Archive for the Staff Writer Category


How Do We Relationship, Volume 5, Guest Review by Matt Marcus

March 2nd, 2022

It’s another Guest Review Wednesday and we have another great review! Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, such as the JRPG games club podcast Lightning Strikes Thrice. Please welcome Matt back to Okazu!

How Do We Relationship is a story about two college students Miwa and Saeko who learn together how used to date. In How Do We Relationship, Volume 4, the couple broke up over a myriad of problems around communication and personal hang-ups, but despite lingering feelings they try to go back to being friends.

Just by looking at the cover of How Do We Relationship, Volume 5, you know you’re in for some shit. Gone are the big smiles, playful antics, and instruments of the past; they have been replaced by a disheveled Miwa, her hair grown out haphazardly, looking forlornly into the middle distance.

This volume has a theme: self-centeredness, selfishness, and greed. Almost every principle character displays these traits in varying degrees of severity and the effects of their actions ripple out until they become ship-wrecking waves.

Saeko, in what feels like a passive-aggressive move, casually pushes Miwa to reach out to her high school crush, Shiho, and confess her feelings. When the two former classmates reconnect, they make plans for Miwa to spend two months visiting Shiho in Okinawa. 

There is a lot I can say about Shiho because she is fascinating. When she first appears in How Do We Relationship, Volume 3, you wouldn’t be blamed for expecting her to merely be the love rival that forces Miwa to make a firm, definitive decision on to whom she will give her heart. As it turns out, she is a much more complex character. Yes, she managed to escape from the traumatic environment that was her family home, however she continues to bear scars from her upbringing. Tamifull does a wonderful job portraying her inner struggle and how it leaks out into the rest of her life: she lives in a barren apartment and wonders why it freaks out her friends; her previous romantic relationship ended due to her lack of interest; she doesn’t feel a need to fall in love, yet she is still working out her feelings towards Miwa while sending very mixed signals. What is crushingly sad is that she not only doesn’t know what she wants for herself, she doesn’t even know how to want. You will think that her ultimate decision about Miwa is cowardly–and it is–but she needs more time to heal and grow. I am hoping we get to see it. Regardless, the trip sends Miwa into a tailspin.

This puts her on a collision course with Saeko when school resumes. I mentioned in my previous review that Saeko’s behavior could be a barrier for some readers, and I think this volume offers the ultimate test of that. There is a moment towards the end of the volume that truly stunned me. I won’t spoil it, but it will send shivers down your spine. It may even disgust you. It’s a high risk move and we do not see it payoff before the volume ends, but I simply have to credit Tamifull for constructing a scene that packs such a wallop.

I haven’t mentioned her yet, but Saeko’s coworker Yuria takes on a larger supporting role and she’s still a delight. Not a lot of depth to her, but she’s a breath of fresh air given everything else that’s going on.

Out of the previous volumes so far, this one is the most consistent in tone. The focus has tightened and it benefits the storytelling because it gives more space to explore the internality of the characters. I will say though that I am still confused about what Tamifull is trying to say with Rika, beyond the fact that she is self-aware about her selfishness.

One major demerit I would give the story is how Miwa expresses a desire for self-harm through neglect that is not taken very seriously by Saeko–it’s melodramatic at best and disrespectful to the severity of the topic at worst. If the story’s direction continued down such a path I could see myself dropping the series, but I have it on good authority that this is the “lowest” point and that things get better from here. It really is about time that Miwa starts showing some serious development because the poor girl deserves it.

On the positive side, I want to give a shout-out to the localization team because I am continuously impressed with the fresh and naturalistic phrasing choices that provide a distinct voice to the characters while sounding realistically like college students.

If you have ventured this far into the series, be prepared for the choppiest waters yet. Despite finding myself emotionally wrung out by the twists and turns on my first read-through, I have found engaging with the characters in repeated readings endlessly rewarding. I’ll be waiting (im)patiently for the next volume which comes out in English this July.

