Archive for the Staff Writer Category


Sheep Princess in Wolf’s Clothing, Volume 5

March 21st, 2025

The cover of 'Sheep Princess in Wolf's Clothing' volume 5. Aki is holding Momo, they are both in wedding dresses. by Luce, Staff Writer

I’m Luce, lover of cute things and books with happy endings! Currently tackling my tsundoku problem, I’m trying to balance the book dragon and book worm parts of my soul. I love reading… I just love buying books too, and that takes far less time!

In the four previous volumes, we got to know Aki, a Wolfa butler, and Momo, a Sheepa princess. Through various trials, they’ve gotten together, but Momo had just realised that Aki never actually said that she loves her!

Sheep Princess in Wolf’s Clothing, Volume 5 puts us straight back into that revelation – should Momo ask her? But what if she says that she doesn’t love her? Meanwhile, Aki talks to Princess Kunya on this topic. After resolving their issues, the queen spots them kissing! How will she react – can they even continue their relationship, when Momo is still getting marriage proposals?

I really liked Princess Kunya pointing out that different species have different ways of expressing love and affection to each other, and what is incredibly intimate to one group may not mean as much to others. It’s quite clear to us that Aki is obsessed, but without saying the words, it leaves Momo concerned that Aki is just following orders. It’s a good message! You might think you’re saying something loud and clear, but is that message getting through?

I laughed quite a lot when it’s shown that gay runs in the family – I shouldn’t be surprised in this manga, which has one singular male character with lines, who only vaguely appears in the last two volumes. It was nice to see the comparison between the reality for most people in their situation, and the fantasy of Aki and Momo. Royals don’t always get what they want with relationships, and if they do, they tend to have to give up a lot to get it. We see that in real life – although on the other hand, particularly in history, they often do get what they want, even if the other party isn’t interested. In fiction, arranged marriage is either a) horror and to be avoided or b) the start to a romance. It was nice to see the third, probably most realistic option for most people in arranged marriages – rather than love, you hope to get on with them. It was a remarkably pragmatic take, considering the utter fantastical nature of the series in general.

Of course, it wouldn’t be a Yuri fantasy romance without a wedding! I will admit it felt like a fitting end to this nice little series, wrapping it up neatly and leaving us to imagine the rest of their future together, along with a brief glance at the other pairs established (and establishing) along the way. The mangaka states that they might post extra bits on Twitter (obligatory reminder to move over to Bluesky!), though I haven’t gone searching, and I wouldn’t be able to read them regardless.

Oh, and as I guessed, the service quotient went up.

Ratings:

Story: 6
Art: 8 (fluffy as always! The clothing is done really nicely, too)
Service: 7
Yuri: 9, it’s almost a yuritopia

Overall: 7

I’m a little sad this is ending, but it’s not a deep enough story to have gone on for much longer. Recommended for those looking for a fluffy Yuri that doesn’t ignore the fact that sex exists, but also doesn’t ignore reality completely. Tolerating animal ears is a must.





How Do We Relationship? Volume 12

March 12th, 2025

By Matt Marcus, Staff WriterA young woman with shoulder-length black hair and wearing a red dress stands in the middle of a college school festival, holding a plastic container of food in one hand and a plastic bag with more containers in the other. She is looking back over her left shoulder with a slight smile

I’ve long held a preference to mouthwash. No, not the electric blue-green swill with flavor names like “arctic” and “alpine”, describing some slightly different formulation of wintergreen. I’m talking about the unadulterated, sickly amber kind simply called “Original.” Unlike its minty counterparts, the Original burns as it works. I liked that about it. It told you not only that it was working, but where it was working. I always found the lack of feedback from the other flavors disorienting, as if I were trying to walk on numbed feet. I feel the same about aftershave, hydrogen peroxide, and so on. Pain exists to direct your attention to places of need.

How Do We Relationship?, Volume 12 brings the pain. A cleansing, healing pain that is much sorely needed.

Last we left our cast, the plot had taken a heavy-handed nosedive into some serious subject matter. Miwa was left broken after a traumatic encounter with Tamaki, while Saeko’s relationship continues to be more and more strained by Yuria’s need for space.

There’s no sense being coy about it: this is the volume where the girls break up. Again. None of this should be a surprise, as we have felt the cracks starting to form two volumes prior, but unlike before, I feel like the pangs of heartache here are growing pains rather than seeping wounds.

I emphasized in my last review how critical I was in how Miwa and Tamaki’s conflict about sex played out. The first few chapters here help add some context to the fallout that I think takes some of the worst sting out of it, but without lightening its impact. For Miwa, she felt shame that her sexual desire was so strong that it overpowered her emotional needs, and that Tamaki felt repulsed by the intensity of that desire.

