Archive for the Yuri Anime Category


Top Ten Yuri Anime of 2007

December 22nd, 2007

Writing “Top 10” lists is *always* hard for me. This year’s list was especially difficult – while there are more Yuri characters and stories in general, there’s less this year that can be identified specifically as Yuri. But I did want to get this done before I left for Japan, so here we go. :-)

Let me remind you that these choices are my opinion, and based on the series that I watched over the past year. Chances are there a zillion series you think are Yuri-er, but here are *my* choices for the year. It’s almost guaranteed that most people will disagree with me. lol

I have split the list into 5 Japanese and 5 American releases, to allow me to cheat a bit. :-) Without further ado, the Okazu Top 10 Yuri Anime of 2007! Yaaaayy!

English Language

4) Tied for 4th (no, that’s not wrong – ties eliminate the lower position) are Burst Angel and Strawberry Marshmallow:

It’s true that neither series is particularly overt in their Yuri, but it’s “obvious” to us that Meg and Jo are an item, and I and many others remain convinced that Miu is a Evil Psycho Lesbian-in-training. Burst Angel has fights, Strawberry Marshmallow has funnies, and both have characters that this lesbian thinks are “friends of Yuri.”

3) Coming in 3rd for their English-language releases are My HiME and My Otome.

The Yuri is, perhaps, laid on a bit *thicker* through the translation choices and in any case, Shizuru still has the hots for Natsuki, Aoi and Chie are still a couple, Erst wants Nina and Tomoe has her eyes on Shizuru. Among a bazillion other slashable HiMEs and Meisters.

2) In 2nd place, after long consideration, I choose you Simoun:

For still having a terrific Yuri-esque setting, complex world and for keeping me glued to my seat for the entirety of every episode. This anime series remains a must-see, not only for Yuri fans, but anyone, anywhere, who enjoys animation as an art form.

And in first place…

1) Kashimashi Girl Meets Girl:

The setup was ridiculous, the ending even more so, with forays into the utter trite, tedious and absurd. But. The story is about three girls and their love triangle and it remains about three girls and their love triangle right to the very last, very Yuri, kiss.

It’s a one-two punch for Media Blasters, with their initial Yuri anime offerings this year, so congrats to them! (Unintentional, I assure you. It didn’t even occur to me until just this second.)

Japanese Language

5) In fifth place, we have the laughably awful Kyoshiro to Towa no Sora:

This story was a complete recycling of many of the most popular fetishes from previous Kaishaku stories. Kaon and Himiko were the token Yuri couple, trapped in a dysfunctional Yuri triangle with Mika. And yet where, at the end of Kannazuki no Miko, we have no reason to believe that Himeko and Chikane will live happily every after this time, we *see* that Kaon and Himiko do. Yes, yes, it’s crap. I still say fifth place.

4) No “Top Ten” list of mine is going to go by without at least one of the Maria-sama ga Miteru OVAs on it:

Yumi waking Sachiko up in her summer house, Yumi enjoying Sachiko in her Gakuran, Touko dancing in the boy’s role to dance with Yumi, Kanako engaging in a little light stalking, Rei and Yoshino running side by side in the hakama race and Sei. You don’t see Yuri? Fine. I do. Fourth place for every second we spent grinning as Panda Yumi and Sachiko embraced for ever.

3) Moving quickly into the final three comes Blue Drop:

Partially because there was damn little to choose from this year and partially because it’s excellent, I have to include this wonderful and all-too-short series. The girls are charming, Hagino had the greatest pickup line ever in the history of the universe and the love-love was about as overt and out as we can ask for and still get it on TV.

2) Let’s give some Yuri loving to El Cazador de la Bruja:

In this final entry in the “girls with guns on the run” trilogy, Bee Train and director Mashimo set intensity and angst aside, enjoyed a few tacos and had some fun. Because Ellis loves Nadie best when her eyes are shining, El Cazador de la Bruja comes in second.

No surprise here I’m sure, when I say that my choice for the best Yuri anime of the year is:

1) Magical Girl Lyrical Nanoha StrikerS:

Fate, Vivio and Nanoha make a wonderful family and I simply don’t care what anyone in the entire universe argues – I know a big, pluffy bed of lesbian love when I see one.

