Today we look at what was, until 2015, the final volume of the grand historical epic The Rose of Versailles, by Riyoko Ikeda.

After the death of Lord Oscar François de Jarjayes, one might expect a final volume of tears and recrimination as the republic she died for turns to wholesale slaughter and a new threat of empire…buuuuuut……..no.

The chapters that comprise The Rose of Versailles, Volume 5 were written a decade after the original story ended and involve Oscar and André as the comedic sidekicks to Oscar’s precocious niece Loulou de Laurencie. These 10th anniversary chapters are an epic unto themselves, known as “The Great Detective Loulou.”

Loulou (and her doll, which functions as something between a backpack and hammerspace) turns out to be incredibly perceptive. Significantly, Oscar recognizes this and after the first adventure, in which Loulou cracks a group of jewel thieves, she takes Loulou’s antics very seriously. Loulou’s influence continues to expand to André, then Rosalie and beyond. It’s a good thing, too, because Loulou proceeds to stop a human trafficking ring and an illicit drug ring.

A little side story here… translator Mari Morimoto and I had a days long conversation about exactly what drug it might have been. I think it was cocaine-laced laudanum based on the chronology and supposed effects. (Heroine wasn’t common for another few decades and opium created a lassitude that any reader of Sherlock Holmes will be acquainted with.) But it’s all speculation and we’ll never really know what Madame Heberra was selling. ^_^

Ironically, the was the first volume of the series I worked on. Mari asked to bring me on since we had been discussing the series already and she wanted someone she knew. It was a lot of fun working on these chapters with her too, as there were so many things that were really left way up in the air after those incredibly detailed, historically accurate earlier volumes.

You might ask at this point if this is where we are meant to leave it all. After all that emotion, all those tears, we’re just walking away on a bunch of stories about a child genius? No, actually. Because in 2015-18, for the 45th anniversary of the series, Ikeda-sensei drew another 4 volumes, all of which I have reviewed here, in fact. I will spoil nothing, except to say two things: 1) I had completely, totally forgotten the one thing at the end of the story and OMG, and; 2) Even as I edited these chapters for the final volume for UDON, I found myself tearing up at Rosalie. Hopefully you will, too.

I don’t know when the final volume will be released, but as soon as I know, I’ll be sure to tell you!

I want to thank all of you who have picked up these books and enjoyed them so much. And my heartfelt thanks to Udon, to Erik for trusting me with these, to Mari and Jocelyne for being awesome to work with and Jeannie Lee, for low-key killing it doing the lettering. Honest to god, she did an outstanding job, matching the s/fx to the shape and feel of the original, and you should notice this kind of artistry.

I’m going to leave you with one more anecdote. After I got the chance to work on this series, I was in Japan, at Mandarake in Nakano, as one does and I saw something I had never, ever before seen – three whole issues of Margaret magazine when Rose of Versailles was running! I was gobsmacked. I grabbed them all and gave Mari and Erik one each as thanks, and kept one for myself.  Here is why.

This is the moment when Oscar, having found and lost her true love, throws herself at the Bastille, to join him as soon as possible. So….yea. I have this volume. It lives on a set of shelves I cleared for the entirely of the Rose of Versailles kanzenban, reference materials, mooks, magazines and…this magnificent collection. It’s just so lovely, I can’t get over it.

Not gonna rate this one, just want to bask in the glow. ^_^

Tell me how much you love this set in the comments!

As I sat down to write today’s review, it dawned on me that I had never covered Volume 3 of The Rose of Versailles. So today, we will nod towards it, as we stride past headed for the last volume to deal with the Revolution and it’s aftermath.

In Volume 3 of The Rose of Versailles, Oscar’s choices come piling down upon her head. In a complete reversal of everything she had been asked to do with her life, her father barters her hand in marriage to her rival since she was young, Captain de Girodelle. Unsurprisingly, this puts Oscar into a very uncomfortable place. Of course she does not want to be married off without her consent, and also she believed that acting as a son, her father would not just treat her as collateral. To find that she had accomplished so much, only to have it be treated as irrelevant is, obviously, enraging. To young feminists of the 1970s this would reflect the exact situation they were – and, let’s be real, still are –  facing in the workplace.

