Archive for the Revolutionary Girl Utena Category


Revolutionary Girl Utena Anime Box Set – Volume 2, Disk 2 (English)

December 13th, 2011

Revolutionary Girl Utena, Volume 2, Disk 2.

This is where it gets really good.

Up to this point, the Black Rose arc has seemed superficially similar to the first arc. Kanae’s rage against Anthy seems overreacting, but we really don’t know much about Kanae or Anthy, and hey, we’re all creeped out by the portrayal of psychoanalysis in the form of Mikage’s Freudian elevator. And Kozue…we’ve written her off multiple times already. She’s not jealous of Anthy, just of her brother. Bro-con, ho hum.

But. Now. Shiori is here. Shiori, who sought to hurt Juri, to tarnish her shine, because she was too perfect, too shining. Oh yeah, fandom loves to hate Shiori.

But look at it from her side for a moment. Haven’t we all had a friend who is popular, talented, attractive and haven’t we all wanted, just once, to be better than them in something? Remember this particular moment of jealousy and pain. It will be back. In the meantime, we suffer as Juri tortures herself over feelings that one day won’t be so torturous. We all want desperately to be the one to tell her it’s okay.

Tsuwabuki’s episode is probably sadder than the others. Nanami is so very immature and yet, to Tsuwabuki, she is a mature, alluring adult. He’s right on that awkward cusp of maturity when at least some of the girls around him already “get” it, and there he is, flailing to figure out what “it” is. I was talking to a high school teacher just recently – we were discussing how at 14 or 15, you meet a teen and you just know, instantly, if they will ever fully mature. Some people don’t. Tsuwabuki will be 20, then 30, then 40, etc and he’ll always wonder what he’s not getting, until he convinces himself that everyone else around is just a snob, or a jerk or something. He’ll grow up attractive, have girlfriends and talk about he “doesn’t get women.” I always feel bad for Tsuwabuki.

And then we come to Wakaba. Remember Shiori’s jealousy? We don’t care about it. We don’t like her. We think she’s a petty jerk and can go to hell. Wakaba suffers from the exact same thing. But we like Wakaba. She was Utena’s first rescued princess. When we learn that her joy comes from something other than herself it’s hard, to learn that it comes from…him…is intolerable. When she stands before Utena on the dueling ground, undoubtedly we have the same stricken look on our faces as Utena does on hers. This isn’t an enemy, or some tangential person…this is Wakaba, a friend. It’s worth noting that this is the first time Anthy begs Utena to take the sword from her and this is the first time that Utena does not. She defeats Wakaba with the sword she wields…with his sword. And it is notable that Wakaba is the first of the Black Rose arc duelists to actually attack Anthy, despite their statements that they would kill the Rose Bride.

I love this duel more than any other duel in the series. Wakaba says everything we always wanted to say to that shining, perfect friend. How nice for you, we so desperately want to say, the way the world always gives a crap about you. But I’m not like that. I have to remain average and no matter what I do I will never be special. We may hate Shiori, but we can’t hate Wakaba.

And we hate that self-absorbed, moron Saionji. In the first episode he was presented as cool, popular and powerful. Now, he’s a fool, as Mikage says and we loathe him for it.

The hierarchy has changed, irreparably. Touga, supplanted by Akio, Nanami, Miki and Juri, half-heartedly holding the center, Saionji at the bottom of the pile. Where do Utena and Anthy fit on the grid? Keep watching to find out.

Ratings:

Art – 9
Story – 10
Character – 9
Yuri – 6
Service – 3

Overall – 9

I will insert a note here referencing Alan Harnum’s Flesh Eaters for Shiori page, because if I don’t, both Alan and Sean Gaffney will try to explain it in the comments and you’ll be confused and probably distressed. This has got to be the oldest still-living Utena injoke on the Internet.





Win a Revolutionary Girl Utena, Black Rose Saga Box Set!

November 30th, 2011

Thanks to the continuing generosity and support from Nozomi/RightStuf, Yuricon is pleased to offer a chance to win a copy of the  Revolutionary Girl Utena, Black Rose Saga Box Set!

Contest rules are easy.

Please email us with your answer to this questions:

What kind of DVD packaging do you like? If you want premium packaging what do you consider premium & are you willing to pay extra?

This question is a little complex, so think of it this way. Presume you *do* want the anime. What does “premium” mean to you? And if a set is offered with that premium packaging, what are you willing to cough up to get it? Try to be specific. The word “reasonable” isn’t as helpful as “$XX more.”

For instance, if you like thinpaks (single disks in thin jewelcase) then your answer to the second part is N/A, since you don’t want premium packaging.

If you like box sets or limited edition packaging, (like the art box for Mai HiME), tell us if you are willing to go up in price for that packaging.