So Kashimashi and StrikerS, best Yuri anime of the year here on Okazu!

Come back tomorrow for the best Yuri manga of 2007!

Note to those of you who are writing in about Candy Boy. It was vile. It was never even vaguely considered for the top anything. fyi)





Yuri Anime: Noir, Volume 6

December 19th, 2007

May 5, 2005. That was the date I reviewed the first translated volume of the now-classic Noir. And I’m *still* not done reviewing this series. lol Don’t want to rush things, ya know?

It’s a testament to the genre’s growth in the past two years that it’s taken me so long to get around to Volume 6. (Check out the Noir category on the sidebar for the other reviews.)

My first thought, upon pulling this down from the shelf where it lives was to wonder how it would hold up in my post-Madlax, post-El Cazador de la Bruja brain. It’s a testament to the series that I found it as enchanting, as exhilarating and as entertaining as I remembered it being the first time around. When I have a weekend where I have time to take myself off-line for three days or so, I’m going to marathon them all in a row just to see what a head-to-head comparison leads to. ^_^

In fact, Noir was so good, that I found myself taking notes to remind myself of the things I wanted to mention here. I wrote them down in no particular order and they will be relayed to you with the same randomness as I conceived of them. ^_^

The sound of a shell being ejected from a gun is a sound that fills all three of the “girls with guns on the run” trilogy. It’s almost, in a creepy way, comforting to hear it. Ah, we’re in a Bee Train series about women who kill things. Ahhh…

Volume 6 provides us with as much of an explanation of the internal political situation in Soldats as we’re going to get – and it’s a good place to realize that Altena is pretty much barking mad. One half of Soldats is about the power and money, very Illuminati-esque, and Altena, cracked as she is, wants to destroy the world for its “own good” and return to an 11th century “purity,” using the two maidens who embrace sin. Um, yeah, sounds great, uh gotta go, look at the time… All I’m saying is that Altena, Friday Monday and Rosenberg in a room together would rival Sartre’ for surreal conversation.

The one thing I thought was exhausting was that Chloe was there at the horrible past event that, when both Mirielle and Kirika remember it, pretty much changes nothing, except for their ability to be honest with one another. Please. Mirielle’s house must have been crawling with random people wandering in and out or something. Cats, kids with guns, donkeys, etc,….

I also noticed that Chloe’s eyes are really small and suspicious, like adults typically have, but her worldview is surprisingly naive and childlike. In contrast, Kirika’s eyes are huge, like the typical little girl, but her worldview is very scarred and bitter and adult.

In Volume 6, you can actually pinpoint the moment where everything unravels. Kirika begs Mirielle to kill her now that they know the “truth,” since that was what they had promised. Mirielle fails to do so. Kirika interprets Mirielle’s failure as a form of punishment, forcing her to stay alive and face her crimes. Mirielle inteprets her failure as a weakness of spirit when all it is, really, is that she’s grown to care about Kirika.

From this point, Kirika erroneously decides to embrace her fate as Noir, since she believes that Mirielle has rejected her. Mirielle is grasping at trying to put some meaning on her failure to keep their promise. When she reads Kirika’s farewell letter, she realizes what it means, and it gives her strength to go after Kirika.

Which brings me to the letter. “Daisukina Mirielle” it reads, which the translators translate as “Dear Mirielle.” Which I think is fair, although I really would have preferred, “My dear Mirielle,” as encompassing a slightly more intense, but no less ambiguous, feeling.

As I’ve mentioned here many times, Bee Train has publicly said that if you want to see Yuri in Noir see it. If not, don’t. I know that Yuri fans want commitment from the creators of anime so that we can point to a series and say “See? This is *Yuri*!” which is why Strawberry Panic will always be popular. Noir is not that series. But whether you see Kirika’s letter as an admission of love love, or of friend love, it’s still a nice letter and a great scene.

Interestingly, the liner notes for this volume include a little essay on Yuri in Noir. Overall it gives a fair assessment, considering the Yuri as part of fan parody, the fans playing with this series. The conclusion drawn is, basically – feel free to have a little fun with the characters and if you see Yuri, go ahead and see Yuri. It interests me to note that Bee Train and the director felt like they could “have a little fun” with the characters in El Cazador themselves, and make the Yuri a little less ambiguous while they were at it. ^_^ As if they were heeding their own advice.