Miwa breaks up with Tamaki. The decision is a major sign of growth for her; instead of clinging desperately to a flawed relationship like she did in the past, she realizes that despite their mutual love for each other, it would be mentally and emotionally better for her and Tamaki to part ways as lovers (put a pin in that, it will come up again). I think the breakup and their later run-in at the school festival were emotionally impactful, and it left me thinking that both of them will be OK as they move on in their lives.

It does, however, resurface an underlying issue: this is another example of Miwa feeling like she owns all the blame for a failing relationship. At no point does she give Tamaki any ownership in what transpired in their relationship, much like she did with Saeko before. This seems like a character flaw that will continue to not be treated as such. I can accept that even at 21 she is not a fully-formed adult yet, but her martyr complex is a blind spot that is a bit troubling.

As is typical in this medium, we get to see into Tamaki’s backstory for the first time right before the end. I think that the segment was effective in further humanizing her…but it was a struggle for me to want to empathize with her after the last volume. That queasy feeling from chapter 103 is just never going to fully go away, as if it were some kind of trauma (put a pin in that).

I had mentioned in previous reviews that I wish we saw more of Miwa and Tamaki’s happy moments together. The characters clearly express that their love was deep and genuine, but very little of that made it to the page in favor of anxiety and stress—and not even just around the sex. The way they interact here shows me their feelings, but I was not given the opportunity, with a rare exception or two, to feel it for myself.

There is another moment of growth here for Miwa that I found particularly impactful. When Miwa is casually outed at a social gathering for the Light Music Club, she takes the moment in stride and is able to smoothly redirect the conversation away from her queerness being the topic. This inspires a baby gay first-year to approach her after the event and tell her that he admires her strength in “living her truth”. Miwa reflects for a moment before telling him that she falls in love with women who are “bold and cool”, and she looks to their example as her source of strength. It’s a powerful moment of self-reflection that is demonstrative of this series at its best. Watching Miwa mature from the timid girl who couldn’t handle Kan in Volume 2 to now is one of the most satisfying character arcs I’ve witnessed in manga.

Meanwhile, Saeko and Yuria struggle to find a compromise between Saeko’s desire to spend as much time together and Yuria’s emotional need for space. Saeko struggles with not being able to see Yuria when she wants, but when Yuria begins making more time for her, she feels bothered that she’s making a sacrifice. They are coming from too far a distance apart for meeting in the middle to feel good. That’s a big bummer for a couple that we’ve seen work through troubles and arguments before and come out the other side stronger.

I could say a lot more about this, but in the end, they both agree to go back to being friends (at their favorite spot, the playground, of course). Like this series is fond of doing, the breakup doesn’t mean cutting themselves out of each other’s life. I wish they could’ve worked it out, but if they were going to break up, it would be hard to ask for a better way for it to go for them.

I’ve been praising the art for a while now, but this volume has a few standout panels that are some of my favorite drawings of the series so far, along with a beautiful color image for the cover. Abby Lehrke’s localization continues to get top marks from me.

I believe this volume is a return to form from the trajectory it had been taking over the previous two volumes. Both Miwa and Saeko shed their tears, but they leave their relationships stronger and with a hope for the future. There are hints here as to what that future is—and if you are paying attention at all, you know where this is heading—but for now, the slate is clean. It’s a real palette cleanser, the kind for those who prefer to avoid the mint.

Ratings:

Art – 9
Story – 9
Characters – 10 
Service – 0
LGBTQ – 10

Overall – 9

The final chapter of the series was uploaded on the VIZ app on February, 28; Volume 13 will hit shelves in September 2025.

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.





The Marble Queen, by Anna Kopp and Gabrielle Kari

March 9th, 2025

Book cover of the Marble Queen. It shows Salira, a dark skinned woman with long black hair, standing behind Amelia, a pale skinned woman with ginger hair. Salira is holding a sword, as Amelia is reaching for her. By Luce, Staff Writer

Princess Amelia of Marion has always struggled with anxiety, something that only increases under the strain of pirates bombarding their country’s trade ships. Struggling for resources, she agrees to be married off to the highest bidder, hoping to be useful to her country. That bidder turns out to be from Iliad, a mysterious country across the sea that little is known about, and it’s actually the Queen, Salira. Amelia must face this new situation, her own growing feelings for Salira, her anxiety, and a murky political plot if she wants to survive this new marriage.

It is a truth universally acknowledged that a reader wanting representation for a minority orientation/gender/race shall hold that rep to high standards, and may well be disappointed.