To be eligible you need to email us at yuriconcontest@gmail.com with your answers. The contest will be over when I have completed my review of the Black Rose Saga. You must be over 13 to enter.

I know you folks are smart and can see that these contest questions are obvious Market Research, but I can assure you that RightStuf takes your suggestions very seriously and want to make us happy. I mean, look, we got Rose Seal rings, so QED. ^_^

For the record, my answer is:

I like multi-disk in one regular DVD-sized case sets best. I love the way Media Blasters packaged Otogi Zoshi, for instance. For me, premium packaging is not an important concern, so my price point is N/A. I’m buying the content of an anime, not the wrapper.





Revolutionary Girl Utena Anime Box Set – Volume 2, Disk 1 (English)

November 29th, 2011

The first episode of the first disk of Revolutionary Girl Utena, Volume 2, or what is commonly referred to as the Black Rose Arc, is that staple of long-running anime, the clip episode. Clip episodes became so common around the turn of the century, that in some infamous series, clip episodes were practically more common than actual story episodes.

In this case, the clip episode is welcome. Not only does it highlight each duel from the Student Council Arc, (which gives us a chance to relive the duels and their wonderful background music) but it provides an apparently objective perspective of each duel, allowing us to understand the motivation behind the duel, behind any discussion of the End of the World, a World Egg or Revolutionizing the World or other important-sounding nonsense.

The story of Nemuro Hall and the Mikage Seminar is set up, and we are quite suddenly dropped into a new, even more obscure arc than the last. Where the Student Council fights to possess Anthy, these new, derivative, duelists, seek to remove her completely from the game.

It’s not often I find myself incapable of half-watching an anime. Most of the time I watch something while simultaneously reading or writing. I wander off do a chore, come back and pick up the story wherever it’s taken me… it’s easy enough to do this if one doesn’t much care about the exposition. When Utena is on the screen, I do nothing else. There’s too much happening, too many symbols (both substantive and imaginary) and above all, there’s Anthy. This is the third or fourth I’ve watched this series and this time, I find myself watching Anthy intently. The joke is on me, because she rarely does anything. So every little nuance I perceive is me making it up in my head. ^_^

Of the many important things that happen on this disk, I consider most important the involvement of Kozue. It appears to us that her relationship with Miki and his with her are significantly dissimilar. Her Black Rose duel to me says that they are not, actually, that dissimilar at all. It’s simply that in those relationships, each holds a slightly different place in the other’s relatively similar world view. For Kozue, Miki holds the place of sibling, sempai and beloved, where for Miki, these are three separate positions. (I’ve always imagined that, post-series, it is Kozue who has the highest chance of becoming the next Rose Bride, despite it being a meaningless position by then.)

Also important is Nanami’s episode. These appear to always be the comedic relief episodes, but it’s important to remember that both Miki and Nanami are younger than Utena, and are working even harder to build a world that makes sense, with the fractured people around them. Miki appears to be the most innocent, but if we understand that innocence functions in part as a block to be carved, it’s instantly apparent that Nanami is the most innocent character in the series.

Two duels in to this arc and we still have no idea, really, what Mikage is after. However, if you’re adept at reading the signals here, you can see where at least two things are headed. Several key symbols have been introduced -the pointing fingers, the planetarium machine (which could spawn an essay all by itself) the pupa/moths (which return in the movie with a vengeance) and the elevators, both up and down, which Ikuhara uses again in Mawaru Penguindrum.

Two duels in and already the relationship between Utena and Anthy has radically altered. Anthy is something else to someone else and Utena begins to not note the obvious, in the most obvious manner. If Miki is clearly turning a blind eye to Kozue, how much more is Utena shuttering her eyes and ears?

The Black Rose Arc has always been my favorite. It is apparent to me that what Ikuhara does best is create tension. Scenes here are so fraught, so tightly wound, that we spend the episode watching wildly, waiting for the first blow. I described it recently as if, when we watch an Ikuhara production, we are standing in the middle of a ring of people with slingshots drawn, ready to shoot, not knowing where the first shot will come from, but knowing it will come. This tension makes us read into every comment, every scene, every background, whether there was something there to be read into or not. Every episode we’re standing on pins and needles, and Dios inhabiting Utena to win the duel fills us with the relief of predictability.

DVD extras are a pleasant addition for those who like production art, and the pamphlet this time is perhaps less distressing that the one that came with the first collection. Ikuhara’s episode commentary, and the discussion of the creation of Be-Papas and the anime and manga for Utena are equally full of pretension and insight. There is some discussion of the scene in which the sword is drawn from the Rose Bride’s chest and how the instructions were to make it look like a love scene, something that I think has stood the test of time. Of particular interest to me was the comment by one of the creators discussing the brief thought of redoing this anime, and realizing that it stood up so well and was so unique that there was no need. I agree completely. More than 10 years have passed since this series first aired and it still has the power to compel and enchant. Most series upon rewatching seem a little dated, maybe a little sentimental…not this one. I watch with the same creeping sense of…something… this time as I did the very first time. This series was one that I had on my personal top ten, but I presume, always, that nothing is as good as you remember it to be. This series is. Possibly even better.