The other extra of note was an interview with one of my all-time favorite seiyuu, Hisakawa Aya, as she discusses voicing Chloe and her relationship with the other voice actresses. I clearly have to go back and watch the extras for earlier volumes that I completely missed. Duh.

Ratings:

Art – wildly inconsistent from 4-7
Character – 8
Story – 8
Yuri – 5
Service – 1, but I can’t actually think of much

Overall – 8

The other thing I wanted to mention is that joining conspiracies is definitely the way to go. All the Soldats, Enfant and Leviathan folks seemed to have been pretty successful, so there’s obviously some kind of lesson in that. ^_^





Yuri Anime: Project ICE OAV

November 18th, 2007

Let’s get this out of the way, shall we? ICE sucked. It was so “wtf” that it quite defied description. And the sad part was that I could see where they were going with it (except for a few key things like, say, the plot) but it was so shoddy from beginning to end that it was hysterical. I laughed until my stomach hurt.

Let’s see if I can even begin to explain what happened.

…

Nope.

In 1982 a woman with big hair and animated in a 1982 style gets hit by a truck.

In the future when all the men are dead, the women have apparently all become crazed lunatics (gosh, we really suck without men, huh?) and inexplicably dress like refugees from Rose of Versailles.

The ICE of the title is a commodity, a virus, a weapon and a giant translucent shell wrapped around a maid. Oh yeah, and a hope for the future!

Stuff happens and monsters appear and people run around and shoot each other and the monsters, and there’s a ball in the middle of everything, then the monster’s mother shows up and everyone dies.

There’s some Montague and Capulet politics in there, but seriously, no one cares.

Our protagonists are Hiromi, a eyepatch-wearing seasoned warrior with Big Ass GunTM, and Yuki an annoying girl from (of course) the opposing house, who has quite possibly the worst voice actress ever.

The writers of the OAV seemed to be laboring under the assumption that they are Gainax, so the entire, mostly inexplicable, end was lifted from Evangelion – and that was after the big space fight that was lifted from Star Wars.

There was pretty much nothing good about ICE. The premise was okay, but as I’ve said a few times recently, pretty much every premise has *some* potential. It’s how anything is executed that makes it good or bad.

In terms of execution, ICE bit. The animation was heavy-handed and pretentious, the characters were a joke, the plot was barely developed and complicated with meaningless scenes that were never given any real relevance, the voice acting was seriously bad and well…the best thing was that the giant piece of CGI at the end that attacked was helpfully labeled on the defenders’ screen “Mother Monster.”

Yuri. It’s a society of all women. So of course the most prominent lesbian is the evil psychotic one. Duh. Julia was amoral, hedonistic and animated by the “B” team.

Our protagonists developed a strong bond (although where, I’m kind of a loss to say – they were together for a few hours, tops.) And out of the blue, right before she died Murasaki confessed her feelings to Hitomi.

…

Ratings:

Art – 5, except for Julia, who was a 2
Characters – 4
Story – 4
Yuri – 5
Service – 2, but god help you if you found something titillating in this

Overall – 4

I keep getting people asking me what they missed and the only answer I can come up with was, “that it was a crappy anime, done by talentless people on a low budget.” You got a better answer, I’d love to hear it.





Yuri Anime: Kashimashi Girl Meets Girl, Volume 3 (English)

November 15th, 2007

Today’s review was brought to you by the kindness of the good folks at Media Blasters, who also inform me that the street date for the second volume of Simoun is February 26, 2008. Something to look forward to in the depths of the winter blues. ^_^

I need to warn you all before you continue reading – today’s review is going to be chock full of GIGANTIC spoilers. I want to be able to talk about the anime without having to be clever or coy or anything else. If you have somehow managed to avoid all the spoilers for this anime and don’t want to know, read the next paragraph and then skip down to the ratings so you get my overall impression, without details. Otherwise, I’m gonna blab like an intoxicated sailor on leave. (No offense to sailors, it’s just a stereotype…for pity’s sake – you *know* what I mean!)