When there isn’t a lot of something, we get excited about seeing it at all. Queer rep isn’t as rare as it used to be, and I’m very happy about that, but certain areas of queer rep are still underrepresented – cis gay and lesbian rep, while not mainstream, have a good number of options in books nowadays. In manga, BL is booming, and Yuri isn’t far behind, and we’re seeing more of it each week. But queer stories in other genres is still quite rare. Fantasy, for example.

That is to say, The Marble Queen, by Anna Kopp and Gabrielle Kari, had such potential. It sounded so promising on paper: a princess wracked with anxiety goes to another land, marries a queen and find her place in the world. Romance. Fantasy. The cover looks really pretty and enticing. So I ordered it, knowing very little more about it.

I don’t often ask for less plot, but here I am. This book tries to do too much in too few pages. It’s about two hundred pages long, which is plenty for some stories, but not for the one they tell here. A clearer focus on the unique, interesting story they had – a princess with anxiety learning to cope with it and getting to know her new partner and herself better – would have meant that we could relate to these characters more deeply, and thus cared more about them. But because the political intrigue plot is there, they don’t have the time or page count. Touching scenes where the two start break down their walls around each other and start to fall in love get squashed, and so feel a bit flat.

The magic is sort of explained… but for once, it didn’t actually need to be. The beauty, and strength, of visual storytelling media is that you can have visual metaphors, and they don’t need to make sense. They started with these, with Amelia’s anxieties emerging on the page as thorny vines and grasping hands, but then made it a real phenomena visible to the outer world. Yet this is only used once, when Salira has a nightmare.

Amelia could have shown her numeric talents and discerning eye by finding the embezzlement, but it not being part of a larger plot. Or having the larger plot solved from within Iliadi, rather than having a few pages of exile. Salira could have shown her skill with the sword in other ways. All in all, it was so rushed at times it was hard to tell what was even happening.

I would love this book over a short series, or at least a graphic novel twice the length, with enough room to breathe with the characters. I wanted to root for Amelia and Salira to win over the nation. But the political plot weakened a great premise. Especially having just read a duology involving a similar type of political plot, except there were nine hundred pages of writing to deal with all the machinations that this story was not afforded.

I did enjoy this book. The art, while not standing up to the standard of the cover, is decent at portraying the characters, and the emotions do come through. Amelia felt real enough to connect to, and Salira cool enough to admire. The background are often single colours in the small panels, which works to a degree, but does leave it feeling a bit empty at times. The sound effects, possibly influenced by manga, seem a bit odd – most of them just aren’t needed, as it’s clear in the panel what’s happening. Minor vague spoilers, but labeling a body with ‘dead’ makes it funny, rather than dramatic, as likely intended.

Overall, it was a fairly fun read, but it could have been great. It was a little like reading a children’s novel as an adult – it works, it’s serviceable, but you need more depth.

Ratings:

Story: 5
Art: 6
Yuri: 9
Service: 1 (Salira is very cool. But other than that, there’s no service at all.)

Overall: 5

I really hope these authors/artists both continue to make art and grow with it. Unfortunately, this just didn’t quite hit the mark. (Edit: forgot to put my name on it, I’m Luce!)





I Want To Love You Till Your Dying Day, Volume 1

February 27th, 2025

In front of a ruined wall and a bright blue sky two girl in blue Japanese-style school uniforms hold hands and smile into the camera. The taller girl, with wavy blonde hair has a bandage on one cheek. The smaller girl, with long, lush punk hair flying in the breeze, holds a wildflower in her hand.Did you read The Promised Neverland and think “I wish this had more yuri?” If so, I Want To Love You Till Your Dying Day, Volume 1 might just be the series for you. Newly available in English from Kodansha USA; “Love blossoms amid bloodshed in a new enthralling dystopian yuri manga.” This series began in the printed Comic Yuri Hime magazine in 2018 but has subsequently switched to an online serialisation via the Yuri Hime Pixiv site. 8 volumes are currently available in Japan, Kodansha are aiming to release the first 5 volumes in English by October this year.

Content warnings: gore, child soldiers including deaths of.

Set in a mysterious orphanage where children born with magical talent are trained as weapons to be used by the military in a war against an unknown enemy, thoroughly average student Sheena wakes up to find her roommate has been killed in battle the previous day. Any short lived excitement about having a room to herself is almost immediately snuffed out when a strange new student arrives. “Mimi” is rumoured to be a secret weapon, immortal and under the supervision of the mysterious school nurse. Now however, she has been assigned to Sheena’s class and is her new roommate. Gone are the days of blending into the background as this curious new student has latched on to Sheena and captured the attention of most of the school as well.

