Archive for the Yuri Anime Category


Yuri Anime: Noir, Volume 4

October 19th, 2005

Get Noir, Volume 4 on the Yuricon Shop!I rewatched Volume 4 of Noir in the post-Onna! “marathon of watching and reading things non-stop so I don’t have to talk to people” fest. It’s quite good. And remarkably bad.

Let’s get the plot complication stuff over quickly…the first two episodes are designed to make Mirielle and Kirika seem more human. I think. In the first episode of the volume Kirika befriends an ex-mercenary turned painter and takes up painting herself. Mirielle warns her away from befriending anyone, but Kirika persists, with tragic results. In the second episode, we learn yet another little piece about Mirielle’s past and, if we are not entirely clueless, will come to realize that this is not just “making Mirielle seem more human” but really a hint that her past is quite relevant to the story. Think about it – Kirika has no past and we never, not really, try and figure out who she is. But little by little Mirielle’s family, and their fate, keep popping up, over and over and over….

In any case, this attempt by Mirielle to recreate an old relationship fails in a slightly more tragic way than Kirika’s attempt to make friends. In Kirika’s case, the guy is killed more by circumstance than anything else; in Mirielle’s case, she actually pulls the trigger and kills her beloved uncle.

The second two episodes are ridiculous. I love them, but if they were disappeared the story as a whole would not suffer one iota. A Chinese Tong sends a irresistably goofy assassin to take out Noir, (she kills with poison nails…and wears a fashionable leather jacket, all at the same time!) with predictable results. This is the mini-arc in which we see Kirika’s magic bullet shield on full – she kills about 40 people and not one of them manages to so much as graze her with a scathing look.

But, let’s let that all go and talk about the Yuri. In Volume 4, where Kirika obsesses about a guy and Mirielle about her uncle? Why, yes, now that you mention it.

This one was easy – watch Mirielle react to Kirika’s new hobby. Neutral, a little amused. Then watch Mirielle react to the cause of the new hobby…open jealousy, baby. I never noticed it the first time, but Mirielle spends the entire rest of the episode *bristling* when she thinks about Kirika spending time with that guy. Great voice acting from Mitsuishi Kotono there – she sounds deeply irked and bitchy. ^_^

Then we have the other half of the equation – Mirielle returns with the news that her uncle is in town, yay! Kirika would, assumably, be annoyed, yes? Something to take away from the well-oiled machine that is Noir? Nope. She’s pleased as punch that Mirielle has regained this link to her past. Why – because she can see how happy this has made Mirielle.

Now add those two little things up. They equal a relationship. Not, perhaps one between lovers, but certainly one between people who care, a lot, for each other.

Now, Bee Train has already said about Noir that if you see Yuri, it’s there. I choose to see a relationship that is beginning to leak past professional into personal.

And because, for some reason I cannot fathom, some people like Chloe, I’ll also mention her stalking Kirika to Hong Kong as a sign of her obsession about the other girl. But I strongly feel that the vibe is one-way. While it’s clear that Chloe sees Kirika as her perfect future partner, I don’t get the sense that Kirika even sees Chloe as a an existence, really. Her mind is on her partner *now*. And from my perspective, it stays there…except in the bits where they brainwash her. But I’m getting ahead of myself. ^_^

Ratings:
Art – 6, it’s horribly inconsistent from scene to scene
Story – 7
Characters – 7
Music – 9
Yuri – 5

Overall – 7 and a great way to pass a gloomy Sunday afternoon. On par with a decent kungfu flick. ^_^ There was something terribly important I wanted to say here, but now I’ve forgotten what it was. Oh well.





Yuri Anime: Ichigo Mashimaro

October 13th, 2005

Why on earth do I find Ichigo Mashimaro so appealing?

It could be the talented voice cast, or the sheer insanity of the non-plots, or Miu’s pleasantly sociopathic worldview, or the goofball situations, or even the incredibly sticky opening theme. Any of those things is enough.

But I think ultimately,that its just that its so darn *cute* that really wins. And don’t think that that doesn’t irk the daylights out of me! It does – I hate being swayed by cute. I maintain myself as the anti-cute reader, a single point of pessimistic darkness in the world of moe/loli Yuri fandom who think two cute girls snuggling equals Yuri.

And yet…

As much as I don’t want to think about it, this series *does* have Yuri. Miu is clearly crushing on Nobue. I don’t see Nobue actually having desire for any of the kids, but this series is probably the best example (certainly the least gross) of moe, I’ve ever seen. Nobue’s affection for Matsuri and Ana has all the qualities of moe. She clearly has a need to protect, and desire to snuggle, them like a kid with stuffed animals.

But for me, the real attraction is Miu. She’s barking mad and happy to be it. Nobue and she have enough in common that the resulting tension moves the story zippily along and is darned fun while doing so.