Kashimashi~ Girl Meets Girl, Volume 3 was a challenge. I had to remind myself over and over to not take it seriously in the least, and as that simple mantra sank in, I began to enjoy it more and more. I don’t for a second think it was *good,* but you know, it was very entertaining – and that’s pretty much why I watch anime. Entertainment that is entertaining – what is this world coming to?

Here’s the super fast recap of the plot, with links to my previous reviews:

Volume 1: An alien spaceship slams into a heartbroken and rather effeminate (but not gay…yet) boy who stands alone on a mountain. The aliens are mortified by the subsequent death of the boy, so they bring him back, but they can only do so by changing his gender. Since he was so girly, no one really seems to care much. And since she still likes girls – in fact still likes the girls he liked as a boy, she is now quite gay.

Volume 2: Both the girls, who had feelings for him as a boy now realize that they have even stronger feelings for her as a girl. Yasuna, the feminine stereotype, admits to having started liking Hazumu when he was a boy, but since she suffers from Yuri-itis and cannot see men, now that Hazumu is a girl she is free to love her wholely. Tomari, the tomboy stereotype, acknowledges that she has always loved Hazumu and despite the fact that he is now a girl, she’s prepared to love her anyway since Hazumu is still Hazumu. Maybe moreso now. We also learn that Hazumu suffers from the SPCD decideritis and cannot make a decision, to the point of it being pathological. Yasuna and Tomari agree to keep it like this between the three of them – them loving Hazumu and being friends with one another, so Hazumu can remain uncommitted and they can all relax for a little bit.

Volume 3 begins with that falling to pieces almost immediately. Shocking, I know. Instead of the group date Hazumu had planned, only she and Yasuna manage to go to the new aquarium. Tomari ends up shipping out to track-and-field camp with the team, where the other girls have a little fun teasing her gently about her relationship with Hazumu so she can be all tsundere, for thems as like that sort of thing.

Yasuna and Hazumu decide to bring Tomari’s souvenir to her directly. This takes them to the station near the training camp, where the first big crisis occurs. A conductor, trying to be nice to Yasuna terrifies her instead, so Hazumu runs over to hold her until she calms down. It is of course at that moment that Tomari sees them. And her world, which was pretty comfy ’til right about then, shatters – not because of Hazumu, but because she thinks can’t trust Yasuna anymore. I found this sort of interesting – Hazumu was essentially absolved of any culpability in this. As if she, not being able to make a decision, is also therefore completely susceptible to external manipulation. (Shoganai – it can’t be helped, being Hazumu’s basic response when anyone asks her about anything.) Which is actually quite true. Hazumu comes off here as naive, a little bit feckless and ragingly selfish, as Ayuki will point out later.

In retaliation, Tomari takes Hazumu out for a walk, takes her hair down (which Hazumu had previously said made her look more feminine and mature) and kisses her. Of course Yasuna sees this and now she feels betrayed – again, not by Hazumu, but by Tomari.

Their house of cards having quickly crumpled, things fall apart completely. Yasuna’s SPCD gets worse, so that she can no longer see anyone at all. Not even in pictures. She is alone in a world full of ghosts. Hazumu, Tomari and Yasuna, having been drawn together now are as far apart as they can be. Frustrated by Hazumu’s inability to *do* anything, even the aliens start to pack up and leave.

There is no doubt that this crisis was handled with significantly less subtlety here in the anime than in the manga. But, in keeping with my determination to not take the whole thing seriously, let’s call it a handwave and move on.

It’s at this point that Ayuki steps in. With a cold, hard dose of reality, she is the only one who blames *Hazumu* for all this. And thank goodness for that. She unerringly puts her finger on the problem with Hazumu’s nature – that in her selfishness in wanting to have her cake and eat it too, she remains passive and lets other people be hurt, rather than taking any responsibility at all.

Spurred by Ayuki’s scolding, Hazumu talks to Tomari about her decision, then finds Yasuna, who is about to leave town, and says that she wants to be together with Yasuna. Magically, her faith in humanity and Hazumu restored, Yasuna recovers.