Ratings:

Art – 9
Story – 10
Character – 9
Yuri – 3
Service – 3

Overall – 9

Stay tuned – we’re going to have a contest to win the second Box Set from Nozomi/RightStuf shortly! ^_^





Revolutionary Girl Utena Anime Box Set – Volume 1 Disk 3 (English)

June 25th, 2011

Revolutionary Girl Utena: Student Council Saga Limited Edition SetBy the time you reach the third disc of the Revolutionary Girl Utena Student Council box set, you’ve already developed your ideas about what you think is going on. My ideas and yours may not be the same, but they are all valid. The show is consciously constructed to allow all our ideas to be valid. Now we, as viewers, have to allow each other’s ideas to be valid, too.

I’m going to tell you some of the things I think are going on (bearing in mind that while I know what is going to happen, I wont be talking about that – just what is happening on this disc. What I would REALLY like is to hear what you think is going on in the story. What are your thoughts about The End of the World – no spoilers, remember, just based on this first arc! – or about Touga, or the duels, or Anthy, Utena, whatever.

Okay, so here I go.

The disk begins with Saionji doing something very stupid, and being expelled for it. I have this belief that, in some way, all the members of the Student Council, by becoming members of the Student Council, were essentially consenting to being manipulated by the End of the World.

Which is why I personally find it hardest to watch Nanami being screwed with. She did not give this consent. Miki is innocent, but not unbsubtle. Nanami is a child. She is driven by delusion and fear and has no place in the duels. That Touga offers her up to them was, in my opinion an unforgivable crime.

Up to this point, it would be natural to think that Touga is the master manipulator here. He seems, to Utena at least, to be in control. It’s only at the end of the arc that we and he see that he wasn’t in control at all.

The last two episodes were as amazing as I remembered them to be.

In episode 11, Utena find herself stripped of her confidence, her purpose, her very self by Touga, who uses his good looks, his masculinity and his position to turn her into a “normal” girl, who needs a prince to rescue her.

And most important IMHO, is that in response to losing the duel Utena says simply, “Please don’t take Anthy away from me.” She would give herself up…but not Anthy.

In episode 12, Wakaba slaps some sense into her, by making her realize that “normal” is not normal for Utena. Utena challenges Touga to a rematch to regain herself – the self that wants to be a Prince, not be rescued by one. She defeats Touga without help from Dios or an enchanted sword – she defeats him with nothing but her determination and will. To awesome music. To regain Anthy. NOT to regain the Rose Bride, but to get Anthy back.

Most importantly, at that moment, Anthy is *surprised.* That alone is worth watching the final episodes for.

When the episode (and the first arc) ended, I began spontaneously applauding. Again. As I have every time I have watched this series.

It’s gonna be a long, long, few weeks before the next set arrives!

Thanks again Nozomi/RightStuf for making it possible to watch this remastered version.

Ratings:

Art – 8
Story – 10
Character – 9
Yuri – 4
Service – 1

Overall – 9

The music video for “Revolution Rondo” blew my mind more than anything else in Utena ever has. It was filmed in New York City, which was just…entirely unexpected.

Here’s an interesting aside. On Twitter today I mentioned that what I would love to see is a ridiculously high budget live action version of the moment Utena draws the sword from Anthy. Just that scene. At which, a very good friend of mine from way back mentioned that there is a rumor of a pitch in Hollywood for an Utena movie…and that Variety is supposed to be doing an article about it next month. I guess we’ll see if that article ever happens…. Thanks for the heads up, Rob!

Now it is your turn – what are some of your thoughts on this arc?





R.I.P. Kawakami Tomoko

June 12th, 2011

I’ve been away for the past few days, with limited access to communications so, while I saw and approved the comments about Kawakami Tomoko, I was unable to comment appropriately.

The news of her untimely death from cancer was sobering and saddening, and she shall be missed by many.

Here are a few of her Yuri roles – take a moment to watch them and think of her, as you do:

Revolutionary Girl Utena/Shoujo Kakumei Utena – Tenjou Utena

Battle Athletes /Battle Athletes Victory – Kris Kristopher

Kanon – Kurata Sayuri

Uta~Kata – Takigawa Satsuki

Haru Natsu Aki Fuyu Drama CDs – Reiko-sensei

These are, of course, just a few roles and she’s played a part in many, more series that we’ve loved.

Thank you Kawakami-san for all your hard work in this life and best of luck in the next. You are missed.