Ratings:
Art – 7
Story – 8
Characters – 8
Music – 7
Yuri – 7

Overall – 7.5

Really, talking about this series doesn’t cut it. Just watch it and laugh. There, that was easy.





Yuri Anime: Stellvia. Volume 5

September 16th, 2005

The reason this review took so long to get to was simply that I had a really hard time finding this volume! Amazon had it on backorder and at Otakon, not a single vendor had a copy by the time I got to go shopping. It was really irksome. (Amusingly, at the Geneon booth, the sales guy tried to sell me Vol.6, but I kept saying I wouldn’t get it until after I had Volume 5. He was like, “But you’ll need it eventually.” ^_^)

Let’s get right to it, shall we? This volume has a lot of good things, but I’m about to start with the bad.

The art. Where do noses go when they aren’t on faces? Is there a graveyard of lost anime noses? The art is *so* inconsistant in this volume. The older characters are fairly treated, but the main characters…ecch. It definitely looks like we had more than one group doing the art – and one of them sucked. Specifically the group handling Shima and Arisa.

There’s a scene in the second episode (which otherwise has better art than the first) on the volume where the girls are teasing Shima about Kouta. Shima and Arisa are all over the room, while the background characters are all stock still for nearly the entire scene, with fixed faces. Obviously, they didn’t bother animating anyone who wasn’t absolutely necessary. And it looks it. Awful, awful, awful.

The other major bad thing is Kouta. He’s heading into major idiot savant mode and from this point on, I really don’t like him. He’s so…removed…about people, and about Shima in particular. So while she’s growing, and trying harder and harder to reach him, he’s just being a nothing. But he’s a main character, so we have to watch him being a nothing all the freakin’ time! It’s downright distressing.

But that’s about it for really, really bad.

On the good side, all the little relationships are starting to mature – there’s a fair amount of time given over to taciturn Akira and runty Jojo. The volume starts them off on a rough foot, but they really get to spend some quality time onscreen. And along the way, they have a couple of short, but quite meaningful and interesting, scenes. With really good dialogue and everything.

There are some moments in this volume that approach excellent – particularly the political fragmenting of the humans involved in the different aspects of this “war.” People who feel its necessary vs people who feel its a plot by the military, vs people who think its a hoax, vs people who think war would be fun. With our current situation here in the US, it reads as quite realistic.

The most well-executed scene is towards the very end, when the war becomes a reality for our young characters. Seeing a battle, in which “our” forces take a thorough and fatal beating, through Shima’s eyes is quite painful, even as it is exceptionally well-executed.

For our Yuri couple, Yayoi and Ayaka, there is only one scene towards the beginning – but it’s a good one. ;-) With a short, fanservicey, flashback to when they originally met, we get a tearful and emotional reunion between them. Otherwise they are never seen together…but later when Arisa teases Yayoi about Pierre (who has a openly-acknowledged crush on her) Yayoi basically says that he has no chance. Everyone laughs and moves on. They know he has no chance – they just think it’s cause he’s a doofus and Yayoi is a lady.

Ratings:
Art – yucky to not too bad
Story – fun, interesting, emo
Characters – real
Music – doo-doo-doo

Overall – just watch it

In general, this volume is good, solid space opera fare. The aliens are bugs, humans are torn over what to do, and the kids…are kids. All in all, a good story that stays good with ocassional moments of excellent and awful.





Yuri Anime: Madlax, Volume 3

September 12th, 2005

Madlax, Volume 3 Sometimes you get a craving and nothing but sociopathic women with guns can fill it.

Volume 3 of Madlax is both wonderful…and frustrating. Wonderful, because all the connections start coming together, leading you forward towards who knows what. It’s also frustrating for the exact same reasons – you keep feeling like everything is going *somewhere* but you’re just not getting quite enough info to piece it all together.

For me, the volume is very satisfying, as it focuses primarily on the character of Vanessa Rene, whose efforts to find out exactly what’s going on bring her into contact with Madlax, and with Enfan, thus knitting together the three great variables in the story: Who is Madlax, and how did she get those mad assassinatin’ skillz; what on earth is Enfan’s relationship to the civil war in Gazth-Sonika; what does Margaret have to do with any of this?

None of these questions is answered, of course – but Vanessa actually articulates the first two – and the third is implicit in the storyline. Bee Train isn’t giving anything away in this anime, we’re going to have to work for our payoff here. When I watched this part the first time around, I was skeptical that we would get *any* payoff, but now I know we will, and I’m content to let the story play itself out.

In writing the above, I just realized that watching Madlax is a bit like watching a play by Chekhov – you have to let the characters repeat their particular bete noir over and over until the threads all ravel and it begins to make sense. You can’t rush it, or guess what will happened/has happened. You just have to wait.