Now, up until this watching, I have always said that this choice was the right choice for the wrong reason. I hereby completely contradict that and say it was the wrong choice for the wrong reason. Hazumu’s reason boils down to a form of extortion by Yasuna. “If I don’t go to Yasuna, she’ll be sick forever. She needs me.” And boy oh boy, plenty of women really DO use that line of reasoning to stay in dead-end relationships. “Who else will take care of him/her? S/he needs me.” (This is where I reminded myself, yet again – aliens, Erica. Talking spaceship. Church in the sky. Let it go.) Incidentally, if we are paying attention, we realize by now that it wasn’t Hazumu at all that Ayuki likes, but Tomari. I still think that originally, the mangaka was planning on it being a harem thing and decided to not go there by the time the series ended.

Which brings us to the end of Episode 12 in which Yasuna pops over to Hazumu one day with an enigmatic, “You know what?” which is then passed onto Tomari.

As I mentioned the first time I reviewed this series, I know I’m not the only person who hoped that it was a request for a threesome. I still think that they could have made it work. IF I was taking this seriously, which as you know, I am not. ^_^

Episode 13, the DVD extra episode, takes place several months after episode 12. They say 6 months, but that can’t be right. Training camps are usually during summer vacation, in August and Ep. 13 takes place at Christmas, which makes it four months later. Not that I’m taking this seriously, or anything.

We learn through flashback that what Yasuna had to say to Hazumu at the end of Ep. 12 was that she was breaking up with her. For all the right reasons. Yasuna has decided to walk on her own, as she puts it. The right decision – for the right reason. Hazumu, however, fails. Instead of walking away and learning to deal with this, she hares off and asks Tomari to be her girl. Tomari does the only sensible thing possible, she ignores Hazumu and walks away, because otherwise she’d have to slap her upside the head and say, “What the hell kind of idiot thing are you thinking?” Which also would have been in character, but also would have made Episode 13 impossible.

Unwilling to confront Hazumu about this insulting and untrustworthy request, Tomari simply freezes Hazumu out. It seems inexplicable behavior until Tomari coherently explains that how on earth was she supposed to trust Hazumu, when she was still waffling back and forth like this? Unsaid, but no less obvious – that Hazumu was willing to use Tomari as a rebound to dull the pain of a breakup. I don’t think Hazumu ever quite grasped that that was what she did. I know *I* wanted to smack her upside the head and say, “What the hell kind of idiot thing are you thinking?” but since I wasn’t taking this seriously, I didn’t. Well, maybe I muttered it a bit.

Then the stupidest thing in the world happened – the aliens came back and on Christmas Eve (which you know in Japan is for lovers, right?) they make a giant Cathedral appear in the sky where Hazumu and Tomari “get married.” This was well beyond idiotic, just like a boy being killed by a spaceship and being turned into a girl is. In other words, if we’re watching this and taking it seriously, we’re the idiot here, right? I realized at some point I was grinning like a dope. Why? I think because it was *entertaining* and I felt *entertained.* That and because I’m a big dope. :-)

People HATED Episode 13. Yasuna fans, for the obvious reasons – even though she came off as the best character in the series because of it. Tomari fans because…well, beats me, Tomari fans all seem sort of pointless angry all the time. And anyone with a lick of sense because it was *stupid.* Giant floating cathedral, sleigh ride across the sky, etc, etc. ^_^

But seriously – aliens, remember? This was NEVER supposed to be taken seriously. It was a silly plot, with a silly set-up and a silly love triangle with a silly ending.

The extras with the volume are some interviews with the seiyuu, in which they have nothing really to say, but I enjoy listening to them say it anyway. In the final interview with the three lead voice actresses, I found it very amusing that they all decided that it would have been better if Hazumu turned back into a boy, because as it ended, things might become difficult when they got older. They were all pretty concerned by this. Both Tomari’s seiyuu and I originally though that Hazumu would be returned to boy form and the story would just keep going as the love triangle. Surprise on us, huh? I can’t say I’m sad to be have been totally wrong about that.

Last thing of note – in this volume the translator has everyone in the series refers to Hazumu as “she” – except Tomari, who still is tranlated as using “he.” Since in Japanese they tended to use the genderless “aitsu,” I have to assume that was done on purpose.

Ratings:

Art – 7
Story – 6
Characters – 7
Yuri – 9
Service – 6 It had calmed down from the beginning, but suddenly towards the end, someone developed an obsession with Tomari’s ass.

