Archive for the Yuri Anime Category


Top Ten Yuri Anime of 2012

December 26th, 2012

Before we get started, I remind you that this is my opinion and no more authoritative than anyone else’s. It’s also my interpretation of the words “Top” “Yuri” “Anime” and “2012”. ^_^ As always, you are most welcome to disagree with me in the comments. I also invite you to share *your* top Yuri Anime for the year in the comments.  Okay then, let’s go!

10) Magic Knight Rayearth, Second Season – Damn, it was good to see this newly reissued by Media Blasters. Yuri is minimal, but Nova’s interest in Hikaru is just obsessive and persistent enough to make this list. There are some great moments in this series and until someone re-issues Card Captor Sakura, it’s nice to have a DVD release of an early CLAMP series.

9) Koihime Musou Otome Tairan – This sucked, but compared to the other two seasons, it was a work of art. Sonsaku and Koukin are a couple, so there’s actual Yuri.

8) Hidamari Sketch x Honeycomb – While they are still in no way – other than in fans’ minds – a couple, the creators of Hidamari Sketch Honeycomb have at least realized that we like to imagine them that way and have added more Hiro x Sae service to the series. It even looks like they’ve got Hiro cluing in to her (oh-so-obvious-to-us) feelings, leaving only Sae as utterly unaware of how together they are.

7) Yuru Yuri – Not as record-shattering here as it is in Japan, this slice-of-no-life series is popular enough to have the second season streaming on Crunchyroll. Kyouko likes Chinatsu, Chinatsu like Yui, Ayano likes Kyouko and Chitose likes to fantasize about all of them.

6) Jormungand  – Yes, it’s about people who sell arms and kill people. It’s violent and nasty. But it’s also not at all coy about Valmet’s feelings for Koko and for that, it bumps up even further in my estimation. Plus its loads of fun. Streaming on Funimation.

5) Rose of Versailles – Currently streaming on Viki, you really should be watching this. Ground-breaking, award-winning, historical drama (something that rarely gets made into anime) this series set a lot of bars very high for…well, everything. Oscar cross-dresses beautifully and the girls go wild for her. There’s even a real bit of Yuri in there, small though it is. Honestly, go watch it.

4) Revolutionary Girl Utena – Rewatching the Apocalypse arc was, for me, a climactic moment. I still can’t believe we got the anniversary set. And the ring. Amazing series, amazing artboxes, amazing everything. Simply amazing. Once again, it says something that this is *not* my number one pick this year.

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3) Dear Brother – It was a  “holy crap!” moment for me was when Viki announced streaming this series. Dear Brother was a linchpin moment in my anime-watching life, a moment when everything else peeled away and I couldn’t catch my breath as Saint-Juste threw knives at the clocktower wall. I am beside myself with glee that you can all watch this series. Even if you don’t like it, if you care “about” Yuri, not just like Yuri pairings, you really need to watch this series. Like, Rose of Versailles, without this series there would have been no Utena.

 

2) Puella Magi Madoka Magica – I don’t have anything left to say about this series, except it is absolutely, positively worth watching.

In speaking to Bruce about it, I commented that the sign of a good series is that it holds up under repeated scrutiny. I have scrutinized the heck out of this series which streams on Crunchyroll (and still have a rewatch of the anime DVD release ahead of me) and the series holds up very well indeed. Above all, the thing that Madoka has that so few anime do, is that it tells a story from beginning to end. No unresolved issues, no threads left hanging. It ends and it ends well. In any other year it might be my number one pick, but not this year. ^_^

No, this year one series stood out for me above all others. It got me on one of my oldest hooks, and one of my newest, and a whole bunch in between. My number one top Yuri Anime of 2012 is…

 

1) Bodacious Space Pirates – Fun Space Opera – check. Great characters – check. Pirates in space – check.  Fabulous female characters. – check. Low fanservice – check. Great sweeping epic stories – check. Yuri – check!