This is very much a volume of exposition. Lots of threads are dangled, but I am interested enough to stick around and see where this is going. Unfortunately, Mimi does precisely nothing for me. I’m not a fan of the naive loli murder machine schoolgirl trope, and she is mentioned to be 10 years old at one point which is just a little on the ick side for me. Sheena is much more interesting to me, and at this point I’m more invested in her since she seems like she might actually die at some point. She clearly struggles with using magic and fighting, and to me that just makes her more real and human than the overpowered 10 year old who can just kill everything in her path with little resistance and a smile on her face. I’m also very interested to learn more about Ari and Seiran, 2 side characters who are implied to be a couple.

Overall, there’s more to like than dislike here. The magic adds a bit of a fantasy twist to the scifi story and hopefully all the threads in this volume will gradually come together as the series progresses. I will be reading the next volume to find out.

Ratings:

Art – 6.5 Perfectly adequate Yuri Hime house style.
Story – 6.5. At the moment, I’m more interested in the scifi than the yuri.
Characters – 5. Mimi is currently the least likeable character for me. I hope her backstory will make her more interesting when it’s revealed later on. And I wish she was older.
Yuri – 2. Some clandestine hand holding between side characters and kisses disguised as CPR/magical revival.
Service – 3. The mystery nurse with gravity defying breasts is as much as we get. Thankfully no Made in Abyss vibes here.

Overall – 6 but with potential.





Project A-ko 2, 3, and 4 Blu-Rays

February 19th, 2025

A Blu-ray cover, a girl with a lot of red hair, in a yello tank top over white -t-shirt runs full speed, while a little girl in pink dress with a flower in her blond hair hangs on. A cool beauty with long blue hair and a glowering man with purple hair in the background.by Matt Marcus, Staff Writer

In the wake of the success of the original Project A-ko film, A.P.P.P. released three sequels, all of which now have Blu-Ray releases from Discotek. All three—running for around 50 minutes compared to the original’s 80—felt a little too scant to review individually, so I’ve opted to combine my thoughts here (much like their previous DVD release from Central Park Media, subtitled Love & Robots).

Project A-ko 2: Plot of Daitokuji Financial Group

Three weeks have passed since the end of the first movie. The defeated alien ship remains perilously perched upon the military command tower at the center of Graviton City, but now it’s been converted to a glitzy shopping mall and recreation center. Of course, this is cover for Captain Napolipolita and her henchwoman D to raise funds for repairs, after which they intend to fulfill their original mission of returning the lost alien Princess C-ko to her home planet.

But this time, the villain is the military industrial complex, in the form of B-ko’s weapon’s dealer mogul father Hikari Daitokuji (or, as I like to call him, Phoney Stark). He sees the alien ship as a goldmine of advanced technology he’d like to steal and exploit for his own ambitions, and so the Plot of the Subtitle are his machinations trying to hoodwink the defense force into doing the dirty work for him. (Notably, he’s been stealing mecha designs from B-ko.)

Meanwhile, our main trio are simply looking forward to a summer break of fun. They end up obstructing both the aliens and B-ko’s father’s schemes, mostly by blowing everything up. Graviton City is left a smoldering ruin again, but life goes on.

All of the elements of the first film are here. The A-ko/B-ko/C-ko triumvirate continue their schtick. There’s a decent amount of mecha and exploding shit. Surprisingly, the non-mecha fanservice is relatively tame; I found the fully-animated scene of A-ko changing into a bathing suit without exposing herself particularly funny, as if it were an intentional troll to those seeking more cheap thrills. Honestly, the funniest bit was how the Alpha Cygnans painted C-ko’s face on the front of their ship, goofy open-mouth grin and all.

The extras are notably sparser than those for the first film (no extra documentaries or feature commentaries this go ‘round). The only unique bonus are screenshots from the PC-88 casino game collection tied to the film, which included several scenes lifted from the film but drawn in that classic 8-bit style.

Overall – 6

Project A-ko 2: Plot of Daitokuji Financial Group Blu-ray available on Amazon and Crunchyroll

 

A red-haired girl in a red dress and a blue-haired girl in hakama and gi glower at each other over their shoulders. Behind and above a gaping blonde with a flower in her hair and a boy in black.Project A-ko 3: Cinderella Rhapsody

This film is based around Spring Break, and every girl in Graviton High School is thinking about romance. A-ko becomes obsessed with a dress she can’t afford, and starts working at a fast food restaurant to save up. B-ko is still using her posse to stalk her, and of course the two are still fighting before school every day. C-ko is starting to feel neglected by A-ko, 

All of this is thrown out of whack when C-ko runs into the street and is nearly run over by a hunky-yet-gormless guy named Kei. A-ko falls for him immediately, followed by B-ko, while the whole time, Kei has caught feelings for C-ko. So much for the Yuri.