Overall – 7

It was stupid. I liked it. That’s entertainment.





New Season Autumn 2007 Yuri Anime: Blue Drop

October 29th, 2007

I am typing today from the airport, where from time to time the PA erupts in loud screams and ominous music. I can’t help but wonder if someone thought that was a funny idea for Halloween. Call me crazy, but I think it’s in extremely bad taste.

Yuri anime this season is very thin. There are several series with touching that can be willfully misinterpreted (Minami-ke, Shion-no-Ou) and there’s conjecture in both English-language and Japanese forums that two of the women in Dragonaut are a couple. I haven’t watched that, so I have no impression either way.

Of all the anime that I am watching this season, only one can really be thought of as being “Yuri.” I reviewed the first volume of the Blue Drop manga a while back. I never reviewed the second volume because it was fairly unpleasant. Yes, it was Yuri, in the sense that most of the relationships were between females, but since most of the relationships were non-consensual underage sex, I declined to review it…or even to own it.

Blue Drop: Tenshi-tachi no Gikyoku takes place a thousand years before the events of the Blue Drop manga.

New transfer student Mari, is introduced to class president, honor student and classic Japanese beauty Hagino, and all hell begins to break loose. Hagino strokes Mari’s face tenderly, then tries to strangle the life out of the newcomer. Clearly, something is up.

In subsequent brief touches, both Mari and Hagino are blasted with confused memories and images…that is, these are confused and disordered to Mari, but Hagino, who is not what she appears, seems to know exactly what they mean.

Hagino, as it turns out, is an alien commander of a big assTM spaceship. She appears to be content to have her ship hidden in the bay outside the school, until a bigger boss in a bigger ship pretty much demands her to appear front and center. Hagino leaves school to take her place at the helm of her ship and the plot begins.

Yuri for this series is of the infatuation/obsession sort between Hagino and Mari, an a priori tragic love, and Micchi, who is clearly writing a Mari x Hagino slashfic in her spare time. :-)

Since the moment of their initial encounter, both Hagino and Mari are obsessed by one another. Mari is, understandably, confused (and a little turned on, if you ask some fans) by Hagino’s murderous response to her handshake. The fact that she can see Hagino talking to a girl who is glowing, translucent and alien (and who calls her commander,) and giant ships is not clarifying matters much. In fine tsundere fashion, Mari claims to loathe Hagino, while always watching her. Hagino, obviously, at least knows *of* Mari and has some clue to her lost past. But she is no less obsessed by Mari, even going so far to transfer so she can be roommates with the new girl. Is it Yuri? Let’s see, a relationship built on guilt and denial? Sounds like lesbians to me. ^_^

In other news, we meet Azanael on the Major Commander’s ship, a woman who flashes back to her lover saying goodbye some time ago, assumably before the “event” of some years previous. Azanael’s lover never returns, we have already gleaned from Hagino’s guilt-ridden imagination. So, when she sees Hagino, Azanael leaps into her expected role as Psycho Lesbian. I like that we’ve skipped the relationship part of this relationship right to one lesbian dead, one psycho. Saves time in the long run, since we know that’s where we’d go anyway.

Hagino has already defied orders to save Mari, and they have touched once more – this time without complication, so most Yuri fans see this one as a done deal. I’m a bit more skeptical, as TV anime does tend to live in the realm of plausible deniability. Even with some mostly obvious Yuri in the original manga, I’m not sure how much we’re likely to get in this series. (I tend to begin watching anime with some skepticism, so that I can be pleasantly surprised, rather that beginning with expectations and being disappointed.)

I have no doubt that Hagino will go above and beyond (and probably against) her duty to be Mari’s savior. And I have no doubt that in the ensuing events, the two of them will bond and grow close. Will there be something like love? Probably. Will there be something like a lover’s relationship? That remains to be seen.

Ratings:

Art – 7
Story – 7
Characters – 7, except for Micchi who is clearly us – 8
Yuri – 4
Service – a mercifully low 1

Overall – 7, with hope that it will get better.

Oh, and for special for me there’s Yanki girl Nakajima Akane, with classic banchou-style ever-present stick in her mouth. I so hope that that character type gets popular once more. ^_^