the comments. ^_^





Three Books For Fans of Revolutionary Girl Utena

December 15th, 2021

Today’s review is a video!

Revolutionary Girl Utena was a major gateway anime for a generation of Yuri fans. 20 years later, it is inspiring literature. Check out these three titles for their Utena references and roots!

 

Books mentioned:

Silk & Steel: A Queer Speculative Adventure Anthology on Kindle
Featuring stories by:
Ellen Kushner * Aliette de Bodard * Yoon Ha Lee * Neon Yang * Jennifer Mace * Django Wexler * Freya Marske * Claire Bartlett * K.A. Doore * Alison Tam * Ann LeBlanc * Cara Patterson * Chris Wolfgang * Elaine McIonyn * Elizabeth Davis * S.K. Terentiev * Kaitlyn Zivanovich

A/CINet Case Files: An Inside Job by Erica Friedman on Kindle

The Terra Ignota Series, by Ada Palmer

Too Like the Lightning
Seven Surrender
The Will to Battle
Perhaps the Stars

(links to Amazon, but these are available at any bookstore or site)

Today’s t-shirt: Hana & Hina Afterschool, by Milk Morinaga, from the 2018 Yuriten event:

Hana & Hina Afterschool is available in English form Seven Seas.





Revolutionary Girl Utena: After the Revolution

November 20th, 2020

Tenjou Utena was a girl who wanted to become a prince. She actually did rescue a princess…and became the power to revolutionize the world. But at what cost?

20 years have gone by and the members of the student council are still trapped in their own drama. The girl who gained the power to change everything had left them behind to find their own way out. Being mere humans, not princes, they had failed to do take the steps they needed to be free. If this sounds like a fanfic, well, it pretty much is. Like so many fanfic it begins with Touga, Saionji, Juri and Miki still caught up in the same dysfunctional relationships that bound them at Ohtori. 

In Revolutionary Girl Utena: After the Revolution, co-creator of Revolutionary Girl Utena Chiho Saito, revisits the Student Council members. Touga and Saionji are finally allowed to cast off the lingering ghost of  the Chairman of Ohtori, and find the camaraderie with each other that had been twisted into a toxic rivalry. Juri discovers in herself a more honest reason to keep fighting and is able to let go of of regret and failure. Miki is finally able to have an honest discussion with Kozue about their relationship.

Viz Media’s reproduction of this 20th anniversary manga is so excellent, I’m almost sorry that they didn’t give it a hardcover edition to match the box set of the original manga. Adrienne Beck’s translation kept the voices we already knew so well. Sara Linsley went out of her way to do an award-worthy lettering job. She’s detailed how she hand-drew the sound effects to match the Japanese volume on Twitter. Designer Alice Lewis did a terrific job and I know that Nancy Thistlethwaite as editor gave it the most loving treatment possible. It looks terrific. Great job folks.

Like so many fanfic, this manga is excellent, right up to the point where it fails to do the last thing it needed to do. Because, as she says in the afterword, Saito-sensei was unwilling to allow Utena to grow up…indeed, she youthens her for this story, Utena and Anthy’s reunion is not of this world, but very much in a world that only the two of them occupy. I had read the chapters as they came out in Flowers hoping desperately that we’d get to see Utena and Anthy together in the “real” world. It’s wholly understandable why this was the path chosen…it’s just not the one I wanted. ^_^ OTOH, Juri is still with Shiori and Utena and Anthy do find each other again, so that’s something. Depending on what your fandom of Utena is rooted in, your mileage will vary. For me, this was a beautiful, but ever-so-slightly unsatisfying story.

Ratings:

Art – 9 I have repeatedly mentioned that Saitou-sensei’s art is amazing.
Story – 8 One point off for not giving Utena and Anthy the time and page count lavished on the student council
Characters – 8
Yuri – 5
Service – 3 Naked Anthy is still a thing.

Overall – 9

I guess I’ll just have to stick with my own Utena fanfic for now, since Saito-sensei and I don’t share a vision. If it were up to me Kozue and Shiori* would not have been given so much real estate. ^_^

* I don’t dislike Shiori….I just don’t like Juri and Shiori together. Juri deserves someone better.