Hijinks ensue, which culminates with a destructive showdown in the fancy hotel atop the yet-again-renovated alien ship, which is now a theme park. As the chaos expands, the commander of the defense force decides to neglect his duties this time (off screen, no less), so a group of under-cover protective public works employees mobilize, which turns into a cavalcade of mecha and sentai winks. They even included a cameo by BaBe, the idol duo who sing the film’s theme song “Get A Chance!” (The English Version plays over the credits, the lyrics of which are basically inscrutable.)

In the end, everyone’s heart gets broken. Kei confesses his love to C-ko, who harshly rejects him, while A-ko and B-ko see their fantasies shatter along with the floor of the hotel. Everything resets back to the status quo again. Hooray.

This one definitely feels like a step up from the previous film, but having the central conflict shift to center on Kei was honestly a bit deflating even if, as the trivia notes say, this would have been expected by the audience at the time. I know that the joke is that his cool surface image is actually the result of being too shy to talk, but it’s not quiet a strong enough joke to hang an entire plot on. I also wish more came out of the extensive mobilization scene; having Graviton City secretly be a hotbed of superheroes and super robots could have been used more for the comedy besides “look, an off-model reference!”

As with the previous release, the bonuses are relatively slim, though the trivia section is always a fun treat. I did notice one omission, though, which led me down a bit of a rabbit hole. In the film, we see a brief segment of a porn flick, where a girl with short blue hair (and no clothes) is about to, uh, impose herself on a red-haired girl. The scene is interrupted by the mobilization call (somehow within the movie!) by a girl with orange pigtails. Turns out, these three are the animated versions of an idol group Lemon Angels, a multimedia project that was an offshoot of the Cream Lemon hentai series, much like what Project A-ko began as. Seems like an odd thing to leave out from the otherwise exhaustive trivia notes, especially since they are even explicitly credited.

Overall – 7

Project A-ko 3: Cinderella Rhapsody is available on Blu-ray from Crunchyroll and Amazon.

 

Red haired girl in a school uniform, blue-haired girl in black dress and cowering little blonde girl with a flower in hair are backed by a mecha that looks like the redhead, a pair embracing in wedding clothes of a guy with brown hair and a teal-haired girl.

Project A-ko 4: Final

The aptly-titled fourth film of the mainline series is about two impending threats: a new alien invasion, foretold by ancient inscriptions found in Iraq, alongside the teacher Miss Ayumi’s engagement to…Kei??!?!

Out of all of the sequels, this one has the strongest set-up for farce. Phoney Stark is back as the facilitator of the omiai between Miss Ayumi and Kei. Since he is basically in charge of the military, he orders them to protect the bride and groom from terrorist threats (read: B-ko, who is back on a rampage to steal Kei for herself). This provides cover for the defense force to mobilize against a massive alien fleet that is approaching earth (circumventing the cowardice of the commander who bailed in the previous film).

A-ko is, for her part, is also trying to wreck the wedding, again leaving C-ko feeling abandoned; in fact, her crybaby friend begins to fear that A-ko and B-ko’s love of fighting is going to turn into feisty romance, leaving her alone. When it turns out the fleet is helmed by C-ko’s long-lost mother, C-ko decides willingly to leave. (We are led to believe that Ayumi is tied to the aliens, but that turns out to be a fakeout.) A-ko and B-ko fail to take her back, only for C-ko to unceremoniously show up at A-ko’s door the next day, having changed her mind on leaving. C-ko asks A-ko not to fight B-ko anymore, to which A-ko happily agrees.

To be honest, this one might be my favorite of the bunch. Seeing A-ko and B-kos fights become so regular that even their friends see it as just another ordinary morning got a good chuckle out of me. C-ko getting Yuri-goggles was a fun twist that I wish the movie leaned more into. Still, the plot AGAIN is centered around Kei, who is even less charismatic here than in the previous film.

The extras here match what we saw in the previous releases. Would you know that there are a lot of Lupin cameos??

Overall – 7

Project A-ko 4: Final Blu-ray is available on Amazon and Crunchyroll.

 

All in all, none of these films reach the heights that the first film did, and in some cases detract from it (*cough* Kei *cough*). That said, if you wanted to see more bubble-era OVA hijinks chock full of parody, none of these are an awful time.

 

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.