Ratings:

Art – 8 Some great paneling and nonverbal expression.
Story – 7 Heavy, less funny, but still engaging. Docking it one point for overplaying its hand with Miwa’s meltdown.
Characters – 9 I love what they did with Shiho and Saeko continues to be compelling.
Service – 1 Sex is still present but it is not played for service.
Yuri – 9 / LGBTQ – 7 One door opens while another seemingly closes, so on balance it’s a wash.

Overall – 8 This continues to be a unique and engrossing yuri series.

Erica here: Thank you Matt for covering this volume so thoroughly. I can guarantee that everything will be different (for the better) now. and I’m so glad I can talk about this series again!
 




Young Ladies Don’t Play Fighting Games, Volume 2, Guest Review by Luce

February 9th, 2022

It’s Guest Review Wednesday on Okazu and again we welcome back Luce for continuing coverage of Eri Ejima’s school life series!

In volume one, we met Mitsuki Aya, a girl who had given up fighting games prior to joining a posh game-banning school on schloarship, and ‘Shirayuri-sama’, a girl who is highly revered for her poise and elegance… And just so happens to love fighting games! The two embark on matches together, but their previous safe haven had been locked. They can game outside at the weekends if the weather is good, but that’s not good enough!

Thus, in volume two of Young Ladies Don’t Play Fighting Games, we see them try to find a place indoors where they will be able to game. There happens to be an empty room with a broken lock, but just when they think it’s safe, there’s a knock on the door… The Dormitory Affairs Committee!

The second volume is as daft as the first, but we gain some teammates. One isn’t so good at fighting games – or rather, has become disillusioned with losing to online players, and they set her to training. The other craftily joined the committee so she could have a single room and therefore game to get hearts content. Those closest to the law, and all. With the four of them in one of the Dorm Affair senpai’s room, they are free to game. And game they do. Surely that lack of sleep has got to catch up with them?!

Amusingly, who we thought was called Shirayuri-sama… actually isn’t called that at all. It’s a nickname unwillingly given to her by the gushing school girls: she’s actually called Yorue Mio, and Aya’s agreement to use her name makes her pretty happy, but also opens up rumours around school that they might be dating. We have in-universe yuri shippers. This flies over their heads because they’re far more concerned with mentally strategising about beating each other to a pulp (in their fighting game).

There is a lot of fighting game talk in here. I’ve never played fighting games, but I have played some other games, so some concepts are more foreign to me than others. For the people not in the know, there are notes peppered around if something can be easily explained, but at the end of each chapter, there’s a more thorough debrief of the concepts included, so you don’t feel too alienated by the talk. It’s actually nice to see someone doing a manga around something they are clearly passionate about – and choosing to do it with notes helps with not having heavy exposition laden text. I applaud that decision, as conversation flows better, and means we don’t have to have the token newbie who knows nothing like usual. 

The art, as ever, cracks me up. It feels very real to have two teenagers complaining that they’re going to die if they can only game at the weekend. It’s actually really nice to see those tumultuous emotions not applied to romance. As for romance, clearly their schoolmates think they’re dating. They clearly aren’t, and I’m on the fence, but it’s so self-aware of it looking like a romance that I could probably see someone getting together at least. Maybe those senpais…?

I’m enjoying this series a lot more than I thought I would, starting out. It’s ridiculous, but in a good way.

Story – 7 (now I think about it manga about girls gaming feels kind of rare?)
Art – 8
Service – 3? Aya is in a bath, but it’s never purposely salacious.  
Yuri – 5? The in universe shippers certainly think something is going on, but some frames…
Overall – 9

I think this is actually one of my favourite new series coming out at the moment! I’m looking forwards to more. Next time: a tournament! Looking forward to seeing how these girls practice and sneak out of school for that one. 

 
 




Double Your Pleasure Yuri Anthology, Guest Review by Luce

November 24th, 2021

A cropped header of the cover of Double Your Pleasure Yuri Anthology. (I have used the cropped one as the full image whilst not explicit, is not really safe for work)

I’m Luce and often my curiosity gets the better of me. See also: I read and reviewed it so you don’t have to! Gave Erica a break, anyhow. You can find me on the Okazu discord as farfetched, and on tumblr as silverliningslurk. Onward, at your own peril.