Live-Action: Shoujo Kakumei Utena ~Shirokibara no Tsubomi Musical (少女革命ウテナ ~白き薔薇のつぼみ~)

October 10th, 2018

In Spring 2018, to celebrate the 20th anniversary of the Shoujo Kakumei Utena franchise, a stage play musical was performed in Tokyo. Now the Shoujo Kakumei Utena ~Shirokibara no Tsubomi Musical (少女革命ウテナ ~白き薔薇のつぼみ~) is available  on DVD, Blu-ray and streaming on Amazon for folks in JP.

Now, if you have been a Utena fan for a long time, you may remember that in the early 2000s, there had been a Utena Musical stage play. And, should you remember that musical, you will remember that it was, in a word, excruciating. The word “unwatchable” also comes to mind. ^_^;

We set the memory of that earlier musical aside to watch the new musical and found that we generally enjoyed it. 

There were a few glaring weaknesses, primarily that the boys couldn’t sing. This is a pretty major problem in a musical. And, in comparison to all the female leads, especially Anthy and Utena’s actresses, Yamauchi Yuka and Nouji Ami, it was a pretty stark failing. 

But that aside, there were a number of elements that made the play move along well. In Utena”s first duel with Saionji at the climactic moment, they switch swords. It was a low-tech way to communicate a moment of intense magic. Instead of focusing on drawing the sword from Anthy’s chest, which was handled with little subtlety, the focus of this musical is the actual relationships of the characters. Time is given to everyone’s back stories. In the first act we clearly see the delusions that make up Miki’s and Juri’s pasts. And Tatemichi Riona as Juri did a convincing flinch away from B-ko when she got too close.

The second act was much tighter than the first, with a number of highlights. Yokoi Shojiro, who plays Saionji, has a brilliant moment when, defeated by Utena a second time, he creates his own Shadowgirl scenario and enters it himself. It was both a funny and profound moment. It was, my wife points out, very self-aware of the play. As one of the few wholly original moments, it worked beautifully.

The final scenes are extraordinary and moving, as Nouji does an excellent job of communicating Utena’s despair at having been defeated by Touga. Takeuchi Yume is brilliant as Wakaba, motivating Utena to take control of herself.  Nouji notches up the acting with a very emotional climax, where her need to get through to Anthy is pretty darn convincing. (My wife had stepped out of the room and returned as the play wrapped up. She noted immediately that it looked like Nouji had been crying. And she had been, fairly realistically.)

For staging, dueling concepts and acting, it was worth watching. For fans of the Utena story, this was a pretty decent re-telling of the first 13 episodes of the anime.

Ratings:

Overall – 8

 If the boys had been able to carry a tune, it would have definitely been a 9.





Shoujo Kakumei Utena After The Revolution Manga (少女革命ウテナ After The Revolution)

July 25th, 2018

When Tenjou Utena disappeared from Ohtori Academy, life for the students moved on.

Or, did it?

In Shoujo Kakumei Utena After The Revolution  (少女革命ウテナ After The Revolution) twenty years have passed. Touga and Saionji have become competitive art dealers. But a simple card telling them that “those who seek the power to revolutionalize the world, should return to Ohtori” inspires them to come back and discover that what they had forgotten on the dueling ground.

Juri has spent 20 years as a competitive fencer so she will be a worthy prince to the princess she’s chosen to protect, her Shiori. A competition is crashed by Ruka, who promptly attempts to steal Shiori from her. He must be defeated on the dueling ground in order for Juri to find herself.

Miki has become a concert pianist, but he is facing a crushing artistic block since Kozue fell into a coma, after her husband beat her. Miki and Kozue find themselves on the dueling ground facing each other and attempt to rebuild their relationship from scratch.

In each case Utena appears as both a child harbinger of crisis and as Dios falling from the castle, signalling resolution. But it’s not until Kozue and Miki create a staircase of music, that Utena can ascend to find Anthy – still crucified – and free her at last so they can be together.

The end of the manga sees them all freed, (again,) but in doing so, it gave each of them a completely new history, a backstory that differed from either of the previous manga versions or the two animated versions. To make this manga make sense, we have to ignore the title – this is not really “after the revolution at all.” Sure, they’ve aged, but they haven’t grown. It takes one last duel to push them forward.

Ratings: 

Art – 9 I *have* mentioned that Saitou-sensei’s art is amazing.
Story – 8 One point off for not giving Utena and Anthy the time and page count lavished on the student council
Characters – 8
Yuri – 5 
Service – 3 Naked Anthy still a thing.

Overall – 9

These are not the choices I would have made for a 20th anniversary story, but I respect that these were the choices made by the original team. I just wish we had been able to see both Utena and Anthy 20 years later, as well.