Archive for the Yuri Doujinshi Category


Yuri Anthology: Maria’s Wink, Volume 2

February 7th, 2007

One of the more unique things about Japanese copyright laws is the ability for “parody” works to be made with little to no legal consequence. (Of course, that may change in the future, and a recent article about an exceedingly popular Doreamon doujinshi has an interesting example of what can easily be cited as an abuse of the privilege.)

Maria’s Wink 2, is one of a seemingly endless supply of Yuri doujinshi anthologies in existence for Maria-sama ga Miteru. It is available through Amazon JP (click the cover picture or the title link) and/or various manga and used manga stores.

The advantage to a doujinshi anthology is obvious – it’s a collection of many different stories by many different circles. Like ALC’s Yuri Monogatari series, that means that you’ll get a wide variety of art, story and tone. The other advantage is that an anthology will cost a lot less in time and effort than trying to track down all of the original doujinshi individually.

There are some adult anthologies, but most of the ones I picked up in Tokyo this time were “gag” anthologies. Maria’s Wink has a definite Yuri strain running through the stories, but little more than a kiss here and there. Nonetheless, no Yuri goggles are needed to see that the couples are, indeed, couples.

This particular anthology has selections by some circles I quite like including K-Do, and about three whose names are too long and difficult for me to translate, but whose work I have in doujinshi form and really like. (Nice and specific, there, I know. Very helpful….)

What makes Maria’s Wink a good place to start in terms of Marimite anthologies is that there is really something for everyone. Pretty much every popular pairing has at least one story. The obvious soeur couples, and the most popular non-soeur, like Youko x Sei, Sei x Yumi, Yumi x Touko, all are represented. There’s even a Kanako x Touko story. Kei makes an appearance in a few stories (that’s for you, Sean), as does Yuuki, and even Kashiwagi gets a naked cameo. So, really, there’s something for everyone.

In particular Rei x Yoshino fans will like a few of the stories, which really focus on the explodingly cute aspect of their relationship. There’s also a fairly well-known Rei x Yoshino story called “Treasure” that portrays them both as pirates. It’s based on a single line from one of the novels where Rei thinks that Yoshino’s surgery scar makes her look like a pirate. :-) (I find this story appealing because I too wrote [an incredibly silly] story in which the Yamayurikai and friends are pirates.  ^_^) So, as anthologies go, there’s quite a bit to like about Maria’s Wink.

Ratings are variable, but I don’t think there was a story I disliked or art that skeeved me.

Overall – 8

If you’ve always wanted to dip a toe into the vast pool of Marimite doujinshi, an anthology is a nice way to start in general, and this volume of Maria’s Wink in particular. :-)





A Walk through Comiket

December 27th, 2006

Yes. I’m stalling.

I have a perfectly good reason for stalling on the 2006 Top Ten Yuri list. I have no idea whatsoever to put on it. There. I admit it. Happy?

In the meantime, as I stall, I thought I’d walk you through Comiket a bit. Unlike American anime/manga cons, where people feel free to block an entire passageway while they take endless of pictures of people dressed in armor made from Mountain Dew boxes (and no, I am not making that up) at Comiket, one cannot randomly walk around taking pictures. Of course, people do anyway. The exception to the rule is that photos are allowed in the cosplay area on the roof during the hours set aside for cosplay. But I want you get a feel for how HUGE the whole event is. So I’m going to try and walk it with you.

First of all, Tokyo Big Sight. It’s situated at the end of one of the islands built into Tokyo Bay (Babylon Project is not fake, my geek children – it’s been in the process of being built for about 400 years at this point) called “Odaiba.” Odaiba is home to many other things of interest, you can read about some of them if you look for the Tokyo Journal category of Okazu. Fuji TV, Venus Fort, lots of malls…a maritime museum I’ll probably never go to… ^_^

You get off the Yurikamome monorail or the Rinkai train line and follow everyone for blocks and blocks, while you wonder what you have gotten yourself into…and you wonder at the hints of funky clothes peeking out from under coats and think, “Wacky fashion sense or cosplay?”

When Big Sight first appears, it doesn’t looks as big as it is, because you’re looking at it up a set of stairs, so you really can’t see how freaking BIG it is.

I am told that people line up the night before to get in – I can’t imagine why. The line moves pretty quickly and okay, if you’re collecting from impossibly popular circles, there might be some waiting time to get anything, but seriously, with the internet making purchasing doujinshi easier than ever, and me being such a slacker, I think that you’d have to be really mad to line up the night before.