Oscar has a new uniform made for herself, and at last attends the balls of Paris, to seduce women and show herself supremely uninterested in Girodelle or marriage. Meanwhile, Andre’s eyesight is deteriorating and Oscar begins to think of him more as a man, rather than a servant. Andre tries to force himself on her, but they withdraw from one another. Pushed to her limits, Oscar dedicates her life to war, and leaves to visit the Queen one last time.

The story, then, becomes a kind of slow avalanche of horrible decisions made in the worst way for the worst reasons. The Dauphin dies and Marie holes up in the Petit Trianon, refusing to deal with the people of France at all. The commons try to meet and are locked out of the building, the army starts to split at the seams and Oscar sides with the common people. She learns the truth about her Gardes members, how family and friends are being killed or starved and she becomes enraged, demanding answers of people who don’t care. Alain and the Gardes help Andre cover his failing sight, but they all know that death is waiting, Andre ends the book wishing that Oscar and he might be lovers, even knowing that his wish cannot come true.

There are a lot of tears. We’re given more space here to sympathize with Marie Antoinette than we have before, but it’s still hard to see her as  a victim of anything except her own selfishness. Oscar will stress for many pages about her gender and sex. Had she been a man, Rosalie would have ended the conversation, but she is not and she is neither transgender nor a lesbian. She’s embraced her fate to live a man’s life as a woman, but in the end her father never respected that, even though it was his wish that she do so.

Ratings:

Art –  Sublime and Oscar in bell-bottoms.
Story –  Grim, but magnificent
Character – Everyone has a moment when it is impossible to like them.
Yuri – One almost feels bad for any woman Oscar pretends to seduces to show up Girodelle
Service – Shirtless Andre, attempted rape, Oscar in new uniform

Overall  – Hard to read, but absolutely compelling

If I were going to sum up this volume with one emotion, I’d say “anger.” It’s not a righteous anger, not yet, but the signs are all there.  In a sense it’s good that the end is on the way in the next volume. After the last few years of anger and inequality and the same kinds of violence and deadly economics as we see in this story, reading this volume feels too much like reading the news sometimes. Something has to break, and we all hope like hell that it’s not us.

Kudos to UDON for another glorious volume of this epic story. It was my very sincere pleasure to be part of that team.

Volume 4 and Volume 5 are now available for you to read and experience!

Unrest is starting to build among commoners as royal spending, bankrupts the country. while Oscar is struggling to balance unrest at home, in Paris and at Versailles. Rosalie is being pressured by her birth mother to come live with her, and her sister, the grifter Jeanne Valois, is at the center of one of the greatest scandals of the Queen’s life.

This volume is full of so many tears, it almost becomes comic….almost. It never is, because the cost of human suffering is as immeasurable in the 18th century as it is now, only we’re far more likely to have a bigger-picture understanding of it.

Nonetheless, Ikeda-sensei’s work makes understanding suffering almost unavoidable in fact, as she pinpoints individual stories in the middle of the greater situation. We’re more aware of the plight of Parisians in general because we spend time with Rosalie and Bernard.  We’re meant to understand them in a way we and Oscar will never understand the lack of empathy of the noble class.

Volume 2 of The Rose of Versailles is also one of the “Yuriest” volumes of this classic series in one sense and in another, not really. Jeanne implicates the Queen in the infamous Affair of the Diamond Necklace and, while testifying before the court, insists that she and the Queen were lesbian lovers. In addition, she accuses Oscar of being Marie Antoinette’s lover, as well. Oscar is not amused.

Her sentiment, a sneered “I Lord Oscar, lesbian? I’m breaking out in hives! To hell with you! What a joke!” is hard for us in 2020 to take at face value, when mere pages separate that and her repeated vow that had she been a man, she would have married Rosalie herself.

Volume 2 is about structural change. When the foundations of a building begin to crack, the people on the highest floors can feel the instability, even if they are initially insulated from the immediate damage. Once again, I’m reading this volume thinking it is just a little too on the money, as our society is shaking the foundations once again for all the very same reasons.

I want to shout out here to Jeannie Lee, whose lettering is so exceptional and to both Mari Morimoto and Jocelyne Allen for doing painstaking work on the translation. I’m still blown away by this gorgeous edition of a long-awaited classic manga. It was a privilege to have worked on it with them.

Ratings:

Art – 8 As Oscar matures, so does the art
Story – 8 Dense and melodramatic
Characters – 9 Everyone is flawed and human
Service – 5 Oscar in a uniform and in a dress.
Yuri – 1 No, but…kinda?

Overall – 8