The two most-hated posts here on Okazu are, to-date, my reviews for Candy Boy and Mariaholic. In both cases, my reviews say something like, “sexual harassment and assault against women is gross and if you find it entertaining, you are a terrible person.”
I am prepared for today’s review to join those ranks because sexual assault as entertainment is gross and if you enjoy it, you are a terrible person.
Fragtime, animated by Tear Studio, directed by Takuya Satō, produced by Terada Yusuke, is based on a manga by Sato that ran on Akita Shoten’s Manga Cross website from 2013-2014. The OVA premiered in North America by Pony Canyon at AnimeNYC 2019, with guest Producer Terada and voice actress Ito Miku, who played lead Moritani Mizusu.
The Fragtime OVA has been licensed by Sentai Filmworks and the manga has been licensed by Seven Seas.
Moritani Misuzu (played by Ito-san) is a high school student who has the ability to stop time for three minutes. She stops time in order to look at classmate Murakami Haruka’s (played by Miyamoto Yume) underwear, only to find that Murakami is not affected by the time stoppage. In response to learning that Moritani likes Murakami, Murakami agrees to go out with her…as long as Moritani does whatever she wants. By this, she means that Moritani will stop time only at her request. As the film progresses, we learn that both girls have problems relating to people around them and, as they become closer, they work through those problems. Moritani gains confidence and stops running away from human contact, however, this causes her to lose her ability to stop time. But, as the end of the film approaches, it is clear that this is not a tragedy, and marks a new beginning for both Moritani and Murakami.
The overall plot of Fragtime is not bad, and both acting and animation are adequate. The overwhelming problem with Fragtime is the super-creepy male gaziness of it. (Learn about Male Gaze here and here.) Obsession with women’s underwear is centered as more important than the girls’ narratives. Moritani commits sexual assault because she “likes’ Murakami. Murakami is manipulative and exploitative, Moritani is manipulated and exploited. All of this – every last unhealthy, over-sexualized, underwear-obsessive thing in the story is presented to us as either an expression of “like” or as comedy. The sound of juicy male laughter as Moritani buys a pair of underwear just like Murakami’s made me so upset I stood and almost left. And again, in response to Murakami threatening to break up after misunderstanding why Moritani stops time not by her command, (which Moritani had done to save a friend from mockery) Moritani does not tell her why she stopped time, but instead lifts up her skirt to show the matching underwear. As if that is, in any way, a meaningful act. Or something a woman might do. This time when there was laughter I came close to tears, as a woman’s humiliation is presented as a comedic beat.
The behavior of the lead characters makes no sense. Yes, they both have emotional issues, but nothing they do is sensible. Their behaviors do not fit their pathologies. Their behavior does fit the desire of men to endlessly stare up women’s skirts in the most grotesque way.
When the anime began, the crowd was slightly less big than for the Kase-san premier, occupying just over half the room. No one left at the first upskirt, as we mostly knew that that was inevitable. Apparently I was not the only one who hoped it would improve, because with every subsequent underwear scene, people got up and left. The audience was hovering around half-way filling the room when it ended.
Questions were…not good. It was clear that most people lined up to ask questions without a question in mind. When they got to the mic, it was apparent no real question had come to them. The translators struggled to make sense of the unformed ideas to which they were being subjected.
Most damning was the relative silence of the audience as they left the room. After Kase-san, there was a buzz of conversation as people stood around and talked about how good it was. After Fragtime, there was…nothing. People just left. Fragtime was especially disappointing as Pony Canyon attempted to sell this as another sweet love story, a worthy successor to Kase-san, when it is the opposite. Where Kase-san is a lovely female-gaze story about two nice kids, this is a creepy male gaze story about two broken kids.
Let me be clear – women do not upskirt other women as an expression of “like”. Every woman understands that it is a violation of her privacy and is a form of sexual assault. Women may upskirt themselves as a form of sex work. And, yes, abusive women act abusively. Moritani presumed Murakami could not consent and did it anyway. That is an assault. This was not cute, nor fun nor, gods help us, funny. It is not an expression of like. Almost every scene that involves the time-stoppage is a scene in which someone is humiliated, mostly (although not completely) without any consent.
Because I feel so strongly about the fact that Fragtime is not just an unpleasant depiction of two young women in love, but is actually objectionable, I am going to do something I have never done: No dissent will be tolerated. Do not attempt to defend upskirting or endless humiliating underwear shots (or otherwise whine that I was mean in this post.) Your input in that regard is not welcome. Should you feel that you can discuss Fragtime for other qualities (there were some brief decent moments) please feel free. Under no circumstances will I put up with any defense of upskirting. It is a repulsive act and ought to be subject to jail time.
To sum up, Fragtime is a really shitty premise wrapped around the dark kernel of a completely different story that the creator didn’t want to write.
Ratings:
Art – 7
Story – 2
Characters – 4 but had they been treated with any respect they could have been better
Service – 10 all creepy service
Yuri – 6
Overall – 2 I was hoping it’d at least be a 5, but…nope.
There are two things that really upset me in this life. Exploitation of children and sexual harassment and assault of anyone. This series had both, but did not deal with either. It didn’t discuss anything important and presented the assault as comedy.
I am very sorry for Sentai and Seven Seas, but I cannot and will not endorse Fragtime, it will not go up on the Yuricon Store. It won’t affect their sales, but it I won’t be assisting anyone to buy it. I won’t be linking to it, or reviewing it further upon release.
Chika Anzai plays Kobayashi Yukari, the only other character with more than dialogue in passing and the Kase-san voice actresses have cameos. The best part of the entire premiere was the MC, whose name I missed, who was fabulous. When it came time for questions, she said of Ito-san, “No personal questions, please, I am her mother.” I think I’m the only one who laughed.