To navigate Comiket without madness, one should get a copy of the catalog, in which is contained the Map of Comiket (This picture is a teeny little piece of the map, showing one of the halls, East Hall 6.) The Map is actually three maps, one for each day. One goes through the catalog, which has all the many thousands of circles listed in little one-inch boxes. Then one marks the locations of the circles one wants to find on the map. Each circle exhibits for one of the three days. So, as big as the place is, you can’t “come back tomorrow”. You buy *now* or forever rue your choice.

The map allows one to navigate a little more easily. Go back to the map picture for a second – notice the teeny little boxes. Each box represents a circle’s table. The tables are about 3′ long. They are arranged in blocks, and the blocks are addressed by letters of the Japanese syllabary and American alphabet.

So, an address will read something like this: East Hall 6, Row “Shi” (Kana), Table 20ab. I marked this “Kana” because the syllabary rows are marked in Hiragana and Katakana. If you can read Hiragana and Katakana, it’s really quite easy to find a circle’s table. (BTW…anyone want to guess what circle has the address I quoted above? I’ll give you two hints – the circle will be there on Sat. Dec. 30 and it’s not Yuricon/ALC. I’ll also tell you this – there’ll be a line.) And if you can’t read hiragana or katakana, then wth are you doing at Comiket anyway?  (Q: How many times can you ask your friend who is studying Japanese “what does this say?” before you get annoying? A: Three.)

Okay, so armed with your map, a pocket full of insane cash, because no, they don’t take credit cards, and a bag to haul your loot back with, you start up the stairs.

And you walk.

Then you walk.

Then you walk some more.

And eventually, after while, you find yourself in something that looks kind of like a mall. Or a space station. Pass through the restaurant area, into this great big straight hall. On the lower floor there are entrances to the East Halls, and the lines snaking out of the ladies’ rooms. You decide to go into a Hall, and you are confronted by something that looks unnavigably crowded.

Go to it friend. Find your circle.

First look at the walls. Notice what section of the syllabary/alphabet you’re in. Find the row you’re looking for, follow the map, or stand there with your eyes whirling in your head. Whichever.

There are 6 Halls that look like that on the East side. ^_^ On the West Side there’s, I think only four in a sort of squarer layout.

Now, remember this – you have, at most, 6 hours to find all your circles. Comiket official opens at 10AM and closes at 4PM. And about half of the circles you want are, of course, in East Hall 6 and the other half in West Hall 2. It just goes like that. ^_^

This is a picture of our own Rica Takashima at the Yuricon table at Summer Comiket 2005. The reason she is not smiling is that it was like 100 degrees out. I’m surprised she’s even talking to me after that. ^_^;

Imagine me sitting next to her looking like I want to die, because jet lag is my own personal hell. That will be this year’s picture.

Did I mention that Big Sight isn’t “inside”? All the halls are open to the elements, although they have some walls and ceilings, they are, by and large, open-air. So if it’s winter, you will be wearing your coat, and if it’s summer, you will be hot.

The corporate booths are upstairs in the Galleria. They have mini-shows and idol/seiyuu appearances and giveaways so its always crowded there.

Now, I mentioned the cosplay area and time. Again, unlike American cons, where young men and women dress inappropriately day and night, frightening the locals outside the con and myself in it, at Comiket one does NOT come dressed up. One goes to the changing rooms at Big Sight and changes, appears in the appropriate location and at the appropriate time, has scores of fanboys take inappropriate pictures that will shockingly appear on the internet and in magazines and then it is over. Of course, this too is a myth and there are many exceptions to the rule. People selling will sometimes dress up in remarkably good/bad/weird/inappropriate costumes. And when I went the first time, two large, rather hairy men were gathering much attention for walking in boldly wearing Azumanga Daioh school unforms. They were dressed as Sakaki and Chiyo-chan…and it still worries me that I knew that.

To find the cosplay area is easy-peasy. Go the the center of Big Sight, the Conference Tower, and get on the unbelievably long line that wraps around itself like an Ouroboros. It will eventually dump you on the roof where you too can pay attention people who like to have attention called to themselves. ^_^

Then you have to follow the long line back down and steel yourself for another bout of buying. It has to be done.