Double Your Pleasure is an erotic yuri anthology based around twins, from authors such as Naoko Kodama who has done Days of Love at Seagull Villa. I think this is what they call ‘Dead Dove content’, also known as ‘does what it says on the tin’. I don’t know if I was expecting anything different from what I got, to be honest.

This review could be as short as: a series of twins having sex in various places. That’s pretty much all this is. If that’s your thing, then it’s great. I do find twins interesting… but not so much in this context. As far as I’m aware, sibling relationships are much more common in Japanese media than they are in English media, as are teacher-student relationships. I don’t know why – someone more versed in Japanese culture might be able to comment more thoroughly on it – but for some reason, they seem to go down a treat, at least with enough people to get published. I somehow can’t imagine something like this being published in the western world, but this made it here, so presumably there is some demand. I could possibly guess the type.

To be honest, where a third party was included it was a bit more interesting to me, but the focus on twins being so obsessed with their differences felt quite odd. Maybe it was low-hanging fruit, but nearly all of the stories featured twins either trying to be exactly the same, or very focused on the few things that they matched in. I’m not a twin, so I can only imagine that it probably is something they are concerned about to a degree, but I feel like most twins (I happen to know two separate triplets, too) I know don’t like being compared, and are no more interested in their siblings than non-twin siblings.

Basically, this is a fetish-catering manga. There is a lot of focus on nipples, and the sex is shown. The preview on Bookwalker has one full short story, and it’s about the same from there. One of the ones that particularly irked me was a story where two twins are very different… but their weights are the same. Why? Because the one tries to match her intake and output to the other. Loosely linked to binary stars?

Basically, if you’re into it, you’re into it, and it does what it says on the tin, and does that pretty well. If you’re not, you’re probably reading this with a sense of horror. If you’re curious, read the preview on Global Bookwalker, (with an 18+ warning to click through) and if you hate that, it only gets better in the sense that the rest of the book isn’t quite as non-consensual. Oh, did I mention that? In the first story, the twins get annoyed that someone can tell them apart and force themselves on her as punishment. It’s my least favourite… not that I had any favourites. I won’t be reading this again.

Ratings:

Art – 7 – mixture of artists, all fairly decent.
Story – 1: twins have sex, sometimes someone else is included, in one it was a dream. I think.
Characters – 2 – few characters have any depth beyond ‘I’m obsessed with my twin and this correlates to sexual activity with them’.
Service (level of salaciousness) – 10. Lots of sex. Every story. Dead dove content, if you will.
Yuri –  10, I mean. They’re all explicit yuri, so…
Overall – 4.

Thank you to Seven Seas for the review copy. I’m off to read something a little more wholesome.

Erica here: Thank you Luce, for once again stepping in to give us a solid review of this jiggly collection.

For my part, I was merely sad that none of the creators tried to do something interesting with the premise. Like, an astronaut returns fall in love with another astronaut of a space station and they find they were separated at birth…or something. But as you say, this is “a series of twins having sex” so, if that’s a reader’s thing, then that reader ought to like it.  ^_^





Young Ladies Don’t Play Fighting Games! Volume 1, Guest Review by Luce

November 17th, 2021

Cover image of the manga Young Ladies Don't Play Fighting Games by Eri EjimaI’m Luce, several time reviewer here and long-time book collector who is very much a tsundoku exhibiting person. I’ve been reading my manga though, including this one, a small gem from Seven Seas who are probably my new favourite company. Not that I really have those, but they do a lot of Yuri. I’ll ignore some of the other series they do. Anyhow! I can be found on the Okazu discord as farfetched, and on tumblr as silverliningslurk. Ready, fight!