On the yuri side, I love this volume for what it doesn’t say. There’s still the weird vibe between Vanessa and Eleanor, which makes me think that they slept together, but don’t have a “relationship” per se. Eleanor would be hard work – her focus is so single-minded, that to make her notice her existence, Vanessa would have to do something irrevocable and awful. Vanessa ain’t no dummmy – she lets whatever is between them stay as whatever Eleanor makes it.

When she meets Madlax, its obvious that Vanessa is resonating to something within her – there’s an obvious desire to connect with this mysterious girl, and maybe protect (or perhaps treasure) her a little. There’s a very, very slight yuri feel there, but I think that’s because they are strangers and Vanessa doesn’t yet know who/what Madlax is or how to approach her. I don’t have any difficulty in believing that Vanessa would sleep with Madlax, if she thought that would be a good idea for them both. We know, with 20/20 hindsight, what the thing she feels in Madlax is, but as she doesn’t know herself – and never does learn – it leaves an interesting edginess between them.

As for Madlax, she clearly sees the relationship between her and Vanessa as a mirror image of Vanessa’s interpretaton: she’s the prince protecting Vanessa, the princess. We’ve already seen that Madlax isn’t afraid of sex and, once again, I think Madlax could well sleep with Vanessa, if she felt that it was the thing to do.

Will they, do they? I don’t think so. But that edge between them is fascinating and titilating.

And there’s Rimelda. This volume could be entitled “The birth of an obsession” and I think it’s a beautiful thing. ^_^ I’m not usually fond of obsessive relationships, but again, I know what’s coming and this one works for me.

Ratings:
Art – 5. It’s very inconsistent, with that BT tendency to have really bad people on top of really lovely backgrounds
Story – 8
Characters – 8
Music – 8
Yuri – 6, with loads of possibility

Overall – 8.

Madlax is a story that remains intriguing and fun, as long as you don’t need it to “make sense.”





Yuri Anime: Battle Athletes Victory, Volume 6

August 18th, 2005

What the heck are you doing, Erica? I can hear you scream. You have a house full of BRAND-NEW interesting Yuri from Japan, and yet, here you are, reviewing some ancient, hoary old series, which has been available for *ever.*

Well…yes, you are correct. Because I felt like it. ^_^ Let me point you to my review for Volume 3, from back in June. I refer you to that post because, for the most part, if you replace the word “Ichino” with “Kris”, this would basically be the same *exact* review. Which says a lot general crappiness of the writing for this series. Only every third volume is worth watching, but hot DAMN! its worth watching!

So, in Volume 4 and 5 Akari arrives at the Satellite and finds that she is, once again completely, utterly outclassed. And this time the opposition really thinks she’s a bug. On the positive side, she has met her roommates: Anna, whose story is genuinely tedious, but only half of the unpleasant backstory Anna has in the manga, and; Kris. Yay! Kris Kristopher is really the best thing about this series. Voiced by a woman who would one day shake the Yuri world as Tenjou Utena, Kris is hot in every direction, The cow she brings is an unwelcome “funny” addition to the anime, (as is the candy bar-obsessed “Mister Miracle”, Kris’ coach) but really, in every other way, any moment Kris is on the screen is a good moment.

So, we reach Volume 6, and Kris has become as important to Akari as Ichino was (and, I think, more so.) By the time we’ve reached this volume of the anime, Akari is finally in her “striving to succeed mode”, but she can’t quite get it together, because she’s freakin’ obsessing about Kris all the time. And of course, Kris is mooning about, doing the same.

While Kris and Akari dance around each other, we get to see another Yuri obsession in full bloom – the magnificent Mylandah and her object of desire, Lahrri. Mylandah never even *looks* at her opponents, she’s so intent on Lahrri. We’re not supposed to know that this is a love affair gone bad, yet, so I’ll move on. Suffice to say that Mylandah is delightfully violent and psychotic (and we all know how I feel about that…!) while Lahrri is so focused that she can’t see the forest for the trees. They will develop into the only interesting thing about the final arc of the anime, but at the moment, its all just unresolved tension, that hasn’t yet been revealed as sexual. ^_^

Back on the field, Kris breaks her coach’s rule and approaches Akari, kissing her in front of the entire world. It is a very nice kiss, but still pales in comparison to the manga kiss, if only because in the manga both Akari and Kris throw themselves into it. This kiss is just as public, but it is one-sided and they had to go ruin it with a stupid justification. But there ya go. They kiss.

Oh, and Akari gets better and wins. Bleah.

Ratings:

Art – 8
Story – 6
Characters – everyone other than Akari and “Mr. Miracle” – 8. Akari – 5, Mr. Miracle – 2
Yuri – 8

Overall – 7

So, wait, let me summarize all this: It’s really, really gay. Just go watch it already.