There are quite a few places to purchase refreshment in Big Sight. Most work on cafeteria style, otherwise you’d be waiting as long as the day to get served. But let me tell you, you’ll need the break.

Re-reading all of this, I know I simply have not conveyed how freaking huge this place is. And I’m sorry about that.

I promise to have a Year’s Top Ten tomorrow. Really. Then I’ll see you in Tokyo!





Yuri Manga: Yuri Monogatari to Premiere at Winter Comiket

December 26th, 2006

Yuricon and ALC Publishing are once again proud to announce that they will have a table at the world’s largest comic market, Comiket. We will be premiering our newest 100% yuri title, Yuri Monogatari 4, and for the first time, two of the creators for this issue will be sitting at the Yuricon table. ;-)

You can find Rica Takashima, of Rica ‘tte Kanji!? fame, and myself (who with Kelli Nicely, contributed a story to this issue called “Playing House”) at our table in the West Hall, Row “Yo,” Table 37a. For a fuller list of Yuri Doujinshi circles that will be attending this Comiket, take a look at the Small Call List of Comiket 71 Yuri Doujinshi Circles. The site and the circle’s pages are, yes, in Japanese. Please do not bother being shocked – manga and doujinshi are, after, all Japanese art forms.

I am not sure what kind of computer access I will have while I am in Japan, but if I can, I will certainly post my experiences as I throw as much money as I can at the Japanese economy. Expect the usual mix of bizarre geekiness and extreme paganism. ^_^

I *will* be bringing some good doujinshi home with me to sell at Yuricon’s 2007 “Yurisai” Event, so you too can share in the pleasure of reading really decent Yuri doujinshi by really decent people.

In the meantime, if you can’t join us at Comiket, you can, at least, enjoy “More Rica ‘tte Kanji!?” by Rica Takashima, “Ichigo-hime” by Akiko Morishima and the other great stories in Yuri Monogatari 4 by getting it from the Yuricon Shop, or ordering it at your local comic book, book store or Amazon!.





Yuri Doujinshi Circle: Office Mono

January 31st, 2005

Those of you familiar with ALC Publishing will no doubt be rolling your eyes at the choice of this circle for review. But, the reason ALC chose to translated and print Works was that it was really quite good. :-)

Tadeno Eriko is the primary artist of Office Mono, and I think her art style is clean and easy to enjoy – a nice example of the josei genre of manga. (Josei is manga targeted towards older girls and women.) Like my other favorite authors, Yamaji Ebine and Rica Takashima, Tadeno-sensei does solid artistic work and had a nice depth to her stories.

Office Mono’s series Lavender of Romance tells a series of stories, some one-shots, some with second and third chapters, about a variety of women in lesbian relationships. There are reasonably few schoolgirls in Tadeno’s work – she favors characters that are in the workforce, something that appeals strongly to me. Which is not to say that there are *no* schoolgirls or college-age women in her stories. Another strength of Tadeno’s works are the wide variety of ages she covers – everything from the usual high school crushes to older couples who have been together for decades.

In a nutshell, that’s the real reason I like her work so much – the variety. (That and a single panel in Lavender of Romance 6 where a woman is looking at her half-dressed lover (who is short and stubby, much like yours truly) and sees in her mind an adorable stuffed teddy bear. This is the kind of image that anyone in any releationship can totally identify with, even grumpy ole me. :-) It’s another idiotic grin moment, definitely.)

So if you want to enjoy this wonderful anthology pictured above, you can find it available at the Yuricon Shop!





Yuri Doujinshi Circle: Pasterage

January 29th, 2005

Pasterage is one of those circles that is comprised of a really nice guy who gently obsesses on sweet yuri love. Pasterage characters invariably wear frilly dresses (when not in school uniforms) and the stories are invariably adorable and harmless, with a soft edge of goofy to them. I find myself grinning like an idiot when I read them.

The two characters seen in the above picture meet, not surprisingly, in school. Sayuka, on the right, and Shino, left, have a rocky start to their relationship, as Shino is momentarily infatuated by an Utena-like sempai. And after they become a couple, their hand-holding happiness is likewise interrupted by an infatuated kouhai, but frilly dresses and yuri googly-ness prevail. Shino and Sayuki live forever in frilly yuri bliss.

And really, what more can we ask from a doujinshi? :-)

Again, no ground-breaking efforts (and no sex in the school library…sorry Jen!) from Pasterage, but here is their lovely gallery for you to enjoy. :-)