Captain Marika and her crew are characters I loved spending time with and will be delighted to spend more time with. I can’t wait for the DVD/Blu-Ray release of this series. An amazing dark horse series all around. Jenny and Lyn for the win.

My number one anime of 2012 is Bodacious Space Pirates, available on Crunchyroll and in 2013 on DVD and Blu-Ray from Section 23.

For the first time ever in the history of this list, every single one of the entries is available in English. ^_^ Now that’s a good year for Yuri!





Funimation Licenses Jormungand, Ikkitousen GG, XX and more

July 1st, 2012

The news is in from the Funimation panel at Anime Expo – Funimation has secured the rights to Ikkitousen GG and XX and Jormungand. They have also licensed Michiko to Hatchin, which was a really interesting anime that kind of slipped under most people’s radar and Blood-C among other titles. For the full press release, check out Funmation’s site.





Nozomi/RightStuf licenses the Aoi Hana anime

June 30th, 2012

Fresh from their panel at Anime Expo 2012, Nozomi/RightStuf announces that they have licensed the anime for Shimura Takako’s Aoi Hana: Sweet Blue Flowers.

Originally aired on Crunchyroll, fans have long wanted to have this series available in English.

TRSI also added Hyakko, an anime based on a 4-koma gag comic that some Yuri fans liked, despite no overt Yuri. ^-^

Here’s the video trailer for Aoi Hana on Youtube via ashi.





Yuri Anime: Revolutionary Girl Utena Movie/Adolescence Of Utena (English)

May 28th, 2012

Included with the third Revoutionary Girl Utena box set from Nozomi/RightStuf is the Revolutionary Girl Utena Movie: Adolescence Of Utena.

I credit this movie, specifically, with being the beginning of my “career” as a spokesperson for Yuri. Because of my interest in the movie, my discovery of a Yoshiya Nobuko reference in the movie manga, and my interest in the literary and artistic references drawn upon for the series, I ended up being invited to present this movie at the Frameline Film Festival in San Francisco, the British LGBTQ Film Festival and the Tampa LGBTQ Film Festival back in the early 2000s. I was able to meet and interview Ikuhara Kunihiko at Big Apple Anime Festival and because of this movie, CPM was an early sponsor for Yuricon events. I have a lot to thank this movie for. Not least of which is for being a fantastic movie.

It is a fantastic movie, with extraordinary visuals, and two of the most spectacular scenes I have ever seen on a screen – the dance on the dueling ground, and the castle car. As much as I consider the TV series a more subtle and sophisticated creation, its the movie I watch more often.

I find I have never once published the intro I gave this movie a decade ago when it first came out in English, so rather than explain to you what I said, here is the actual intro I gave the film, in front of hundreds of people who liked anime and the series…and thousands of people who had no idea what the hell they were getting in to.

In 1994, on Sundays at 7 PM, the Shinjuku Ni-chome, Tokyo’s gay and lesbian district would come to a screeching halt. Why? Because for the first time ever, Japan was watching a lesbian couple on their TVs, as part of the popular animated series, Sailor Moon These characters, Sailor Uranus and Sailor Neptune, were very clearly portrayed as a couple – with personal issues to work out, as well as greater ethical dilemmas – all within a framework of defeating the Monster of the Day as sailor-suited magical heroines.

The director of that pivotal season of Sailor Moon had instructed the voice actresses to play the characters as if they were a married couple. In 1997, that same director Ikuhara Kunihiko, along with veteran comic artist Chiho Saito and the creative team at Be-papas, turned their sights once again to the “magical girl” genre of Japanese animation. The result of their collaboration was the wildly popular series Revolutionary Girl Utena.

This 39-episode television series utilized symbolism from earlier popular shoujoai or, “girls love” series – character designs and settings, were inspired by pioneer of shoujoai, Ryoko Ikeda’s Rose of Versailles and Brother, Dear Brother. Ikeda herself had incorporated imagery into her works that were established at the beginning of the twentieth century, by lesbian author Yoshiya Nobuko. Yoshiya’s Flower Tales set the standard for girls’ literature, and ultimately girls’ comics and animation, as well. Yoshiya was also responsible for the creation of the “shoujoai” genre with her story Two Girls in the Attic, another story whose themes and imagery echo strongly throughout the Utena series.