In Young Ladies Don’t Play Fighting Games, Mitsuki Aya is one of the only new students in Kuromi Girls Academy, a prestigious private school, attending on a scholarship. She’s trying her utmost act as ladylike as the other (mostly rich) girls in the school, but none more so than Shirayuri, the epitome of elegant grace and another new student. At least… That’s what everyone thinks, including Aya, until she catches her late at night not only playing fighting games, but violently trash-talking the person she just trounced. Outing herself as a gamer to Shirayuri accidentally, Aya is asked to join a match, but she’s given them up – or at least, tried to. Aya’s own previous obsession with fighting games and a new-found rivalry between the two aside, there’s a big problem here – all games are banned at the school!

It sounds ridiculous. It kind of is ridiculous. It clearly doesn’t take itself too seriously, with the name ‘Shirayuri’ (literally white lily) being pointed out in the translation as something incredibly flowery and a highly unusual Japanese name. But it’s good. The way that Shirayuri flips on a coin from a lovely girl held on a pedestal to someone downright crass is funny, and some of the responses to things that Aya says are hilarious. For example, Aya starts saying how she eschewed fighting games to become a ‘proper lady’ and all this noble speak… And Shirayuri basically responds with ‘wtf you talking about, fight me’.

That’s pretty refreshing, honestly. Shirayuri clearly has no intention of leaving something she loves to fully become the mask she portrays everywhere else, and doesn’t see why Aya is so hung up on this ideal. They have several virtual matches, which are pretty well drawn and narrated as such by Aya’s thoughts, breaking down her predictions and actions in a way that feels pretty smooth and close to what I feel like a slow motion fight scene would feel like. They get caught… and their escape is just as ridiculous and funny as the reactions. The series flips quite well between the elegant lady aesthetic and a caricatured ugliness of real emotion. The mangaka does both quite well.

As for yuri, well, I’m not 100% sure that it will be yuri, but if it is, it certainly won’t be something fluffy like Girlfriends. They’ll be fighting all the way along. But some of the scenes and panels on their own make me feel like this series could well go on a yuri-ish direction. There is clearly a lot of idol worship towards Shirayuri that could lean that way, but even other than that, some of the art just makes me think this will be yuri. Natsume, Aya’s roommate, clearly thinks they’re together. I mean, Shirayuri, her name aside, is introduced with lilies in the background. Bookwalker told me it’s yuri, so I’m going to believe it, since it feels too self-aware to not be.

Next volume, they decide they have to find something safe to game inside. I hope Aya comes to a revelation that she can enjoy things and be elegant, or just… enjoy things and not worry so much over what other people think. I’ll be looking forward to it.

Art – 8 – does both pretty and grotesque quite well. The comic violence in and occasionally out of the in-manga game is good.
Story – 6. It’s ridiculous. I have questions. But it’s fun.
Characters – 8
Service (level of salaciousness) – 2? Aya is in a form-fitting turtleneck at one point, but that’s about it, and it’s not played for anything. It’s also not a male-gaze type of form-fitting. The skirts are not magic, either.
Yuri – 4. For the moment.
Overall – 8

My questions are mainly: how many first year students with long white hair can there possibly be, and how can you be (presumably) that loud and not get caught. It’s not meant to be serious, so they’re not serious questions. I also want pg115 on my wall, it’s glorious. Other than that, check it out!

Erica here: Thank you very much for this fantastic review. I hope you’ll all take this chance to pick up and enjoy this silly story. ^_^





How Do We Relationship, Volume 4, Guest Review by Matt Marcus

November 10th, 2021

Welcome to another Guest Review Wednesday on Okazu. I am so delighted to introduce a new Guest Reviewer here today for so many reasons: Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, such as the JRPG games club podcast Lightning Strikes Thrice. Finally, after me waiting patiently to have someone to talk to about this…here we are at last. There will be spoilers in this review and let me tell you, I am so relieved! Please give your attention and a warm welcome to Matt!

How Do We Relationship is a story about college first years Miwa and Saeko who, once they learn that they are both attracted to women, decide to date. Last we saw them in Volume 3, the lack of open communication had continued to strain their relationship, leaving Saeko troubled over her standing with her partner while Miwa is tempted by the reappearance of her old high school crush Shiho.