What you are about to see is the movie based upon the earlier television series. It was not meant to be a resolution of the series, it was meant to be a reflection of it – the same story as seen through a slightly distorted lens. The movie highlights the conventions of Japanese animation, even taking them to extremes. The subtle surrealism of the television series has been left behind and replaced with overtly surreal elements, a non-linear narrative and perhaps most confusing, scenes that are wholly dependent upon knowledge of the television series. What does this mean to you, the viewing audience? Well, it means that the best way to view this movie is to simply let it wash over you, like the roses over the dueling ground.

What significance does this movie, this cartoon, have for gays and lesbians? Many Japanese – as do many Americans – see comics and animation as being just for kids. But as we know, as we breathlessly waited for Willow and Tara to kiss on Buffy, the Vampire Slayer; every image, in any media, is progress. And with gay and lesbian youth, images that appear on television or in the movies have an even greater impact. This movie, like the television show it is based upon, adds one more positive image to the library.

In the United States, Yaoicon was formed to increase awareness of the portrayal of gay men in Japanese comics and animation, while at Yuricon, we’re focusing on our own line of translated and original comics, and next year will be holding a ground-breaking event in Tokyo to celebrate lesbian stories in Japanese animation and comics with their creators. We at Yuricon firmly believe that our support, our creativity and our energy will bridge the enormous gap between fans here in the West and in Japan, and feed back into Japanese lesbians’ and gays’ efforts at being recognized openly.

And with that hopeful thought, I’d like to present to you, Revolutionary Girl Utena: The Movie.

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We did hold that event, and we have continued to bridge that gap. I’ve traveled the world, spoken on several continents about Yuri, presented movies and manga and anime to people in hundreds of countries through this blog.

As I watched the movie this weekend – again – I’m reminded that in many ways, it did give us the power to Revolutionize the World. How cool is that? ^_^

Ratings:

Overall – 10





Revolutionary Girl Utena Anime, Volume 3, Disk 2 (English)

May 10th, 2012

This is where the “Apocalypse Arc” of Revolutionary Girl Utena starts to get rough.

First, we have to watch Juri being run roughshod over; offered every single possible outcome except the two in which she can be happy.

Then there’s Akio’s seduction of Utena which, no matter how you slice it, is repulsive.

And last, while there had been a distinct hint of incest about Akio and Anthy since the beginning of this arc, in this disk it is made plain, not so much to shock us (speaking for myself, there is little else Akio can do to make himself more repulsive than he already is) but to shock Nanami. Which leads us to one of the most amazing things in the entirety of this series…when Nanami calls Utena dense.

Think about it.

Nanami has been presented to us, from the very beginning, as naive, selfish and quite dense. For her to stare at Utena in disbelief and scream “Are you dense?” is a pretty amazing moment. In three words, Nanami says, “I’m not perceptive and I just came to this place and I can see what is really going on , but you – you who have been here for a while – you’re blind and deaf and since even *I* can see what is going on you must be denser than a bag of doorknobs.”

I consider this to be one of the most profound moments in this arc.

Terrible things await, and we can feel it. Everything is contracting around Utena, like spiders just about to pull their silk tight. We can feel it, but we can’t predict it. When it comes, it’s going to hurt like no one’s business.

Ratings:

Art – 9
Story – 10
Character – 9
Yuri – 4
Service – 5

Overall – 10

I have two disks left to watch and I fear them. Only one thing drives me forward into the next disk…I’ll tell you what it is when I get there.

Quick reminder, the third Utena box set contest is still ongoing and will be until I make myself watch those last two disks. Send in your entry for a chance to win the third set plus smexy Duelist Ring!