There is no sense being coy about it: How Do We Relationship, Volume 4 is where the girls break up. Saeko had been using sex as the panacea for her insecurities, but troubles in the bedroom, coupled with confronting the reality that Miwa harbors deep romantic feelings for another woman ends up straining her to the breaking point. Miwa wrestles with guilt over her conflicting attractions and tries to cling to the relationship but to no avail. The two agree to stay friends, however it is clear that Miwa believes that she carries the sole blame for the end of their courtship.

The fulcrum on which this series balances is how tolerable you find Saeko, and in this volume we see her at her worst so far. She starts to seriously lose control of the defense mechanism that she developed after her traumatic experience in middle school–the facade of a carefree and kind partner. It is not until late in this volume that Saeko finally has a moment of emotional honesty, voicing some of the ugly thoughts and fears that she had been repressing–but not with Miwa. If you have seen or experienced this emotional playbook, this can be a tough read. I want to root for Saeko to grow and truly heal from her past, but on the flip side she hurt Miwa quite badly and has yet to even acknowledge it. The sole consolation I have is knowing that with seven volumes currently out in Japan, there is quite a bit of runway for her to turn it around.

I have focused on the heavy stuff, but like the rest of the series the emotional drama happens around character-driven shenanigans with mixed results. A particular low note are the couple of chapters that focus on group singer Mikkun and Saeko working around the former’s jealous new girlfriend, which does little to drive the plot forward and rehashes the “straight cis man has a crush on a lesbian” beat from Volume 3. In a story with quite a large supporting cast, I would have liked to see a little more character development in their subplots.

As for Yuri/queer content, this volume pushes things ever-so-slightly forward, with the final chapter opening the door for a couple more queer relationships to develop. Another noteworthy element is the reappearance of Kan, the “villain” of Volume 2. It is hard to say for sure from what little we see of him, but he may have started letting go of his internalized queerphobia. At the very least he comes off as less of an unrepentant asshole (heavy emphasis on “less of”).

I have always appreciated Tamifull’s art, particularly the outfit designs and instruments. On occasion it can be disorienting (for example, second year Mozu–who already looked like a dead-ringer for Miwa but with light-colored hair–reappears with black hair just to make things more confusing for two pages), but I found the tumultuous energy accurately reflects the free-wheeling nature of one’s first year of college. When it counts, Tamifull knows how to visually punctuate an emotional moment or punchline (shoutouts to the Pound Cake Face).

All in all, I found these chapters challenging but rewarding. If you have found the messiness of the story and the characters compelling thus far, this volume really delivers on moments that will have you screaming internally the whole way with some heartrending lines to boot. Other than a small tease of a flashforward near the end, I have no idea where the next movement will take this series, but I know that I will be tuning in for it.

Ratings:

Art – 8 Has a few standout moments in the series so far.
Story – 8 A little uneven at times but lands the big moments.
Characters – 7 Compellingly infuriating.
Service – 3 There still is sex, however it is less of a focus compared to previous volumes
Yuri – 9 / LGBTQ – 7 Someone actually says “lesbian” out loud; unfortunately, it’s Rika.

Overall – 8 A challenging but rewarding read.

Lastly, I have to give big props to Tamifull’s very cheeky reveal in the author’s notes. You will clearly see what they meant if you flip back to Chapter 1.

Erica here: Thanks very much Matt!

OKAY. Now that you have all caught up I need to say this. Saeko and Miwa always were a terrible couple. I’m glad they broke up. You all were cooing over them in Volume 1 and I was up to Volume 3 chanting, “Break up, break up, break up.” ^_^ In fact, if they hadn’t, I was going to stop reading, because Saeko’s jealousy was intolerable to me; traumatic experience or not. I can assure you this, I am about to dive into Volume 7 in Japanese and 1) I am still reading and 2) this is a completely different, (dare I say, much better) story now.

Volume 5 is slated for a February release in English and everything (including the cover style) is about to change.